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78472 Los(e)/Seite
Los 49
Gertrude E Offord (Norwich Art Circle) River scene Watercolour Signed lower left 24cm x 35cm; Henry Sheppard Dale Church Scene Etching Signed in pencil to the margin 32.5cm x 22cm; Arthur Spence An entrance to a fortified town Lithograph Signed in pencil to the margin 15.5cm x 22cm; And a quantity of prints, pictures and a mirror -7 Best Bid
Los 938
Abraham Blooteling (Dutch, 1640-1690), after Sir Peter Paul Rubens Variae Leonum Icones - two young lions playing etching, together with a Bartolozzi print and a print of a Moghul Ambassador (3) 20 x 26cm (8 x 10in) A copy of this print is in the British Museum Department of Prints and Drawings. Unframed. There is a tear to the upper right-hand corner.
Los 956
Juliet de Gaye (British, 20th Century) Grouse shooting on the North Yorkshire Moors hand-coloured etching 57 x 72cm (22 x 28in) Juliet de Gaye studied at the Huddersfield School of Art, the Slade School of Fine Art, London, and the Birmingham College of Art Education. She studied painting with Reginald Napier in Yorkshire in the 1950s, and at the Slade with, among others, Claude Rogers, who was her tutor. It was also at the Slade that she first learned the process of etching with John Buckland-Wright, continuing later with Islwyn Watkins in Birmingham and Hugh Stoneman in Islington – finally starting an etching studio of her own in the Yorkshire Dales before moving to Cambridge in 1979 Condition appears fine.
Los 373
Sir David Young Cameron, RA, RSA, RWS, RE, ROI (1865-1945) "SKETCH ON THE TAY" signed in pencil, published 1908 drypoint etching 5 x 15.7cms; 2 3/8 x 6 1/8in., unframed; and Katherine Cameron (Mrs. Arthur Kay), RSW, ARE, RE (1874-1965) "LOCH NELL, ARGYLE" signed in pencil etching 12.5 x 27.7cms; 5 x 10 7/8in., unframed. (2)
Los 696
A collection of pictures and prints including an early 20th century watercolour of a tavern, signed bottom right G J Dodson and inscribed to mount Ye Old Cat and Wheel, 33 x 23 cm, a coloured etching of Corfe Castle, signed bottom right Cyril Fleming, a pastel study of a team of horses drinking at a ford, a coloured print after Margaret Tarrant illustrating All Things Bright and Beautiful, etc
Los 706
Two portfolios containing a quantity of unframed pictures and prints including an early 19th century coloured plan of London in the reign of Queen Elizabeth, 20 x 50 cm, a black and white etching of Minchinhampton Church, indistinctly signed and inscribed Henry Rushbury, Minchinhampton Church 1913, 16 x 22 cm, further early 20th century etchings of Westminster Cathedral by Edward Burrow, etc together with parchment music sheets, etc
Los 707
A black and white etching of Tenby, signed bottom right John Allison, an oil painting on board of a mountainous lake scene with shepherd, signed bottom right J Drake, a watercolour of Crummock Water, signed bottom right W T Longmire and dated 1892, 29 x 42 cm, a black and white limited edition print of Clifton College, signed John Western, 33 x 68 cm ,etc
Los 714
An interesting mixed media abstract study dated 1953 and inscribed Frau Lingumann and dated 1953, 32 x 39 cm in simple oak frame together with an abstract etching indistinctly signed bottom right Hohm (?) and further inscribed in German and dated 1959, 51 x 33 cm, a black and white etching of an industrial building, a watercolour of a mountainous lake scene and an ethnic style painting of harvesting scenes
Los 718
A small black and white etching by Louis Rosenberg, signed in pencil bottom right with label verso Street in Constantinople, 6 cm square approx, an early 19th century map of the United States published 1817 by A Constable of Edinburgh, 22 x 26 cm, a 19th century lithograph of Cook's Folly looking down the Avon, published by O C Lane, two further topographical engravings, all framed, and a Venetian style wall mirror of rectangular form with moulded and faceted glass and gilt metal frame, 46 x 43 cm overall
Los 757
An oil painting on canvas by Michael Barnfather showing a landscape with farm buildings, signed bottom left Barnfather and dated 72, with Alexander Gallery label verso and a Barnfather exhibition catalogue dated 91, 24 x 35 cm in green and gilt frame together with a black and white etching of a Bristol street scene showing King Street and the Llandoger, signed bottom right Wm Skelling, 23 x 31 cm in simple black frame
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78472 Los(e)/Seite