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McTear's
Los 509

* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.

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McTear's
Los 622

* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), A DAUGHTER OF BABYLON oil on canvas, signed 76cm x 120cm Unframed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.

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McTear's
Los 647

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

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McTear's
Los 653

* FIONA WATSON, NATURAL PROGRESSION etching on paper, signed and numbered 22/60 29cm x 41.5ccm Mounted, framed and under glass

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McTear's
Los 659

* STUART DUFFIN, STREET OF PROPHETS etching on paper, signed and numbered 22/60 12.5cm x 22.5cm Mounted, framed and under glass

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Dresdner Kunstauktionshaus Günther
Los 905

Chodowiecki, Daniel Nikolaus. 1726 Danzig - 1801 Berlin "Mein Gärtchen ist nur klein (...)" (Mann und zwei Kinder in Garten). Radierung/ Bütten, gestochener Reim unter der Darstellung. Aus: Königl. Grossbr. Genealogischer Kalender auf das 1780. Beschnitten, 9 x 5 cm, hinter Glas gerahmt. Daniel Nikolaus Chodowiecki (1726 Danzig-1801 Berlin): my little garden, etching, illustration from Königl. Grossbr. Genealogischer Kalender, 1780. 9 x 5 cm. Framed with glass.

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Dresdner Kunstauktionshaus Günther
Los 907

Ende, Hans am. 1864 Trier - 1918 Stettin Sommerliche Landschaft: Getreidepuppen auf Feld. Radierung, i. d. Pl. sign., PA gebräunt mit Lichtrand, 11 x 17,5 cm (D), hinter Glas mit Pp. gerahmt. Rahmenmaß: 24 x 29,5 cm Hans am Ende: summerly landscape with grainfield, etching, signed in plate, 13 x 19,5 cm (passepartout cutout), framed with glass, frame size: 24 x 29,5 cm

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Dresdner Kunstauktionshaus Günther
Los 912

Scholz, Willy. 1899 Heilbronn-1965 München Ansicht von Bremen: Rathaus und Dom. Farbradierung, sign., bezeichnet, Blattrand wasserfleckig. 23,5 x 18,7 cm (Pl)/ 36,5 x 29 cm (Bl), hinter Glas gerahmt. Willy Scholz: view of the city of Bremen, colour etching, signed, enscribed. Water stains at margin. Framed with glass.

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Dresdner Kunstauktionshaus Günther
Los 915

Wedepohl, Gerhard. 1893 Schönebeck b. Bremen-1930 Bremen Norddeutsche Landschaft mit Bauernhäusern. Radierung, i. d. Pl. sign. und dat. (19)20, 14 x 26 cm (Pl)/ 25 x 36 cm (Bl), hinter Glas gerahmt. Gerhard Wedepohl: landscape in northern Germany, etching, dated 1920, signed. 25 x 36 cm, framed with glass.

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Dresdner Kunstauktionshaus Günther
Los 916

Wedepohl, Gerhard "Bauernhaus auf Föhr". Radierung, sign., betitelt, zusätzl. i. d. Pl. sign. und dat. (19)20. Stockflecken, 17,5 x 20,5 cm (Pl)/ 29 x 36,5 cm (Bl). Hinter Glas gerahmt. Gerhard Wedepohl: cottage at Föhr, etching, signed, entitled, dated (plate) 1920. Stains. 29 x 36,5 cm. Framed with glass.

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Dresdner Kunstauktionshaus Günther
Los 380

Falkeisen (Falckeisen), Theodor. 1768 Basel-1814 "The death of General Wolfe" (Der Tod des General Wolfe). Kupferstich nach Woollet nach Benjamin West, im unteren Plattenrand ausführl. gestoch. Titel und Bezeichnungen, im Randbereich (außerhalb Darstellung) partiell Schadstellen. Blattrand beschn., 42,5 x 58,5 cm (D)/ 48 x 62 cm (Bl). Hinter Glas gerahmt. Theodor Falckeisen (1768 Basel-1814): The death of General Wolfe, copper etching after a painting by Benjamin West, margin defects. Ca. 48 x 62 cm, framed with glass.

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Dresdner Kunstauktionshaus Günther
Los 384

Piranesi, Giovanni-Battista. 1720 Mogliano bei Mestre - 1778 Rom Grabmal der Cecilia Metella/ Sepolcro di Cecilia Metella. Aus: Vedute die Roma. Radierung, Trockenstempel Regia Calcografia, Rom (1870-1945). Angestaubt, partiell Stockflecken. 45,5 x 64 cm (Pl), hinter Glas gerahmt. Giovanni-Battista Piranesi: Sepolcro di Cecilia Metella. Etching, published by Calcografia Regia, Rom, 1870-1945. 45,5 x 64 cm (plate), framed with glass. Dusty, stains.

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Dresdner Kunstauktionshaus Günther
Los 385

Unbekannt, um 1830 Der Königstein in der Sächsischen Schweiz von der Neuen Schänke im Westen. Umrissradierung, kol., im unteren Plattenrand gestoch. Bez. in dt./ frz., 8,5 x 13,8 cm (Einfassung). Hinter Glas gerahmt. View of Königstein fortress in Saxon Switzerland, ca. 1830, etching, coloured. Framed with glass. 8,5 x 13,8 cm (passepartout cutout)

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Dresdner Kunstauktionshaus Günther
Los 386

Unbekannt, um 1820 Blick über die Elbe nach Westen auf Briesnitz bei Dresden mit dem Belvedere und der Kirche. Umrissradierung, kol., 8,7 x 13,5 cm (PA). Hinter Glas mit Pp. gerahmt. View of Briesnitz at the river Elbe, ca. 1820, etching, coloured, framed with glass. 8,7 x 13,5 cm (passepartout cutout).

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Dresdner Kunstauktionshaus Günther
Los 389

Grass, Günther. 1927 Danzig - 2015 Lübeck. "David als Oskar II", 1979. Radierung, am rechten Rand signiert und datiert, "Künstlerexemplar", Läsionen am rechten und linken Rand, 49,5 x 40 cm (Pl), 65 x 50 cm (Bl) Grass, Günther: "David as Oskar II", 1979 etching, signed and dated, lesions on the right and left edge, artist's copy,

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Dresdner Kunstauktionshaus Günther
Los 390

Grass, Günther. 1927 Danzig - 2015 Lübeck. "Schuh und Steinbeißer", 1974, Radierung, rechts unter der Grafik signiert und datiert, Auflage 63/250, 33 x 39,5 cm (Pl), 50 x 65 cm (Bl) Grass, Günther: Etching "Shoe and Loach", 1974, signed and dated, edition 63/250

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Dresdner Kunstauktionshaus Günther
Los 392

Grass, Günther. 1927 Danzig - 2015 Lübeck. "Bayrischer Schuh", 1974, Radierung, rechts unter der Grafik signiert und datiert, Auflage 226/250, 33 x 39,5 cm (Pl), 50 x 65 cm (Bl) Grass, Günther, Etching "Bavarian shoe", signed and dated

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Dresdner Kunstauktionshaus Günther
Los 393

Grass, Günther. 1927 Danzig - 2015 Lübeck "Unterwegs", 1974, Radierung, rechts unter der Grafik signiert und datiert, Auflage 229/250, 33 x 39,5 cm (Pl), 50 x 65 cm (Bl) Grass, Günther, Etching, "On the road", signed and dated, edition 229/250

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Dresdner Kunstauktionshaus Günther
Los 400

Janssen, Horst. Hamburg 1929 - 1995 "Bis dass der Tod uns vereint", 1984, Radierung, rechts im Bild signiert, außerhalb der Grafik rechts: Auflage 118/150 und signiert, Randläsionen am unteren Rand, 21 x 29,5 cm (Pl), 33 x 44,5 cm (Bl) Jannsen, Horst: "until death unites us", 1984, etching, signed on the right in the graphic, Edition 118/150, marginal lesions at the lower edge

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Dresdner Kunstauktionshaus Günther
Los 403

Morgner, Michael. Geb. 1942 Dittersdorf bei Chemnitz, lebt und arbeitet in Einsiedel b. Chemnitz. "Mann und Frau am Windschutz". 1987. Radierung/ Prägedruck auf Bütten, sign., dat., betitelt, Trockenstempel "Grafik Edition", num. Ex. 55/ 100. Leicht eselsohrig. 64 x 49 cm (Pl)/ 70 x 53 cm (Bl) Michael Morgner: Man and woman at the beach, etching/ relief print, signed, entitled, 1989, copy no. 55 of 100. 70 x 53 cm

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Dresdner Kunstauktionshaus Günther
Los 429

Voll, Christoph. 1897 München - 1939 Karlsruhe. "Der Tote". 1919/20. Radierung. In der Platte unten rechts monogrammiert CV, unterhalb der Darstellung in Blei signiert. Betitelt unten Mitte, bezeichnet unten links "Radierung". Im Passepartout hinter Glas gerahmt. 15,2 x 14 cm (Pl). 36,5 x 32,5 cm (Ra). Dezent wellig. WVZ Weber 21. In ihrer linearen Reduktion besonders ausdrucksstarke Radierung der frühen, stark vom Todesthema bestimmten Schaffensjahre. Vgl hierz: Stephan Weber, Christoph Voll. Arbeiten auf Papier [...], Köln (VSW): 1997, Kapitel II 2.1. Kaltnadelradierungen, S. 169 ff. Abbildung in: Erhard Frommhold / Galleria del Levante (Hrsg.), Christoph Voll. Druckgrafik aus der Dresdner Zeit 1919-1923, München 1981, S. 20. Provenienz: Nachlass des Künstlers (Galleria del Levante); Kunsthandel Saarbrücken The deceased. 1919/20, etching. Monogrammed in the plate bottom right; below handsigned in pencil. Titled below middle, denoted left. Framed behind glass. A bit wavy. CR Weber 21. Provenance: Estate of the artist (Galleria del Levante); Fine Art Trade Saarbruecken (Germany)

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Dresdner Kunstauktionshaus Günther
Los 444

Voll, Christoph. 1897 München - 1939 Karlsruhe. Waisenhaus (Schwester beim Wickeln eines Babys). 1921/22. Radierung. Unsigniert (Rahmung nicht geöffnet). Rückseitig mit Nachlassstempel und Nummerierung "26". Im Passepartout hinter Glas gerahmt. 29,3 x 24,5 cm (Pl). 55 x 49 cm (Ra). Außerhalb der Darstellung minimal stockfleckig. WVZ Weber 55. Zu den stärker veristischen Druckgrafiken vgl.: Stephan Weber, Christoph Voll. Arbeiten auf Papier [...], Köln (VSW): 1997, Kapitel II 3.1., S. 180 ff. Provenienz: Nachlass des Künstlers (Galleria del Levante); Kunsthandel Saarbrücken In the orphany (Religious sister changing dipers). 1921/22, etching. Unsigned (frame not opened). Backside with stamp of the artist's estate, numbered 26. Framed behind glass. Very small foxing around the motif. Provenance: Estate of the artist (Galleria del Levante); Fine Art Trade Saarbruecken (Germany)

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Franklin Browns
Los 71

After Giovanni Battista Piranesi, Foro di Augusto, etching, framed under glass, 14.5 x 27.5cm

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Franklin Browns
Los 84

W.L Wyllie RA, (1851 - 1931) Down Stream From London Bridge, Drypoint etching, signed in pencil, framed under glass, 20 x 30cm

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Laidlaw Auctioneers & Valuers
Los 772

Margaret M. Rudge (1885-1972) Beach scene with wooden sailboats on the sand and thatched cottages clustered to the side of stone steps, etching, pencil signed to the margin, 23 x 26 cm

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HanseArt
Los 226

Jiri Anderle (1936 in Palikov bei Benesov, Tschechien)"Wonne und Weite", 1966/67, Kaltnadelradierung/Mezzotinto, Ex. "e.a.", u. handsign., dat. u. bet., ca. 41,5x64cm, ungerahmt (ca. 52,5x74cm), lichtrandig, stockfleckig Jiri Anderle (1936, Palikov near Benesov, Czech Republic)"Wonne und Weite", 1966/67, dry-point etching/mezzotinto, Ex. "e.a.", signed, dated a. titled, ca. 41,5x64cm, unframed (ca. 52,5x74cm), faded, foxing

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HanseArt
Los 231

Willi Kissmer (1951 in Duisburg - 2018 ebda)Frau im Seidenkleid, Mezzotintoradierung, u.r. unl. bleistiftsign., Ex. 323/999, ca. 42,5x30,56cm, gerahmt (ca. 50x37,5cm) Woman in silk dressUnkown artist, Mezzotinto etching, signed in pencil bottom right, Ex. 323/999, ca. 42,5x30,56cm, framed (ca. 50x37,5cm)

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HanseArt
Los 232

Die Kunst der GraphikSammelmappe der Edition Volker Huber/Offenbach am Main, mit 6 von 7 Graphiken: Esteban Fekete, "La Poule", Farbholzschnitt, Ernst Fuchs, "Flora Okuli", Aquatintaradierung, Rudolf Hausner, "Adams Lebensbaum", Farb-Serigraphie, Horst Janssen, "Selbstporträt", Kaltnadelradierung, Karl Rössing, "Toskanische Landschaft", Farb-Linolschnitt u. Paul Wunderlich, "Kleiner Steindruck", Farblithographie, alle Graphiken von 1975 u. Ex 8417/10000 sowie handsign., Blattgröße ca. 41,5x30cm, min. Gebrauchsspuren Die Kunst der Graphikfolio edition Volker Huber/Offenbach am Main, containind 6 of 7 prints: Esteban Fekete, "La Poule", woodcut in colours, Ernst Fuchs, "Flora Okuli", aquatinta, Rudolf Hausner, "Adams Lebensbaum", colour-serigraph, Horst Janssen, "Selbstporträt", drypoint etching, Karl Rössing, "Toskanische Landschaft", colour linolcut a. Paul Wunderlich, "Kleiner Steindruck", colour-lithograph, each 1975 a. Ex 8417/10000, each signed, sheet ca. 41,5x30cm, min. signs of age

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HanseArt
Los 255

Salvador Dali (1904 in Figueres - 1989 ebenda)3 Radierungen aus der Serie "Cantique des Cantiques - Das Hohelied Salomons""Pferd mit Reiterin", "Schafherde" und "Kehr zurück, Sulamit", Kaltnadelradierung mit Pochoir u. Goldhöhung, u.r. bleistiftsign. "Dali", Ex. 236/250, je ca. 41,5x25,5cm, gerahmt (ca. 61x46cm), letzteres part. fleckigSalvador Dali (1904, Figueres - 1989 ibid)horse and rider, from the series "Cantique des Cantiques", drypoint etching with pochoir and heightened in gold, signed in pencil "Dali"bottom right, Ex. 236/250, approx. 41.5x25.5cm, framed (approx. 61x46cm)

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Eppli Auktionshalle
Los 1804

KLINGER, MAX (1857-1920), "Die Toteninsel" nach Arnold Böcklin, Aquatintaradierung/Papier, in der Platte u.li bezeichnet 'Arnold Böcklin pinx' und u.re. 'Max Klinger sculp.', in der Platte Fußtitel und Verlagsangabe: Fritz Gurlitt in Berlin, HxB: Platte ca. 60,5x77,5 cm, Blatt ca. 68x89 cm, Außenmaße Rahmen ca. 84x106 cm. Gewellt, gebräunt, fleckig. Mit verglastem Jugendstilrahmen (beschädigt und restaurierungsbedürftig). LITERATUR: WVZ Singer, Nr. 327 IX. | KLINGER, MAX (1857-1920), "Die Toteninsel" after Arnold Böcklin, aquatint etching / paper, inscribed 'Arnold Böcklin pinx' on the plate below and below right. 'Max Klinger sculp.', In the plate footer title and publisher's information: Fritz Gurlitt in Berlin, HxW: plate approx. 60.5x77.5 cm, sheet approx. 68x89 cm, external dimensions frame approx. 84x106 cm. Wavy, browned, stained. With glazed Art Nouveau frame (damaged and in need of restoration).

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Burstow & Hewett
Los 2562

George Cress, etching/aquatint, surrealist study, signed in pencil 1959, plate size 11.5" x 9.5", framedVery slight paper discolouration, no foxing or tears

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Burstow & Hewett
Los 2571

Francisco de Goya (1746 - 1828), etching/aquatint, Que Viene El Coco (Here Comes the Bogeyman), published 1799, image 7.5" x 5.25", unframedSlight paper discolouration

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Burstow & Hewett
Los 2592

Harriet, coloured etching, ocean dance, image 11" x 7.5", and Susie Perring, etching, 5 silver fish, 1 framed (2)Good condition

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Burstow & Hewett
Los 2596

William Walcot (1874 -1943), etching, The Mersey, signed in pencil, image 4.5" x 12.5", framedA couple of very tiny fox marks hardly visible, generally good condition, original frame

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Burstow & Hewett
Los 2628

James Grant, etching, the mirror dressing room, signed in pencil, image 7" x 8", framedSlight paper discolouration, a couple of faint fox marks in the margin, generally good

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Burstow & Hewett
Los 2659

Arnoud Boering (born 1951), coloured etching, shore scene, signed in pencil 2004, image 15.5" x 22", framedVery good condition

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Burstow & Hewett
Los 2725

Contemporary British School, large etching, landscape, unsigned proof, image 18" x 24", unframedGood condition

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Burstow & Hewett
Los 2747

Heather Hilder, 2 watercolours, Siamese cats, 11.5" x 15", and poppy fields, 12.5" x 17", framed, and Rowland Hilder, etching, farm buildings, image size 16" x 24" (3)All in good condition

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Burstow & Hewett
Los 2772

Herbert Dicksee, etching, Dandie pup, signed in the plate with date 1927, plate size 9.5" x 14", mountedGood condition

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Burstow & Hewett
Los 2773

Boris O'Klein, coloured etching, dirty dogs of Paris, signed in pencil, plate size 6.5" x 17", mountedStain near bottom right-hand corner

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Duggleby Stephenson of York
Los 298

Robert William Arthur Rouse (British 1867-1951): Shipping on the Thames, etching signed in pencil, together with a quantity of further etchings and engravings by Murray Smith, Reginald Green etc, mostly unframed, max 28cm x 32cm (qty) - Condition Report

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Duggleby Stephenson of York
Los 353

Preston Cribb (British 1876-1937): 'The Shambles York', etching signed and titled in pencil 26cm x 15cm - Condition Report

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Duggleby Stephenson of York
Los 373

Alice Barnwell (British 1910-1980): 'Autumn Tints', coloured artist's proof etching signed and titled in pencil with Rembrandt Guild blindstamp 24cm x 30cm - Condition Report

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Duggleby Stephenson of York
Los 378

Piers Browne (British 1949-): 'Summer Shower, Swaledale', artist's proof coloured etching signed titled and dated '75 in pencil 28cm x 33cm - Condition Report

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Bridport Auctions
Los 82

Etching of sailing fishing boats in harbour, signed in pencil, Edward G. Charlton

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Burstow & Hewett
Los 2178

JACK CARDIFF, OBE, chiaroscuro on German etching paper, Audrey Hepburn, Icons collection, signed and numbered 7/10, image 10" x 14", framed, with certificate of authenticityPerfect condition

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Unique Auctions
Los 2307

Eddie Bianchi (act.1975-1995) Artist's proof modernist abstract monochrome etching name stamped.

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Bushey Auctions
Los 64

Honore Daumier framed and glazed etching of Judges outside a Court, monogrammed bottom left, 31 x 23.5cm

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Gildings Auctioneers
Los 352

Cedric Hodgson, The Old Curiosity Shop, signed, etching, 13 x 18cm; another, Charles Dickens' Birthplace; together with a County Map of Gloucester; and three topographical engravings.

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Gildings Auctioneers
Los 374

English School, Norwich Cathedral, etching with drypoint, 20 x 15cm; other etching and prints.

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Truro Auction Centre
Los 167

Modern Masters of Etching - Sir D Y Cameron, 1 vol illus 1925

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Truro Auction Centre
Los 176

Hamerton (P G) Etching and Etchers, one vol 1876 with wood cut portrait to the title page and twelve full page etchings, cloth

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Truro Auction Centre
Los 253

Songs of Shakespeare illustrated by The Etching Club, one vol folio 1843, rebound half calf

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Cheffins
Los 250

Dorelia, standing hands to mouth signed in pencil 'John' (lower right) etching 33 x 23.5cm

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Cheffins
Los 278

Dried Plants numbered and titled '12/100 Dried Plants' (lower left); signed in pencil 'Richard Bawden' (lower right) etching 58 x 40.5cm

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Cheffins
Los 343

Irises signed in pencil 'Elizabeth V. Blackadder' (lower right); inscribed and titled in pencil '59/80 Irises' (lower left); with studio blindstamp etching 75 x 96.5cm, unframed

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Cheffins
Los 376

Tree, Column, and Moon, 1967 signed and dated in pencil 'Nicholson / 67' (lower right); numbered in pencil '29/50' (lower left) etching 55 x 59cmFootnote: Provenance: The John Ady Collection The present lot will be sold for the benefit of Kettle's Yard, University of Cambridge

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Cheffins
Los 397

The Hospital Room was Choked With Flowers, Everybody Likes Flowers, Surplus Flowers, the Room was Filling up with Flowers from The Way We Live Now accompanied by a certificate signed by the artist and Susan Sontag; numbered 155/200 lift-ground etching 28 x 62.5cmFootnote: Published in 1990, the present lots are two of several lift-ground etchings created by Hodgkin to accompany Susan Sontag’s short story The Way We Live Now. Originally serialised in the New Yorker in 1986, The Way We Live Now, titled after Antony Trollope’s 1875 satirical novel of the same name, chronicles the lives of a group of New Yorkers during the beginning of the AIDS crisis and is narrated through a series of fragments and whispered conversations. Other titles created by Hodgkin as accompaniment to the novel include Fear Gives Everything Its Hue, its High, But He Did Stop Smoking, He Didn’t Miss Cigarettes at All, and As You’d Been Wont-Wantonly, Wantonly, Eros Past.

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