78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) 2 Werke: "Vorgetäuschtes Wissen" und "Vorgetäuschte Kenntnisse"2 (Farb)Radierungen. Je mit Bleistiftmonogramm. Gerahmt & hinter Glas. "Vorgetäuschtes Wissen", Radierung in Rot, in der Platte datiert: 1982, Druckstock: 27 x 22 cm, Blatt: 32 x 26 cm, gerahmt & hinter Glas: 42 x 32 cm | "Vorgetäuschte Kenntnisse", Radierung, in der Platte datiert: 1985, Druckplatte: 27 x 22 cm, Blatt: 32,5 x 29 cm, gerahmt & hinter Glas: 42 x 32 cm. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:40 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) 2 works: "Vorgetäuschtes Wissen" and "Vorgetäuschte Kenntnisse"2 (color) etchings. Each with pencil monogram. Framed & behind glass. "Vorgetäuschtes Wissen", etching in red, dated in the plate: 1982, printing block: 27 x 22 cm, sheet: 32 x 26 cm, framed & behind glass: 42 x 32 cm | "Vorgetäuschte Kenntnisse", etching, dated in the plate: 1985, printing plate: 27 x 22 cm, sheet: 32.5 x 29 cm, framed & behind glass: 42 x 32 cm. German draughtsman, graphic artist, illustrator and photographer; one of the most outstanding German artists of the 20th century, In 2000, the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting apparitions of this world in their changing disguises so that I could say at my funeral: 'I've seen it! And if I shout until then and in between, then: Leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). Call time 15 | June 2024 | probably 11:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt (1895 Leipzig - 1977 München) Zwei Gimpel-Männchen und zwei Gimpel-Weibchen im hohen GrasOriginal-Farbradierung. Bleistiftsignatur. Druckplatte: 42 x 29 cm. Gerahmt & hinter Glas : 62 x 47 cm. Blatt minimal lichtgebräunt. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:04 Uhr (CET) MEYER-EBERHARDT, Kurt (1895 Leipzig - 1977 Munich) Two bullfinch males and two bullfinch females in the tall grassOriginal color etching. Pencil signature. Printing plate: 42 x 29 cm. Framed & behind glass : 62 x 47 cm. Sheet minimally light browned. German painter, graphic artist and illustrator, who became particularly well known for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt with the addition of his mother's maiden name. Call time June 15, 2024 | probably 11:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LOSERT, Heribert (1913 Neunkirchen - 2002 Wörth) Frau im RaumFarbradierung auf Bütten. Bleistiftsignatur. Probedruck. Druckplatte: 17,3 x 27,3 cm. Gerahmt & hinter Glas : 48 x 57 cm. Deutscher Maler und Grafiker, Gründungsmitglied der Sudetendeutschen Akademie der Wissenschaften und Künste, gestaltete 1965 das Fernseh-Studienprogramm "Sehen und Sichtbarmachen - ein Zeichenkurs mit Spielregeln" des Bayrischen Rundfunkes. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:29 Uhr (CET) LOSERT, Heribert (1913 Neunkirchen - 2002 Wörth) Woman in the roomColor etching on laid paper. Pencil signature. Proof print. Printing plate: 17.3 x 27.3 cm. Framed & behind glass : 48 x 57 cm. German painter and graphic artist, founding member of the Sudeten German Academy of Sciences and Arts, designed the television study program "Sehen und Sichtbarmachen - ein Zeichenkurs mit Spielregeln" of the Bavarian Radio in 1965. Call time 15 | June 2024 | probably 11:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ALKEMA, Wobbe (1900 Nieuw-Buinen - 1984 Kampen) Kinetische KompositionRadierung in Blau. Bleistiftsignatur. Exemplar: 31/74, bezeichnet "2e staat 18/12". Druckplatte: 10,5 x 10 cm, Blatt: 25,2 x 22 cm. Randbereich etwas lichtgebräunt. Niederländischer Architekt, Designer, Maler und Grafiker; 1924 - 1925 Mitglied der Künstlergruppe "De Ploeg". Provenienz : Aus einem mit dem Künstlerehepaar befreundeten Privathaushalt. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:11 Uhr (CET) ALKEMA, Wobbe (1900 Nieuw-Buinen - 1984 Kampen) Kinetic compositionEtching in blue. Pencil signature. Copy: 31/74, inscribed "2e staat 18/12". Printing plate: 10.5 x 10 cm, sheet: 25.2 x 22 cm. Marginal area somewhat light browned. Dutch architect, designer, painter and graphic artist; 1924 - 1925 member of the artist group "De Ploeg". Provenance : From a private household of a friend of the artist couple. Call time 15 | June 2024 | presumably 11:11 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Frau am TischRadierung auf Bütten. Bleistiftsignatur. 1965/1976. Exemplar: 3/20. Druckplatte: 8,7 x 5,2 cm, Blatt: 15,2 x 11 cm. Hinter Glas : 18 x 13 cm. Blatt leicht lichtgebräunt. Deutscher Maler und Grafiker der Naiven Kunst. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:42 Uhr (CET) EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Woman at the tableEtching on laid paper. Pencil signature. 1965/1976. copy: 3/20. Printing plate: 8.7 x 5.2 cm, sheet: 15.2 x 11 cm. Behind glass : 18 x 13 cm. Sheet slightly light browned. German painter and graphic artist of naive art. Call time 15 | June 2024 | presumably 11:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Reflexion VII"Farbradierung. Bleistiftsignatur. [19]98. Exemplar: 96/100. Druckplatte: 31,5 x 27 cm. Gerahmt & hinter Glas : 55,5 x 45,5 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:49 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Reflexion VII"Color etching. Pencil signature. [19]98. copy: 96/100. Printing plate: 31.5 x 27 cm. Framed & behind glass : 55.5 x 45.5 cm. German graphic artist, who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DALI, Salvador (nach / after)(1904 Figueres - 1989 Figueres) "Tienta en Espana"Farbgranolithografie nach der Radierung "Tienta" von 1967. Unsigniert. 1983. Exemplar: 237/4880. Abbildung: 56 x 74 cm. Gerahmt & hinter Glas : 92 x 112 cm. Randbereich etwas lichtgebräunt. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. "Eines Tages wird man offiziell zugeben müssen, dass das, was wir Wirklichkeit getauft haben, eine noch größere Illusion ist als die Welt des Traumes." (Zitat: SD, https://www.dalimuseum.de/zitate.php). Literatur : Vergleiche WVZ Michler/Löpsinger 207. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:24 Uhr (CET) DALI, Salvador (nach / after)(1904 Figueres - 1989 Figueres) "Tienta en Espana"Colour granolithograph after the etching "Tienta" from 1967. Unsigned. 1983. copy: 237/4880. Image: 56 x 74 cm. Framed & behind glass : 92 x 112 cm. Marginal area somewhat light browned. Spanish painter, graphic artist, writer and stage designer. He is one of the most famous painters of the 20th century and one of the main representatives of Surrealism. "One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams." (Quote: SD, https://www.dalimuseum.de/zitate.php). Literature : Compare WVZ Michler/Löpsinger 207. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:24 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FEININGER, Lyonel (1871 New York City - 1956 New York City) "Dorf Niedergrunstedt"Radierung auf Bütten. Bleistiftsignatur, in der Platte scherzhaft signiert "Leinoel Einfinger". Mit Bleistift datiert: 1911. Druckplatte: 13,8 x 21,4 cm, Blatt: 24,5 x 33,2 cm. Blattrand leicht lichtgebräunt. Deutsch-amerikanischer Maler, Illustrator und Grafiker. Er zählt zu den bedeutendsten Künstlern der 1. Hälfte des 20. Jahrhunderts in Deutschland und wurde 1919 als erster Meister von Walter Gropius an das neu gegründete Bauhaus in Weimar berufen. Bis heute gilt er als einer seiner wichtigsten Vertreter. Literatur : https://www.museum-feininger.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:07 Uhr (CET) FEININGER, Lyonel (1871 New York City - 1956 New York City) "Dorf Niedergrunstedt"Etching on laid paper. Pencil signature, jokingly signed "Leinoel Einfinger" in the plate. Dated in pencil: 1911. Printing plate: 13.8 x 21.4 cm, sheet: 24.5 x 33.2 cm. Slight light browning to sheet margins. German-American painter, illustrator and graphic artist. He is one of the most important artists of the first half of the 20th century in Germany and was the first master to be appointed by Walter Gropius to the newly founded Bauhaus in Weimar in 1919. He is still considered one of its most important representatives today. Literature : https://www.museum-feininger.de/. Call time 15 | June 2024 | probably 11:07 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HECKEL, Erich (1883 Döbeln - 1970 Radolfzell) Knaben-Porträt: "Jacques"Radierung. Signiert. Datiert: (19)29. 27 x 19 cm, Blattgröße: 47,5 x 34 cm. Bezeichnet, Wasserzeichen. Leicht stockfleckig, zwei Knicke, an den Ecken Reste alter Montierung, zwei kleine Risse am Blattrand. Heckel, Maler und Graphiker, 1905 Gründungsmitglied der Künstlervereinigung "Die Brücke" in Dresden. Seit 1911 in Berlin ansässig, 1949-1955 Lehrer an der Akademie in Karlsruhe, 1952-1960 Vorstandsmitglied im Deutschen Künstlerbund, zahlreiche Werke in deutschen Museen * Partnerauktion Bergmann. Literatur : De Gruyter (2011). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:28 Uhr (CET) HECKEL, Erich (1883 Döbeln - 1970 Radolfzell) Boy portrait: "Jacques"Etching. Signed. Dated: (19)29. 27 x 19 cm, sheet size: 47.5 x 34 cm. Inscribed, watermark. Slight foxing, two creases, remnants of old mounting in corners, two small tears in sheet margins. Heckel, painter and graphic artist, 1905 founding member of the artists' association "Die Brücke" in Dresden. Resident in Berlin since 1911, 1949-1955 teacher at the academy in Karlsruhe, 1952-1960 board member of the Deutscher Künstlerbund, numerous works in German museums * Partner auction Bergmann. Literature : De Gruyter (2011). Call time 15 | June 2024 | presumably 11:28 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SINGIER, Gustave (1909 Warneton - 1984 Paris) "Baigneuses méridiennes"Farbradierung auf Bütten. Stifttsignatur. [1970]. Exemplar: XXVI/135, Prägestempel "Antares Edition d'Art Saint-Cloud". Blatt: 63,5 x 46 cm. Abbildungsbereich gebräunt, minimal stockfleckig. Belgischer Maler, Vertreter der Abstrakten Malerei der "École de Paris". Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:55 Uhr (CET) SINGIER, Gustave (1909 Warneton - 1984 Paris) "Baigneuses méridiennes"Color etching on laid paper. Pencil signature. [1970]. Copy: XXVI/135, embossed stamp "Antares Edition d'Art Saint-Cloud". Sheet: 63.5 x 46 cm. Image area browned, minimal foxing. Belgian painter, representative of abstract painting of the "École de Paris". Call time 15 | June 2024 | presumably 11:55 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Inspiration VI"Farbradierung. Bleistiftsignatur. [20]04. Exemplar: 19/150. Druckplatte: 23,5 x 17,5 cm. Gerahmt & hinter Glas : 54,5 x 45 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:49 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Inspiration VI"Color etching. Pencil signature. [20]04. copy: 19/150. Printing plate: 23.5 x 17.5 cm. Framed & behind glass : 54.5 x 45 cm. German graphic artist who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FUCHS, Ernst (1930 Wien - 2015 Wien) "Flora Okuli"Radierung in Braun. Bleistiftsignatur. Exemplar: 5148/10000. Druckplatte: 24 x 17 cm. Gerahmt & hinter Glas : 45 x 36 cm. Österreichischer Maler, Grafiker, Bildhauer, Philosoph und Visionär; Mitbegründer der "Wiener Schule des Phantastischen Realismus". Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:30 Uhr (CET) FUCHS, Ernst (1930 Vienna - 2015 Vienna) "Flora Okuli"Etching in brown. Pencil signature. Copy: 5148/10000. Printing plate: 24 x 17 cm. Framed & behind glass : 45 x 36 cm. Austrian painter, graphic artist, sculptor, philosopher and visionary; co-founder of the "Vienna School of Fantastic Realism". Call time June 15, 2024 | probably 11:30 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Inspiration I"Farbradierung. Bleistiftsignatur. [20]04. Exemplar: 10/150. Druckplatte: 24 x 17,5 cm. Gerahmt & hinter Glas : 53,5 x 43,5 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:47 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Inspiration I"Color etching. Pencil signature. [20]04. copy: 10/150. Printing plate: 24 x 17.5 cm. Framed & behind glass : 53.5 x 43.5 cm. German graphic artist, who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Inspiration III"Farbradierung. Bleistiftsignatur. [20]04. Exemplar: 18/150. Druckplatte: 24 x 17,5 cm. Gerahmt & hinter Glas : 55 x 45 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:48 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Inspiration III"Color etching. Pencil signature. [20]04. copy: 18/150. Printing plate: 24 x 17.5 cm. Framed & behind glass : 55 x 45 cm. German graphic artist, who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:48 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GRASS, Günter (1927 Danzig - 2015 Lübeck) "Aale"Radierung. Bleistiftsignatur. [19]73. Exemplar: 90/180. Druckplatte: 31,5 x 39,5 cm, Blatt: 48 x 64 cm. Minimal stockfleckig. Deutscher Schriftsteller, Bildhauer, Maler und Grafiker; er erhielt im Jahr 1999 den Nobelpreis für Literatur. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:52 Uhr (CET) GRASS, Günter (1927 Danzig - 2015 Lübeck) "Aale"Etching. Pencil signature. [19]73. copy: 90/180. Printing plate: 31.5 x 39.5 cm, sheet: 48 x 64 cm. Minimally foxed. German writer, sculptor, painter and graphic artist; he was awarded the Nobel Prize for Literature in 1999. Call time 15 | June 2024 | probably 11:52 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Infanterie Offiziersdegen - Kronendegen. Klinge gemarkt: "P. Knecht", "Solingen". Preußen. Klinge L 83 cm, Gesamt L 102 cm. Gerade, einschneidige Klinge mit breitem Hohlschliff, Spitze in der Mittellinie. Beidseitig etwas verputztes Ätzmuster, mit bekröntem Monogramm "FWR". Griff des IOD alter Art mit aufgesetzter Krone als Knaufende. Hier wohl nachträglich roter Filz in die Krone eingelegt (lose). Schwarze Lederscheide mit Haken und Portepee. Stichblatt gelötet, Krone wohl nachträglich montiert. Literatur : Vergleiche: Maier: Preuß. Blankwaffen, S. 186. Aufrufzeit 13. | Juni 2024 | voraussichtlich 14:18 Uhr (CET)Infantry officer's sword - crown sword. Bladder marked: "P. Knecht", "Solingen". Prussia. Blade L 83 cm, total L 102 cm. Straight, single-edged blade with broad fuller, point in the center line. Somewhat plastered etching pattern on both sides, with crowned monogram "FWR". Old style IOD grip with an attached crown at the pommel end. Red felt inserted into the crown (loose), probably later. Black leather scabbard with hook and lanyard. Soldered guard plate, crown probably mounted later. Literature : Compare: Maier: Preuß. Blank weapons, p. 186. Aufrufzeit 13. | June 2024 | probably 14:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JAMES ABBOT MCNEILL WHISTLER (BRITISH 1834-1903) MAUNDERS FISH SHOP, CHELSEA, 1890signed with the artist's butterfly on tab belowetching on laid paper13.5 x 21.5cm; 5 1/4 x 8 1/2in 33 x 40cm; 13 x 15 3/4in (framed)Property of a Lady, LondonProvenanceThomas Agnew & Sons Ltd, LondonA gift to the present owner from her stepfather in the late 1990sLiteratureEdward G. Kennedy, The Etched Work of Whistler, New York, 1910, no. 264Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012, no. 267 (on-line website at https://etchings.arts.gla.ac.uk)Elizabeth Maunder's fish shop at 72 Cheyne Walk, Chelsea was demolished around 1892. Whistler later lived in a house on the site which was subsequently destroyed in the Second World War. This is one of two works Whistler produced which portrayed the fish shop. A contemporary account of Whistler’s work describes this etching as: 'one of Mr Whistler’s most brilliant creations. It represents a group of old houses at Chelsea, and is an excellent arrangement in black and white.'

JAMES ABBOT MCNEILL WHISTLER (BRITISH 1834-1903) LITTLE COURT, 1880signed with the artist's butterfly on tab belowetching on laid paper12.5 x 17cm; 5 x 6 3/4in 30.5 x 34cm; 12 x 13 1/4in (framed)Property of a Lady, LondonProvenanceThomas Agnew & Sons Ltd, LondonA gift to the present owner from her stepfather in the late 1990sLiteratureEdward G Kennedy, The Etched Work of Whistler, New York, 1910 , no. 236 Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012, no. 244 (on-line website at https://etchings.arts.gla.ac.uk)An early etching of the only state published by Dowdeswell and Thibaudeau in 1886 from the Set of Twenty-Six Etchings known as the Second Venice Set. It is thought that Little Court was located off Drury Lane, London.

EDWARD CLIFFORD (BRITISH 1844-1907) AFTER EDWARD COLEY BURNE-JONES (BRITISH 1833-1898) MERLIN AND NIMUEwith monogram and dated EBJ / 1861 (in a cartouche, lower left)watercolour and bodycolour on paper mounted on the artist's prepared stretcher65 x 52.5cm; 25 1/2 x 20 1/2in 109 x 89cm; 43 x 35in (framed)Property from a Private Collection, CumbriaProvenanceSale, Sotheby's, London, 6 November 1995, lot 210Mr Carl Laszlo, BaselSale, Sotheby's, London, 13 July 2017, lot 16 (purchased by the present owner) LiteratureWilliam Waters, Burne-Jones Catalogue Raisonne, online edition (catalogued as After Edward Coley Burne-Jones, By Edward Charles Clifford)Edward Clifford painted several faithful copies of Burne-Jones' works from the 1860s including the present watercolour of Merlin and Nimué which Burne-Jones had completed in 1861 (Collection of the Victoria & Albert Museum, London). Clifford summed up his admiration for Burne-Jones' original in glowing terms: 'Well, to return to the five pictures of 1864 [sic]. The largest was Merlin and Nimué, quite a different design from the picture which was exhibited some years later in the Grosvenor Gallery, and which is known by the etching of it and by Mr Hollyer's photographs... I was greatly impressed by this picture when I was only a student, but when I saw it three or four years ago in the collections of Mr Leathart of Gateshead-on-Tyne, I found it so beautiful that I almost lost command of myself for a few moments. The subject and the fine dramatic treatment of it are interesting, the greatest virtue of the picture lies in its ineffable and overwhelmingly lovely colour.' (quoted in Broadlands as it was by Edward Clifford, London, 1890 pp. 52-54). Clifford was not alone in his idolization of the work of Burne-Jones, but one of a group of admirers led by Robert Batemen (1842-1922). Waters notes that Clifford seems to have had access to Burne-Jones's studio, but that there is no suggestion in Clifford's biography or his writings that he was actually an assistant there, commenting that if he was an assistant along side Thomas Matthews Rooke and Charles Fairfax Murray, then it has yet to come to light. (William Waters, Burne-Jones Catalogue Raisonne, online edition).Born in St John's Wood, the son of an artists' materials supplier, Clifford taught painting at the Berry F. Berry Art School in Swiss Cottage. He showed his work in London at the Royal Society of British Artists, The Royal Institute of Painters in Watercolours, The Royal Academy, and the Royal Institute of Oil Painters. Further afield his work was exhibited at the Manchester Academy of Fine Arts and the Walker Art Gallery, Liverpool. 

⊕ SALVADOR DALI (SPANISH 1904-1989) THE HIPPIES SUITE (1969-70)all: signed Dali lower right margin and numbered 1XL/C lower left margin; some also with blind stamp lower rightall: drypoint etching with hand colouring on Japan paper published by Pierre Argillet, Pariseach: 31.5 x 39.5cm; 12 1/4 x 15 1/2in (plate) each: 71 x 55cm; 28 x 21 1/2in (framed) (11)Literature Ralf Michler and Lutz W. Löpsinger, Salvador Dali, Catalogue Raisonne of Etchings and Mixed-media Prints 1924-1980, Munich, 1994, pp. 377 - 387Albert Field, The Official Catalog of the Graphic Work of Salvador Dali, Dali Archives, 1996, p. 69 - 13GExecuted in 1969-70, the subject matter of Dali's The Hippies Suite - eleven dry point etchings with handcolouring - was inspired by photographs brought back from a trip to India by his friend and publisher Pierre Argillet (1910-2001), images Dali considered representative of the 'swinging sixties'. Argillet and his wife Genevieve had first met Dali in 1959, and worked together on a series of limited edition albums over the following fifteen years. Collaboration between artist and publisher led to the production of The Mytholopgy Suite (1963-65) and the Poems of Mao Tse-Toung (1967), as well as the present set. Friends with a range of artists aligned with Surrealism, Argillet also published limited editions by Hans Bellmer, Giorgio de Chirico, Jean Cocteau and Leonor Fini. Dali titled each work as follows:(A) LE VIEL HIPPIE (B) LES FEMMES-FLEURS AU PIANO(C) LE COSMONAUTE(D) LES FEMMES DANS LES VAGUES(E) LE SOLEIL(F) LA PAGODE(G) LE COULOIR DE KATHMANDOU(H) ST.-JACQUES-DE-COMPOSTELA(I) LA VACHE SACREE(J) LA FEMME AU COUSSIN(K) LE NU A LA JARRETIERE

Frank Brangwyn (1867-1956)The Alcantara Bridge, Toledosigned in pencil (in the margin)etching54 x 63cm. The mount with a few thunder bugs.  Also acidic. Etching paper also discoloured with light surface dirt.  Not examined out of the frame.

Terry Frost (1915-2003)El Lagarto Viejo (The Old Lizard), 1989from the Lorca Suiteprinter's proof, signed and inscribed in pencil (in the margin)etching and aquatint56 x 37cm. Good condition

Victor Pasmore (1908-1998)Brown Image, 197417/60, signed, dated, and numbered in pencil (in the margin)etching, aquatint, and screenprint92 x 64cm. The mount and paper slightly wavy.Beneath the glass about a dozen thunder bugs.Mark to left side of white mount and another to other side, although smaller. Also another small mark central lower mount. Some of these scuffs might scratch off.Some slightly dirty edges to mount.New pics added.

Patrick Procktor (1936-2003)Camels, Tomb of the First Emperor of the Ming Dynasty, Zhu Yuan Shang, Nanking, 198072/75, signed and numbered in pencil (in the margin)etching and aquatint69 x 81cm, unframed.

Julian Trevelyan (1910-1998)LK927, 197839/150, signed, titled, and numbered in pencil (in the margin)etching and aquatint57 x 76cm.

Patrick Procktor (1936-2003)Nocturne in North Wales, 197665/150, signed, dated, and numbered in pencil (in the margin)etching and aquatint58 x 73cm. Minor specks to margins. Sheet and print area good. Frame and glass worn.

Julian Trevelyan (1910-1998)Richmond Park, 196974/75, signed and numbered in pencil (in the margin)etching and aquatint59 x 77cm, unframed. Some faint foxing marks to the skyline. other minor spots to margins. Unframed.

Rose Hilton (1931-2019)Untitled, 200940/100, signed, dated, and numbered in pencil (in the margin)etching and aquatint19.5 x 24.7cm, unframed. Condition good.

Susan Jameson (b.1944)Wasdale Head55/120, signed, titled, and numbered in pencil (in the margin)etching and aquatint62 x 53cm, unframed.

John Piper (1903-1992)Sunflowers (Levinson 420), 198938/70, signed and numbered in pencil (in the margin)etching and aquatint43 x 56cm. This looks to be a very clean impression and there are no issues to the margins or print area. Framed and glazed. Glass has some minor scuffs and marks.

Breon O'Casey (1928-2011)Red Bird, 19997/15, signed, dated, and numbered in pencil (in the margin)etching and aquatint41 x 61cm. Very few small marks to rim of image. The darkest mark left side circa central. The paper also a touch discoloured, ditto the rim to the mount itself.High res images to website and new condition report photos added.

Elizabeth Blackadder (1931-2021)Lily76/100, signed and numbered in pencil (in the margin)etching and aquatint25 x 20cm.

Phil Rogers a Portfoliohardback limited edition book published by the Goldmark Gallerywith an etching by Phil Rogers, both signed and numbered 39/100, 25 x 22cm.

Terry Frost (1915-2003)La Soltera En Misa (The Spinster at Mass), 1989printer's proof, signed and inscribed in pencil (in the margin)etching and aquatint55 x 37cm.

Tony O'Malley (1913-2003)Untitled3/20, signed and numbered in pencil (in the margin)etching and aquatint38 x 49cm.

Julian Trevelyan (1910-1988)Thames Ditton, 196941/75, signed, titled, and numbered in pencil (in the margin)etching and aquatint41 x 55cm.

Georges Braque (1882-1963)Poisson, 1950138/300, signed and numbered in pencil (in the margin)etching and aquatint40x 50cm. Provenance:The Circle Gallery, London.

Victor Pasmore (1908-1998)Metamorphosis (Linear Motifs), 1945/197652/55, signed with initials, dated, and numbered in pencil (in the margin)etching and aquatint published by Marlborough Graphics36 x 43cm.  Provenance:Wiseman Originals, London.

Victorian framed and glazed prints to include an etching depicting a lady and gentleman in a barn with various animals, together with a pair of Edwardian period prints classical maidens, one depicting the sea, the other depicting flowers in a field and othersLocation:If there is no condition report shown, please request

William Russell Flint: a signed dry point limited edition etching, "Allegro", LVI, 4 3/4" x 5 7/8", in strip frame

An early 18th century etching, "The Summer Dick", in gilt frame

After Van Gogh French Circa 1890 Figures on a pathway Etching on paper  Property of a nobleman Dimensions: (Paper) 5.75 in. (H) x 4.25 in. (W) (Frame) 13.25 in. (H) x 11.5 in. (W)

2 vintage mirrors one with etching detail

SIR FRANK BRANGWYN RA; A VIEW OF ST PETER'S IN GENOA, 1924, AN ETCHING PRINT, 12 X 14”

JOHN FULLWOOD FSA RBA PURE DRY POINT ETCHING. “IN THE TROSSACHS”, SIGNED & INSCRIBED IN PENCIL, “WHERE TWINES THE PATH” ORIGINAL LABELS TO REVERSE 9 X 8”

Robert Smith Forrest (1871-1943). The Bow Head and Lawn Market, artist signed coloured etching, 21cm x 23cm.

After Louis Whiter. Micklebar Gate York, signed etching, 36cm x 26cm, and an artist signed portrait print. (2)

A Bellin. Lake scene with buildings, etching, 15cm x 27cm, a chromolithograph titled On Guard, showing a dog and a child, and an Ancient Order of Foresters certificate. (3)

Various art related books, comprising Hickman (Peggy) Silhouettes: A Living Art, Two Centuries of Silhouettes, Henty (G.A) A Bibliographical Study, Wilder (F.L) How to Identify Old Prints, First Edition Prices by R.B Russell, Hind A History of Engraving and Etching, and Ulysses Catalogue No. 61. (a quantity)

Van Winchel. Coastal scene with figure and sailing boat, artist signed coloured etching, 53/500, 23cm x 42cm.

RON BROOKS KITAJ (1932-2007)Robert Duncan, in Profile (1971)Etching, 15.5 x 15.2cmSigned and numbered 75/150Robert Edward Duncan (1919-1988) was an American poet and intellectual.

William Lionel Wyllie (British, 1851 - 1931) Ship's Crossing Signed in pencil, etching on paper, 10cm x 35cm. Old label verso for Mawson, Swan & Morgan, Newcastle, Picture Framers.

A COLLECTION OF PRINTS, ETCHING AND MAPS

REGINALD GREEN 1884-1971: 'RYE, MERMAID ST' etching, framed 37 x 30cm, a small watercolour of a village, and various other prints (9)

ROB POUNDBURY Moonlit Fosse, Mai Dun, etching 1999, 100 x 72 cms, with two portraits by M Laywine (3)

HENRY SHEPPARD DALE: SALISBURY CATHEDRAL FROM THE PALACE GARDEN etching, 1887 (discoloured), and a further quantity of prints including Redoute's Roses

A Limited-edition coloured etching by Henry Wilkinson titled to reverse “Jack Russells” (Ltd. ed no. 86/150), 24cm x 29.5cm; a watercolour painting of a coastal landscape, unsigned, 32cm x 52cm; & six various other decorative pictures, each in a glazed frame.

Salvador Dali (Spanish, 1904-1989), ‘The Merry Wives of Windsor’ original colour etching from Shakespeare II series (1971). Hand signed to lower right, E.A to lower left. With Ocean Village certificate of authenticity (17.9.2009). In very large glazed ornate frame. Plate measures 12cm x 18cm, 28cm x 37cm paper, frame measures 76cm x 85cm.

Louisa Emily Thomson (British, 1883-1962), original street scene etching. Signed and titled below etching in pencil. Plate measures 26cm x 15cm. Overall 33cm x 23cm.

Anita Klein (Australian, b. 1960), ‘Naught Night with Nige’ etching on paper. Framed and glazed, signed and titled in pencil. 29cm x 20cm.