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78472 Los(e)/Seite
Los 161
James Abbott McNeil Whistler (American 1834-1903) Annie Seated, titled and signed in the plate, 1858, etching, 13 x 9.5 cm (PL)Provenance: private collection. Information verso claims provenance to Seymour Haden (1818-1910) Whistler's brother-in-law and father of Annie.In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in some of his compositions. Annie was aged around 9/10 years old at the time of the etching.
Los 160
James Abbott McNeil Whistler (American 1834-1903) Annie, 1858, signed and titled in the plate, etching, 11.6 x 7.8 cm (PL)Provenance: private collection, information verso claims provenance to the collection of Seymour Haden (1818-1910) brother-in-law to Whistler and father of Annie.From the Douze eau-fortes d'apres Nature, or "French Set" published in 1858. In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in a number of compositions.
Los 246
Churchill family interest, Sarah Churchill (British, 1914-1982) Profile of the artist's father, Sir Winston Churchill (1874-1965), etching, signed in pencil lower right, probably a proof in addition to the limited edition of three hundred, framed, 13 7/8 x 10 1/2in. (35.2 x 26.7cm.), together with a framed certificate awarded to Randolph Churchill MBE (1911-1968), the only son of Sir Winston and Lady Churchill, conferring upon him a Fellowship of the Incorporated Society of Auctioneers and Landed Property Agents, dated 7th May 1940. Also an Ezra Brooks novelty ceramic bourbon whiskey bottle in the form of Churchill delivering a speech inscribed "The Iron Curtain Speech March 5 1946 Fulton, Mo", marked beneath "First edition of the Winston Churchill commemorative bottle. As presented to the honored guests at the dedication of the Winston Churchill Memorial and Library in the United States May 7, 1969". Also the steel company seal of Randolph Churchill's company, Hurst Investments Limited. * Sarah Churchill was an actress and dancer, the third child of Sir Winston Churchill (1874-1965) and Clementine Ogilvy Hozier, Lady Churchill (1885-1977). **Creases in the paper commensurate with a proof etching, otherwise good.
Los 107
William Hogarth (1697-1764) Hogarth Painting the Comic Muse - the artist's last self-portrait, 1764etching and engraving on wove paper, later impression of the 6th and last state48.5 x 42.5cm (sheet)Examined out of frame. Slight undulation to the sheet. Plate 40.3 x 35.5cm. Foxing to margins.
Los 35
Rembrandt Harmensz. van Rijn (1606-1669) Jan Lutma, Goldsmith (B., Holl. 276; New Holl. 293; H. 290)etching, engraving and drypoint on laid paper, 1656, a good impression of New Hollstein's second/third state (of five), trimmed to platemark197 x 148 mm (Pl.)On laid paper. A short nick bottom centre. A repaired tear above the bowl, near the lettering. A little tear in the paper in the top right quadrant and another short nick along the top edge. Little staining below the window. Slightly frayed corners. Little skinning to the paper in the lower left quadrant and near the lettering above the repaired tear. Some light creasing near the top margin. No visible watermark.
Los 59
Follower of John Sell Cotman Château de Falaise, Normandy, France watercolour on paper 24 x 35cm Château de Falaise, the ancestral seat of the Dukes of Normandy, was the birthplace of William the Conqueror in approximately 1028 - in an earlier building on the same site. The present composition appears to be closely based on the etching Castle of Falaise (North View) of this subject by Cotman, which was published as pl. 90 in Architectural Antiquities of Normandy in 1821.
Los 57
George Cuitt the Younger (1779-1854) Two views of Fountains Abbey, Yorkshirethe first dated lower left 1821pen and ink and wash on paper28 x 25cm; 30 x 25cm; and a print of the doorway of Kirkstall Abbey; together with Harriet Green (née Lister, 1753-1821) Roch Abbey, Yorkshireinscribed upper left 'Drawn at Roch Abbey / 1787 Oct.r'pen and ink and grey wash on paper22.5 x 35cm (4)George Cuitt the Younger was born in Richmond, Yorkshire, the only son of the landscape and topographical painter, George Cuitt the Elder. He followed in his father’s footsteps and painted watercolours of local views, but he also turned to etching as a result of his enthusiasm for Piranesi’s Roman Antiquities. In 1804, he left for Chester where he became a drawing master and published several series of etchings of ancient castles, abbeys and other subjects in 1810-11 and 1815. A sketchbook from 1821 documents his travels in North Wales, Durham, Yorkshire, Warwickshire and Derbyshire. Around 1821, he settled in Masham, near Richmond where he later published his Yorkshire Abbeys. In 1848, his collected works were published as Wanderings and Pencillings amongst the Ruins of Olden Times.Framed George Cuitt - 48.5 x 43cm; 48.5 x 42.5cm
Los 422
Scarce 1822 Pattern George IV/William IV Infantry Officer's Sword32 1/4 inch, single edged, quill point, pipe back blade. Â Blade with faint laurel spray cypher and crown etching. Â One side with faint London maker's details. Â Brass, Gothic pattern guard with crowned cypher GRIV/WRIV cartouche. Â Folding rear section of guard. Â Brass, stylised floral decorated pommel and backstrap. Â Shagreen covered grip with twist wire binding. Â Contained in its steel scabbard with two loose hanging rings.
Los 288
Frederick Arthur Farrell (British, 1882 - 1935) Ponte Vecchio, Florence Pencil signed artist's proof original drypoint etching, with blind stamp, 30.5cm x 48.5cm. This artist served as Glasgow's official war artist during World War I. Glasgow was the only British city to appoint an artist to such a position.
Los 387
Newcastle upon Tyne - an etching, drawn by G. Palmer, engraved by E. Finden, signed in pencil John Goss, numbered 360/500, mounted, in gilt frame, 56 x 46cms high overall; together with a print of Newcastle-upon-Tyne in the Reign of Queen Victoria, Day & Son Lith., mounted, in gilt frame, 106 x 76cms high overall. (2)
Los 579
PETER STILWELL (BRITISH CONTEMPORARY) 'WAITING FOR THE TIDE', two seabirds are perched upon piles beside the sea, initialled bottom left, titled and dated 2008 to Abbott & Holder label verso, ink and watercolour on paper, approximate size 16.5cm x 17.5cm, together with CYNTHIA TAYLOR (NEW ZEALAND 1947) 'RESTING PLACE' an etching with colours depicting Gulls in shallow water, signed, titled and numbered 13/80 to lower margin, approximate size 10cm x 18cm
Los 595
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include a pastel portrait of Aporonia Hakopa aged 74 who was a M?ori member of the Ng?ti Rongomai tribe, signed H.E.Kells bottom right, approximate size 49cm x 39cm, an etching depicting a building detail, indistinctly signed and numbered 5/60, a late 20th century oil on canvas depicting a nostalgic Dutch harbour scene signed Costello, two large framed papyrus pictures, approximate frame sizes 111cm x 84cm, framed poster for Cirque Du Soleil etc
Los 107
Francis H. DODD R.A (1874-1949) A seated gentleman Etching Artist's proof indicated as 'Own Proof' in the margin Signed 32cm x 23cm Together with a David Young CAMERON (1865-1945) etching, 'The Towers of Charterhouse - Godalming, 13cm x 8.5cm and one other etching. Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Los 188
Four etchings/aquatints Jean Leon Gerome FERRIS (1863-1930) Moorish Incense Burner Etching 25cm x 16.5cm John Robert Keitley DUFF (1862-1938) Shepherd with his flock Aquatint George MORLAND (1762/63-1804) Soft ground etching of a cow 23cm x 28cm And one other engraving, indistinctly-signed. Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Los 135
Brian HANSCOMB (1944) Moonrise - Cornwall Etching Limited edition 4/100 Signed 6cm x 10cm Together with an indistinctly-signed etching titled Argument Yard, reputedly named after a family who lived there 20cm x 15cm. Lay's Auctioneer's are able to offer in-house postage on this lot from £25.22. For more information contact postage@davidlay.co.uk
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78472 Los(e)/Seite