Gerhard ALTZENBACH (act. 1609 - 1672). Spottblatt: der Tod als Edelfrau (c. 1630).Circa 23,8 x 13,3 cm die Druckplatte. Radierung. Breitrandiger Abzug. Wohl Pendant zu Altzenbachs "Der Tod als Edelmann". Detaillierte Vanitas-Darstellung.Gerhard ALTZENBACH (act.1609 - 1672). Etching with mocking content: Death as a noblewoman (c. 1630).Circa 23,8 x 13,3 cm the printing plate. Etching. Print with wide margins. Probably a pendant to Altzenbach's "Death as a Nobleman". Detailed depiction of vanitas.
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Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" (1910).Circa 40 cm x 40 cm, 56,5 cm x 63 cm im Rahmen. Strichätzung, Kaltnadelradierung und Schmirgel und Vernis mou. Links unten in der Graphik bezeichnet: ''Orig. Rad. von Käthe Kollwitz''. Rechts unten in der Graphik bezeichnet: ''Druck v. O. Felsing, Berlin Chinog''. Prägestempel links seitlich unten. Aufhängung des Rahmens anders ausgerichtet als wir die Abbildung zeigen. Mutter und Kind sind hier in schmerzvoller Verbundenheit horizontal aneinander geschmiegt. Der im Titel beinhaltete Tod ist versteckt als skelettierter Arm unter dem Kinderkörper sowie als Schädelandeutung im oberen Bildrand gezeigt. Hinter Glas gerahmt.Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" ("Death, Woman and Child") (1910).Approx. 40 cm x 40 cm, 56,5 cm x 63 cm in frame. Line etching, drypoint and emery and vernis mou. Inscribed lower left in the print: ''Orig. Rad. von Käthe Kollwitz''. Inscribed in the lower right corner of the print: ''Druck v. O. Felsing, Berlin Chinog''. Embossed stamp at lower left side. Hanging of the frame differently oriented than we show the image. Mother and child are here in painful closeness nestled together horizontally. Death, included in the title, is shown hidden as a skeletonised arm under the child's body as well as an insinuation of a skull in the upper margin of the picture. Framed behind glass.
Leonor FINI (1907 - 1996) ''L'Homme au Repos" (Mann in Rast). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Radierung. Darstellung eines ruhenden Mannes mit Gamaschen. Über ihm eine junge Frau. Rechts unten handsigniert. Links unten nummeriert. Hinter Glas in goldfarbener Leiste.Leonor FINI (1907-1996) ''L'Homme au Repos" (Mann in Rast'). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Etching. Depiction of a resting man with gaiters. Above him a young woman. Signed by hand lower right. Numbered lower left. Behind glass in a gold coloured border.
Günter GRASS (1927 - 2015). Zwei Radierungen.1979 und 1980.Circa 49 cm x 39 cm. 72 x 57 cm im Rahmen. Circa 50 cm x 65,5 cm. 72 x 57 cm im Rahmen. Radierung. "Selbstportrait mit Feder und Fisch" (1980). Druck 28 von 150. "Frau mit Butt" (1979). Druck 26 von 40. Signiert und datiert. Hinter Glas gerahmt.Günter GRASS (1927 - 2015). Two etchings.1979 and 1980.Circa 49 cm x 39 cm. 72 x 57 cm in frame. Circa 50 cm x 65,5 cm. 72 x 57 cm in frame. Etching. "Self-portrait with pen and fish" (1980). Print 28 of 150. "Woman with Butt" (1979). Print 26 of 40. Signed and dated. Framed under glass.
ALIEN (1979) - H.R. Giger Brass Etching Space Suit DressingA premium laser-cut replica of an etching used as a stencil by Swiss surrealist artist H.R. Giger to create patterns in his paintings. It was also incorporated into designs seen in Ridley Scott's sci-fi horror Alien. This example was scanned directly from an original etching, and these intricate patterns were cut and incorporated into Dallas (Tom Skerritt), Kane (John Hurt) and Lambert's (Veronica Cartwright) spacesuits, which they wore while investigating a possible distress signal. The etching is on brass, and it is stamped "61638". There are signs of discolouration and fingerprint marks on the brass. Dimensions: 22.5 cm x 31 cm (8 3/4" x 12 1/4") Estimate: £400 - 600 †ΔThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
LUCIFER (T.V. SERIES, 2016 - 2022) - Mazikeen's (Lesley-Ann Brandt) Stunt KarambitMazikeen's (Lesley-Ann Brandt) stunt karambit from the crime drama series Lucifer. Mazikeen used her karambit in hand-to-hand combat when fighting against Lucifer Morningstar's (Tom Ellis) enemies throughout the series.This sickle-shaped cast resin weapon features a pommel ring and a feather-like etching on the flat sides, along with engraved symbols. The blunt concave edge features bamboo-like notching and the convex edge is double-bevelled to appear sharp. Finished with silver-coloured paint, the karambit exhibits some scratching and visible paint lines on the handle from production use. Dimensions: 18.5 cm x 4 cm x 0.75 cm (7.25" x 1.5" x 0.25") Estimate: £400 - 600 ΩThis lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.
FITZGERALD EDWARD (Trans). Rubaiyat of Omar Khayyam. Sesquicentennial Edition limited to 1000. Orig. etching no. 169, signed by the artist, Niroot Puttapipat. Mounted col. plates. Folio. Fine gilt decorated pictorial vellum backed brds. with vellum tips, t.e.g. Orig. solander box. Folio Society, 2009.
Elizabeth Adela STANHOPE-FORBES (1859-1912) Across The Sand Dunes EtchingPlate size: 17 x 11cmNewlyn Orion Gallery label to versoThis very rare dry-point etching has not been examined out of the frame. We are not aware of there being any signed numbered etchings by E Forbes but some are signed in the plate. Indeed there is a version of this etching that has her monogram.This etching was sold through the Newlyn Orion Gallery in 1981 when the respected expert John Halkes was its director. We do not know where the title "Across the Sand Dunes" comes from, perhaps it is inscribed.The etching has overall foxing
Alexander MACKENZIE (1923-2002) Untitled, 1965 Etching/aquatint Signed and dated Jan '65Numbered 4/6Plate size 60 x 44.5cm Provenance - The Estate of John and Gunni Crowther This dramatic etching has not been examined out of the frame, we can see no foxing and no sign of repair or damage. The paper may have browned a little.
Sir Terry FROST (1915-2003) Untitled (Figure) (Kemp 30) Mixed media and linocut, signed. Further work to verso, self-portrait monotype. 20.5 x 29cm.From the collection of Ron Howell."I was introduced to Terry by Allan Freer who had commissioned various things from him during his time with Manchester Education Committee - some of the works are illustrated in the Lewis book. After the initial meeting, we became good friends and I visited Terry and Kath three or four times a year in Newlyn. But we also met in Venice, where I worked regularly, and Terry has a show at the Multigrafia Gallery and the year before his death, they came to the Aldeburgh Festival. The etching ‘On the Edge’ was made for that visit. During that visit, Terry said that he had always wanted to design an opera, and I was able to help him fulfill that with the commission for Opera East’s production of Britten’s ‘Rape of Lucretia’. Unfortunately, Terry was unable to see the production, and although I had it filmed, the editing only finished after his death. The etching ‘Blue Vertical’ came from this commission, and the ‘Spiral for Aldeburgh’ was used at his funeral, with one of his poems printed verso. In 2005, ‘Blue Drowning’, based on Terry’s lost painting Drowning Blue, was performed by the Scottish Strings at the Aldeburgh Festival. This I commissioned from John Woolrich to celebrate the lives of Terry and Kath, and our friendship and collaborations."
Samuel PALMER (1805-1881) The Skylark Etching, plate size: 11.8 x 9.5cm.This piece is loosley attached with tape to the mount. Having taken the piece out of the frame, we were unable to find 'Samuel Palmer. 17.' below the image. The piece contains the name of the artist within the etching in the bottom left corner (please see additional high resoloution image). The plate mark is 12 x 9.5cm in size and the etched image is 10 x 7.5cm in size. Overall the piece is in good condition. The paper measures 19.5 x 16cm in size.
A Folio containing a selection of prints and engravings, including' Christ and the Money Changers', a print after Eric Gill; an etching of Chartres (west front) by Valerie Thornton; 'Flooded', an etching by Harold Sayer; two colour woodblock prints by E. Austen Brown; a small selection of eighteenth and nineteenth Century engravings; 'The Moorish Traders', an etching by Mortimer Menpes; together with various other prints and drawings, two unframed Maps; an unframed drawing of two hands, attributed to Sir William Boxall; and a sepia wash design for a fireplace, Italian School, 17th Century (qty)
ENGLISH SCHOOL "Mrs Emma Drake" silhouette study of female bust with hair with lace trim, bears label verso "Mrs Emma Drake March 87" 7.5 cm x 6 cm together with AFTER ANGELICA KAUFFMAN "Gtizelha and Alpine shepherds", a pair of sepia tinged prints in oval frames 33 cm x 27 cm together with 19TH CENTURY ENGLISH SCHOOL "Lucy of Leinster..." coloured etching 26 cm x 20 cm, a modern textured print of figure in highland clothing with horse and dogs, signed J Honey 11.5 cm x 16.5 cm and AFTER PAUL BISSON (b. 1938) "Dungeness" landscape study, limited edition etching No;d 159/200 signed and titled in pencil 29 cm x 35 cm
Wenceslaus Hollar - 'Ciuitatis Westmonasteriensis pars' (Westminster from the River), 17th century etching with engraving and later hand-colouring on laid paper, 15cm x 28cm, within an ebonized frame frame, together with a 17th century etching by Abraham Bosse after Claude Vignon.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Michael Blaker - 'The Royal Pavilion', 20th century etching with aquatint, signed, titled and editioned 23/30 in pencil, 30.5cm x 39.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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