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Los 1026

PAUL FERNANDEZ NOTARIO (born 1970); a signed limited edition coloured etching, surreal images including a bird, a cat, a figure, etc, titled, signed and numbered 19/75, with biographical details on label verso, 28 x 28cm, and UNATTRIBUTED; a signed limited edition sepia oval etching, waterside scene, signed indistinctly and dated 87, no.102/300, 31.5 x 37cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

Los 910

AFTER J. ALPHEGE BREWER; black and white etching of the interior of York Minster, signed and titled, 27 x 13.5cm, AFTER FRANK HARDING; black and white etching of Horwich, signed and titled, 13 x 32.5cm, AFTER FRED G. FARRELL; black and white etching of the interior of a church, signed, 29 x 19cm, and AFTER JOHN BANGAY; a colour print of Lincoln Cathedral, signed, 28 x 33cm, a black and white of Newstead Abbey, signed, 26 x 33cm, and a colour print of the High Bridge, Lincoln, 28 x 34cm, all framed and glazed (6).

Los 912

A black and white etching of Louis VIII, Landgrave of Hesse, after G.A. Eger Serenissimi Landger, dimension of plate 37 x 26cm, framed and glazed.

Los 913

AFTER JOHN BUCKLAND-WRIGHT; black and white etching of Liverpool Cathedral, unsigned, details on label verso, 25 x 18cm and three after ROLAND HILDER, prints, all framed and glazed (4).

Los 109

A Churchill memorabilia including a Wedgewodd glass mug with an etching of Churchill, a Wedgewood Jasper ware small dish with Churchill's profile together woven silk portrait by Brough, Nicholson & Hall (3)

Los 264

A quantity of pictures including a St Micheals, Paternoster Royal, College Street, pen ink and pastel on paper signed K. Marina Bates 1975, a watercolour of a pastoral landscape with straw bales and an etching of a church with a spire indistinctly signed lower right Fred Sloemaker, remark etching to the base of a memorial stone and inscribed 'The curfew tells the knell of parting day', all framed (3)

Los 310

William Lionel Wyllie ARA (1851-1931), the Tower of London viewed over the Thames, The Royal Salute, guns fire a salute at the Tower of London, with river shipping, etching, signed in pencil, Wyllie Gallery label verso, 18cm by 39cm

Los 328

C Martyn, local interest, Chichester Cross, etching, signed in pencil, 18cm by 12cm

Los 338

Charles W Cain (1893-1962) Middle Eastern scene with men in boats, buildings on the shoreline, etching, signed in ink, 39.5cm by 57cm

Los 339

Elyse Ashe Lord (1900-1971), Chinese figure holding two green lanterns, limited edition, coloured etching, signed and marked 34/100 in pencil, 28cm by 20.5cm

Los 340

Charles J Watson (19th / 20th century), landscape with shepherd herding his flock and distant cathedral, 'old Sarum was built on a dry barren hill', etching, signed in pencil, 23cm by 27cm and Sir Frank Short RA (1857-1945), waterside scene with two men in a boat next to a country house, etching, signed in pencil, 27cm by 36.5cm

Los 341

Edmund Blampied (1886-1966) gentleman in a horse and cart, etching, signed in pencil, 20cm by 27.5cm

Los 342

Louis C Rosenberg (1890-1983), figures and horses beneath a Moroccan gateway, etching, inscription verso 'Fez Gate,Tangiers', signed in pencil, 18cm by 20.5cm

Los 99

Morris, "Squirrel", hand coloured etching circa 1950, 31cm x 24cm, signed in pencil, glazed and framed.

Los 442

After Charles W Cain (1893-1962); an etching of a Buddhist monk, signed in pencil lower-left, approx 30 x 22cm, gilt framed and glazed and After H. J. Harvey; an etching of a gentleman playing a guitar, limited edition no.19/100, inscribed in pencil, 22 x 27cm, gilt framed and glazed (2).

Los 861

Victorian Infantry Officer’s Levee Pattern Sword. A regulation example, with narrow blade, this etched with a crowned VR cypher. This repeated to the regulation pattern guard. The shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Some age wear, etching faint.

Los 88

Luben Dimanov - 'Femme', 20th Century colour etching, signed, titled, inscribed and dated 1977 in pencil, approx 60cm x 42.5cm, together with another work by the same hand.

Los 205

Robert Spence - 'Taking Boat, I went down to Kingston, and from thence went toward Hampton Court, to speak with the Protector about the Sufferings of Friends. I met him Riding into the Park and as he rode in the Head of his Lifeguard I saw and felt a Waft (or Apparition) of Death go forth against him: and when I came to him, he look'd like a dead Man', monochrome etching, signed in pencil, approx 29.5cm x 35.5cm, together with four other etchings.

Los 507

CHARLES MOTTRAM (1806-1876)AFTER HENRY COURT SELOUS'Jerusalem in her Grandeur' and 'Jerusalem in her Fall'engravings with etching, printed in colours, hand finishedon wove india paper, laid on linen,published by George, Lord Beeforth, Scarborough, and Hayward & Leggatt, 72, Cornhill, London, April 10th 1860, both prints with general surface browning25 1/2 x 38 in (64.7 x 96.5cm); a pair (2)Both prospects in these prints are from the same spot in the hills above the city of Jerusalem. In the foreground of the first is Jesus on his donkey, riding down to enter the city, which has the temple of Solomon in the middle of the Roman area. An Arab encampment fills the foreground of the second, with the Dome of the Rock dominating the skyline of mosques and lesser buildings

Los 502

GERARD LESLIE BROCKHURST RA RE RP (1890-1978)Fabianetchingpencil signed, inscribed and numbered 'Fabian, W 23'Pl. 7 x 5 in (17.8 x 12.7cm)Sold with four other etchings by Brockhurst, all portrait subjects; five (5)

Los 506

GERARD LESLIE BROCKHURST RE RA RP (1890-1978)Portrait of the artist Henry Rushbury RA REetching, pencil signed, Pl. 9 x 7 in (22.8 x 17.8cm); sold with another (earlier state) impression of the same etching; an etching by Ian Strang depicting The Rue de Mont Cenis, Montmartre; and an etching of a Beggar by William Fairclough; four (4)

Los 503

GERALD LESLIE BROCKHURST RA RE RP (1890-1978)Young Motherhoodetching and dry pointpencil signed and inscribed 'artist's proof'Pl. 9 x 7 in (22.8 x 17.8cm); together with a further etching by the same engraver titled 'Ranunculus; two (2)

Los 501

ALAN GWYNNE JONES, RA (1892-1982)On a Farmetching, pencil signed in lower margin and dated 1928Pl. 12 x 14 in (30.5 x 35.4cm)Sold with a selection of other etchings, including works by Sir Henry Rushbury, Robert Sargent Austin and William Fairclough; six (6)

Los 508

WILLIAM LIONEL WYLLIE. R.E. (1851-1931)J Class Yachts at Cowesetching and aquatint on wove paperpencil signed in lower marginPl. 6 1/2 x 13 1/2 in (16.5 x 34.3cm)

Los 376

Simpson, (possibly Joseph Simpson), portrait of a Scottish highlander in bear skin, signed in pencil, uncoloured etching no. 4 of 75. Framed and glazed.

Los 393

British school (20th Century), study of standing stones, uncoloured etching. Framed and glazed.

Los 401

Alfred J Lavender, (Swansea Grammar School and Glyn Vivian Gallery). 'Rhossili', Signed by the artist, uncoloured etching. Framed and glazed.

Los 226

Kurt Meyer-Eberhart, Hare in a Winter Landscape, etching, signed in pencil. 37 x 44cm

Los 1502

Giovanni Battista Mola (1585-1665), Judith with the head of Holophernes, etching, unframed, 17.5cm x 12cm.

Los 1534

William Lionel Wyllie (1851-1931), Tugs and other shipping at sunset, etching, bears a signature, 43cm x 55cm.

Los 1535

William Lionel Wyllie (1851-1931), Warships, etching, signed in pencil, 14cm x 23.5cm.

Los 1538

William Lionel Wyllie (1851-1931), Yachts sailing, etching, signed in pencil,16cm x 37.5cm.

Los 1539

William Lionel Wyllie (1851-1931), Vessels on the Thames near Westminster, etching, signed in pencil,18.5cm x 23cm.

Los 451

A GERMAN WOODBLOCK PRINT of a tiger cub, indistinctly signed and an etching of a group of leopards

Los 478

HANS FIGURA: 'Stockholm' etching printed on silk

Los 404

ARMAND MATHEY AFTER THOMAS GAINSBOROUGH: 'Mrs Robinson, Perdita', coloured etching published London 1901

Los 426

Henry Wilkinson (1921-2011)A PAIR OF COCKER SPANIELSSigned in pencil, coloured copper plate etching, No 93/150image 24.5 x 80cm

Los 205

Alec Fraser (act.1893-1939): Six signed hand coloured etching depicting North African scenes

Los 219

A 19th century hand coloured engraving of Queen Victoria's visit to Epping Forest, circa 1882; together with a Horace Davis signed etching of Queen Elizabeth's Hospital, Bristol

Los 248

Piers Browne (b 1949): August Evening, Wensleydale, Limited Edition coloured etching, signed and number 17/50 in pencil

Los 80

COLLECTION OF ETCHINGS AND A WATERCOLOUR including C Campbell (Scottish, early 20th century), 'Craigie's Stane, Lerwick' and 'Glasgow Cathedral (Crypt)', etchings, signed, and a period Tom Maxwell print on textured paper titled 'Glasgow Academy First Latin Class Dinner 1873-74' bearing 'John Gibson, Glasgow' label to verso, sizes vary; A H Geyer (Austrian, 1857-1931), Heidelberg Castle, etching, signed and dated 1913, 21.5cm x 16.5cm; Stuart Johnston (Scottish, circa 1930), Temple of Ceres, Borghese Gardens, Rome, etching, signed, 30cm x 19cm and E P Sorooshian, 'Sanna Storm', watercolour, signed, 35cm x 45cm, bearing 'Kelvin Gallery, Glasgow' label to verso

Los 77

Edward Borein (1872 - 1945), Etching, titled verso, Adobe Houses in New Mexico, signed lower right in pencil, Edward Borein. Framed, under glass. (Approx. 7" x 9 1/2", overall: 14" x 16").

Los 105

19th century Street Scene Etching Indistinctly signed, in a glazed frame, 38 x 47cm

Los 119

Mats Jonasson glass owl sculpture a Daum glass owl and an artist's proof coloured etching of owls 'The Eyes Have It' Condition Report Click here for further images, condition, auction times & delivery costs

Los 295

GRAHAM CLARKE "Sunflowers" a limited edition Etching, no.10/100, signed, titled and numbered in pencil, 28cm x 34.5cm in glazed frame

Los 303

HENRY WILKINSON Retriever and Pheasant on the edge of woodland, coloured etching, limited edition 6/75 published by H C Dickens, London, signed in pencil, Hogarth frame, mounted and glazed, 25cm x 36cm

Los 207

MIXED LOT OF PICTURESincluding an embroidery and an etching by Ian Strang

Los 284

LOT OF THREE MIXED PICTURES AND PRINTSincluding a botanical study, an etching and a print of cowsLargest image size 62cm x 47cmAll framed and under glass

Los 1411

Graham Barry Clilverd, 'Top of the Hill'; 'The Caravan', a pair, each signed and titled in pencil, etching, pl.16.5 x 21cm.

Los 1278

E J Maybery, 'High Street, Tonbridge', signed and titled in pencil, etching; together with another signed etching by Susan F Crawford; another by A Wilson; and nine further monochrome prints.

Los 1763

Louis Icart, 'Wisteria', signed in pencil and blindstamped, drypoint etching, pl.45.5 x 55.5cm.

Los 22

AFTER TRACEY EMIN (b.1963) "Feeling safe", black and white etching, titled bottom left, signed and dated bottom right, limited edition No'd. 91/120, 24.8 cm x 42.8 cm (Tracey Emin was asked to create unique pieces of art for the Hospitality Lounge on the Olympic Park. Three pieces were created which are now displayed in Heathrow's Concorde Room.) (ARR) CONDITION REPORTS Basically in sound undamaged condition throughout. Protective paper has some slight creasing. Cardboard outer envelope has some sellotape attached and marks where it has been removed, this does not affect the print itself

Los 13

AFTER RENOIR (1841-1919) "On the beach", etching, signed within plate, inscribed below "Eau forte originale par Renoir", from a postumous edition, bears copy of "MCI Incorporated Certificate of Authenticity" verso, 20 cm x 12 cm

Los 10A

A collection of Old Master and other etchings and engravings including AFTER REMBRANDT (1606-1669) "Self portrait leaning on a stone sill 1639", black and white etching, 11.7 cm x 10.2 cm, AFTER SALVATOR ROSA (1615-1673) "Servatur Exemplar in Ædibus....", black and white etching by Joseph Goupy, 31 cm x 30 cm, AFTER JACQUES CALLOT (C.1592-1635) "Israel Siluestre Exudit" a set of twelve black and white engravings, 8.2 cm x 6 cm, mounted on one sheet, AFTER ALBRECHT DURER (1471-1528) "Coat of Arms with skull", 24.5 cm 17.5 cm, another by the same hand "Der Reuter", depicting a Knight on horseback with death and the devil, 25.5 cm x 20 cm, AFTER WENCESLAS HOLLAR (1607-1677) "Fishing", black and white engraving, 5.9 cm x 12.9 cm and others various CONDITION REPORTS REMBRANDT "Self portrait" - very stained, discoloured, ripped bottom left, glued down on card. Paper with brown ink conducive with age. most damage obscured by mount. SALAVATOR ROSA - paper browned with age and with staining and foxing particularly to the base with various creases and rips particularly at the top edge. CALLOT - Israel engravings all browned with age, with various water marks, foxing etc throughout. DURER" Coat of Arms" probably a 19th Century French reproduction with discolouration particularly to the edging. DURER "Der Reuter" - glued down on card, inscribed verso "French Reproduction of The Knight and Death" condition fair. HOLLAR "Fishing" - cut very close to edge of margins and with discolouration and foxing but image clear. Figure with donkey and dog watering , very browned and discoloured though image clear. Figures and horses in river with washer women in foreground - very stained with rips to the right-hand side, staining caused by glue to the top edge. Remainder all in foxed and browned condition - see images for further info

Los 167

A gilt framed 18th century etching of Mrs Elizabeth Balls, "The Goat Woman Of Havering Atte Bower", Essex, after J Rolfe, 39 x 48cm.

Los 60

George Garrard 1760 - 1826, an unframed stipple engraving with etching of Wobourn (Woburn) Sheepsheering 1811, 79 x 54cm.

Los 22

Frederick Landseer Griggs (1876-1938) The Ford, etching signed below in pencil, 17 x 26cm. Condition: Very slight dust/age staining to mount. Collector's mark (?) to reverse. On laid paper.  Hinge mounted. Paper very slightly toned.

Los 26

James Gillray after Brownlow North. Playing in Parts, hand-coloured etching and aquatint, published May 15th 1801 by Hannah Humphrey, 25.5 x 36 cm, framed; and Thomas Rowlandson, Unloading a Waggon, hand-coloured etching, published 1813 by Thomas Tegg, 24 x 34 cm, framed (2) Gillray - stain to mount; Rowlandson - staining to mount, probably a later impression.

Los 30

William Woollett after B. West. King Charles II Landing on the Beach at Dover, etching published c.1780, 46 x 59 cm.

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