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Los 1621

Metam Pluckebaum (1876-1945), an etching of kittens, ‘Brother and Sister’, signed, 28 x 24cm.

Los 1705

Rowland Langmaid RA (1897-1957), etching, St Paul’s from the Thames, signed in pencil, 27 x 20.5cm.

Los 121

Graham Clarke (b. 1941) etching and aquatint ‘Dunroamin’, signed and numbered 79/200, plate 43 x 34cm, glazed frame

Los 127

Andrew Ingermells (b. 1956) etching and aquatint, ‘Lost London’, signed and numbered 226/300. 72 x 46cm, glazed frame

Los 130

P. D. Collins (Contemporary) colour etching, Peregrine, signed, titled and numbered 12/200, plate 9 x 13cm, glazed frame

Los 131

Glyn Thomas (b. 1946) etching in colours, Maldon 2, signed and numbered 23/75, plate 26 x 38cm, glazed frame

Los 144

Penny Berry Paterson (1941-2021) colour etching 'Paris Melange', signed titled, numbered 6/50, 21 x 33cm, glazed frame

Los 152

Alan Kennedy (Contemporary) etching in colours, Gedding Post Mill, signed inscribed as titled and numbered 23/95: 45 x 50cm, glazed frame

Los 158

Glyn Thomas (b. 1946) etching in colours, Woodbridge Quay, signed and numbered 59/75, 26 x 39cm

Los 173

Della Chapman (contemporary) etching and aquatint, Back Door 2nd Edition, signed, 31 x 44cm, together with a group of etchings by local artists. (5)

Los 416

Salvador Dali Artist Proof Etching. Pencil signed and "epreuve d'artiste" lower margin. Image Size: 7.5 x 4 in. Overall Framed Size: 24.25 x 20 in. Framed behind glass.

Los 55

Rembrandt Van Rijn, "Pharisees in the Temple" etching and drypoint on laid paper. Partial watermark; Haewood 1366. Signed and dated in the plate upper center Rembrandt.f. 1648. Catalog: Bartsch, Hollstein 126. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense.Image Size: 2 13/16 x 5 in. Overall Framed Size: 15 x 17 in.

Los 262

Salvador Dali, "Don Quixote" Etching. Signed in plate lower right. Framed behind glass. Image size: 6.5 x 4.75 in. Overall framed size: 15 x 12 in.

Los 275

Landscape with Buildings. Signed in Pencil, Dated 18 Sept. 1941 in the Plate. Original Aquatint Etching. Sight Size: 20 x 14.5 in. Overall Framed Size: in. Framed behind glass.

Los 10

DAVID CARPANINI limited edition (11/20) etching - south Wales street, title to margin 'Gable End', signed, 35 x 47cms NB: Located for viewing / collection at Cardiff saleroom

Los 14

SIR FRANK BRANGWYN RA drypoint etching - busy street scene with street vendors, signed in pencil, 27 x 32cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed NB: Located for viewing / collection at Cardiff saleroom

Los 54

ERICA DABORN unique etching - comical illustration of two figures and a very large bird, title to margin 'I Beg your Pardon Mrs Arden, There's a Blackbird in your Garden', 22 x 26cms NB: Located for viewing / collection at Cardiff saleroom

Los 56

VALERIE GANZ limited edition (30/150) etching - four seated miners, title to margin 'Breakfast', signed, 21 x 38cms NB: Located for viewing / collection at Cardiff saleroom

Los 76

DAVID CARPANINI limited edition (5/40) etching - Kyffin II, signed, titled and numbered in pencil, (PL) 40 x 25.5cms NB: Located for viewing / collection at Cardiff saleroom

Los 230

Rowland Langmaid (1897 - 1956), "Tower Bridge", signed etching, housed in an ebonised glazed frame, the etching 23.5cm x 17.5p cm

Los 405

Coastline coloured map etching, "Burlington Bay, Scarborough and Hartlepool. to Capt. Ralph Sanderson, this chart is a dedicated and prefented by Cap't Greenvile Collins hydrog'r to the King, coloured map engraving "A Map of the parish of St. Mary Rotherhith, Published according to the act of parliament 1755 for Ston's Survey", P. Potter, engraved plan. "Lands at Scrooby" (3)

Los 407

Coastline map etching, "Burlington Bay, Scarborough and Hartlepool. to Capt. Ralph Sanderson, this chart is a dedicated and prefented by Cap't Greenvile Collins hydrog'r to the King, The Dispatch Atlas coloured map etching, the River Thames from it's source to the sea, S. Hall, coloured two sheet map etching depicting Scotland, The Dispatch Atlas Orkney Islands and Shetland Islands, J & C Walker map of England and Wales, Francis Young map of England and Wales, S. Hall map of England and Wales, coloured map of The Orkney and Shetland Islands (9)

Los 1527

Artist: Fernando Diaz Infante (Mexican, act.1980s). Title: "Viejos Robles". Medium: Etching. Date: Composed 1984. Dimensions: Overall size: 20 1/4 x 25 13/16 in. (514 x 656 mm). Image size: 13 13/16 x 20 3/16 in. (351 x 513 mm).Lot Note(s): Signed, titled, dated, annotated in pencil, lower right. An artist's proof. Cream wove watermarked paper. Full margins. Fine impression. Good to very good condition. Provenance: Ex-collection Jaled Muyaes & Estela Ogazon, Mexico City. Comment(s): Image copyright © The artist or his asignee. [26890-5-100]

Los 1557

Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Men". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 11 5/8 x 8 7/16 in. (295 x 214 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29181-2-600]

Los 1588

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "The Punt". Medium: Original etching & drypoint. Date: Composed 1861. Dimensions: Overall size: 6 1/16 x 8 5/16 in. (154 x 211 mm). Image size: 4 3/4 x 6 5/8 in. (121 x 168 mm).Lot Note(s): Signed in the plate, lower left. MacDonald's fourth state of six (IV/VI) with the partial removal of the signature and date in the plate, lower left, and with the engraved inscription included. Cream wove paper. Ample margins. A very good, well inked impression. Good condition; two tears in the margins, extending to the platemark but not into the image; mat burn; scattered foxing. Literature/catalogue raisonne: Kennedy 85; Glasgow 82. Provenance: Swann Auction Galleries, New York City. Comment(s): Printed by Day & Son, London. Published by the Junior Etching Club, London. [30080-1-400]

Los 1622

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-300]

Los 1780

Artist: Karima Muyaes (Mexican, b.1960). Title: "Pareja [black and white]". Medium: Etching with sugarlift aquatint. Date: Composed 2000. Dimensions: Overall size: 15 3/4 x 15 7/8 in. (400 x 403 mm). Image size: 9 5/8 x 9 5/8 in. (244 x 244 mm).Lot Note(s): Signed and dated in pencil, lower right; titled in pencil, lower center; numbered in pencil, lower left. Edition of 10 (The color edition was 40). Pale cream wove Arches paper. Full margins. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes's work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17715-0-150]

Los 2153

Artist: Edouard Manet (French, 1832 - 1883). Title: "Charles Baudelaire de Face III". Medium: Etching. Date: Composed 1865. Printed later. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm). Image size: 3 13/16 x 3 1/4 in. (97 x 83 mm).Lot Note(s): Signed in the plate, lower right. Inscribed with the artist's and printer's names, lower left and right. Light cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: Harris 61; Guerin 38iv. Comment(s): Manet was one of the first 19th-century artists to paint modern life and was a pivotal figure in the transition from Realism to Impressionism. [17720-2-225]

Los 1233

Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]

Los 160

D.Y Cameron 'Arran', an etched print, framed under glass, 26 x 13cm together with an etching of fishing boats by William Douglas MacLeod, framed under glass, 14 x 10cm (2)

Los 1003

Alfred Blundell - The Black Poplar, etching, signed and titled in pencil to the margin, 48x31cm

Los 1028

Alfred Blundell - Temple Lock, Icklingham, etching, signed and titled in pencil to the margin 18x25cm, and three others by the artist (4)

Los 1039

Andrew Watson Turnball (1874-1957) - Oatwood Mills, Surrey, etching with aquatint, signed and titled in pencil, 19 x 27cm; together with Leon E Verdier (1866-?) - Pair; Venetian scenes, aquatints, each signed and titled in pencil, 26 x 21cm

Los 1067

Alfred Blundell (1883-1968) - Their Golden Hour, etching, signed and titled in pencil to the margin, 18 x 25cm

Los 1095

Assorted pictures and prints, to include Vanity Fair, topographical etching etc

Los 1096

Assorted pictures and prints, to include amateur watercolours, botanical engravings, Belinda Barnard apple study, nude etching etc

Los 2099

A framed and mounted Trevor Lloyd etching titled 'A Lonely Ruin Tamaki', signed in pencil. 15 1/2" x 12 1/2".

Los 506

Artist: Philip Evergood (American, 1901 - 1973). Title: "Girl with Sunflowers". Medium: Etching. Date: Composed 1965. Dimensions: Image size: 8 1/4 x 5 15/16 in. (210 x 151 mm).Lot Note(s): Signed, titled, and numbered in pencil. Edition of 150. Cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Philip Howard Francis Dixon Evergood was born Philip Blashki, in New York City. [23505-2-225]

Los 547

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme couchée (tournée à gauche)". Medium: Original etching. Date: Composed 1906. Dimensions: Overall size: 7 11/16 x 10 1/16 in. (195 x 256 mm). Image size: 5 1/2 x 7 3/4 in. (140 x 197 mm).Lot Note(s): Signed in the plate, lower right. Small edition. Cream wove paper. Very wide (full?) margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Delteil 15. Provenance: Swann Auction Galleries, New York City. Comment(s): According to “Gordon’s Print Prices” the auction record for another impression of this etching is $7,200 realized at Swann Auction Galleries, New York City, 10/31/2018, lot #258. [30075-2-1600]

Los 327

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Los 424

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Los 431

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): Another impression of this work sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Los 438

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]

Los 451

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

Los 1086

After Margaret Ann Gaug (1909-1994) (American) - 'Thetis' signed artist etching, 4.25" x 1.25", within a maple frame **The work bears a later label verso giving the title, the artist's name and the fact that the etching is a limited edition print 3/21

Los 156

Lot to include a limited edition print, signed, titled and numbered in pencil by the artist, an early 20th century etching after Francis Unwin and one further print, largest approximately 39 cm x 52 cm image size. [3]

Los 1537

A Leonard Squirrell etching print of Wolseys Gate in Ipswich and a pastel of Blickling Hall, both framed and glazed

Los 1040

Alexander Creswell, 'The Quayside, St Vaast, Normandy' signed watercolour, 27cm by 37cm, together with a Piers Browne artist proof etching titled 'Ploughing Shropshire' signed and dated 1977, an E.S Booth watercolour of a seaside cottage, a sampler and two garden views (6)

Los 1044

A Joseph Farquharson print, 56.5cm by 82cm, together with Thomas Sydney (19th century) view of Bamburgh Castle, an Oswald Fletcher etching of Westminster, and a Colin Hunter etching of fisher folk (4)

Los 7032

MARIO FORTUNY: A large set of curtains in coral and taupe with coronets and acanthus leaf scrolls (3 pairs). 282cm drop x 140cm wide approxSome sun fading on some panels to the edge. Mariano FortunyA Spanish fashion designer and early Interior Designer and Inventor born in 1871 in Granada, opened his first Couture House in 1906 in Venice.As a young man Fortuny travelled throughout Europe seeking out artists he admired including the composer Richard Wagner for whom he later did many set and stage and lighting designs including his famous lighting dome. The young Fortuny had many talents : painting, sculpting, architecture, etching, and stage lighting and he patented and registered more than 20 inventions in Paris between 1901 and 1934.The achievements Fortuny is most well-known for were made in the field of Fashion and Interior Design.His Parisian wife Henriette Negrin was an experienced dressmaker who helped construct many of his dress designs and from 1902 they lived in the Palazzo Pesaro Orfei in Venice surrounded by the artwork of his renowned painter father and Fontuny's own collection. He called the Palazzo his "think tank" in which he had many rooms set up for his experiments and inventions as well as inspiration.Fortuny manufactured his own dyes and pigments for his fabrics using ancient methods and he began printing on velvets and silks dyeing them himself and using a press which he invented using wooden blocks onto which he engraved the pattern.His famous pleated dresses the Delphos, the Klismos and the Knossos and his printed fabrics are seen as fine works of art today and are in many Museum and private Collections around the world. His workshops continue to dye and print in Venice , in the Giudecca, as before, and still use Fortuny's secret techniques and specifications . His Palazzo in Venice is a world-renowned Museum.These curtain panels were made in the U.S in the 1960's from fabric purchased in Venice from the Fortuny Atelier and are part of a larger set.

Los 474

William Wilson, by, from a drawing by Pillement, 'Shepherd and Shepherdess', etching; another, 'Le Cordonnier Hollandois', early 19th century etching; the east prospect of Sheffield, a 20th century reproduction, (3).

Los 505

A 19th century rectangular gilt wall mirror, etching panel top, 75cm x 41cm

Los 3088

Sheila Oliver Honeysuckle and Poppiescoloured etching, plate size 29.5 x 30cm, limited edition 9/10 signed in pencil , framed 

Los 3090

Buddha Feng Shuai by Patrice Murciano, along with a watercolour of a badger and an early 20th Century Continental etching 

Los 3035

An etching by EJ Maybery of John Knox's house, Edinburgh, in frame

Los 3148

Framed etching of Nelson with belt buckle made from copper, off Nelsons flagship 

Los 578

Henry Wilkinson - Limited edition coloured etching - Springer Spaniel, 42/200, signed lower right, 32cm x 25cm, framed and glazed

Los 194

Palmer, Samuel, et al., Etchings for the Art-Union of London by the Etching Club,1857, 30 plates as per contents list including three by Samuel Palmer (The Sleeping Shepherd, The Rising Moon, The Sky-Lark) and others including W. Holman Hunt, J. E. Millais and T. Creswick, on india paper mounted, occasional spotting, outer edges of mounts browned, original cloth gilt, loose in binding, folio

Los 891

Meryl Watts (1910-1992) - 'White Rabbit', signed artist's proof also inscribed with the title, limited edition print 19/50, also inscribed verso, coloured wood cut, 9.5" x 14.5"; together with three further prints, one black and white etching signed Holloway of haystacks besides trees, another wood block print depicting soldiers on horseback and another artist's signed print by F. Morley Fletcher depicting a tranquil river landscape, various sizes (4)

Los 885

Cecil Charles Windsor Aldin (1870-1935) - 'Ploughing', a farmer with two shire horses ploughing a field, signed artist's proof, black and white etching, limited edition print 30/100, also inscribed on the artist's original label verso, black and white etching, 9.75" x 13.75" (pl)

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