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78472 Los(e)/Seite
Los 259
Valerie DAVIDE (1938-2017) Three Mixed Media Works Each signed, one mounted on a card inscribed 'Jenny & Andrew, with many thanks, love Val', largest 29.5cm x 42cm, together with three original works by Judy Lusted; Robbie MACGREGOR (1955) Cockerel, Watercolour, signed and dated 2009, 22.5cm x 31cm; together with an Isobel Vargis etching, numbered 22/50, plate size 7.5cm x 14cm; and six other works, mostly unsigned (14) (6) Shipping is available from £32.50 to a UK Mainland address.
Los 517
A Smith, The Gate to Gods Acre, limited edition coloured etching, signed in pencil lower right, titled lower centre and numbered lower left 2/25, 25.5 x 32cm, framed and glazed and L'Hotel de Ville et la Grand Place, Bruxelles (Brussels), hand-coloured etching, titled in pencil lower right, label verso dated 29.3.87, 28.5 x 35.5cm, gilt framed and glazed (2)
Los 219
A pair of works by Anne Claude Philip de (Comte) Caylus (French 1692-1765), comprising - After Albrecht Dürer; etching, inscribed Cab du Roy, C. Scul and with the monogram of Albrecht Dürer (19.5cmx26cm) together with a Landscape etching, titled bellow, plate number 47 to top left corner, in a glazed frame. (14cmx20cm) (2)
Los 53
Attributed to Ernest Greenwood R.C.A. (British 1913-2009)Untitled cityscape, 1987Acrylic & mixed on boardUnsignedFramed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 23cm x 33cm (9" x 13") not including frame.
Los 31
Ernest Greenwood R.C.A. (British 1913-2009)Untitled, 1983Ink & watercolour on paperSigned & dated lower rightMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Measures approx. 34cm x 46cm (13.5" x 18") excluding frame.With certificate from Infocus Galleries.
Los 42
Ernest Greenwood R.C.A. (British 1913-2009)Crossing the Bridge, circa July 2003Ink, watercolour & acrylic on paperSigned & dated lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 22cm x 33cm (19" x 13").With certificate from Infocus Galleries.
Los 10
(ARR) Julian Trevelyan (British, 1910-1988) Ponte VecchioEtching and aquatintLimited edition Artist's ProofSigned, numbered & titled in pencil Mounted, framed & glazed A founding member of the British Surrealist Group, Julian Trevelyan (1910–1988) was at the centre of a defining moment in British 20th century art. He was an original participant of the Mass Observation project and embraced a wide variety of styles from surrealism to realism and abstraction. After contributing to Britain’s first Surrealist statement, Trevelyan abandoned Cambridge for Paris in 1931 where he worked in Stanley William Hayter’s printmaking studio with Alberto Giacometti, André Masson, Pablo Picasso and Joan Miró. His early work was influenced by these artists as well as Max Ernst and Paul Klee, but he went on to develop his own unique style.Measures approx. 40cmx 50cm (16" x 20").
Los 120
Peter Blake (British, b. 1932)For John Constable - Liberty as Suffolk child by John ConstableEtching, signed and numbered 66/100.Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching. Published by Bernard Jacobson 1976.From the Bernard Jacobson Gallery CollectionSir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling.Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987.Measures approx. 13cm x 11.5cm (5" x 4 6/8").
Los 23
Ernest Greenwood R.C.A. (British 1913-2009)Untitled, circa July 1988/91Ink & watercolour on paperSigned & dated twice lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Measures approx. 31cm x 45cm (12" x 17.5") not including frame.With certificate from Infocus Galleries.
Los 9
Steve Barraclough (Irish b. 1953-1987) Ganzu II, 1985 Etching, lithography & photo emulsion Signed in pencil with A/P (Artist Proof) Flowers East Gallery label to the verso Framed and glazed British printmaker Steve Barraclough attended Camberwell School of Arts and Crafts and the Slade School of Fine Arts. Inspired by a period spent in China in the early 1980s, Barraclough experimented with a range of materials and eastern printmaking techniques in his visual art practice. His work is held in the collections of the Arts Council of Ireland and the Arts Council of Northern Ireland.Measures approx. 54cm x 67cm.
Los 17
Ernest Greenwood R.C.A. (British 1913-2009)Untitled landscape, 1987Ink & watercolour on paperSigned & dated lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 25cm x 33cm (10" x 13") not including frame.With certificate from Infocus Galleries.
Los 20
(ARR) Julian Trevelyan (British, 1910-1988) Florence at NightEtching and aquatintLimited edition number 88 of 100Signed, numbered & titled in pencil Mounted, framed & glazed A founding member of the British Surrealist Group, Julian Trevelyan (1910–1988) was at the centre of a defining moment in British 20th century art. He was an original participant of the Mass Observation project and embraced a wide variety of styles from surrealism to realism and abstraction. After contributing to Britain’s first Surrealist statement, Trevelyan abandoned Cambridge for Paris in 1931 where he worked in Stanley William Hayter’s printmaking studio with Alberto Giacometti, André Masson, Pablo Picasso and Joan Miró. His early work was influenced by these artists as well as Max Ernst and Paul Klee, but he went on to develop his own unique style.Measures approx. 40cm x 50cm (16" x 20").
Los 209
This striking aquatint etching on paper by renowned Belgian engraver and sculptor Rene Carcan, titled Impression Florale, embodies a quiet elegance, with abstract forms suggesting flowers in a serene, imagined world. Edition 41 of 135. Signature, title, and edition number in graphite on lower edge. Housed in a black frame with a beige mat. Sight size: 13"L x 16"H. Frame dimensions: 22.75"L x 0.5"W x 28.5"H. Artist: Rene Carcan (Belgian, 1925-1993)Issued: 1982Dimensions: See DescriptionEdition Number: 41 of 135Country of Origin: BelgiumCondition: Age related wear.
Los 8
RON KING (Contemporary) “Working Boats Race 2”, coloured lithograph, signed, inscribed & numbered 1/20 in pencil, 25 x 38cm (image), framed & glazed (46 x 57cm overall); & another smaller etching “Dropping Down On The Ebb”, signed indistinctly & numbered 30/150 in pencil, framed & glazed (26 x 29cm overall).
Los 142
Beautiful die-cast depiction of a yale blue car with white interiors and whitewall tires as well as an etching that reads American Graffiti. Driver and passenger doors open as well as the hood and trunk that contains a spare tire. Car is 1:18 to scale. Motor Max backstamp. This item has its original plastic display box: 13"L x 5.5"W x 5.5"H. Issued: 20th centuryDimensions: 12"L x 4.25"W x 3"HManufacturer: Motor MaxCondition: Age related wear.
Los 90
Engravings, book plates & original watercolour paintings. A collection of 19th century Victorian & later artworks. The lot to include watercolour on board painting of a bridge with ladies filling water vessels in foreground, coloured plates from children's books depicting London, a 1930 watercolour of Lymington signed Wooldridge, Jinghau mountain etching; and hand coloured engraved plate of Rome, Dresden & Manchester; as well as a set of engravings from Constantinople by Thomas Allom, first series; Fisher, Son & Co.; from the Rhine publ. by the same; hand coloured plates from a topographical work incl. Bath from Beacon Hill; and plates from France Illustrated drawn by T. Allom.France Illustrated plates measure approx. 28.5cm x 22.5cm.
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78472 Los(e)/Seite