78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
HENRY JAMES STARLING, ARE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING DATED 1972, Inscribed “Colegate, Norwich”, 10” x 13”, unframed (A/F); C M NICHOLS, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Thatched Cottages by a River, 6 ½” x 14”; and C M NICHOLS, RE, SIGNED, WATERCOLOUR, Heathland Scene (possibly Mousehold), 7” x 17”, unframed (A/F) (3)
WALTER DENDY SADLER, ENGRAVED BY CHARLES H BOUCHER, SIGNED BY BOTH IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS (PUBLISHED BY L H LEFEVRE 1908/9), “Whig and Tony”; and “Grandfather”, 14” x 11”, unframed; plus WALTER DENDY SADLER, ENGRAVED BY OSWALD BURNS, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “After Rest”; plus WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Letter from Overseas”, 15” x 11”, unframed (4)
ART REFERENCE. HARDIE (MARTIN) WATERCOLOUR PAINTING IN BRITAIN second edition, three vols, illustrated, London 1967, F L Leipnik - A history of French etching, 1924, C Petitjean and C Wickert - Catalogue de l`oeuvres gravé de Robert Nanteuil, wrappers and portfolio of loose plates, Paris 1925, F H Man - One hundred and fifty years of artists` lithographs 1802-1953, 1953 and about seventy others, fine and applied art, including Faber & Faber`s series of ceramic monographs (10) (approximately 80)
BY AND AFTER RICHARD WESTALL, RA (1765-1836) CROSSING THE BURN soft ground etching coloured by the artist or his assistant, 64 x 49cm Generally rather time stained but the colours still reasonably well preserved, a few very minor surface blemishes, some staining in the lower margin, mounted to plate mark in the original Regency giltwood and composition frame with small losses
AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) SELF PORTRAIT IN A STRAW HAT etching, signed in the plate, one of an edition of 50, signed by the artist in pencil, 10 x 7.5cm In fine condition with wide margins, very slight staining from the mount around the periphery of the margin; unexamined out of the frame
SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) THE BEER SHOP (LE MASTROQUET) etching on japon, a particularly fine, rich impression, signed by the artist in pencil, 42.5 x 30cm Etched in 1919. Gaunt 269. In very good condition, mounted approximately 1cm clear of the platemark, unexamined out of the frame
LUIGI SERVOLINI (1906-1981) I PREDESTINATI woodcut, signed and dated 32 in the block, signed by the artist and inscribed in ink, 21.5 x 21.5cm, an etching by Josef Israels (1824-1911) of an elderly lady and a drypoint by Sidney Tushingham, ARE (1884-1968), The Madonna of San Remo, one of an edition of 75, both signed (3) All in apparently very good condition, none examined out of the frame
CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY) A SHREWD GUESS OR THE FARMERS DEFINITION OF PARLIAMENTARY DEBATES (BM 12143) etching in fresh contemporary colour, numbered 311 in upper right margin, published by T Tegg [?1831] watermarked 1822, 25 x 35cm, and THE FALL OF THE TEMPLE ! - OF ROME (BM 10722) April 20th 1807, Paul Pry [W Heath] A QUARTETTE IN CHARACTER (BM 15746) May 1829 and about forty others, all early 19th c caricatures, unframed (approximately 44) Condition poor to good; mostly `average` with minor creases, handling marks etc
NOTTINGHAM SUBJECTS. ISAAC CRUIKSHANK (1756-1811) AFTER GEORGE MOUTARD WOODWARD (C1760-1809) PRIDE AND EXALTATION IN A SEDAN CHAIR (BM 9147) etching in fresh contemporary colour, Plate 84 in upper left margin, published by Allen & Co, April 1 1797, 20.5 x 27cm and James Parry (1805-1871) after David Henry Parry (1793-1826) - MR PHILIP WOOTTON OF NOTTINGHAM [the steeeplejack], etching in contemporary colour, published by H Parry, Salford, 36.5 x 21.5cm, both unframed (2) The first print depicts a rainy night in The High Pavement and was issued as a response to the near impossibility of being able to procure a sedan chair in Nottingham (see R Ilffe & W Baguley, Victorian Nottingham, Vol 2, 1971, p14.) Both in good condition with minor handling marks; the first cut to just outside the platemark and with marginal browing; the second with reasonable margins. Both scarce.

-
78475 Los(e)/Seite