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78475 Los(e)/Seite
Los 230
NO RESERVE Kazandjian (Jean, French artist of Armenian descent working in Paris and Los Angeles, b. 1938) Getaway, aquatint with etching on two plates printing on one sheet of Arches wove paper, signed and inscribed in pencil, numbered from an edition of 50, platemark 445 x 510 mm (17 1/2 x 20 1/8 in), sheet 620 x 740 mm (24 1/4 x 29 1/8 in), minor creases to extremities, unframed, printed by Atelier de la Main d'Or, published by Galerie Furstenberg, Paris, 1980; together with La Guerrière, drypoint on Rives paper, signed, dated, and numbered in pencil, from an edition of 50, platemark 70 x 95 mm (2 3/4 x 7 5/8 in), sheet 370 x 280 mm (14 1/2 x 11 in), unframed, printed by Atelier de la Main d'Or, Paris, published by the artist, 1980; and Arctic Star Irius, a colour lithograph by Graham Rust, from an edition of 350, unframed (3) Provenance:Galerie Furstenberg, Paris;Where purchased by the present owner
Los 231
Botany.- Weinmann (Johann Wilhelm) Four plates from Phytanthoza Iconographia (or Duidelyke Vertoning...), including 'Banana', pl. no. 227, 'Faba major, Féve', pl. no. 500, 'Musa, Banana, Pican', pl. no. 737, and 'Cereus minimus serpens Americanus', pl. no. 354, etching and mezzotint printed in colours and finished by hand on laid paper, the first three mentioned with sheets approx. 525 x 460 mm (20 3/4 x 18 1/8 in), the last mentioned sheet 460 x 370 mm (18 1/8 x 14 1/2 in), central folds as issued, other handling creases, minor spotting and surface dirt, all unframed, [c. 1736-1748] (4)
Los 286
NO RESERVE Castiglione (Giovanni Benedetto, 1609-1664) Satyr reclining before a large vase, etching, a good impression on laid paper without watermark, sheet 116 x 216 mm. (4 5/8 x 8 1/2 in), trimmed on or just within the platemark, inset at edges onto paper support, minor surface dirt, unframed, [Bartsch 18; Bellini 12], [circa 1645-1648] § Angolo del Moro (Battista, 1514-1573) The infant Moses rescued from the Nile, after Andrea Meldolla, called Schiavone, etching on laid paper with watermark of crossbow within a circle, 255 x 185 mm. (10 x 7 1/4 in), trimmed just within the image, inset at edges onto paper mount, [B. 1], [mid to late 16th century]; together with five others, including Gian Jacopo Caraglio's Hercules killing the Centaur Nessus, after Rosso Fiorentino from the suite 'The Battles of Hercules', Oliviero Gatti's God the Father creating Adam, after Pordenone, from the suite 'Four Old Testament scenes after Pordenone', Gatti's The Virgin and Child, half-length, after Lorenzo Garbieri, an anonymous 16th century reverse copy after Camillo Procaccini's The rest on the flight into Egypt, and Francesco Curti's Virgin and Child, after Guercino, engravings and etchings, on various papers, all unframed, late 16th and 17th century] (7).
Los 287
NO RESERVE Rome.- Ottaviani (Giovanni) Prospetto della facciata del palazzo d'abbitazione in Roma à Piazza Colonna del emo..., the palazzo of Francisco de Solis, cardinal and archbishop of Seville, etching and engraving on laid paper with large watermark of decorative cartouche with paschal lamb, platemark 475 x 690 mm (18 3/4 x 27 1/8 in), sheet 675 x 800 mm (26 1/2 x 31 1/2 in), central vertical fold, numerous marginal nicks and tears, one running into platemark in the lower right quadrant, some repairs to loss, handling creases and surface dirt, [circa 1769].
Los 289
NO RESERVE Cunego (Domenico) Scena di vita romana, after Jacques Sablet (1749-1803), mezzotint with etching on laid paper with 'P Miliani' watermark, platemark 475 x 580 mm (18 3/4 x 22 3/4 in), sheet 530 x 740 mm (20 7/8 x 29 1/4 in), large printer's crease running from the lower edge well into image, scattered spotting and light surface dirt, binding stitch-marks to extremity of left-hand margin, minor handling creases, unframed, Rome, [Pietro Paolo Montagnani?], 1790
Los 291
NO RESERVE Michelangelo.- Cunego (Domenico) Seven works after frescos in the vault and ceiling of the Sistine Chapel, including a schematic outline engraving of the Last Judgement, and others of the Creation of Adam, Creation of Eve, etc., etching and engravings on thick laid paper, sheet sizes between 350 x 510 mm (13 3/4 x 20 in) and 550 x 790 mm (21 3/4 31 1/8 in), all with full margins and deckled edges, some marginal surface dirt and stains, occasional spotting and light browning, unframed, [circa 1793]; together with five prints by Giovanni Francesco Venturini after Polidoro da Caravaggio, with figures reproduced from the façade of the Palazzo Milesi in the via della Maschera d'Oro, etching with engravings on laid paper, various sizes, unframed, [circa 1695 but later] (12)
Los 141
Property from a Central European Collection A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, ~THE STRONG~, CIRCA 1694-97 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials CFA for Friedrich August Churfürst, moulded collar, faceted socket and a pair of long straps, on a wooden haft painted with an inventory number 60.5cm; 23 7/8in head Provenance The Saxon Electoral Armoury, Dresden Sold in this room, 26th June 2007, lot 218 Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-1733). Similar partisans are preserved in the Wartburg (inv.no. 461) and the Wallace Collection (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Museum für Deutsche Geschichte, Berlin. See Müller and Kölling1981, p.311 no. 395.
Los 465
1897 Pattern Indian Officer’s Sword 32 1/4 inch, dumb bell blade with foliage etching and crowned GRI cypher. The forte with maker “Flights Ltd, London, Camberley, Aldershot & Woolwich”. Steel, foliage pierced guard with crowned GRI cypher. Checkered, plated backstrap. Shagreen covered grip with twist wire binding. Leather sword knot. Contained in its leather field scabbard.
Los 469
Late 19th Century American Society of Odd Fellows Sword 28 inch, double edged, narrow blade. Scroll etching with named panel “Alex Smith”. All with gilt background. Gilt brass, S shape and shield crossguard. Gilt brass world and coronet pommel. Leather grip with twist wire binding. Contained in its plated steel scabbard with gilt brass scroll and panel mounts.
Los 490
Royal Artillery Officer’s Sword 23 1/2 inch, broken blade. Narrow fuller. Floral etching with crowned GRV cypher over a field gun. Forte with retailer “R F Mosley & Co Limited Sheffield”. White metal, 3 bar hilt (bent). White metal, checkered back strap. Shagreen covered grip with twist wire binding.
Los 149
* Scent Bottle. A Victorian cameo glass scent bottle by Thomas Webb and Sons c.1880, in the form of a swan's head, the beautiful blue and white gass bottle carved with feathers, the eyes and beak all finely delineated, with a replacement silver cap by J.H.W. Birmingham 1902, 23.5 cm longQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Thomas Webb & Sons was founded in 1837 by Thomas Webb (1804-1869) near Stourbridge, West Midlands. The name T. Webb & Co was adopted in 1842 and later became Thomas Webb and Sons. They specialised in glass making being originally known as the "Crystal King of England" and were particularly noted for their high quality Cameo glass which is created by a process of etching and carving through a layer of opaque white glass, leaving a white relief design on a darker coloured glass body.
Los 333
* Cabinet. A fine early 19th century Italian cabinet, the rosewood veneered cabinet of rectangular form, inlaid with ivory panels engraved or etched depicting scenes from classical mythology, with brass corner straps and large carrying handles, the hinged fall with original key enclosing, a central architectural cabinet door with a drawer above and below flanked by a pair of drawers and a deeper drawer below with a dummy drawer front, the interior of the fall inset with engraved ivory panels with line inlay formation, 39cm high x 92cm wide x 35.5cm deep, on a later 19th century ebonised and inlaid stand, with glass covered single drawer with brass lock stamped 'V.R. Patent, Brooks' s Double Lever Lock', on square tapered supports united by a stretcher, 79cm high x 102cm wide x 43cm deepQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. The lot is sold with an original copy of The Antique Dealer and Collectors' Guide dated December 1946 in which an article features the cabinet with an illustration, Jack Webb writes to the editor asking for more information about the cabinet. A typed letter from the editor together with black and white photographs is also included. The article suggests that "this very attractive example is typical of the portable cabinets made during the late 18th and early 19th centuries, when panels of etched ivory were inlaid in backgrounds of ebony, tortoiseshell, or one of the fashionable Oriental woods which were just reaching European cabinet makers. The etched pictorial scenes, if read in sequence, will usually associate themselves with a story of classical mythology, but historical subjects were also portrayed", and that the "style and form indicate that this cabinet was made between 1805 and 1820. If the lines of the etching are tinted brown by the use of silver nitrate as the etching medium, this is further indication that the work belongs to the early 1800's, when the silver nitrate method of etching ivory was in full favour. Formerly the lines were black, the etching medium having been sulphuric acid."
Los 435
Late 19th/early 20th Century Cornish SchoolMother and child walking on the foreshoreWatercolourIndistinctly signed 14cm x 27.5cmTogether with another work by the same handView across to St. Michael's Mount at low tideWatercolour19.5cm x 26cmandAfter Joseph FARINGTON RA'South-East View of St. Michael's Mount'Coloured etching 18.5cm x 36cm(3)
Los 438
After Henry William BUNBURY (1750-1811)'No.2. Symptoms of Starting', 'No.3. Symptoms of Kicking', 'No.4. Symptoms of Tumbling' Three 18th century monochrome etchings from the 'Hints to bad Horsemen' series Largest 26.5 x 31cmTogether with one other monochrome etching after Bunbury'Eques Cantab'24 x 29cm(4)
Los 409
Cased London Colt Percussion Revolver, serial number 8346, 5 inch, octagonal rifled barrel, the barrel with two line address 'Address Col Colt London'. Barrel with English proof stamps, under barrel loading lever, five shot cylinder with stagecoach hold up scene etching, walnut slab grips matching serial numbers '8436', contained in its polished mahogany case with internal red velvet fitted compartments containing steel 'Colts Patent' ball and conical bullet mould, copper and brass powder flask by James Dixon & Sons Sheffield, the box with an internal Colt's pistol, the box 29cm wide
Los 186
Pencil drawing design Lancashire Fusiliers regimental badge, lithograph print after Sir David Bone 'Taking the wounded on board the Western Australia', etching edition Portsmouth Harbour, after Muirhead Bone signed print and another, coloured lithograph Raymond Wood portrait of Lt-Gen Sir John Asser and pencil drawing study of exploding shell 1917, Captain Keith Henderson.
Los 77
English School (18th century), "Baron Nelson of the Nile and Burnham Thorpe in the County of Norfolk", hand coloured aquatint and etching, published by John Fairburn 1798, 37 x 25cm, together with "The Noble Admiral Lord Nelson fell in the arms of victory by the wound in his left breast...", hand coloured engraving published by P Gally, 1805, 25 x 35cm; after Burke "Baron Nelson of the Nile", stipple engraving published by John Brydon, 1800, 32 x 25cm and one further engraving (4) Provenance: Lyon & Turnbull, The Le Quesne Collection 09&10/07/08 Lot 279
Los 230
* Szczecin/Poland . De Hooghe ( Romeyn ), Verovering van Stettin , Amsterdam, circa 1677, uncoloured etching of the siege of Szczecin, short split at base of central fold, very slight staining, 430 x 535 mmQty: (1)NOTESA large and scare image of the siege of Szczecin. The siege was an important part of the Scanian War, 1675 - 1679, troops from Brandenburg under Frederick William "the Great Elector" captured Stettin (nowadays Szczecin) in 1677,
Los 320
Fitzgerald (Edward) . Rubaiyat of Omar Khayyam, The Astronomer-Poet of Persia, illustrated by Niroot Puttapipat, Folio Society, 2009, original monochrome etching numbered & signed by the illustrator, numerous colour illustrations, top edge gilt, publishers original quarter vellum to gilt decorated boards in book box, large 8vo, limited edition 448/1000Qty: (1)
Los 4
* American War of Independence. Noddle-Island or How are we decieved, by Matthew Darly (1720-1778). May 12, 1776, uncoloured etching on laid paper, with partial watermark of the Dutch paper manufacturer Lubertus van Gerrevink, with margins to three sides (close-trimmed to lower margin), a few light handling marks (generally in good condition), plate size 25 x 17.8 cm (9.75 x 7 ins), sheet size 26.8 x 20.7 cm (10.5 x 8.2 ins)Qty: (1)NOTESBM Satires 5335. A satire on the evacuation of Boston by British forces on March 17th, 1776 under the command of General Sir William Howe, after Washington's placement of fortifications and cannons on Dorchester Heights, overlooking the city. 11,000 British troops and 1,000 Loyalists sailed from Boston on March 17th, heading for the safety of Halifax, Nova Scotia. The image plays on the fashion for women's elaborately decorated hairpieces, here so large that it can accommodate scenes of the entrenchments around Boston, including two flags of the British army decorated with an ass and a fool's cap and bells.
Los 245
Louis Icart (1888-1950)My ModelEtching and drypoint, 1933, printed in colours, with hand-colouring, on wove paper, signed in pencil, with the artist's blindstamp55.2 x 43.8cm (21 3/4 x 17 1/4in).Footnotes:Provenance: Sotheby's New York, 20th Century Decorative Works of Art, 8 March 1991, Lot 329This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 248
Louis Icart (French, 1888-1950)Joan of Arc (Jeanne d'Arc)Etching with drypoint, 1929, printed in colours, with hand-colouring, on wove paper, with printed vignettes in the lower margin, signed in pencil69.5 x 55cm (27 3/8 x 21 5/8in).Footnotes:Provenance: Sotheby's, New York, 20th century Decorative Arts, 15-16 June 1990, Lot 132This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 249
Louis Icart (French, 1888-1950)Mardi Gras (a la Fête)Etching with drypoint and hand-colouring, 1936, on wove paper, signed in pencil, with the blindstamp of the artist, with margins47 x 46.5cm (18 1/2 x 18 5/16in).unframedFootnotes:Provenance: Christie's (East) New York, Contemporary Glass & Ceramics, Art Nouveau, 18 March 1991, Lot 364This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 250
Louis Icart (French, 1888-1950)On the Grass (Sur l'herbe)Etching and drypoint, 1925, printed in colours, with hand-colouring, with the artist's blindstamp; together with another etching with aquatint and hand-colouring, Basket of Apples, 1924, on wove paper, each signed in pencil (2)26.5 x 40cm (10 7/16 x 15 3/4in).Footnotes:Provenance: Sotheby's, London, Applied Arts, 19 October 1990, Lot 203Phillips, New York, 20th Century Furniture and Related Decorative Arts, 25 November 1986, Lot 52This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 252
Anders Zorn (1860-1920)Beserk (Bärsärk)Etching, 1914, the final, fourth state, together with two others, Elin, 1914, the third state of five, 19.6 x 29.7cm, Summer, 1907, a unique state, each signed in pencil, all on laid paper, 17.8 x 12cm (1 unframed) (3)25 x 17.8cm (9 13/16 x 7in).Ref. A261, A260, A211Footnotes:Provenance: Beijers Stockholm, Beijers Grafik, 20 March 1991, lot 486Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 726ASotheby's New York, 18th and 19th Century Contemporary Prints, 21 February 1991, lot 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 253
Anders Zorn (1860-1920)BalanceEtching, 1919, together with two others, Berserk (Bärsärk), 1914, the final, fourth state, 25 x 17.8cm, Alder, 1917, the final, third state, 17.3 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)16.5 x 11.6cm (6 1/2 x 4 9/16in).Ref. A287, A261, A277Footnotes:Provenance:Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 742A and 725Sotheby's New York, 19th and 20th Century and Contemporary prints, 21 February 1991, lot 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 254
Anders Zorn (1860-1920)ElinEtching, 1914, the third state of five, together with two others, Shallow (Grunt), 1913, the final, fourth state, 29.8 x 19.8cm, Cercles d'eau II, 1907, a later impression, 19.7 x 11.9cm, each signed in pencil, all on laid paper (unframed) (3)19.6 x 29.7cm (7 11/16 x 11 11/16in).Ref. A260, A259, A213Footnotes:Provenance: Sotheby's New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401Norden Stockholm, Skandinavisk Konst samt Antikviteter Nr. 16, 6-7 December 1994, lot 212 and 206This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 255
Anders Zorn (1860-1920)SappoEtching, 1917, the final, third state, together with two others, Old Soldier, 1911, the second state of three, 13.9 x 11cm, Cercles d'eau II, 1907, the final, second state, 19.7 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)20.6 x 18cm (8 1/8 x 7 1/16in).Ref. A278, A245, A213Footnotes:Provenance: Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 733Sotheby's, New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401 and 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 214
ETCHING OF THE TICKET DRAWN BY WILLIAM HOGARTH FOR OLD BOYS DAY 1727 THIS ETCHING IS PRESENTED BY OLD BLUNDELLIANS RESIDENT IN THE UNITED STATES OF AMERICA IN COMMEMORATION OF THE 300th ANNIVERSARY OF THE FOUNDATION OF THE SCHOOL 29th JUNE 1904 IN ACCEPTABLE CONDITION App.size: 15.5cm x 23.5cm (total: 24cm x 31.5cm)
Los 507
Jorge CASTILLO (1933)"Abstrakte Komposition" Grafik - Radierung, Maße: 59,5 cm x 30,5 cm, unten rechts handsigniert und datiert 1972,vom Käufer 2 % Folgerechtsabgabe / Bildkunst auf den Zuschlagspreis zusätzlich zu zahlenJorge CASTILLO (1933)"Abstract composition"graphic - etching, dimensions: 59.5 cm x 30.5 cm, hand signed and dated 1972 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally
Los 525
Käthe KOLLWITZ (1867-1945)"Losbruch"Grafik - Radierung auf Papier, Platte 50,5 cm x 58 cm, Blatt 59 cm x 75 cm,rechts unten Stempelsignatur, gedruckt bei Felsing, sehr früher Druck mit feinem Grat,insgesamt etwas bügig und einige Randläsuren ausserhalb der Darstellung, links unten WVZ Nr. KlippsteinKäthe KOLLWITZ (1867-1945)"Breakaway"graphic - etching on paper, plate 50.5 cm x 58 cm, sheet 59 cm x 75 cm,stamp signature on the lower right, printed by Felsing, very early print with fine burr,altogether somewhat irony and a few marginal blemishes outside the illustration, on the left bottom catalogue of works number Klippstein
Los 526
Max KLINGER (1857-1920)"Mondnacht"Grafik- Aquatintaradierung auf Bütten, Platte 36,29 x 26,1 cm, Blatt 60,5 cm x 45 cm,an den Rändern kleine LäsurenMax KLINGER (1857-1920)"Moon night"graphic - aquatint etching on laid paper, plate 36.29 x 26.1 cm, sheet 60.5 cm x 45 cm,small blemishes on the edges
Los 535
Ludwig VON HOFMANN (1861-1945)"Zur Quelle" (um 1920)Grafik- Radierung auf Bütten, Platte 25 cm x 20 cm, Blatt 41 cm x 29 cm,rechts unten handsigniert, im Passepartout montiertLudwig VON HOFMANN (1861-1945)"To the source" (around 1920)graphic - etching on laid paper, plate 25 cm x 20 cm, sheet 41 cm x 29 cm,handsigned on the lower right, mounted in passe-partout
Los 537
MARWAN (1934-2016)"Liegendes Mädchen"Grafik- Radierung auf Bütten, Platte 20 cm x 30 cm, Blatt 36 cm x 44 cm,rechts unten handsigniert und datiert 81, links unten Nr. 9/20MARWAN (1934-2016)"Lying girl"graphic - etching on laid paper, plate 20 cm x 30 cm, sheet 36 cm x 44 cm,handsigned and dated 81 on the lower right, number 9/20 on the lower left
Los 586
Herta GÜNTHER (1934-2018)"Revue"Grafik-Farbradierung, 26 cm x 23,5 cm,rechts unten handsigniert und datiert 1981,vom Käufer zusätzlich 2 % Bildkunst / Folgerechtsabgabe auf den Zuschlag zu zahlen.Herta GÜNTHER (1934-2018)"Revue"graphic color etching, 26 cm x 23.5 cm,handsigned and dated 1981 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally
Los 630
Harald METZKES (1929)"Interieur mit Violine"Grafik - Radierung auf Bütten, Platte 24,5 cm x 32 cm, Blatt 37 cm x 47 cm,rechts unten handsigniert und datiert 75, links unten Nr. 7/15, verso Reste alter MontierungHarald METZKES (1929)"Interior with violin"graphic - etching on laid paper, plate 24.5 cm x 32 cm, sheet 37 cm x 47 cm,handsigned and dated 75 on the lower right, lower left number 7/15, on the backside remains of old mount
Los 640
Konvolut Grafik DDR"5 Blatt verschiedene Künstler und Techniken"dabei:1.) A.Eckert, Dorfkirche in Mecklenburg, Lithografie 40 cm x 55 cm, handsigniert und datiert 19762.) A. Groschop, ohne Titel, Holzschnitt 41 cm x 32 cm, rechts unten handsigniert3.) H.Leo, ohne Titel, Farblithografie, 39,5 cm x 54 cm, handsigniert und datiert 934.) Edmund Bechta, für junge Welt, Lithografie 49 cm x 38 cm, handsigniert und datiert 725.) Heinrich Tessmer, Stadtbummel, Radierung, Blatt 37,5 cm x 50 cm, handsigniert und datiert 71A group of graphic GDR"5 sheets of different artists and techniques"included:1.) A. Eckert, village church in Mecklenburg, lithography 40 cm x 55 cm, signed and dated in 19762.) A. Groschop, untitled, woodcut 41 cm x 32 cm, handsigned on the lower right3.) H.Leo, untitled, color lithography, 39.5 cm x 54 cm, handsigned and dated 934.) Edmund Bechta, for young world, lithography 49 cm x 38 cm, handsigned and dated 725.) Heinrich Tessmer, city stroll, etching, sheet 37.5 cm x 50 cm, handsigned and dated 71
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78475 Los(e)/Seite