PAUL FERNANDEZ NOTARIO (born 1970); a signed limited edition coloured etching, surreal images including a bird, a cat, a figure, etc, titled, signed and numbered 19/75, with biographical details on label verso, 28 x 28cm, and UNATTRIBUTED; a signed limited edition sepia oval etching, waterside scene, signed indistinctly and dated 87, no.102/300, 31.5 x 37cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
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78475 Los(e)/Seite
AFTER J. ALPHEGE BREWER; black and white etching of the interior of York Minster, signed and titled, 27 x 13.5cm, AFTER FRANK HARDING; black and white etching of Horwich, signed and titled, 13 x 32.5cm, AFTER FRED G. FARRELL; black and white etching of the interior of a church, signed, 29 x 19cm, and AFTER JOHN BANGAY; a colour print of Lincoln Cathedral, signed, 28 x 33cm, a black and white of Newstead Abbey, signed, 26 x 33cm, and a colour print of the High Bridge, Lincoln, 28 x 34cm, all framed and glazed (6).
A quantity of pictures including a St Micheals, Paternoster Royal, College Street, pen ink and pastel on paper signed K. Marina Bates 1975, a watercolour of a pastoral landscape with straw bales and an etching of a church with a spire indistinctly signed lower right Fred Sloemaker, remark etching to the base of a memorial stone and inscribed 'The curfew tells the knell of parting day', all framed (3)
Charles J Watson (19th / 20th century), landscape with shepherd herding his flock and distant cathedral, 'old Sarum was built on a dry barren hill', etching, signed in pencil, 23cm by 27cm and Sir Frank Short RA (1857-1945), waterside scene with two men in a boat next to a country house, etching, signed in pencil, 27cm by 36.5cm
Victorian Infantry Officer’s Levee Pattern Sword. A regulation example, with narrow blade, this etched with a crowned VR cypher. This repeated to the regulation pattern guard. The shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Some age wear, etching faint.
Robert Spence - 'Taking Boat, I went down to Kingston, and from thence went toward Hampton Court, to speak with the Protector about the Sufferings of Friends. I met him Riding into the Park and as he rode in the Head of his Lifeguard I saw and felt a Waft (or Apparition) of Death go forth against him: and when I came to him, he look'd like a dead Man', monochrome etching, signed in pencil, approx 29.5cm x 35.5cm, together with four other etchings.
CHARLES MOTTRAM (1806-1876)AFTER HENRY COURT SELOUS'Jerusalem in her Grandeur' and 'Jerusalem in her Fall'engravings with etching, printed in colours, hand finishedon wove india paper, laid on linen,published by George, Lord Beeforth, Scarborough, and Hayward & Leggatt, 72, Cornhill, London, April 10th 1860, both prints with general surface browning25 1/2 x 38 in (64.7 x 96.5cm); a pair (2)Both prospects in these prints are from the same spot in the hills above the city of Jerusalem. In the foreground of the first is Jesus on his donkey, riding down to enter the city, which has the temple of Solomon in the middle of the Roman area. An Arab encampment fills the foreground of the second, with the Dome of the Rock dominating the skyline of mosques and lesser buildings
GERARD LESLIE BROCKHURST RE RA RP (1890-1978)Portrait of the artist Henry Rushbury RA REetching, pencil signed, Pl. 9 x 7 in (22.8 x 17.8cm); sold with another (earlier state) impression of the same etching; an etching by Ian Strang depicting The Rue de Mont Cenis, Montmartre; and an etching of a Beggar by William Fairclough; four (4)
COLLECTION OF ETCHINGS AND A WATERCOLOUR including C Campbell (Scottish, early 20th century), 'Craigie's Stane, Lerwick' and 'Glasgow Cathedral (Crypt)', etchings, signed, and a period Tom Maxwell print on textured paper titled 'Glasgow Academy First Latin Class Dinner 1873-74' bearing 'John Gibson, Glasgow' label to verso, sizes vary; A H Geyer (Austrian, 1857-1931), Heidelberg Castle, etching, signed and dated 1913, 21.5cm x 16.5cm; Stuart Johnston (Scottish, circa 1930), Temple of Ceres, Borghese Gardens, Rome, etching, signed, 30cm x 19cm and E P Sorooshian, 'Sanna Storm', watercolour, signed, 35cm x 45cm, bearing 'Kelvin Gallery, Glasgow' label to verso
AFTER TRACEY EMIN (b.1963) "Feeling safe", black and white etching, titled bottom left, signed and dated bottom right, limited edition No'd. 91/120, 24.8 cm x 42.8 cm (Tracey Emin was asked to create unique pieces of art for the Hospitality Lounge on the Olympic Park. Three pieces were created which are now displayed in Heathrow's Concorde Room.) (ARR) CONDITION REPORTS Basically in sound undamaged condition throughout. Protective paper has some slight creasing. Cardboard outer envelope has some sellotape attached and marks where it has been removed, this does not affect the print itself
A collection of Old Master and other etchings and engravings including AFTER REMBRANDT (1606-1669) "Self portrait leaning on a stone sill 1639", black and white etching, 11.7 cm x 10.2 cm, AFTER SALVATOR ROSA (1615-1673) "Servatur Exemplar in Ædibus....", black and white etching by Joseph Goupy, 31 cm x 30 cm, AFTER JACQUES CALLOT (C.1592-1635) "Israel Siluestre Exudit" a set of twelve black and white engravings, 8.2 cm x 6 cm, mounted on one sheet, AFTER ALBRECHT DURER (1471-1528) "Coat of Arms with skull", 24.5 cm 17.5 cm, another by the same hand "Der Reuter", depicting a Knight on horseback with death and the devil, 25.5 cm x 20 cm, AFTER WENCESLAS HOLLAR (1607-1677) "Fishing", black and white engraving, 5.9 cm x 12.9 cm and others various CONDITION REPORTS REMBRANDT "Self portrait" - very stained, discoloured, ripped bottom left, glued down on card. Paper with brown ink conducive with age. most damage obscured by mount. SALAVATOR ROSA - paper browned with age and with staining and foxing particularly to the base with various creases and rips particularly at the top edge. CALLOT - Israel engravings all browned with age, with various water marks, foxing etc throughout. DURER" Coat of Arms" probably a 19th Century French reproduction with discolouration particularly to the edging. DURER "Der Reuter" - glued down on card, inscribed verso "French Reproduction of The Knight and Death" condition fair. HOLLAR "Fishing" - cut very close to edge of margins and with discolouration and foxing but image clear. Figure with donkey and dog watering , very browned and discoloured though image clear. Figures and horses in river with washer women in foreground - very stained with rips to the right-hand side, staining caused by glue to the top edge. Remainder all in foxed and browned condition - see images for further info
James Gillray after Brownlow North. Playing in Parts, hand-coloured etching and aquatint, published May 15th 1801 by Hannah Humphrey, 25.5 x 36 cm, framed; and Thomas Rowlandson, Unloading a Waggon, hand-coloured etching, published 1813 by Thomas Tegg, 24 x 34 cm, framed (2) Gillray - stain to mount; Rowlandson - staining to mount, probably a later impression.

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