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Los 201

Edward J. Cherry, 19th century, Exeter Cathedral, etching, signed, together with another and various pictures and prints etc.

Los 260

Alfred Bentley, Signed Black and White Etching depicting figures on riverbank with rain clouds coming in, signed in pencil, framed, 25cm x 31cm

Los 262

Rowland Langmaid, Signed Black and White Etching "London Bridge", signed in pencil, in black frame, 14.5cm x 26cm

Los 264

William Lionel Wyllie, Signed Black and White Etching "The Solent" signed in pencil, mounted but unframed, 19cm x 23.5cm

Los 265

William Lionel Wyllie, Signed Black and White Etching "St. Catherine`s Wharf", signed in pencil, framed, 26cm x 31cm

Los 266

William Lionel Wyllie, Signed Black and White Etching "Seine Fishing off Wimereux", signed in pencil, framed, 16.5cm x 21cm

Los 267

William Lionel Wyllie, Signed Black and White Etching "Naval Engagement of the Hush Ship Probus Commissioned as a Q Ship First World War", signed in pencil, 18cm x 26cm

Los 268

William Lionel Wyllie, Signed Black and White Etching "Off Valetta, Malta" depicting various 3-masted schooners, tug boats, steam ships, rowing boats, etc., signed in pencil in black frame, 18cm x 39cm

Los 269

William Lionel Wyllie, Signed Black and White Etching depicting battle ships and other boats off Gibraltar, signed in pencil and framed, 20cm x 41.5cm

Los 617

J. ALPHEGE BREWER: Coloured etching " York" 40 cm x 22 cm, signed in pencil to mount, framed, with another matching example "Oxford". (2).

Los 627

R. GOFF: Etching figures on a street entitled "Chelsea" signed and dated 1901 in pencil to mount, 20 cm x 28 cm, framed. ILLUSTRATED.

Los 2132

A C19th Etching of children and calves in a landscape.

Los 2158

A framed original Sepia Etching of `Peter Pan`s Statue, Kensington Gardens`, signed by the artist to the lower right margin. 7 7/8`` x 5 7/8`` approx.

Los 2163

A mounted etching of Abergavenny with the Skirrid in the distance

Los 618

Frank Everett - a limited edition etching and print in colours "The Green Parrot" titled and signed to the mount. 17.5cms x 12.5cms. and another "The Song" 12cms. x 20cms. (2)

Los 2736

"Hedley Fitton, `London Bridge`, etching, signed, 36x 39cm "

Los 2818

"Heywood Sumner, etching, Eton School 1880, P. Simmonds, miniature portrait of a gentleman 1852 & five other watercolours and prints (7)"

Los 48

19TH CENTURY ENGLISH SCHOOL, BLACK AND WHITE ETCHING, “Claude Duval”, 19” x 27”

Los 62

DAVID LAW, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, In The Harvest Field, 11 ½” x 17”

Los 94

AFTER J S COTMAN, ENGRAVED BY THE SAME, BLACK AND WHITE ETCHING, PUBLISHED 1821, “Church of St Nicholas, at Caen”, 13” x 8 ½”; and AFTER J S COTMAN, BLACK AND WHITE ETCHING, PUBLISHED 1817, “The Screen in the North Aisle of North Creak Church – Norfolk”, 7 ½” x 10” (2)

Los 100

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “A Wherry Race, Barton Broad”, 6” x 8”, mounted but unframed

Los 103

EARLY 20TH CENTURY EAST ANGLIAN SCHOOL, BLACK AND WHITE ETCHING, The Harbour at Gorleston in a Squall, 6 ½” x 9 ½”, mounted but unframed

Los 104

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, Inscribed “On The Bure near Acle”, 6” x 8”

Los 105

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/20) BLACK AND WHITE ETCHING, Inscribed “The Fishing Match, Horning”, 5” x 7”, mounted but unframed

Los 106

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Horning Ferry”, 5” x 7”

Los 108

JOHN CROME, BLACK AND WHITE ETCHING, PUBLISHED 1812, “At Hackford”, (see further details to gallery label verso), 6 ½” x 8 ½”

Los 109

HENRY JAMES STARLING, ARE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING DATED 1972, Inscribed “Colegate, Norwich”, 10” x 13”, unframed (A/F); C M NICHOLS, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Thatched Cottages by a River, 6 ½” x 14”; and C M NICHOLS, RE, SIGNED, WATERCOLOUR, Heathland Scene (possibly Mousehold), 7” x 17”, unframed (A/F) (3)

Los 110

HENRY JAMES STARLING, ARE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (56/75), “Dubrovnik” (Croatia), 11” x 9 ½”

Los 111

HENRY JAMES STARLING, ARE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Horstead Mill”, 8” x 10”

Los 112

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Urquhart Castle, Loch Ness, 10” x 12”

Los 117

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Cromer, Evening”, 4” x 8 ½”

Los 121

INDISTINCTLY SIGNED ETCHING, In The Forge, 18” x 14”

Los 123

HORACE M LIVENS, BLACK AND WHITE ETCHING, Cockerels, 5 ½” x 12”

Los 126

LUIGI KASIMIR, SIGNED AND DATED 1911 TO THE IMAGE, COLOURED ETCHING, St Mark’s Square, Venice, 11” x 8”

Los 127

JOHNSTONE BAIRD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Coastal Scene, 5” x 13 ½”

Los 128

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING (PUBLISHED ROBERT DUNTHORNE 1885), “Watermill”, 7” x 10” (mounted but unframed); plus one further unframed PRINT by the same artist (2)

Los 131

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (18/75) BLACK AND WHITE ETCHING, Inscribed “Pond Hall, Gainsboro’ Lane, Ipswich”, 7” x 9 ½”

Los 132

AFTER EDWIN EDWARDS, BLACK AND WHITE ETCHING, The White Hart, Newark, 5” x 8”; plus CHARLOTTE HAIGH, SIGNED AND DATED ’76 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Harvest Mouse, 4” x 6” (2)

Los 133

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Dinnet Moor”, 7” x 12”; plus two further unsigned ETCHINGS by the same artist (3)

Los 136

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Log Team in Winter, 14” x 21”

Los 138

AFTER J A M WHISTLER, BLACK AND WHITE ETCHING, St James’s Street – June 1878, 11” x 6”

Los 140

MARGARET CANE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Nude Seated by a Tree, 9” x 6”

Los 141

GERTRUDE HAYES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Town Waterway, 11 ½” x 6 ½”

Los 184

WALTER DENDY SADLER, ENGRAVED BY CHARLES H BOUCHER, SIGNED BY BOTH IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS (PUBLISHED BY L H LEFEVRE 1908/9), “Whig and Tony”; and “Grandfather”, 14” x 11”, unframed; plus WALTER DENDY SADLER, ENGRAVED BY OSWALD BURNS, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “After Rest”; plus WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Letter from Overseas”, 15” x 11”, unframed (4)

Los 241

ROBERT BARNES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (22/100) COLOURED ETCHING, Inscribed “Norfolk Coast”, 16 ½” x 14 ½”

Los 275

VICTOR PASMORE, INITIALLED AND DATED ’86 IN PENCIL TO MARGIN, LIMITED EDITION (54/90) COLOURED ETCHING AND AQUATINT, “Soft is the Sound of the Ocean”, 28” x 42”

Los 279

MICHAEL CHAPLIN, RE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (66/200) COLOURED ETCHING, “Dolphin Yard”, 14” x 18”; plus three further COLOURED ETCHINGS by different hands (all unframed) (4)

Los 301A

CHARLES BARTLETT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/60) COLOURED ETCHING, “Morning Light”, 8 ½” x 10”; plus COLOURED PICASSO POSTER (2)

Los 317

GEORGE EDWARD COLLINS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Wren, 12” x 6”

Los 330

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (25/150) COLOURED ETCHING, Hunter with Gun Dog, 6” x 7”

Los 331

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (90/100) COLOURED ETCHING, Retriever and Hunter, 5” x 8”

Los 334

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (14/100) COLOURED ETCHING, Spaniel with Mallard, 9 ½” x 11 ½”

Los 443

AFTER FRANK H MASON "South Bay, Scarborough", black and white dry point etching, signed in pencil, bearing gallery label verso "Hare & Whitley" with artist`s inscription and a Japanese woodcut print of "Delphiniums before a lagoon"

Los 455

ART REFERENCE. HARDIE (MARTIN) WATERCOLOUR PAINTING IN BRITAIN second edition, three vols, illustrated, London 1967, F L Leipnik - A history of French etching, 1924, C Petitjean and C Wickert - Catalogue de l`oeuvres gravé de Robert Nanteuil, wrappers and portfolio of loose plates, Paris 1925, F H Man - One hundred and fifty years of artists` lithographs 1802-1953, 1953 and about seventy others, fine and applied art, including Faber & Faber`s series of ceramic monographs (10) (approximately 80)

Los 567

BY AND AFTER RICHARD WESTALL, RA (1765-1836) CROSSING THE BURN soft ground etching coloured by the artist or his assistant, 64 x 49cm Generally rather time stained but the colours still reasonably well preserved, a few very minor surface blemishes, some staining in the lower margin, mounted to plate mark in the original Regency giltwood and composition frame with small losses

Los 570

AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) SELF PORTRAIT IN A STRAW HAT etching, signed in the plate, one of an edition of 50, signed by the artist in pencil, 10 x 7.5cm In fine condition with wide margins, very slight staining from the mount around the periphery of the margin; unexamined out of the frame

Los 572

SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) THE BEER SHOP (LE MASTROQUET) etching on japon, a particularly fine, rich impression, signed by the artist in pencil, 42.5 x 30cm Etched in 1919. Gaunt 269. In very good condition, mounted approximately 1cm clear of the platemark, unexamined out of the frame

Los 573

LUIGI SERVOLINI (1906-1981) I PREDESTINATI woodcut, signed and dated 32 in the block, signed by the artist and inscribed in ink, 21.5 x 21.5cm, an etching by Josef Israels (1824-1911) of an elderly lady and a drypoint by Sidney Tushingham, ARE (1884-1968), The Madonna of San Remo, one of an edition of 75, both signed (3) All in apparently very good condition, none examined out of the frame

Los 575

CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY) A SHREWD GUESS OR THE FARMERS DEFINITION OF PARLIAMENTARY DEBATES (BM 12143) etching in fresh contemporary colour, numbered 311 in upper right margin, published by T Tegg [?1831] watermarked 1822, 25 x 35cm, and THE FALL OF THE TEMPLE ! - OF ROME (BM 10722) April 20th 1807, Paul Pry [W Heath] A QUARTETTE IN CHARACTER (BM 15746) May 1829 and about forty others, all early 19th c caricatures, unframed (approximately 44) Condition poor to good; mostly `average` with minor creases, handling marks etc

Los 576

NOTTINGHAM SUBJECTS. ISAAC CRUIKSHANK (1756-1811) AFTER GEORGE MOUTARD WOODWARD (C1760-1809) PRIDE AND EXALTATION IN A SEDAN CHAIR (BM 9147) etching in fresh contemporary colour, Plate 84 in upper left margin, published by Allen & Co, April 1 1797, 20.5 x 27cm and James Parry (1805-1871) after David Henry Parry (1793-1826) - MR PHILIP WOOTTON OF NOTTINGHAM [the steeeplejack], etching in contemporary colour, published by H Parry, Salford, 36.5 x 21.5cm, both unframed (2) The first print depicts a rainy night in The High Pavement and was issued as a response to the near impossibility of being able to procure a sedan chair in Nottingham (see R Ilffe & W Baguley, Victorian Nottingham, Vol 2, 1971, p14.) Both in good condition with minor handling marks; the first cut to just outside the platemark and with marginal browing; the second with reasonable margins. Both scarce.

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