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Los 609
*Local Interest - Fred J. Bollands (20th Century, British), print, 'Lancaster Royal Grammar School', signed to the lower right, framed, mounted, and under glass, 11cm x 19cm, & 28cm x 30cm overall, together with an etching print of Lancaster Castle, after an unknown artist (19th/20th Century), with text verso by Captain Julian Lawson Whalley
Los 53
4 Demonstrationsmodelle und 5 Schreibmaschinen1) "Remington Travel-Riter De Luxe", um 1958, die authentische Schreibmaschine zu Günter Grass' Radierung von 1983 über Heinrich Bölls Lieblings-Schreibmaschine. Ein Super-Exponat und Sammlungsstück! - 2) ABC-Maschinenmodell, Deutschland, ohne Gehäuse, funktionstüchtig. - 3) Prinzess KSM, Deutschland, Modell mit 3 Typenstangen, in Koffer. - 4) Gossen-Tippa, Modell mit einer Taste, zur Demonstration von Wagenzug und Farbbandtransport, mit Koffer. - 5) ABC-Reiseschreibmaschine, ab 1951, Deutschland, Hersteller: Kochs Adler, Design: Wilhelm Wagenfeld, rotes Gehäuse, in Koffer. - 6) "Gundka 5", ab 1924, deutsche Eintaster-Schreibmaschine mit Typenzylinder, doppelte Umschaltung, Vorderanschlag, mit Farbband, Typenzylinder mit hebräischen Schriftzeichen, Wagenzug hakt. - Literatur: Martin 1949, S. 331. - 7) "Bambino", ab 1950, VEB Optima Büromaschinenwerk, Erfurt, DDR, Indexschreibmaschine, Typenzylinder, Farbröllcheneinfärbung, braunes Kunststoffgehäuse, in Koffer. - 8) "Bambino", ab 1950, VEB Optima Büromaschinenwerk, Erfurt, DDR, Indexschreibmaschine, Typenzylinder, Farbröllcheneinfärbung, grünes Kunststoffgehäuse, in Koffer. - Und: 9) "Klein-Torpedo", um 1960, Maschinenmodell, mit 3 Tasten und einfacher Umschaltung. Start Price: EUR 120 Zustand: (3/3)4 Demonstration Models and 5 Typewriters1) "Remington Travel-Riter De Luxe", c. 1958, the actual typewriter shown on the etching (1983) by writer and Nobel prize winner Günter Grass about the poet Heinrich Böll's favourite typewriter. - 2) ABC machine model, Germany, without case, working. - 3) Prinzess KSM, Germany, model with 3 typebars, in case. - 4) Gossen-Tippa, model with one key, to demonstrate the carriage train and ribbon transport, with case. - 5) ABC portable typewriter, Kochs Adler, Germany, design by Wilhem Wagenfeld, 1951 onwards, red housing, in case. - 6) "Gundka 5", 1924 onwards, German single-button index machine, with type-cylinder with Hebrew characters, double-shift, frontstroke and ink ribbon, carriage sticks. - Literature: Martin 1949, p. 331. - 7) "Bambino", 1950 onwards, VEB Optima Büromaschinenwerk, Erfurt, GDR, index typewriter, type-cylinder, inking roller, brown plastic housing, in case. - 8) "Bambino", 1950 onwards, VEB Optima Büromaschinenwerk, Erfurt, GDR, index typewriter, type-cylinder, inking roller, green plastic housing, in case. - And: 9) "Klein-Torpedo", c. 1960, machine model, with 3 keys and single-shift. Start Price: EUR 120 Condition: (3/3)
Los 1002
Piers Browne (b.1949)"About the hollow ground the Primroses are found" A E HousemanSigned and dated (19)81, inscribed A/P, etching, together with two further etchings by the same hand "But in the golden sanded brooks" and "The winds out of the west land blow", 11.5cm by 21.5cm, 14cm by 12.5cm and 17cm by 24cm respectively (3)
Los 375
A RARE FAMILLE ROSE PINK-GROUND SGRAFFIATO 'MEDALLION' BOWLDaoguang seal mark and of the periodExquisitely potted with deep rounded sides rising to a slightly everted rim, the exterior decorated with four roundels enclosing various flowers, trees, and rockwork, divided by stylised lotus sprays, all reserved on a pastel-pink sgraffiato ground, the interior painted in underglaze blue with a central medallion enclosing a rabbit in a landscape, surrounded by four detached flower sprays around the cavetto. 14.8cm (5 7/8in) diam. Footnotes:清道光 粉彩軋道粉地開光花卉圖盌青花「大清道光年製」篆書款Provenance: an Irish private collection, and thence by descent來源：愛爾蘭私人收藏，並由後人保存迄今Notable for the exquisite enamelling with flower medallions on an ornately decorated pink ground, this bowl is based on elaborate designs pioneered by eighteenth century artists working during the Qianlong period. The sophistication of the present bowl was achieved through the combination of underglaze blue decoration on the interior, which was applied in Jingdezhen, the intricate sgraffiato ground and finally the fusion of Western painting techniques with traditional Chinese motifs. The flowers and leaves adorning the pink ground, masterfully rendered in various tones and hues to create a three-dimensional effect, recall the techniques introduced in China by the Jesuit painters during the eighteenth century. This complicated and laborious technique, known as jinshang tianhua ('adding decorative pattern onto brocades'), involved needle-point etching the design onto a monochrome enamel ground.A very similar famille rose pink-ground bowl, Daoguang seal mark and period, is illustrated in Encompassing Precious Beauty: The Songzhutang Collection of Imperial Chinese Ceramics, Hong Kong, 2016, pp.214-215, no.83. One of a pair of very similar pink-ground medallion bowls, Daoguang seal mark and period, is also illustrated in Imperial Porcelain of the Late Qing from the Kwan Collection, Hong Kong, 1983, no.37.Compare with a similar pair of pink-ground famille rose 'medallion' bowls, Daoguang seal marks and of the period, which were sold at Christie's Hong Kong, 3 December 2021, lot 2923. Another very similar bowl was also sold at Sotheby's New York, 20 March 2019, lot 772. See also a similar bowl, which was sold at Bonhams, London, 15 May 2014, lot 90.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 329
FOLLOWER OF BENEDETTO LUTI (1666-1724) 'Venus, Cupid and Mercury', oil on canvas, 25 1/2 x 18 in. Provenance: Private Collection, Hampshire.This painting is after the original work at Burghley House, Stamford. Lincolnshire which is first recorded in the 1763 Inventory there.. The subject depicts Venus holding her son Cupid's bow as his father Mercury teaches him to read. An etching in reverse of the same subject by Giovanni Agostino Ratti is in the collection of the British Museum The Florentine born Luti worked mostly in Rome. His major patron there was Cosimo 111 of Medici, The Grand Duke of Tuscany.
![[Gillray, James]. The Liberty of the Subject, a satirical caricature depicting a press-gang seizing a trembling London tailor](https://cdn.globalauctionplatform.com/cc4f721d-af13-41e8-85f4-b0a500d992bd/ff5d5746-2ed3-4407-a5b3-b0a701103699/468x382.jpg)
Los 151
[Gillray, James]. The Liberty of the Subject, a satirical caricature depicting a press-gang seizing a trembling London tailor with the intention of forcing him to serve at sea in the American War of Independence, hand-coloured etching on wove paper, London: William Humphrey, 15 October 1779 [J. Whatman watermark appears to be 1820], unmounted/unframed, 24.8 x 35.1cm (plate-mark), 26.5 x 37.5 (sheet). Together with Contemplations upon a Coronet, aquatint etching by James Gillray, originally published 1797, this from the Bohn edition of 1847-51 (2)
Los 115
Photography & Postcards. An archive to include carte-de-visite portraits of Queen Victoria, Prince Albert, Gladstone, Derby, Palmerston, and others, including more generic family portraits, 177 in total, some cabinet cards, arranged in two worn albums; postcards in four albums, including a good range of real photographic, many relating to Lampeter & Aberystwyth, including sports (rugby & athletics), WW1, theatrical, university, group portraits; five Edwardian mounted photographs of classes at Lampeter School; a small photograph album belonging to James Bell Whitworth [Cambridge don], two loose photographs of the same during his university days, an unused photograph album awarded to same, and his university cap or mortarboard; a rolled panoramic group photograph of The Grammar School for Girls, Cambridge, October 1968; The Tube-Bus Guide to London and a Bus Map, No. 4, 1935, and a hand-coloured aquatint etching of the Botanic Garden, by Stadler & Westall, 1815, framed & glazed, the whole in one carton
Los 146
A miscellaneous collection of antique prints to include An Exact Perspective View of Dunmow, Essex, engraved by C. Mosley after David Ogborne, 1806; a mezzotint portrait of Robert Walpole, engraved by John Simon after Hans Hysing, [c. 1727-1742]; The North-West View of Grace Dieu-Nunnery in the County of Leicester, etching by Samuel & Nathaniel Buck, 1730 or later; Freiburg, etching by Helmut Philipp, limited edition numbered 34/50, signed & dated, 1977; Street in Toledo, etching by Albany E. Howarth, signed & numbered 194; portrait of Jacob Epstein, after Jacob Kramer, lithograph, and 17 other prints, including portraits, various sizes, together with two Acts published by John Baskett - one for erecting a workhouse in Canterbury, 1728; one for establishing a hospital in Bath, 1739 (25)
![A collection of antique prints to include six [of seven] engravings from the Acts of Mercy series, engraved by Louis Audran a](https://cdn.globalauctionplatform.com/cc4f721d-af13-41e8-85f4-b0a500d992bd/4c377b35-9817-406b-86d8-b0a701101d90/468x382.jpg)
Los 143
A collection of antique prints to include six [of seven] engravings from the Acts of Mercy series, engraved by Louis Audran after Sebastien Bourdon, [c. 1789], each inscribed & dated verso; 34 engravings from the Recueil des costumes Francais series of French costume plates, etched by Eugene Bourgeois after Firmin Hippolyte Beaunier, c. 1810 (plates numbered 80-97 & 99-114); an etching of Venus; an etching of Sabina, and three others, various sizes (45)
Los 136
Caricatures. A collection of satirical prints comprising: An Old English Gentleman pester'd by Servants wanting Places, by James Gillray, hand-coloured etching, London: H. Humphrey, 1809, mounted, 26 x 36.5cm (plate-mark); An Old Maid on a Journey, by James Gillray, hand-coloured etching, London: H. Humphrey, 1804, mounted, 26.5 x 38.5xm (sheet); Money Lenders, by Thomas Rowlandson, hand-coloured etching on laid/chain-lined paper, London: W. Humphrey, 1784, 26 x 36xm (plate-mark); A Party of Pleasure, by George Cruikshank, hand-coloured etching, London: G. Humphrey, 1822, 27 x 38.5cm (sheet), and a small plate after Gillray's famous cartoon King Brobdingnag & Gulliver, and three uncoloured etchings by Davison of Alnwick (8)
Los 50
CUCCHI, ENZO1950 Morro d'AlbaTitel: Elegy and Etching (für Parkett 1). Datierung: 1983. Technik: Aquatinta. VelinMaße: 25,5 x 42cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 62/80. Zustand:Minimale Schmutzanhaftung auf der linken Seite mittig. Ansonsten befindet sich das Werk in einem sehr guten Zustand.Mit Parkett-Magazin."The present moment and far-reaching memories. Naked exposure and sheltered safety. Enzo Cucchi conjures up opposing forces from the depths of human emotions with such artistic power that his painting becomes itself the wave, the fire, the earth, the living objects it represents. 'Bisogna togliere I grandi dipinti dal paesaggio.'"Bice Curiger, Parkett Nr. 1, 1984.Artikel zu Werk und Künstler aus Parkett Edition Nr. 1. Enzo Cucchi Italien Italienische Transavantgarde Zeitgenössische Kunst Grafik 1980er Schrift Papierarbeit Aquatinta und Drypoint auf Velin LandschaftErläuterungen zum Katalog
Los 141
MARDEN, BRICE1938 Bronxville/USA - 2023 Tivoli/New YorkTitel: Etching for Parkett (für Parkett 7). Datierung: 1986. Technik: Aquatinta und Zuckertusche. BFK Rives, in Parkett-Ausgabe eingebundenMaße: 20,5 x 16,5 x 25,5 x 21cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/100. Zustand:Das Werk befindet sich in einem sehr guten Zustand.Mit Parkett-Magazin."The physical singularity of Marden's paintings may be attributed to the fact that from the very start he pitched his work with resolute intensity to this key of chromatic enigmas - literally with the mystery-tones of gray - and as he advanced, he simply compounded the chords, adding sharps or flats, moving from minor to major scales." Lisa Liebmann, Parkett Nr. 7, 1986.Artikel zu Werk und Künstler aus Parkett Edition Nr. 7. Brice Marden USA Nachkriegskunst Grafik 1980er Abstrakt Druckgrafik Zuckerlift und Aquatinta, in die Zeitschrift gebunden ArchitekturErläuterungen zum Katalog
Los 82
GALLAGHER, ELLEN1965 Providence/Rhode IslandTitel: Ruby Dee (für Parkett 73). Datierung: 2005. Technik: Plastilin-Applikationen auf Farbradierung auf Karton. Maße: 15 x 10 x 0,5cm. Bezeichnung: Signiert, datiert und nummeriert (verso). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: I/V. Sockel/Rahmen: Objektrahmen. Zustand:Das Werk befindet sich in sehr gutem Zustand. Im Rahmen beschrieben.Außerhalb der Auflage von 30 arabisch nummerierten Exemplaren. Die Vorlage für die Arbeit war das Cover der afro-amerikanischen Zeitschrift "Jet" aus dem Jahr 1963. Das Cover zeigt Ruby Dee, die Schauspielerin, Dichterin, Dramatikerin, Journalistin und Bürgerrechtsaktivistin war.Mit Parkett-Magazin."Gallagher is a handworking, hand laborer (.). The production of a simple, flat, engaging image is never her sole purpose. This is why she works in print, as well as in painting and in drawing. Process, layers, materials - physicality is everything to her. Flesh is a texture as much as a color. DeLuxe is collage (paper), photomontage (digital), photogravure (the process of printing from an intaglio plate, etched according to a photographic image); it is mounted, built-up and -upon by: abrasion, aquatint, burnishing, drypoint, embrossing, etching, laser cutting, stenciling, tattoo-machine engraving (yes for skin) - adding blue varnish, crystals, cut paper, toy eyeballs, white spaces, glitter, gold leaf, pomade. and this is not even the half of it." Thyrza Nichols Goodeve, Parkett Nr. 73, 2005.Artikel zu Werk und Künstler aus Parkett Edition Nr. 73. Ellen Gallagher USA Zeitgenössische Kunst Multiples 2000er Objektrahmen Gesicht Papierarbeit Mischtechnik SchriftErläuterungen zum Katalog
Los 59
Eight works on the mechanisms of Colonial rule in India. Philip W. Sergeant. 'The Ruler of Baroda. An Account of the Life and Work of the Maharaja Gaekwar,' first edition, slipped in 'Presented with Mr Murray's Compliments', some mold staining to original cloth, pp.307, frontis etching and plates, spotting to edge of text block, John Murray, London, 1928; 'Report of the Commission on Christian Higher Education in India. An Enquiry into the Place of the Christian College in Modern India,' slipped in compliment slip from Mr Milford, original boards, spotting to front and rear leaves as well as edge, good textblock, Oxford University Press, London, 1931; Sir Reginald Craddock. 'The Dilemma in India,' pasted in review request to front free endpaper, first edition, sun-bleached spine to original cloth, errata, Constable & Co, London, 1929; L. S. S. O'Malley. 'The Indian Civil Service 1601-1930,' first edition, original cloth, unclipped dj, compliment slip from Mr Murray, some spotting, John Murray, London, 1931; Col K. N. Haksar and K. M. Panikkar. 'Federal India,' first edition, staining to original cloth, graphite notes to margins, Martin Hopkins, London, 1930; P. E. Roberts. 'India Under Wellesley,' first edition, review request from G. Bell & Sons, original cloth, G. Bell and Sons, London, 1929; With two works from the 'Rulers of India' series. (8)From the library of Joseph Herbert Thorniley, former editor of ‘The Pioneer’ Allahabad.
Los 65
Johnny Friedlaender (1912-1992) Etching and aquatint 'Abstract Compostion', limited edition numbered 20/100, signed lower right, framed and glazed, 16cm x 12.5cm and three other framed unattributed abstract pictures to include a watercolour, an etching and aquatint and another (4) ( see new images)
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78472 Los(e)/Seite