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Los 132

A box of collectable metalwares including a spelter figure, brass flatback horse, jousting knight plaque and etching and a collar

Los 475

Marguerite Kirmse ``And Who Are You?``, artist`s proof etching, signed and titled in pencil to the margin, Arthur Ackermann & Son gallery label verso

Los 102

Teizo Ogaki (Japanese, b.1936), 'Un jout limpide', surrealist study of two male nudes, signed lower left in pencil, dated 72, limited edition, aquatint and etching on paper, numbered 11/25. H.49cm W.46cm

Los 105

Contemporary Continental School, 'Doldrums', surrealist study of red poppies in a baron ground, signed in pencil lower right, limited edition polychromatic etching on paper, numbered 69/99. H.50cm W.40cm

Los 232

Francis Robert Kelly (b.1927), 20th century American school, a limited edition dry point etching, a pastoral landscape, a study of a farm amongst rolling countryside, signed in pencil to margin and inscribed 'Kimmeridge', 4/50. H.34cm W.48.5cm

Los 355

Miscellaneous collection of items to include a Dutch civil strike etching set in a gilt frame, a twin handled serving tray etc.

Los 526

E J Maybery: `St Mary`s Street, Weymouth`, etching, together with various pictures and prints of local interest and a further quantity of pictures

Los 527

C R Trevena: `Pegasus`, dry point etching, dated 1928 in original ebonised frame

Los 459

Arthur Briscoe (1873-1943), Shovelling the Catch, Etching, Signed lower right, 23 x 32cm (9 x 12 1/2 in), Together with a further etching by Briscoe, ‘The Gale’, signed and numbered 29/75 (2)Bid Live at the-saleroom.com

Los 459

Arthur Briscoe (1873-1943), Shovelling the Catch, Etching, Signed lower right, 23 x 32cm (9 x 12 1/2 in), Together with a further etching by Briscoe, ‘The Gale’, signed and numbered 29/75 (2)

Los 38

Childe Hassam (American, 1859-1935), "The Nymphs of the Garden", 1923, etching, signed with the artist`s cipher and "imp" in pencil, also inscribed "The nymphs of the garden, three cat birds, four robins, four cotton tails, 3 purple grackles, my garden Southampton, CH", lower margin, 4 3/4 in. x 11 1/2 in., matted.

Los 1112

Josef Eidenberger (Austrian, 1899-1991), "New Orleans Street Car", color etching, pencil-signed lower right, sight 12 in. x 13 5-8 in., framed.

Los 23

Thomas Girtin (1775-1802) etching `View of Pont Au Change`, aquatinted by F.C. Lewis, 24cm x 49cm

Los 26

Kurt Meyer-Eberhardt (1895-1977) signed Steeple Chasing etching, 33.5cm x 49.5cm

Los 38

Sir Samuel Luke Fildes, hand coloured restrike etching `A Village Wedding`, 45cm x 77cm

Los 44

Leslie Ward, signed white line etching on stone, `A Purbeck Bakery`, 35cm x 25cm

Los 479

A coloured etching of river and house scene, a Coronation of King Edward VII, invitation to Mrs Palmer on Thursday 26th June 1902, a watercolour by M.Durrants 1910 and one other

Los 529

Johnstone Baird, etching `Castle Drawbridge` and two others, E.M. Synge and Percy Robertson

Los 327

G.B. Goddard, an etching of a dog hunting a stag entitled ""At Bay"" 26 x 35 cms together with a coloured etching entitled ""Old Wotherspoon`s Hair"" 17 x 12 cms.

Los 355

Two Oval Silhouettes depicting George and Martha Washington and a further silhouette depicting a young girl, an etching of a young woman and a hand coloured etching of Salperton House Gloucestershire published by S Y Griffith`s & Co, Cheltenham.

Los 164

Edmund Blampied (Jersey, 1886-1966) Galloping drypoint etching, c.1932, signed in ink to centre lower margin and numbered 80/100 9¼ x 12in. (23.75 x 30.75cm.) * Provenance: Pearson & Westergaard Limited, Glasgow (bears original inscribed gallery label verso) See Illustration.

Los 166

Edmund Blampied (Jersey, 1886-1966) A Jersey Vraic Cart drypoint etching, c.1939, signed in ink to lower margin 9¼ x 11½in. (23.5 x 29.25cm.) See Illustration.

Los 167

Edmund Blampied (Jersey, 1886-1966) Work in the Fields drypoint etching on bevelled plate, signed and dated 1915 to lower right corner of plate, signed in pencil lower left, from an edition of sixty-five 8¼ x 11¼in. (21 x 28.5cm.) See Illustration.

Los 170

Edmund Blampied (Jersey, 1886-1966) Farm Fire drypoint etching, signed and dated July 1927 to foot of plate, signed in pencil and numbered 20/100 to lower margin (100 impressions, plate destroyed) 7½ x 9½in. (19 x 24cm.) * Provenance: St Helier Galleries, Jersey. See Illustration.

Los 286

AFTER REMBRANDT HARMENSZ. van RIJN, SELF-PORTRAIT, AN ETCHING, probably a Basan impression, Recueil Rembrandt, framed. 13cm by 10cm

Los 288

HERBERT THOMAS DICKSEE (1862-1942), STUDY OF TWO CAIRN TERRIERS, titled Hope, coloured etching, signed with initials and dated 1929, published by Frost & Reed, framed and glazed, image 20cm by 40cm

Los 84

Pablo Picasso (1881-1973)Portrait of Max Jacob,Etching and drypoint,Dated 7-9-56 inverted lower right.Plate dimensions: h: 7 3/4 x w: 5 3/4 in.

Los 86

Pablo Picasso (1881-1973)Sculpteur Avec Coupe et Modele Accroupi,Etching on montval laid paper with Vollard watermark,From the Vollard Suite. Published by Ambroise Vollard, Paris, 1939. Signed lower right in pencil. B.152-Ba.304, 1933. Edition of 260.Dimensions: h: 10 1/2 x w: 7 1/2 in. Note condition: acid damage from mat, two minor areas of foxing, and ink residue on upper and lower margin.

Los 92

Andor Sugar (Hungarian, 1903-1944)Ponte Vecchio Firenze (Italia),Etching,Signed lower right ""Sugar A"".Dimensions: h: 5 x w: 5 1/2 in.

Los 115

Bruce McCombs (b. 1943)Street Corner,Etching,Signed lower right.Dimensions: h: 23 1/2 x w: 35 1/2 in.

Los 141

Artist Unknown (19th/20th Century)Industrial Scene,Hand-colored etching,Signed illegibly lower right in pencil.Dimensions: h: 20 1/2 x w: 25 1/2 in.

Los 10

Fred Cuming (born 1930) drypoint etching, reclining figure, signed and titled in pencil, p 6.75" x 3.5", framed.

Los 14

Robert Sargent Austin (1895-1973) etching, woman reading a letter, signed in pencil, dated 1938, 5.25" x 4", framed.

Los 15

Robert Sargent Austin (1895-1973) etching, harvest tools, signed in pencil, dated 1929, no. 29/75, p 5" x 3.75", framed.

Los 25

Mary Fedden (1915-2012) colour lithograph, "The Etching Table," signed in pencil, i 16" x 22", framed.

Los 45

Anthony Gross (1905-1984) etching, "Vignes," signed in pencil no. 3/4, p 10.5" x 13.5", framed.

Los 71

M Sherlock etching, Benares, signed in pencil, p 13.5" x 8.75", framed.

Los 73

Sir Hubert von Herkomer (1849-1914) etching, country figures with a child 1891, signed in pencil, p 6" x 8", mounted.

Los 226

Henry Wilkinson coloured etching, view of Perth, signed in pencil, no. 26/75, p 11" x 16", framed.

Los 109

A NORTH EUROPEAN DISH-HILT RAPIER, SECOND QUARTER OF THE 17TH CENTURY, AUSTRIAN OR GERMAN with tapering slender hollow-triangular blade, etched with exotic birds, scrolls of foliage and inscriptions at the forte (the etching rubbed, obscured in places), steel hilt comprising pierced, engraved large shallow circular dish-guard embossed with a pattern of spiralling flutes to form a large expanded flowerhead, a pair of straight slender quillons with attenuated bud-shaped terminals, quillon-block chiselled with volutes and scrolls, tall fluted ovoid pommel formed en suite with the quillon terminals, and retaining an early grip of twisted wire and `Turks` heads` 111cm; 43 3/4in blade

Los 127

**TWO VICTORIAN 1845 PATTERN INFANTRY OFFICER`S SWORDS the first by Wilkinson, no. 21273, with etched blade (hilt cracked and bent); the second with traces of etching on the blade (hilt cracked and bent); and two further swords the first: 85.6 cm; 33 3/4 in blade

Los 175

**PROPERTY SOLD BY ORDER OF THE TRUSTEES OF THE METROPOLITAN MUSEUM OF ART, NEW YORK A COMPOSITE NORTH ITALIAN ETCHED CORSLET , LATE 16TH CENTURY well composed and decorated, comprising morion with rounded one-piece skull rising to a high roped medial comb (patched at four points), and `swept` integral brim rising to an acute point front and rear, the latter struck with the initials MB, probably of an erstwhile owner (the rear point restored and the front one patched at its left edge); collar of two lames front and rear (the top one in each case restored, the lower front one with chipped lower edge and the associated lower rear one with plugged holes at its upper edge and a patched extension at its left end); breastplate formed of a main plate of deep, peascod, fashion fitted at its arm-openings with fixed gussets (the upper end of the left missing and that of the right restored) and flanged outwards at its lower edge to receive an associated fauld of one lame (the centre of its upper edge cracked) carrying on three restored straps and buckles at each side a trapezoidal tasset, the left of ten lames and the right of eleven lames; one-piece backplate (restored) with broad shallow neck-opening and flanged lower edge; two large symmetrical pauldrons (not a pair) each formed of seven lames of which the lowest four extend inwards only to the armpit (the upper two lames of the right pauldron cracked, the second of them patched); and two fully articulated tubular vambraces (not a pair), each fitted at its upper end with a turner, that of the left of two lames (the upper one restored) and the right of one lame, and at its elbow with a winged bracelet couter of three lames; the main edges of the armour formed with inwards turns, decorated, except in the case of those of the right vambrace with roping, and accompanied at points by roped ribs in some cases terminating in volutes; the morion decorated overall within vertical bands on the crown and strapwork-interlace on the comb with linear etching showing, on a pearled ground, female figures and birds among trophies of arms, and the remainder, except the backplate, finely decorated with bands and borders of relief-etching on a stippled and blackened ground involving at the top of the breastplate the figure of St John the Baptist holding a banner with the abbreviated inscription AD for Agnus Dei, elsewhere allegorical figures, including lions, birds and fabulous beasts, and in the volutes of the breastplate, pauldrons and tassets, classical busts (the etching of both front lames and the upper rear lame of the gorget, the fauld, the uppermost lame of the left turner, and of the right vambrace later), See note at front of catalogue for information concerning stands Provenance Prince Peter Soltykoff, Paris, sold 1860 William H. Riggs, Paris The Metropolitan Museum of Art, New York, Acc. No. 14.25.681 For a discussion of this type of armour see Boccia and Godoy 1992, pp. 87-110, where the decoration is described as ""armor decorated with smooth bands alternating with bands filled with small trophies in the Lombard style"" as opposed to the more common, and inaccurate, appellation `Pisan`.

Los 300

Edward Ertz, `Elderly Lady`, signed and inscribed `To my friend Howard Penton`, woodblock, Ethel Horsfall Ertz (fl.1897-1918), Landscape View, signed, watercolour, 18 x 26cm, P G Needell, `A Wet Day - Martigues`, signed and inscribed in pencil `To RHP`, coloured woodblock, 23 x 35cm, and an etching by John Nicolson, of two horses

Los 400

Edgar L Pattison (1872-?). The Fisherman, artist signed coloured etching, 17.5cm x 24.5cm, bears label verso Wishart Brown Glasgow

Los 401

Edgar L Pattison (1872-?). The Yellow Sail, artist signed coloured etching, 12.5cm x 17.5cm, bears label verso Wishart Brown Glasgow

Los 402

John George Mathieson (act.1918-1940). Loch Venachar, artist signed etching, 14.5cm x 24.5cm, bears label W.B. Stimpson Glasgow

Los 616

Ida H Carel. River scene, oil on board, 22cm x 36cm and two other pictures, an etching after C Melville Stuart and another pictures (3)

Los 676

Two copies of the Modern Masters of Etching, Sir Francis Seymour Haden, and Frank W Benson.

Los 486

WILLIAM WALCOT. Forth Bridge^ pencil signed^ etching^ Pl.5 3/4 x 9 in; and two etchings by E. Herbert Whydale depicting ~A Plough Team~ and ~Children Bathing~; three (3)

Los 487

ANNIE FRENCH. An etching depicting female figures^ bears title ~Amariettes (?)~ on label verso^ pencil signed^ Pl. 12 x 8 in; and a pencil sketch ascribed to the same artist depicting Figures in an interior; two (2)

Los 493

F. MARRIOTT. The Brescan Martiques^ France^ colour etching^ published 1920^ Pl.7 1/2 x 9 1/2 in

Los 598

*E.S. Figures in a landscape^ initialled in plate^ etching^ unframed^ Pl.9 1/2 x 7 in; an a folio containing a miscellaneous selection of unframed prints (qty)

Los 434

Manuel Robbe French 1872-1936- Figures promenading in the Tuileries; etching with aquatint printed in colours, signed within the plate, inscribed No 44 in pencil, 28.5x39cm CONDITION REPORT: mounted in a glazed gilt moulding frame, early 20th century backboard and taping are of recent manufacture and frame is not the original sheet may or may not be stuck down as unexamined out of the frame visible margins 0.25cm left 0.5 top 0.25 right 1cm bottom the sheet is yellowed, slightly time faded and subject to some light foxing there is a superficial scratch to the print surface lower right edge, a further scratch across the two figures, centre, a scuff mark in the sky and some ruckling along the top edge otherwise in fair to good condition

Los 479

Adrian Heath, British 1920-1992- Untitled in blue and orange; lithograph printed in colours, signed, dated '62 and numbered 5/12 in pencil, 60.5x46cm: Gertrude Anna Bertha Hermes OBE RA RE, British 1901-1983- "Bodiam Castle"; woodcut printed in colours, signed, titled, dated 1962 and numbered 12/50 in pencil, 44.5x85.5cm: Jack Craff, British mid/late 20th century- "Blueridge"; linocut in colours, 40.5x50.5cm: Christine Hodgson, British mid/late 20th century- "Bats"; etching with aquatint printed in colours, signed, titled, dated '62 and numbered 4/10 in pencil, 40x50cm: David Gillison, Australian b.1936- Untitled in yellow and black; screenprint in colours, signed and numbered 5/15 in pencil, 57.5x80.5cm, (5) (part unframed) (may be subject to Droit de Suite)

Los 549

After Rembrandt Harmensz. van Rijn, Dutch 1606-1669- "A Clump of Trees with a Vista", (B., Holl. 222; H. 263); etching with drypoint on laid paper, second and final state, 12.5x19.5cm., (unframed)

Los 550

After Rembrandt Harmensz. van Rijn, Dutch 1606-1669- "Self-Portrait Wearing a Soft Cap: Full Face, Head Single ("aux trois moustaches")", c.1635; etching on laid paper, single state, 7x7.4cm., (unframed)

Los 575

After Joseph Mallord William Turner RA, London 1775-1851- "Bridge and Cows", (Finberg 2 ii/v) and "Little Devil's Bridge", (F.19 iii/iii), publ by Day & Sons, London & P & D Colnaghi, Pall Mall, from the Liber Studiorum; etching and mezzotint, 18x26cm ea: Richard Earlom, British 1743-1822- View of a sea port and a distant fortified town, after Claude Lorrain, plate 137, from the Liber Veritatis, publ 1776 by John Boydell, London; etching with mezzotint, 21x26cm., (unframed) (3) CONDITION REPORT: Turner/Bridge and Cows: not mounted bears two pieces of white tape attached to the reverse top centre top edge of sheet has been slightly trimmed margins as follows: left 3.2 top 2cm right 2.2cm bottom 3.5cm two tear lower left edge into margin approx 1cm long each top and bottom right corners of sheet creased some spotting throughout and slight yellowing to sheet otherwise fair to good condition Turner/Devil's Bridge: not mounted bears two pieces of white tape attached to the reverse top centre top and left hand edges of the sheet have been slightly trimmed margins as follows: left 3cm top 2.5cm right 3.5cm bottom 3.7cm some brown spotting throughout margins and within the plate yellow staining lower left corner otherwise good condition Earlom: not mounted bears two pieces of white tape and three pieces of beige coloured tape attached to the reverse top edge top right corner is creased some yellow spotting throughout margins most noticeable centre right and top and centre left otherwise good condition

Los 577

After Edouard Manet, French, 1832-1883- "Berthe Morisot", (Guerin 59; Harris 75) c.1872; etching, on wove paper, third, final state, with cancellation punches and margins, 12x8cm., (unframed)

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