78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Allan Gwynne Jones RA (British. 1892-1982) 'Summer Morning' otherwise known as 'Ploughing'Signed, dated and numbered in pencil,Etching - Third StateAitken Dott & Son (The Scottish Gallery) label verso21cm x 30cm;

Ernest Herbert Whydale (British.1886-1952) A man and cart drawn by two horses uphill,Singed in pencil,Etching,27cm x 31cm;With a further hand-coloured engraving by George Cruikshank titled 'Golgotha or the Palace of Sculls - Tom Echo receiving sentence of Rustiation, 13cm x 20cm (2)

A Group of Six Pictures to include a signed limited edition (82/175) woodcut print by Jean Lodge, 11cm x 19cm; A signed limited edition (30/40) wood engraving by Pamela Hughes, 17cm x 11cm, a signed coloured print by Andy Jarrett, 13cm x 20cm; a 20th century watercolour of household objects, signed, 8.5cm x 20cm; An etching of ravens dedicated to Tom Karen (July 22, 07), 11.5cm x 16.5cm; an a ink drawing on wooden board depicting an abstract soldier's uniform attributed to Tom Karen, 38cm x 36cm

Marius Bauer (Dutch. 1867-1932) An Indian elephant Durbar,Signed and numbered 'no.45' in pencil,Etching,21cm x 30cm;With a further two signed and numbered etchings depicting another Elephant Durbar procession, 'no.69', 18cm x 27cm and figures in a street, 'no.25', 25cm x 35.5cm (3)

Peter Freeth RA (British. b.1938-) Summer's Lease (after Canaletto),Signed and numbered 10/45,Aquatint, 37.5 x 37.5cm; With a further etching and aquatint with Mohammed Djazmi, Looking for Freedom, signed and numbered 7/10, 28 x 19cm (2)

18th Century hand tinted large etching of the town of Wienn with key to historic buildings along with framed prospect of Reichstag. 

A framed 18th Century etching of the city of Amsterdam.

ALPHONSE LEGROS, LE TONMELIER etching on paper, signed, titled mounted, framed and under glassoverall size 43cm x 59cm

AFTER MUIRHEAD BONE, PRINT, SATURDAY , BARROW MARKET NEAR ALBERT BRIDGE, E J LUMSDEN, RSA, ARTIST PROOF ETCHING, CANNONGATE WASHING both framedCannongate Washing, 46cm x 32cmQty: 2

Sharland, framed pencil signed colour etching " St Georges Chapel, Windsor"Approx. 43 x 24 Reasonable used condition

Antique original etching on paper of the French catholic church Saint-Etienne-du-Mont on the Montagne Sainte Genevieve in Paris. Signature in plate and in graphite on lower right: Leopold Robin. Partially visible title on lower center: illegible Montagne Genevieve. Housed in a gilt frame with a hunter green mat. Sight size: 3.75"L x 6"H. Frame size: 9.25"L x 11.75"H x 0.75"W. Artist: Leopold Robin (French 1877-1939)Issued: c. 1920Country of Origin: FranceCondition: Age related wear.

Original monochrome etching on paper entitled Disheveled Bedroom by American sculptor and printmaker Harold Paris. Signature in graphite on lower right: Harold Paris. Edition number on lower left: 191/200. Artist: Harold Persico Paris (American 1925-1979)Issued: c. 1960Dimensions: 8"L x 8.50"HEdition Number: 191 of 200 Country of Origin: United StatesCondition: Age related wear.

Original etching and aquatint on beige paper entitled Mushrooms by Contemporary Maine-based artist Elizabeth Baird who used a worm's eye view technique to depict a group of Amanita mushrooms. Signature in graphite on lower right: Elizabeth Baird. Title on lower left: Mushrooms. Edition number on lower center: 4/50. Housed in a beige marbleized frame with a taupe mat. Sight size: 3.50"L x 4.75"H. Frame size: 10"L x 11.50"H x 1.25"W. Artist: Elizabeth Baird (American 20th century)Issued: c. 1980Edition Number: 4 of 50 Country of Origin: United StatesCondition: Age related wear.

Set of four framed original hand-colored etchings on paper by Hong-Kong trained artist Law Wai Hin who depicts street scenes of everyday life with delicacy. Signature in graphite on lower right of each etching: Law Wai Hin. Chinese characters on lower left. Housed in a brown wooden frame with a caramel color mat. Each etching size: 4.25"L x 4.25"H. Frame size: 17.25"L x 17.25"H x 0.50"W. Artist: Law Wai Hin (Chinese-Canadian b. 1939)Country of Origin: China/CanadaCondition: Age related wear.

Beautiful original hand colored lithograph that represents twelve different species of bees swarming a flowery meadow after the 1855 color etching by James Stewart engraved by James Bishop. Published in 1873 by Blackie & Son, London and Glasgow in Oliver Goldsmith's History of the Earth and Animated Nature, plate 70. Housed in a marbleized wood frame and brown mat. Sight size: 8.50"L x 5.70"H. Frame size: 16"L x 13.25"H x 0.50"D. Artist: James S. Stewart (British 1791-1863)Issued: 1873Country of Origin: EnglandCondition: Age related wear. Minor soiling on lower right.

Original etching on paper by Dutch artist Hendrick Roodenburg of the town of Papendrecht seen from across the river. Housed in bamboo shaped wooden frame with an ecru mat. Sight size: 6.50"L x 6"H. Frame size: 15"L x 13"H x 1"D. Inscribed on lower right in plate: Papendrecht, HERIS ? Written in pencil lower left: Papendrecht. Signature and date on lower right: H.E. Roodenburg, 14. Artist: Hendrikus Elias Roodenburg (Dutch 1895-1987)Issued: 1914Country of Origin: HollandCondition: Age related wear.

Original etching on wove paper by Charles Whitehead who represented a hippie lounging on a star covered sofa. Signature in pencil on lower right Charles Whitehead. Number on lower left: 4/15. Artist: Charles Whitehead (American 20th century)Issued: 1968Dimensions: 11"L x 15"HEdition Number: 4 of 15 Country of Origin: United StatesCondition: Age related wear.

Title: Humain-Sur Humain. Color etching print on paper depicting an abstracted geometric image. Color is a deep ocean blue with expressive red splotches. Signature, title, and edition written in pencil along lower edge of image. Artist: Berto LarderaIssued: 1969Dimensions: 22"W x 30"HProvenance: The Bass Museum of Art Condition: Creased due to being rolled.

Original hand-colored etching & aquatint on paper of the Egyptian Hall, Mansion House from the Microcosms of London Plate 51. Printed by Rudolph Ackerman on January 1, 1809. Housed in an incised gilded frame with a grey mat. Sight size: 11"L x 9"H. Frame size: 17"L x 15"H x 0.75"W. Artist: Thomas Rowlandson (English, 1756-1827)Issued: 1809Country of Origin: EnglandCondition: Age related wear.

Original etching on paper of an old stone bridge crossing a river in a European town. Written on verso: Alice Rummell 1950. Dr Rummell's wife did this and I gave it to Dr. Cavanaugh? Sticker for Strouss Hishberg Co. Signature on lower left: Alice Rummell. Housed in a black wooden frame with an off-white mat. Sight size: 3.75"L x 5"H. Frame size: 9.75"L x 11"H x 0.50"W. Artist: Alice RummellIssued: 1950Condition: Age related wear.

Laurent Guyot (1756-1806) original etching on paper after Rococo painter and draughtsman Jean-Antoine Watteau that represents a bacchanal set in a forest clearing. Numbered 3. Housed in a torsade wooden frame. Sight size: 9.50"L x 13"H. Frame size: 10.50"L x 14"H x 0.50"D. Sticker Max Weiss on verso. Artist: Jean-Antoine Watteau (French 1684-1721)Issued: c. 1775Country of Origin: FranceCondition: Age related wear. Horizontal tear on lower right side of print. Some browning.

Original drypoint etching on paper by painter and sculptor Fred Albert who used an expressive style to depict a low-vantage view of the Everglades, Florida, seen from the grasses and leading to a turbulent sky. Signature and date in graphite on lower right: Albert 69. Title in lower center: Everglades. Edition number: 0/10. Sight size: 16.75"L x 9.50"H. Mat size: 28"L x 22"H. Artist: Fred Albert (American 20th century)Issued: 1969Edition Number: 0 of 10 Country of Origin: United StatesCondition: Age related wear. Soiling on upper right side of mat.

Original hand colored etching by architectural and landscape artist Paul Sollmann who represented a German street scene on a sunny day. A sole woman walks in the street that is beautified by the colorful facades and the red and pink flowers on the windowsills. Pencil signed on the lower right: Paul Sollmann. Location of the street on lower left. Housed in a gild plaster and wood frame with an ecru linen mat. Artwork dimensions: 8.75"L x 7.50"H. Frame size: 9.50"L x 8.25"H x 0.50"W. Sticker on verso: Henry Schultheis Company, NYC. Artist: Paul Van Coberg Sollmann (German 1886-1950)Issued: c. 1920Country of Origin: GermanyCondition: Age related wear.

Original monochrome etching by German Post-War and Contemporary artist Wolfgang Gafgen who has made an abstracted composition with a central sphere. Housed in a black frame with an off-white mat. Sight size: 11"L x 14"H. Frame size: 17.50"L x 21"H x 0.75"W. In pencil on lower left: Epreuve d'Artiste. Signature on lower right: W. Gafgen. Artist: Wolfgang Gafgen (German b. 1936)Issued: c. 1970Edition Number: Artist Proof Country of Origin: GermanyCondition: Age related wear.

Original aquatint with etching on paper by pioneer artist Johnny Friedlaender who made an abstracted landscape entitled Petit Paysage. Housed in a mat silver and black frame with an off-white mat. Sight size: 10.50"L x 8"H. Frame size: 19.50"L x 17"H x 0.75"W. Signature on lower right: Johnny Friedlaender. In pencil on lower left: Pour Liliane et Sylvain. Artist: Gotthard Johnny Friedlaender (German 1912-1992)Issued: c. 1960Country of Origin: GermanyCondition: Age related wear.

Antique original etching on paper of the historic Lincoln's Inn Gate on Chancery Lane in London originally published in Old and New London, A Narrative of its History, its People and its Places. Initials in plate. Housed in a gilded wood frame. Sight size: 6"L x 6"H. Frame size: 7"L x 7"H x 0.75"W. Sticker on verso: Wildly & Sons, Booksellers, Publishers and Valuers, London, W.C. Issued: c. 1880Country of Origin: EnglandCondition: Age related wear.

This original intaglio etching on paper entitled Pine Valley is by American artist Al Kaufman who depicted Mount Fuji at sunrise with a large oriental pine tree to its side. Signature in graphite on lower right: Al Kaufman. Edition number: 144/300. Title in lower center: Pine Valley. Housed in gold brushed frame with an ecru mat. Sight size: 7.75"W x 11"H. Frame size: 14"W x 17.25"H x 0.75"D. Artist: Al Kaufman (American 1928-2005)Issued: c. 1980Edition Number: 144 of 300 Country of Origin: United StatesCondition: Age related wear.

Extra Blue Sky is an original etching made with drypoint and aquatint on BFK Rives vellum paper. Claude Groschene has depicted a semi-arid landscape made of minute crosshatching and single lines beneath a glorious blue sky. Signed in pencil on lower right: Claude Groschene. Numbered on lower left: 22/50. Title in lower center: Extra Bleu Ciel. Sight size: 21.10"L x 15.75"H. Frame size: 27.10"L x 15.75"H x 1.40"W. Artist: Claude Groschene (French, 1941-2022)Issued: c. 1990Edition Number: 22 of 50 Country of Origin: FranceCondition: Age related wear.

Beautiful original hand colored lithograph that represents six different species of exotic butterflies after the 1855 color etching by James Stewart engraved by James Bishop. Published in 1873 by Blackie & Son, London and Glasgow in Oliver Goldsmith's History of the Earth and Animated Nature, plate 69. Housed in a marbleized wood frame and brown mat. Sight size: 5.50"L x 9"H. Frame size: 12.75L x 16.25"H x 0.50"D. Artist: James S. Stewart (British 1791-1863)Issued: 1873Country of Origin: EnglandCondition: Age related wear.

Original etching and aquatint graphite on paper by Magic Realist artist Paul Riba that represents a skinless fish appearing to float above a pendulum. Signature in graphite on lower right: Paul Riba. Housed in a black mat. Artwork dimensions: 4.50"L x 6"H. Mat size: 8.50"L x 11"H. Artist: Paul Riba (American 1912-1977)Issued: c. 1960Country of Origin: United StatesCondition: Age related wear.

Grayson Perry (British, born 1960)The American Dream Etching in colours from three plates, 2020, printed on one sheet of BFK Rives paper, signed in pencil, inscribed 'AP' in pencil verso, one of 15 artist's proofs aside from the numbered edition of 15, published by The Paragon Press, London, with full margins, housed in the artist's designated fameOverall 1170 x 2475mm (46 1/8 x 97 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After William Hogarth (British 1697-1764): 'The Heir - A Rake's Progress', 19th century etching originally pub. 1735, 37cm x 41cm

After Rembrandt van Rijn (Dutch 1606-1669): 'The Presentation in the Temple in the Dark Manner', restrike etching originally pub. 1654, 24cm x 19cm

Frederik Bouttats the Younger (Flemish 17th century): Scene from the Iliad, 17th century etching; 18th/19th century engraving study of Castor and Pollux from Pompeii; 17th/18th century etching of Roman farmers; 18th century engraving of the Muse 'Music Introduced to Apollo by Minerva'; four other Classical themed antique etchings and engravings including Telemachus and Mentor and an early 19th century pencil sketch of a maiden (8) (unframed)

After Jacob Houbraken (Dutch 1698-1780): 'Sir Walter Raleigh', engraving pub. 1739; English School (17th century): The Pirate 'Sir Henry Morgan (1635-1688), 17th century etching together with a collection of six engraved portraits max 40cm x 28cm (8) (unframed)

After Sir Godfrey Kneller (German/British 1646-1723): 'John Churchill - Marquess of Blandford', mezzotint engraving originally pub. c.1695; After Adriaen Van Ostade (Dutch 1610-1685): 'Les Musiciens Ambulants', 19th century engraving pub. 1863; Jackson Henry Simpson (Scottish 1893-1963): 'The Five Sailed Mill', etching signed and titled in pencil together with a frontispiece engraving from 'Art Militaire a Cheval' and another similar of a horse (5) (3 unframed)

Antonio Tempesta (Italian 1555-1630): 'Daiv E Golia Triumphat' (David returning in triumph with the head of Goliath', etching pub. c1690; Amos Doolittle (American, 1754-1832): 'The Six Days Work of the Creation', engraving and etching pub. 1791; Johann Jakob Scheuchzer (Swiss 1672-1733): 'The Strength of Samson', 18th century etching; French School (18th century) 'Turris Babilonica Genes XI Deus Alta Humiliat' The Construction of the Tower of Bable, etching in red, max 33cm x 22cm (4) (unframed)

David Hockney (British, born 1937)Peonies in a Glass Vase (Pace 2) Etching with aquatint, 1998, on Somerset Textured White paper, signed, dated and inscribed 'A.P. IX/X', one of ten artist's proofs aside from the edition of 35, printed by Maurice Payne, Los Angeles, co-published by the artist and Pace Editions Inc., New York, the full sheet, framedPlate 755 x 600mm (29 3/4 x 23 5/8in)‌Sheet 957 x 775mm (37 3/4 x 30 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (Dutch, 1606-1669)The Presentation in the Temple: Oblong Plate (Bartsch 49; New Hollstein 184) Etching and drypoint, circa 1639, a later impression of New Hollstein's third state (of five), on heavy laid paper with watermark Foolscap with seven-pointed collar, trimmed to or just inside the plate, framedPlate 213 x 290mm (8 3/8 x 11 3/8in)Footnotes:ProvenanceCraddock and Barnard, 1962.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Still Life (Scottish Arts Council 111; M.C.A. Tokyo 108) Etching with aquatint, 1969, on J. Green mould-made paper, signed, dated and numbered 44/75 in pencil (there were also 16 artist's proofs), printed by Maurice Payne, published in 1970 by Petersburg Press, London, the full sheetPlate 545 x 685mm (21 1/2 x 27in)Sheet 710 x 925mm (28 x 36 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Femme nue assise devant un Rideau, from La Suite Vollard (Bloch 137; Baer 202) Etching, 1931, on Montval laid paper watermarked Picasso, signed in pencil from the edition of 260 (there was also an edition of 50 with wider margins), printed by Roger Lacourière, published by Ambrose Vollard, Paris, 1939, the full sheet, framedPlate 313 x 222mm (12 3/8 x 8 3/4in)Sheet 450 x 340mm (17 3/4 x 13 3/8in)Footnotes:ProvenanceCaroline Wiseman Modern and Contemporary, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 52; M.C.A. Tokyo 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and numbered 32/75 in pencil, printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their inkstamp verso, the full sheet, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 564 x 392mm (22 1/4 x 15 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (South African/Irish, born 1955)Man with Megaphone (Krut p.70) Etching and aquatint in colours, 1998, on Fabriano wove paper, signed and numbered 33/70 in pencil, printed by Malcolm Christian, The Caversham Press, with their blindstamp, co-published by the artist and Kunstverein, Munich, the full sheet, framedImage 250 x 378mm (9 7/8 X 14 7/8in)Sheet 350 x 500mm (13 3/4 x 19 11/16in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, born 1937)Cushions (Scottish Arts Council 64) Etching with aquatint, 1968, on Crisbrook handmade paper, signed, dated and numbered 21/75 in pencil (there were also 17 artist's proofs), printed by Maurice Payne, London, the full sheet, framedPlate 390 x 350mm (15 3/8 x 13 3/4in)Sheet 565 x 515mm (22 1/4 x 20 1/4in)Footnotes:This etching references the painting 'Some neat cushions', 1967.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Sculpteur et modèle debout, from La Suite Vollard (Bloch 177; Baer 330) Etching, 1933, on Montval paper with watermark Montgolfier, signed in pencil, from the edition of 50 (there was also an edition of 260 with smaller margins), published by Ambroise Vollard, Paris, 1939, the full sheet, framedPlate 367 x 299mm (14 1/2 x 11 3/4in)Sheet 504 x 390mm (19 3/4 x 15 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, born 1937)Glass and Bottle Etching with aquatint, 1998, on wove paper, signed, dated and inscribed 'A.P. VIII/X' in pencil, one of ten artist's proofs, the full sheet, framedPlate 350 x 299mm (13 3/4 x 11 3/4in)Sheet 461 x 402mm (18 1/8 x 15 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, born 1937)Chair with Book and Red Carpet (Pace 7) Etching in colours with aquatint, 1998, on Somerset Satin White paper, signed, dated and inscribed 'A.P. IX/X' in pencil, one of ten artist's proofs aside from the edition of 35, printed by Maurice Payne, Los Angeles, co-published by the artist and Pace Editions Inc., New York, the full sheet, framedPlate 754 x 601mm (29 3/4 x 23 5/8in)Sheet 972 x 775mm (38 1/4 x 30 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (Dutch, 1606-1669)The Angel appearing to the Shepherds (Bartsh 44; New Hollstein 125) Etching, engraving and drypoint, 1634, on laid paper, a later impression of New Hollstein's third state (of six), trimmed on or just inside the platemark, framedSheet 262 x 218mm (10 3/8 x 8 5/8in)For further information on this lot please visit Bonhams.com

William Kentridge (South African/Irish, born 1955)Man with Megaphone Cluster (Krut p.71) Etching and aquatint in colours, 1998, on Fabriano wove paper, signed and numbered 33/70 in pencil, printed by Malcolm Christian, The Caversham Press, with their blindstamp, co-published by the artist and Kunstverein, Munich, with wide margins, framedImage 250 x 378mm (9 7/8 X 14 7/8in)Sheet 350 x 495mm (13 3/4 x 19 11/16in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Französische Deckenlampe mit Kugelschirm. Muller Frères, Luneville. Pressmarke und Ätzmarke. Nach 1919.Schmiedeeisen schwarz lackiert, farbloses Formglas großflächig mattiert. H 57 cm, Ø 25 cm. Reliefiertes Schirmglas mit 3 stilisierten Pfauenpaaren sowie unten abschließender Schuppen-Rosette. Konischer Schaft aus 4 Streben mit Rosetten und Voluten sowie martellierter Baldachin.| Nachtrag 11.06.24: Bestoßungen am Schirmrand Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:57 Uhr (CET)French ceiling lamp with ball shade. Muller Frères, Luneville. Press mark and etching mark. After 1919.Wrought iron painted black, clear molded glass with large frosted surface. H 57 cm, Ø 25 cm. Reliefed shade glass with 3 stylized pairs of peacocks and a scale rosette at the bottom. Conical shaft made of 4 struts with rosettes and volutes as well as a martelized canopy. Call time 13 | June 2024 | presumably 18:57 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FUCHS, Ernst (1930 Wien - 2015 Wien) "Die Bachnymphe"Farbradierung. Bleistiftsignatur. [1975]. Exemplar: 330/600. Druckplatte: 18,5 x 17 cm. Gerahmt & hinter Glas : 47,5 x 38,5 cm. Abbildungsbereich etwas lichtgebräunt. Österreichischer Maler, Grafiker, Bildhauer, Philosoph und Visionär; Mitbegründer der "Wiener Schule des Phantastischen Realismus". Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:29 Uhr (CET) FUCHS, Ernst (1930 Vienna - 2015 Vienna) "Die Bachnymphe"Color etching. Pencil signature. [1975]. Copy: 330/600. Print plate: 18.5 x 17 cm. Framed & behind glass : 47.5 x 38.5 cm. Image area somewhat light browned. Austrian painter, graphic artist, sculptor, philosopher and visionary; co-founder of the "Vienna School of Fantastic Realism". Call time 15 | June 2024 | probably 11:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kavallerie Offizierssäbel 1816. Auf Rückenklinge: "E.L. Voigt Haupt Zeughaus Schwertfeger in Dresden". Sachsen. Klinge 85,5 cm, Gesamt L 103 cm. Gekrümmte, einschneidige Klinge mit breitem Hohlschliff und Pandurenspitze. Reich verzierte Ätzmusterung unter anderem mit dem sächsischen Wappen und dem Schriftzug "Schlagfrei". Klingenrücken ebenfalls verziert, dort gemarkt. Zweispangiges Eisengefäß, Parierstange und spitz auslaufender Lappen, sowie schmaler, großer Daumenring. Griff mit Lederbezug und dreifacher Drahtwicklung. Blanke Metallscheide mit zwei Trageringen. Scheide mit Dellen. Literatur : Hilbert: "Blankwaffen aus drei Jahrhunderten", Berlin 1998, S. 95f. Provenienz : Sächsische Waffensammlung. Aufrufzeit 13. | Juni 2024 | voraussichtlich 14:09 Uhr (CET)Cavalry officer's sabre 1816. On the back blade: "E.L. Voigt Haupt Zeughaus Schwertfeger in Dresden". Saxony. Blade 85.5 cm, total length 103 cm. Curved, single-edged blade with broad fuller and pandur point. Richly decorated etching, including the Saxon coat of arms and the inscription "Schlagfrei". The back of the blade is also decorated and marked. Double-edged iron hilt, quillons and tapered tang, as well as a narrow, large thumb ring. Leather-covered grip with triple wire winding. Bright metal scabbard with two suspension rings. Scabbard with dents. Literature : Hilbert: "Blank weapons from three centuries", Berlin 1998, p. 95f. Provenance : Sächsische Waffensammlung. Call time 13 June 2024 | probably 14:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Aufwind"Farbradierung auf Bütten. Bleistiftsignatur. [19]88. Exemplar: 32/100. Druckplatte: 38,5 x 29,6 cm. Gerahmt & hinter Glas : 67,5 x 54 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:47 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Aufwind"Color etching on laid paper. Pencil signature. [19]88. copy: 32/100. Printing plate: 38.5 x 29.6 cm. Framed & behind glass : 67.5 x 54 cm. German graphic artist who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRANCK, Philipp (1860 Frankfurt am Main - 1944 Berlin) Liegender weiblicher AktRadierung. Signiert. 19 x 23 cm, Blattgröße: 28,5 x 35 cm. Rückseitig ein kleiner Montierungsrest, Blattrand fleckig. Franck, Maler, Graphiker, Aquarellist, studierte am Städel-Kunstinstitut in Frankfurt am Main, 1879-1881 in Kronberg, ab 1882 an der Akademie in Düsseldorf. Seit 1892 Lehrtätigkeit an der Kunstschule in Berlin, 1915-1933 Direktor derselben, 1898 Professor * Partnerauktion Bergmann. Literatur : Saur (2004), Paffrath (1997). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:28 Uhr (CET) FRANCK, Philipp (1860 Frankfurt am Main - 1944 Berlin) Reclining female nudeEtching. Signed. 19 x 23 cm, sheet size: 28.5 x 35 cm. Small mounting residue on the reverse, sheet margin stained. Franck, painter, graphic artist, watercolorist, studied at the Städel Art Institute in Frankfurt am Main, 1879-1881 in Kronberg, from 1882 at the academy in Düsseldorf. From 1892 taught at the art school in Berlin, 1915-1933 director of the same, 1898 professor * Partnerauktion Bergmann. Literature : Saur (2004), Paffrath (1997). Call time 15 | June 2024 | probably 11:28 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CORINTH, Lovis (1858 Tapiau - 1925 Zandvoort) Szene mit RitualtanzRadierung. Bleistiftsignatur. Druckplatte: 23 x 28,5 cm. Gerahmt & hinter Glas : 43 x 52,5 cm. Blatt etwas lichtgebräunt. Deutscher Maler, Zeichner und Grafiker, zählt zu den wichtigsten Vertretern des deutschen Impressionismus: "Das höchste ist in der Kunst, sich von der Wirklichkeit zu entfernen." (Zitat: LC, gesehen auf Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:01 Uhr (CET) CORINTH, Lovis (1858 Tapiau - 1925 Zandvoort) Scene with ritual danceEtching. Pencil signature. Print plate: 23 x 28.5 cm. Framed & behind glass : 43 x 52.5 cm. Sheet somewhat light browned. German painter, draughtsman and graphic artist, one of the most important representatives of German Impressionism: "The highest thing in art is to distance oneself from reality." (Quote: LC, seen on Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Call time June 15, 2024 | probably 11:01 a.m. (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen (*1951 Dembach) "Igris"Farbradierung. Bleistiftsignatur. [20]02. Exemplar: 126/150. Druckplatte: 38,5 x 45 cm. Gerahmt & hinter Glas : 55 x 65 cm. Deutscher Grafiker, der besonders für seine fantasievollen weiblichen Akte Bekanntheit erlangte. Literatur : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:46 Uhr (CET) GÖRG, Jürgen (*1951 Dembach) "Igris"Color etching. Pencil signature. [20]02. copy: 126/150. Printing plate: 38.5 x 45 cm. Framed & behind glass : 55 x 65 cm. German graphic artist, who became particularly well known for his imaginative female nudes. Literature : https://www.juergengoerg.de/index.php. Aufrufzeit 15. | June 2024 | probably 11:46 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Selbst für CC"Radierung. Bleistiftmonogramm. [19]75. Exemplar: 5148/10000. Druckplatte: 22 x 16 cm. Gerahmt & hinter Glas : 45 x 36 cm. Abbildungsbereich leicht lichtgebräunt. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:37 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Selbst für CC"Etching. Pencil monogram. [19]75. copy: 5148/10000. Printing plate: 22 x 16 cm. Framed & behind glass : 45 x 36 cm. Image area slightly light browned. Call time 15 | June 2024 | presumably 11:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Degen. Klinge L 82 cm, Gesamt 98,5 cm. In der Art der Degen für Kürassieroffiziere. Gerade, einschneidige Klinge mit breitem Hohlschliff. Reste von Musterätzungen mit Profilkopf und Wappendarstellung. Messinggefäß mit herzförmigem, gespaltenem Stichblatt, gerader Parierstange und Kugelknauf. Optische Drahtwicklung, hier jedoch mit dem Griff gegossen. Korrosionsnarben. Aufrufzeit 13. | Juni 2024 | voraussichtlich 14:23 Uhr (CET)Epee. Blade L 82 cm, total 98.5 cm. In the style of swords for cuirassier officers. Straight, single-edged blade with a broad fuller. Remnants of pattern etching with profile head and coat of arms depiction. Brass hilt with a heart-shaped, split guard plate, straight quillons and ball pommel. Optical wire winding, but here cast with the grip. Corrosion pits. Call time 13 June 2024 | probably 14:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BERENT-CHOJNACKA, Dorota (* 1954) "Wenus"Aquatinta-Radierung mit 2 Druckplatten. Bleistiftsignatur. Künstlerexemplar "e.a.". 2 Druckplatten in Form eines Rundbogenfensters: je ca. 17 x 12 cm, Blatt: 26 x 33 cm. Linker Rand mit senkrechtem Knick. Polnische Künstlerin. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:58 Uhr (CET) BERENT-CHOJNACKA, Dorota (* 1954) "Wenus"Aquatinta etching with 2 printing plates. Pencil signature. Artist's copy "e.a.". 2 printing plates in the form of an arched window: each approx. 17 x 12 cm, sheet: 26 x 33 cm. Left margin with vertical crease. Polish artist. Call time 15 | June 2024 | presumably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Blatt 53 aus "Suite Vollard"Lithografie nach Radierung. In der Platte signiert. [1933]/1992. Blanc Narcisse, Museum Mülheim, 1992, Prägestempel "Plitt". Blatt: 32 x 45,5 cm, im Passepartout: 40 x 50 cm. Ruhender Bildhauer und Model beim Ansehen eines Torsos, verso Copyright-Stempel "Pablo Picasso - Suite Vollard, Bloch Nr. 162, VG Bild-Kunst, Bonn 1990". Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:23 Uhr (CET) PICASSO, Pablo (nach / after)(1881 Málaga - 1973 Mougins) Sheet 53 from "Suite Vollard"Lithograph after etching. Signed in the plate. [1933]/1992. Blanc Narcisse, Museum Mülheim, 1992, embossed stamp "Plitt". Sheet: 32 x 45.5 cm, in passepartout: 40 x 50 cm. Resting sculptor and model looking at a torso, copyright stamp on verso "Pablo Picasso - Suite Vollard, Bloch Nr. 162, VG Bild-Kunst, Bonn 1990". Spanish painter, graphic artist and sculptor, one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Call time 15 | June 2024 | probably 11:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.