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78475 Los(e)/Seite
Los 282
PHIL GREENWOOD (20TH CENTURY) `Avenue`, etching with aquatint, pencil signed, titled, dated `78 and numbered 88/200 in the margin, 21" x 18", published by Christie`s Contemporary Art and with certificate attached to verso; together with Charles F Mitchell, `Classic Architecture`, a series of ten plates illustrating typical examples of Grecian and Roman Orders and `The Best of Redoute`s Roses` (3).
Los 301
20TH CENTURY ENGLISH SCHOOL: Armadillo in rough grass, etching, indistinctly signed ? Bartwell and also pencil signed and numbered 195/250, 6 1/4" x 11 1/2" and seven further works to include: William Scott, `Venice 1881`, etching, 13 3/4" x 5", two small landscape etchings framed in one; view of Harewood House after David Heal; two wood engravings framed in one attributed to Eric Gill, `Naked Studies`, 4" x 6"; a watercolour attributed to Rob Gruber (20th century American) - Birds of paradise, 19 1/2" x 29" (8).
Los 365
MARTIN HARDIE (1875-1952) - `The Quiet West (Martigues)`, etching, signed in the plate and dated, "APR `19", also signed in ink to the margin, 9" x 11"; together with six further engravings to include Fred Richards `Falaise- a gateway`, inscribed and dated 1921, 10" x 6 1/4"; Edward Lear `Nicropolis, plate 15`, colour lithograph from "Journals of a landscape painter in Albania", 3 3/4" x 6 1/2"; and four book plates to include `St Paul`s School`; `The new Sulphur Spring, Harrogate`, `Shropham and Snetterton` and `Church Street, Hampstead` (7).
Los 370
JOHN ROBERT KEITLEY DUFF (1862-1938) - A shepherd penning his sheep, etching, pencil signed in the margin, 8 3/4" x 7" and two further etchings to include Leslie Jackson `Nativity`, pencil signed in the margin, dated `32, 9" x 7 1/2"; and Alphonse Legros `L`Entree du champ`, pencil signed in the margin, 6 1/2" x 8 1/2" (3).
Los 1144
Erich Wolfsfeld (German 1884-1956); eighteen various copper etching plaques, each decorated with a different design, including snake dance, Marrakesh, Moroccan asleep on a bench, Egyptian women in conversation, two Arab women with children, Spanish mother and child, head of a man with a moustache, and others
Los 15
J Fairburn (publisher) after R C, The Cambridge Theatrical Squeeze or Double Bass Entre to the Orchestra, coloured etching, 34 x 25cm (trimmed and mounted); together with Cruikshank after Woodward, Love and Learning, coloured etching published by Allen & West 1797, 22 x 17cm (a rare print banned by the University for being improper); and, A reprint of Cambridge Market Place after Rowlandson (3)
Los 273
Greaves (Henry & Walter) Thames Coffee House looking west, showing the Cricketers pub and Chelsea Old Church, etching on grey paper, 265 x 310mm., signed and dated in the plate, framed and glazed, 1857 § Greaves (Walter and Henry) Thames Coffee House on the corner of Laurence Street, looking east, etching on grey paper, 245 x 355mm., signed in the plate, H & W Greaves, and dated, framed and glazed, 1860(2) ***Two aspects of the same location in Old Chelsea, before the redevelopment and embankment of the area as Cheyne walk. Carlyle Mansions now stands on this site..
Los 277
Short (Sir Frank) St. Augustine`s, Stepney etching, 105 x 180mm., adhesive stains to margins partially obscuring the title, hinged into mount, dated in the plate, 1884; with five other etchings of London city and dockyard scenes including Trafalgar Square, by E. George, M.C. Robinson, D.M. Clark, E. Brewer and L. Gautier, etchings, one on vellum, v.s., one with spotting and browning, 1884-1930(6)
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78475 Los(e)/Seite