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Los 110

Gerhard ALTZENBACH (act. 1609 - 1672). Spottblatt: der Tod als Edelfrau (c. 1630).Circa 23,8 x 13,3 cm die Druckplatte. Radierung. Breitrandiger Abzug. Wohl Pendant zu Altzenbachs "Der Tod als Edelmann". Detaillierte Vanitas-Darstellung.Gerhard ALTZENBACH (act.1609 - 1672). Etching with mocking content: Death as a noblewoman (c. 1630).Circa 23,8 x 13,3 cm the printing plate. Etching. Print with wide margins. Probably a pendant to Altzenbach's "Death as a Nobleman". Detailed depiction of vanitas.

Los 142

Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" (1910).Circa 40 cm x 40 cm, 56,5 cm x 63 cm im Rahmen. Strichätzung, Kaltnadelradierung und Schmirgel und Vernis mou. Links unten in der Graphik bezeichnet: ''Orig. Rad. von Käthe Kollwitz''. Rechts unten in der Graphik bezeichnet: ''Druck v. O. Felsing, Berlin Chinog''. Prägestempel links seitlich unten. Aufhängung des Rahmens anders ausgerichtet als wir die Abbildung zeigen. Mutter und Kind sind hier in schmerzvoller Verbundenheit horizontal aneinander geschmiegt. Der im Titel beinhaltete Tod ist versteckt als skelettierter Arm unter dem Kinderkörper sowie als Schädelandeutung im oberen Bildrand gezeigt. Hinter Glas gerahmt.Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" ("Death, Woman and Child") (1910).Approx. 40 cm x 40 cm, 56,5 cm x 63 cm in frame. Line etching, drypoint and emery and vernis mou. Inscribed lower left in the print: ''Orig. Rad. von Käthe Kollwitz''. Inscribed in the lower right corner of the print: ''Druck v. O. Felsing, Berlin Chinog''. Embossed stamp at lower left side. Hanging of the frame differently oriented than we show the image. Mother and child are here in painful closeness nestled together horizontally. Death, included in the title, is shown hidden as a skeletonised arm under the child's body as well as an insinuation of a skull in the upper margin of the picture. Framed behind glass.

Los 113

Leonor FINI (1907 - 1996) ''L'Homme au Repos" (Mann in Rast). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Radierung. Darstellung eines ruhenden Mannes mit Gamaschen. Über ihm eine junge Frau. Rechts unten handsigniert. Links unten nummeriert. Hinter Glas in goldfarbener Leiste.Leonor FINI (1907-1996) ''L'Homme au Repos" (Mann in Rast'). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Etching. Depiction of a resting man with gaiters. Above him a young woman. Signed by hand lower right. Numbered lower left. Behind glass in a gold coloured border.

Los 144

Günter GRASS (1927 - 2015). Zwei Radierungen.1979 und 1980.Circa 49 cm x 39 cm. 72 x 57 cm im Rahmen. Circa 50 cm x 65,5 cm. 72 x 57 cm im Rahmen. Radierung. "Selbstportrait mit Feder und Fisch" (1980). Druck 28 von 150. "Frau mit Butt" (1979). Druck 26 von 40. Signiert und datiert. Hinter Glas gerahmt.Günter GRASS (1927 - 2015). Two etchings.1979 and 1980.Circa 49 cm x 39 cm. 72 x 57 cm in frame. Circa 50 cm x 65,5 cm. 72 x 57 cm in frame. Etching. "Self-portrait with pen and fish" (1980). Print 28 of 150. "Woman with Butt" (1979). Print 26 of 40. Signed and dated. Framed under glass.

Los 528

VALERIE THORNTON (1931- 1991) British, Castle View, limited edition etching, signed and dated '77 to the margin, numbered 245/250, framed and glazed. 48 x 36.5 cm.

Los 47

Kosza Sipos Laszlo, pencil signed abstract etching No. 345 and dated 1970, 52cm x 38.5cm

Los 180

Belinda King, "Leda Bathing" limited edition etching 1/100, 60cm x 42cm overall

Los 177

Della Chapman, pencil signed etching "Winter Trees", 37cm x 51cm

Los 40

Gillian Lawson, pencil signed etching "Dancing Clowns" 4/300, 25cm x 22cm

Los 178

Glynn Thomas, pencil signed etching "Leigh-On-Sea" 1/150

Los 489

B Reynolds, pencil signed etching of a nude with annotation

Los 48

Kosza Sipos Laszlo, pencil signed limited edition etching dated 1970, 7/15, image 24.5cm x 29cm

Los 78

Indistinctly signed pencil etching continental street scene; and a pencil signed lithograph depicting Siberian Forest scene, limited edition 4/50

Los 173

Glynn Thomas, small pencil signed coloured etching "St Lawrence Blackmore" 1/150, plate 9cm x 7.5cm

Los 171

Glynn Thomas, pencil signed limited edition etching "The Orwell", 34/150, plate 14cm x 42cm

Los 37

Kurt Meyer - Eberhardt 1895-1977, pencil signed etching of a kitten, 28cm x 35cm

Los 175

Richard Bawden, pencil signed etching "Jester Asleep Where She's Not Supposed To Be", limited edition 30/85, plate 17.5cm x 22cm

Los 179

Richard Bawden, pencil signed limited edition etching "Tom", 27/85, 26cm x 24cm

Los 397

William Lionel Wyllie (1851-1931), Maritime Etching, 43cm x 60 cm exc. frame Condition Report: The etching has slipped and the mount is concealing any signature - no signature visible and it has not been inspected out of frame.

Los 6518

Gordon E Miles (British 1947-): 'La Maison Des Amis', etching and aquatint signed titled and numbered 102/150 in pencil 40cm x 9cm

Los 6544

G Chauveau (French Early 20th century): Ballroom Dancers, etching and aquatint signed in pencil; English School (Early 20th century): Girl in Kimono, watercolour and pastel unsigned max 44cm x 32cm (2)

Los 1236

ROWLAND LANGMAID: Black and white etching depicting dock scene with St Pauls to background, pencil signed, 15cm x 10cm image size

Los 1245

Axel Herman HAIG (1835-1921): A large drypoint etching of Mont St Michel, signed in pencil lower right, approx. 89cm x 62cm, framed and glazed

Los 279

MANTEL CLOCK,along with an etching, onyx, brass and silver plated items

Los 640

ALIEN (1979) - H.R. Giger Brass Etching Space Suit DressingA premium laser-cut replica of an etching used as a stencil by Swiss surrealist artist H.R. Giger to create patterns in his paintings. It was also incorporated into designs seen in Ridley Scott's sci-fi horror Alien. This example was scanned directly from an original etching, and these intricate patterns were cut and incorporated into Dallas (Tom Skerritt), Kane (John Hurt) and Lambert's (Veronica Cartwright) spacesuits, which they wore while investigating a possible distress signal. The etching is on brass, and it is stamped "61638". There are signs of discolouration and fingerprint marks on the brass. Dimensions: 22.5 cm x 31 cm (8 3/4" x 12 1/4") Estimate: £400 - 600 †ΔThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.

Los 1146

LUCIFER (T.V. SERIES, 2016 - 2022) - Mazikeen's (Lesley-Ann Brandt) Stunt KarambitMazikeen's (Lesley-Ann Brandt) stunt karambit from the crime drama series Lucifer. Mazikeen used her karambit in hand-to-hand combat when fighting against Lucifer Morningstar's (Tom Ellis) enemies throughout the series.This sickle-shaped cast resin weapon features a pommel ring and a feather-like etching on the flat sides, along with engraved symbols. The blunt concave edge features bamboo-like notching and the convex edge is double-bevelled to appear sharp. Finished with silver-coloured paint, the karambit exhibits some scratching and visible paint lines on the handle from production use. Dimensions: 18.5 cm x 4 cm x 0.75 cm (7.25" x 1.5" x 0.25") Estimate: £400 - 600 ΩThis lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.

Los 185

FITZGERALD EDWARD (Trans).  Rubaiyat of Omar Khayyam. Sesquicentennial Edition limited to 1000. Orig. etching no. 169, signed by the artist, Niroot Puttapipat. Mounted col. plates. Folio. Fine gilt decorated pictorial vellum backed brds. with vellum tips, t.e.g. Orig. solander box. Folio Society, 2009.

Los 14

Bernard Howell LEACH (1887-1979) The Angler Etching15 x 10cmThis unsigned etching appears to be in excellent condition, although it hasn't been examined out of the glazed frame.

Los 166

Elizabeth Adela STANHOPE-FORBES (1859-1912) Across The Sand Dunes EtchingPlate size: 17 x 11cmNewlyn Orion Gallery label to versoThis very rare dry-point etching has not been examined out of the frame. We are not aware of there being any signed numbered etchings by E Forbes but some are signed in the plate. Indeed there is a version of this etching that has her monogram.This etching was sold through the Newlyn Orion Gallery in 1981 when the respected expert John Halkes was its director. We do not know where the title "Across the Sand Dunes" comes from, perhaps it is inscribed.The etching has overall foxing

Los 168

Rose HILTON (1931-2019) Quiet Time EtchingArtist's ProofSigned and inscribedPlate size 25 x 19.5cmThis etching appears to be in good clean condition but it has not been examined out of the glazed frame. It has an amateur cut mount

Los 186

Karl WESCHKE (1925-2005) Je t'aime, 1970 Mixed media - etching and charcoalSigned and dated 1970Plate size 65 x 49 cmThis hand-embellished etching is the design for Weschke's 1971 lithographic series of the same title.

Los 214

Alan RANKLE (1952) 'Paysage' & 'Montsegar'  Two etching/aquatintsEach signed, inscribed and numbered out of 200Each plate size 20 x 27cm

Los 271

Alexander MACKENZIE (1923-2002) Untitled, 1965 Etching/aquatint Signed and dated Jan '65Numbered 4/6Plate size 60 x 44.5cm Provenance - The Estate of John and Gunni Crowther This dramatic etching has not been examined out of the frame, we can see no foxing and no sign of repair or damage. The paper may have browned a little.

Los 310

Sir Terry FROST (1915-2003) Untitled (Figure) (Kemp 30) Mixed media and linocut, signed. Further work to verso, self-portrait monotype. 20.5 x 29cm.From the collection of Ron Howell."I was introduced to Terry by Allan Freer who had commissioned various things from him during his time with Manchester Education Committee - some of the works are illustrated in the Lewis book. After the initial meeting, we became good friends and I visited Terry and Kath three or four times a year in Newlyn. But we also met in Venice, where I worked regularly, and Terry has a show at the Multigrafia Gallery and the year before his death, they came to the Aldeburgh Festival. The etching ‘On the Edge’ was made for that visit. During that visit, Terry said that he had always wanted to design an opera, and I was able to help him fulfill that with the commission for Opera East’s production of Britten’s ‘Rape of Lucretia’. Unfortunately, Terry was unable to see the production, and although I had it filmed, the editing only finished after his death. The etching ‘Blue Vertical’ came from this commission, and the ‘Spiral for Aldeburgh’ was used at his funeral, with one of his poems printed verso. In 2005, ‘Blue Drowning’, based on Terry’s lost painting Drowning Blue, was performed by the Scottish Strings at the Aldeburgh Festival. This I commissioned from John Woolrich to celebrate the lives of Terry and Kath, and our friendship and collaborations."

Los 334

Ben NICHOLSON (1894-1982) Tuscan Pillars  Cancelled copper etching plateTogether with a cancellation proof impression taken by Francois LafrancaEach 23 x 14.2cm, framed together

Los 36

Breon O'CASEY (1928-2011) Untitled  Etching aquatint, signed and dated '09, 21 x 24cm.This has not been examined out of the good quality frame but it appears to be in excellent condition

Los 416

Naomi FREARS (1963) Untitled Etching, signed and inscribed, plate size 31 x 20cm.

Los 543

Michael HASTED (1946) A Point of Departure Oil on canvas, signed and dated '76, inscribed to verso, 51x35cm, together with a gouache by Hastead, signed with studio seal, 35.5x26.5cm, an etching by him, two signed coloured lithographs, a catalogue and related papers relating to Hasted

Los 568

Pablo PICASSO (1881-1973) Vingt Poemes de Gongora, 1948 Etching with aquatintFrom the edition of 275 on Marais paper, printed by Lacouriere, Paris37 x 27cm

Los 584

Phil GREENWOOD (1943) Upper Corris Etching, signed dated '69 inscribed and numbered 10/40 32x24.5cm plate size together with the companion etching, Slate Street 28x37cm plate size

Los 602

Samuel PALMER (1805-1881) The Skylark Etching, plate size: 11.8 x 9.5cm.This piece is loosley attached with tape to the mount. Having taken the piece out of the frame, we were unable to find 'Samuel Palmer. 17.' below the image. The piece contains the name of the artist within the etching in the bottom left corner (please see additional high resoloution image). The plate mark is 12 x 9.5cm in size and the etched image is 10 x 7.5cm in size. Overall the piece is in good condition. The paper measures 19.5 x 16cm in size.

Los 644

Hans Sebald LAUTENSACK (1524-1563) Landscape with Pollard Willow Etching, the plate monogrammed and dated 1553,17 x 11cm.

Los 708

Guy Seamour Warre MALET (1900-1973) Inner Harbour Dieppe Woodcut, signed, numbered 3/50, image size: 14 x 19cm.This etching has not been examined out of the frame, no damage has been noted other than a black spot, which may be a flaw in the paper

Los 8

Alexander MACKENZIE (1923-2002) Untitled Artist's Proof Etching, Signed and dated '75, 19x18cm plate sizeProvenance - The John and Gunni Crowther estate.This is float mounted in a patent lightweight plastic frame. The paper size is 37x32cm. the etching is in excellent condition

Los 86

Alexander MACKENZIE (1923-2002) Untitled Etching, signed and dated '64, 30x22.5cmProvenance - The John and Gunni Crowther estate.This etching has a brown burn halo left by a previous mount and a single foxing spot above the signature. The paper has a degree of cockling.

Los 1000

David Deuchar (Scottish 1743-1808): Bust Portrait of Rembrandt, etching, signed, 6m x 5cm

Los 1004

Enzo Plazzotta (1921-1981): 'Wild Horses' ltd.ed etching 46/70, titled and numbered in pencil, with studio Blind Stamp 15cm x 19.5cm

Los 1005

Enzo Plazzotta (1921-1981): 'Aprendause - 1973' ltd.ed etching 22/70, titled and numbered in pencil, 22cm x 18cm

Los 1864

A 19th century coloured etching "The Melton Breakfast" framed, together with 4 other racing prints and engravings, including Epsom races, and "Frederick" the winner of the Derby Stakes at Epsom 1829 (5)

Los 1875

William Walcot, etching, buildings in Venice, signed in pencil, plate 15cm x 10cm, with label and inscription verso dated 1953

Los 4967

René Magritte (1898-1967) 'Poire et Rose' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition X/XXV,Kaplan & Baum 20, 16 x 11 cm. size total sheet 27 x 22 cm. [1]

Los 4969

René Magritte (1898-1967) 'La Folie Almayer' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition XI/XXV,Kaplan & Baum 18, 20 x 14,5 cm. size total sheet 27 x 21 cm. [1]

Los 4968

René Magritte (1898-1967) 'La Lecon au Musique' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition XI/XXV, Kaplan & Baum 15, 15 x 10 cm. size total sheet 27 x 21 cm. [1]

Los 39

A framed oil on board of a landscape with a bridge and a signed artist proof etching of flowers. H.66 W.36cm.

Los 716

JACKI PARRY (SCOTTISH)  OVER GOVE Etching, inscribed (A/P), dated (19)89, 60 x 90cm Condition Report:Available upon request

Los 370

A Folio containing a selection of prints and engravings, including' Christ and the Money Changers', a print after Eric Gill; an etching of Chartres (west front) by Valerie Thornton; 'Flooded', an etching by Harold Sayer; two colour woodblock prints by E. Austen Brown; a small selection of eighteenth and nineteenth Century engravings; 'The Moorish Traders', an etching by Mortimer Menpes; together with various other prints and drawings, two unframed Maps; an unframed drawing of two hands, attributed to Sir William Boxall; and a sepia wash design for a fireplace, Italian School, 17th Century (qty)

Los 496

AFTER WILLIAM LIONEL WYLLIE “The Bass Rock 1900”, dry point etching, artist's proof, signed lower left, inscribed on typed label 22.5 cm x 50.5 cm

Los 498

ENGLISH SCHOOL "Mrs Emma Drake" silhouette study of female bust with hair with lace trim, bears label verso "Mrs Emma Drake March 87" 7.5 cm x 6 cm together with AFTER ANGELICA KAUFFMAN "Gtizelha and Alpine shepherds", a pair of sepia tinged prints in oval frames 33 cm x 27 cm together with 19TH CENTURY ENGLISH SCHOOL "Lucy of Leinster..." coloured etching 26 cm x 20 cm, a modern textured print of figure in highland clothing with horse and dogs, signed J Honey 11.5 cm x 16.5 cm and AFTER PAUL BISSON (b. 1938) "Dungeness" landscape study, limited edition etching No;d 159/200 signed and titled in pencil 29 cm x 35 cm

Los 130

Wenceslaus Hollar - 'Ciuitatis Westmonasteriensis pars' (Westminster from the River), 17th century etching with engraving and later hand-colouring on laid paper, 15cm x 28cm, within an ebonized frame frame, together with a 17th century etching by Abraham Bosse after Claude Vignon.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Los 42

Michael Blaker - 'The Royal Pavilion', 20th century etching with aquatint, signed, titled and editioned 23/30 in pencil, 30.5cm x 39.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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