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Los 196

Roy Lichtenstein (1923-1997)On (Corlett 32)Etching, 1962, signed, dated and numbered from the edition of 60 in pencil, on wove paper, as included in the portfolio 'The International Anthology of Contemporary Engraving: The International Avant-Garde, Vol. 5, America Discovered', published by Galleria Schwarz, Milan, with wide margins, sheet 253 x 187mm (10 x 7 3/8in) (unframed)The present lot is the first true Pop Art print by Roy Lichtenstein, it is based on a painting of the same title from 1961.

Los 20

Rembrandt van Rijn (1606-1669)Old Man with Beard, Fur Cap and Velvet CoatEtching with drypoint, circa 1632, a particularly fine impression of New Hollstein's second state (of three) on laid paper without watermark, printing with excellent detail and contrasts with faint touches of burr to the left of his left eye and on the top of his hand, thread margins, sheet 152 x 133mm (6 x 5 1/4 in) (unframed)Literature:Hind 92; New Hollstein 92

Los 21

Rembrandt van Rijn (1606-1669) Portrait of Jan Cornelisz SylviusEtching on thin wove paper, 1633 but later, an evenly printed impression of the third state (of three) published by M'Creery, sheet 170 x 145 mm (6 3/4 x 5 3/4 in)Together with three others prints, including later impressions of Rembrandt's 'Christ crucified between the two thieves', and 'Jan Antonides van der Linden', with the other by Chevalier Ignace Joseph de Claussin (1766-1844) after a drawing by Rembrandt with five studies, on various wove papers, the latter on buff wove, between 140 x 100 mm (5 1/2 x 3 7/8 in) and 185 x 225 mm (7 1/4 x 8 7/8 in) (unframed) (4).Literature:New Hollstein 124 iii/iii

Los 22

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a very fine impression of New Hollstein's first state (of two) on laid paper without watermark, with touches of burr behind the back and in front of the right shoulder of the kneeling woman, the delicate lines on Lazarus's forehead still visible, and fine vertical wiping scratches alongside areas of light tone, thread margins, sheet 152 x 116 mm (6 x 4 1/2 in) (unframed)Literature:Hind 198; Hind New Hollstein 206 i/ii

Los 226

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Los 227

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Los 228

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Los 229

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Los 230

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Los 24

Stefano della Bella (1601-1664)The Temple of Concordia and the Roman ForumEtching, 1656, an excellent impression of De Vesme's first state (of two), on thin laid paper with indistinct circular watermark, some minor surface dirt and stains, platemark 304 x 272 mm (12 x 10 3/4 in), sheet 309 x 280 mm (12 1/8 x 11 in) (unframed)Literature:De Vesme 1971 i/ii

Los 253

George Condo (B.1957)From. More Sketches of Spain for Miles DavisEtching, 1991, signed and numbered from the edition of 40 in pencil, on Guarro wove paper, published by Alexander Kahan, New York, with full margins, sheet 480 x 565mm (18 ¾ x 22 ¼ in) (unframed)

Los 274

δ Zao Wou-Ki (1921-2013)Illuminations, one plate (Agerup 180; Rivière 181)Etching with aquatint printed in colours, 1967, signed and inscribed 'E.A.', a proof aside from the edition of 200, on Rives wove paper, as included in 'Illuminations', printed by Atelier Lacouriere et Frelaut, published by Le Club Francais du Livre, Paris, with margins, plate 266 x 238mm (10 1/2 x 9 2/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 284

δ Jake and Dinos Chapman (b.1962 & b.1966)Bunny DreamsEtching with aquatint printed in colours, 2012, signed and numbered from the edition of 100 in pencil, on wove paper, published by Paupers Press, London, with full margins, sheet 400 x 320mm (15 3/4 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 285

δ Tracey Emin (b.1963)Bird on a Wing After DBEtching printed in blue, 2018, signed, dated, titled and numbered from the edition of 200 in pencil, on wove paper, published by Emin International, London, with full margins, sheet 460 x 450mm (18 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 288

δ Damien Hirst (b.1965)To Lure Etching printed in colours, 2008, signed and inscribed in pencil, a proof aside from the edition of 75, stamped 'Happy Christmas 2008' in red ink, on wove paper, printed and published by Other Criteria, London, the full sheet, 400 x 430mm (17 x 15 3/4in) (framed) The present artwork was one of an edition that were given as gifts to the staff of Science, the artist's studio, for Christmas 2008. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 298

δ Howard Hodgkin (1932-2017)For JackEtching with aquatint and carborundum printed in colours, with extensive hand-colouring, 2006, on wove paper, initialled, dated and inscribed in pencil, a proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at the 107 Workshop, published by Alan Cristea Gallery, London, sheet 985 x 1360mm (39 1/8 x 53 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 301

δ Anish Kapoor (b.1954)UntitledEtching with aquatint in colours, 2002, signed and numbered from the edition of 200 in pencil, on wove paper, with full margins, plate 483 x 660mm (19 x 26in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 33

Francisco Goya (1746-1828)Quien se pondrá cascabel al gato? (Otras Leyes por el Pueblo), from 'Los Proverbios'Etching with aquatint, circa 1824, but a slightly later impression on cream laid paper with text, as published in L'Art, wide margins, platemark 245 x 350mm (9 5/8 x 13 3/4in), sheet 370 x 480mm (14 1/2 x 18 7/8in) (unframed) Literature:Delteil 222; Harris 268

Los 37

Giovanni Battista Piranesi (1720-1788)Interno del Tempio di Canopo nella Villa Adriana (from Vedute di Roma)Etching and engraving, 1776, an excellent well inked impression of Hind's first state (of three), platemark 450 x 575 mm. (17 3/4 x 22 5/8 in) (framed)Literature:Hind 131 i/iii

Los 42

δ James Ensor (1860-1949)Iston, Pouffamatus, Cracozie and Transmouff, famous Persian physicians examining the stools of King Darius after the Battle of ArabelaEtching, 1886, a good impression of the final state (of three) on buff japan, signed and dated in pencil in the lower right, platemark 245 x 190 mm. (9 3/4 x 7 1/2 in) (unframed)Literature:Delteil, Taevernier, Elsh, 6δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 43

δ Léonard Tsuguharu Foujita (1886-1968)Femme à la cravate rose (Buisson 30.26)Etching with aquatint printed in colours, 1930, signed and numbered from the edition of 100 in pencil, on imitation Japan paper, with margins, sheet 400 x 321mm (15 3/4 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 49

James Jacques Joseph Tissot (1836-1902) Mavourneen (or Portrait of Kathleen Newton)Etching with drypoint, 1877, a good impression on laid paper with watermark of 'D&C Blauw', careful repair to upper section of right hand platemark with some light spotting, platemark 373 x 200mm (14 3/4 x 7 7/8in), sheet 450 x 290mm (17 3/4 x 11 1/2in) (unframed)Literature:Wentworth 31

Los 59

δ Marc Chagall (1887-1985)Le Colère II from Sept Péchés capitaux (Seven Deadly Sins) (K 59)Etching printed in bistre, 1925, signed and inscribed 'epreuve d'artiste' in pencil, a artist's proof aside from the edition of 300, on china paper, printed by Louis Fort, Paris, published by Simon Kra, Paris, with full margins, plate 171 x 106mm (6 3/4 x 4 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 60

δ Marc Chagall (1887-1985)Pierrot avec ParapluieEtching with aquatint, 1926-27, signed and numbered from the edition of 50 in pencil, on Richard de Bas hand made laid paper, with full margins, sheet 483 x 324mm (19 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 65

δ Salvador Dali (1904-1989)The Laurels of Happiness (Field 74-8D; M&L 665d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 500 x 652mm (19 3/4 x 25 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 66

δ Salvador Dali (1904-1989)The Curse Overthrown (Field 74-8E; M&L 666d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 69

δ Salvador Dali (1904-1989)The Great Inquisitor Expels the Saviour (Field 74-8F; M&L 671d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 71

δ Salvador Dali (1904-1989)A Shattering Entrance upon the American Stage (Field 74-8H; M&L 673d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 72

δ Salvador Dali (1904-1989)The Divine Love of Gala (Field 74-8J; M&L 674d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 75

δ Salvador Dali (1904-1989)Gala's Castle (Field 74-8K; M&L 675d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 79

δ Salvador Dali (1904-1989)Le métamorphoses érotiques (Field 69-15; M&L 342d)The complete set, including the etching 'La Chimère', 1969, signed and numbered from the edition of 150 in pencil, on Velin Rives wove paper, together with the title, justification and various text and collaged pages, each on Velin Rives wove paper, signed again in pencil and stamp numbered from the total edition of 300 on the justification page, the etching printed by Ateliers Rigal, Paris, all loose (as issued) and housed within the red fabric covered boards and slipcase, published by Edita, the etching diameter 125mm (5in); overall 340 x 265mm (13 3/8 x 10 1/2in) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 8

Hendrik Goudt (1583-1648)Ceres seeking her Daughter, after Adam Elsheimer (1578-1610)Etching and engraving, 1610, on laid paper without watermark, trimmed just within the platemark, sheet 313 x 247 mm (12 3/8 x 9 3/4 in) (unframed)Together with two others: 'Landscape at Dawn, Aurora', and 'Jupiter and Mercury in the house of Philemon and Baucis', engravings, sheets 150 x 170 mm (5 7/8 x 6 3/4 in), and 205 x 220 mm (8 1/8 x 8 5/8 in), respectively (unframed) (3)Provenance:(Ceres) Hubert Georges Désiré Dupond (1901-1982) [L. 3926];Albert Aaron Feldmann (b.1920) [L. 4812](Aurora) Albert Aaron Feldmann (b.1920) [L. 4812]Literature:Bartsch, Hollstein 5, 6, and 7

Los 80

δ Salvador Dali (1904-1989)Eléphants (Field 65-5F; M&L 139a)Etching with aquatint printed in colours and gold leaf, 1965, signed and numbered from the edition of 175 in pencil, on tinted Arches paper, printed by Ateliers Rigal, published by Webungs- und Commerz Union Anstalt, with full margins, 530 x 670mm (20 7/8 x 26 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 81

δ Salvador Dali (1904-1989)Les Animaux Malades de la Peste (Field 74-1D; M&L657c)Drypoint with pochoir printed in colours, 1974, signed and numbered from the edition of 250 in pencil on Arches paper, printed by Ateliers Rigal, Paris, published by Mouret, Paris, with full margins 567 x 761mm (22 1/4 x 30in); with the original etching plate (cancelled) and three proofs pulled from the cancelled plate, two with handcolouring in watercolour (5) (unframed)Accompanied by a certificate of authenticity signed by the publishers Pierre Salord and Robert Mouret.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 86

δ Salvador Dali (1904-1989)Vignette, from 'Petits nus d'Apollinaire' (Field 72-4; M&L 202)Etching with hand-colouring in blue, green and red, 1967, signed and numbered from the edition of 95 in pencil, on Japan paper, printed by Robbe, Paris, published by P. Argillet, with the Dali blindstamp, the full sheet, 90 x 120mm (3 1/2 x 4 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 88

δ Salvador Dali (1904-1989)Don Quichotte (Field p.237)Etching, 1975, signed in pencil, from the unnumbered edition of 149, on wove paper, printed by Sorini, published by a German Print Club, with margins, plate 390 x 295mm (15 3/8 x 11 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 9

Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong PlateEtching, drypoint and engraving, circa 1639, a good but later impression with plate tone of New Hollstein's final state (of five), on laid paper without watermark, platemark 212 x 286mm (8 3/8 x 11 1/4 in), sheet 226 x 297mm (8 7/8 x 11 3/4 in) (unframed) Literature:Bartsch 49; Hind 162; New Hollstein 184 v/v

Los 562

William Lionel Wyllie RA (1851-1931) The Battle of Trafalgar, etching, signed in pencil, mounted and framed. 40 x 73cm (Heavy discolouration)

Los 601A

William Lionel Wyllie RA (1851-1931) The Vernon Workshops / converted wooden hulks in Portsmouth Harbour with other vessels and sailing boats, etching on paper, signed in pencil, approx. 11x37cm, mounted, glazed and framed

Los 601E

William Lionel Wyllie RA (1851-1931) Rigged ship and sailing craft off Bass Rock on the Firth of the Forth, with Tantallon Castle beyond, etching on paper, signed in pencil, 22x50cm

Los 601G

A modern reproductive print after a WL Wyllie etching, figures and steamboats on the Thames, together with shipping at Gravesend after A. Ballin, monochrome print, 15x30, recently mounted and glazed in matching frames

Los 71

OAK FRAMED MONOCHROME ETCHING/ENGRAVING BY W DENDY SADLER- BREACH OF PROMISE, APPROXIMATELY 55cm x 43cm

Los 115

Salmon (William). Polygraphice: or, the Arts of Drawing, Engraving, Etching, Limning, Painting, Vernishing, Japaning, Gilding, etc., 2 volumes in 1, 8th edition ('enlarged'), printed for A. and J. Churchill, and J. Nicholson, 1701, engraved frontispiece, additional title-page, and 23 plates, letterpress title-page to each volume, slight toning, closed tear in plate 18, staining from perished tape-repair verso, a few trivial marks, without errata leaf, contemporary panelled calf, rebacked to style, small surface-abrasion to front board, wear to corners, 8vo (19.3 x 11.1 cm) (Qty: 1)Provenance: William Attree (18th-century ownership inscription to front free endpaper); Richard Shuttleworth Streatfeild (1805-51; bookplate), ESTC T149640. According to the title-page this eighth edition contains 'above five hundred considerable additions .... and the addition of almost five whole books, not in any of the former impressions'.

Los 204

Edwards (George). Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals... from designs copied immediately from nature, and curiously coloured after life... to which is added, a brief and general idea of drawing and painting in water-colours; with instructions for etching on copper with aquafortis: likewise some thoughts on the passsage of birds; and additions to many of the subjects described in this work, 4 volumes, printed for Author, at the College of Physicians, in Warwick-Lane, 1743-51, & Gleanings of Natural History, exhibiting figures of quadrupeds, birds, insects, plants &c. most of which have not, til now, been either figured or described, 3 volumes, printed for the author, at the Royal College of Physicians, in Warwick-Lane, 1758-64, 7 volumes in all, containing 362 fine hand-coloured copper engraved plates (210 and 152 plates respectively to each work), uncoloured engraved portrait of the author by Johann Sebastian Muller after Bartholomew Dandridge, 4 uncoloured engraved plates (including 3 folding) to first volume, single uncoloured engraved plate of Un Samojeed facing page 118 in the second volume, each of the first 4 volumes with printed French translation bound at rear, the 3 volumes of Gleanings of Natural History with parallel English and French printed text in double column, some offsetting from the plates to facing tissue-guard (as usual), the second volume with first issue misprint 'Afrer' to title-page, marbled endpapers, bookplate of Charles 1st Viscount Eversley of Heckfield (1794-1888) to front pastedown of each volume, contemporary uniform full tree calf, with Greek-key design to outer border of each cover, spines with gilt motifs between compartments and contrasting red and green morocco title and volume labels, very slightly rubbed and minor wear to extreme head and foot of spines, several volumes with joints partly cracked or tender, edges lightly rubbed, 4to (29 x 23 cm) (Qty: 7)Provenance: Charles Shaw-Lefevre (1794-1888), 1st Viscount Eversley of Heckfield, MP for North Hampshire from 1832 to 1857, and Speaker of the House of Commons from 1839 to 1857, the second-longest serving speaker of the House of Commons after Arthur Onslow. Anker 124-126; Fine Bird Books (1990) 93; Jeanson, Ornithologie (1988) 27; Lisney pp. 128-144; Nissen IVB 286-289; Zimmer pp. 192-4 & 196-9. A fine set in contemporary uniform binding of 'one of the most important of all bird books, both as a fine bird book and a work of ornithology' (Sitwell, Fine Bird Books). The father of British ornithology, George Edwards (1694-1773) was appointed librarian at the College of Physicians, with the assistance of Sir Hans Sloane, who also employed him to draw curiosities from his own collection. These drawings, as well as others made by Edwards from the collections of his circle, including Mark Catesby, and the Dutchman Gideon Loten, formed the basis of his Natural History. Amongst the species described, some of which appear in print for the first time, are many from India and North America. Edwards personally oversaw the colouring of the engravings - 316 of which are of birds - carefully supervising the colourists who worked from twelve model copies coloured by the author himself. The work includes 'some brief instructions for etching on engraving on copper-plates', Edwards having been encouraged to etch his own plates by Catesby, and 'A Brief Idea of Drawing and Painting in Water-Colours'.

Los 300

[Haslewood, Joseph]. The Secret History of the Green Rooms: containing Authentic Memoirs of the Actors and Actresses in the three Theatres Royal, 2 volumes, 1st edition, printed for J. Ridgway, J. Forbes, and H. D. Symmonds, 1790, each leaf (12mo format, 13.9 x 8.3 cm) window-mounted into larger sheet, extra-illustrated with 22 Theatre Royal playbills (Covent Garden, Drury Lane and Haymarket, 1786-1803), all mounted on stubs, 2 with tissue-repairs, and approximately 120 engraved plates, mainly portraits and theatrical costume and c.1775-90, a few 19th-century including one hand-coloured Gillray etching, mainly window-mounted, all edges gilt, c.1900 green crushed morocco by Riviere and Son, rebacked with original richly gilt spines laid down, French fillet frames gilt to sides, rear boards sunned, rubbing to extremities, small chips to one spine band and head of front board of volume 2, folio (26.2 x 15.8 cm) (Qty: 2)Provenance: Sir Charles Blake Cochrane (1872-1951), theatrical impresario (bookplates). Arnott & Robinson 2209; ESTC T61252 (eight copies in UK libraries). A number of the playbills are for Drury Lane productions in 1795-6, including Garrick's revival of Southerne's Isabella, or The Fatal Marriage (19 September 1795) with Mrs Siddons in the title role, and Macbeth (23 December 1795), with Mrs Siddons as Lady Macbeth.

Los 433

May Louise Greville Cooksey (British 1878-1943), "Whitby", drypoint etching, 25cm x 10cm, signed in pencil, glazed and framed 40cm x 32cm.

Los 405

John Sell Cotman (1782-1842) Etching 'East View of the Gateway of St Bennets Abbey', approx 37 x 28 cms, framed and glazed, marked lower right 'etched and published by John Sell Cotman. 

Los 86

[White, John]. Arts Treasury: or, a Profitable and pleasing Invitation to the Lovers of Ingenuity. Contained in many extraordinary Experiments, Rareties, and curious Inventions. In Two Parts ... 1st edition, printed for W. Whitwood,1688, imprimateur leaf preceding title dated March 24 1687/8, with early ink inscription on reverse 'Humphrey Senhouse. 1741-2. W. Nether-Hall', toned throughout, a few leaves with some small ink spots, A5 (publisher's advertisements) with small piece torn from fore-margin (with loss to several letters), penultimate leaf (H5) slightly frayed to fore-edge (clipping two words on each page), pastedowns not adhered, and endpapers with various early ink trials, contemporary blind-ruled speckled sheep, rubbed, 12mo (Qty: 1)Provenance: the Senhouses of Netherhall were one of the foremost families of landed gentry in Cumberland (now Cumbria). ESTC R230882; Wing W1788. Scarce first edition of a work containing a wealth of household and other receipts on a wide range of subjects, including dyeing, marbling, etching, gilding, gun powder, etc., as well as a variety of curious hints and tips, from how to make trees bear fruit of any colour, to advice on achieving a strike at nine-pins.

Los 820

†JOHN BUCKLAND WRIGHT (1897-1954) POESIE etching, signed by the artist in pencil, dated 1947, inscribed with the title and numbered 4/30, 13.5 x 13.8cm and six other 20th c original prints by artists including Barbara Greg and Eric King, unframed (7)++None laid down. The Buckland Wright with mount stains clear of image, the others in similar condition

Los 821

†SIR FRANK BRANGWYN, RA (1867-1956) THE FEAST OF LAZARUS, 1908 etching, signed by the artist in pencil, 52 x 72cm++Good rich impression, the paper slightly unevenly age toned. The old card window mount dusty and in what is probably the original ebonised narrow frame with wooden backboard securely framed, unexcamined

Los 830

CAMILLE ARTHUR FONCE (1867-1937) RIVER SCENES a pair, etching and drypoint in colour on Japon, signed by the artist in pencil, published by Arthur Tooth & Sons 1907, 49 x 64cm (2)++Good condition undisturbed in the original good quality Edwardian and gilt frames with the printed label of the publisher Arthur Tooth & Sons on the boackboard

Los 833

VARIOUS ENGRAVERS AFTER J M W TURNER AND OTHERS MISCELLANEOUS SUBJECTS mainly early-mid 19th c engravings and lithographs, several later Victorian colour prints, an etching of The Eight Thirty by Eric Hesketh Hubbard 1915 and several 19th c photographs, albumen prints including a group at Elmwood, Wisconsin, c1875-80, unframed (100 approx)++Generally good condition

Los 722

Lady Joan Zuckerman, initialled group of three pastels, Landscapes and flowers, together with a signed coloured etching "Field of Black Sheep" by the same artist, assorted sizes (4)

Los 343

Herbert Thomas Dicksee RE (1862-1942) STANDING EAGLE Pencil 29.5 x 14.5cm Provenance: Purchased from the artist's grandson; The Bryan Steele Collection. The present work is a study for an unpublished etching to be offered in a future sale.

Los 344

Herbert Thomas Dicksee RE (1862-1942) CARRYING WOOL - CANTERBURY, NEW ZEALAND Etching on vellum, signed artist's proof, published by J Nathan (Burlington Gallery), London, 1886 Pl.27.5 x 49cm, mounted, unframed Provenance: The Bryan Steele Collection.

Los 345

Herbert Thomas Dicksee RE (1862-1942) AGAINST THE WIND AND OPEN SKY Etching on vellum, signed artist's proof limited to 400, published by Frost & Reed, 1900 I.24.5 x 55cm Provenance: The Bryan Steele Collection.

Los 346

Herbert Thomas Dicksee RE (1862-1942) FIRE-WORSHIPPERS, AN IRISH WOLFHOUND AND A KING CHARLES SPANIEL Etching on vellum, signed artist's proof limited to 250, published by E E Clifford & Co., 1899 I.42 x 66cm Provenance: The Bryan Steele Collection.

Los 347

Herbert Thomas Dicksee RE (1862-1942) THE TWILIGHT HOUR, A YOUNG GIRL AND TERRIER BESIDE THE HEARTH Etching on vellum, signed artist's proof limited to 300, Published by Frost & Reed 1915 Pl.51 x 61cm Provenance: The Bryan Steele Collection

Los 348

Herbert Thomas Dicksee RE (1862-1942) A FELLOW-FEELING MAKES ONE WONDROUS KIND, A BULL TERRIER Etching on vellum, signed artist's proof, limited to 275, published by Frost & Reed, 1898 Pl.66 x 50cm Provenance: From the daughter of the artist; The Bryan Steele Collection. The present work features the famous actress Gladys Cooper.

Los 349

Herbert Thomas Dicksee RE (1862-1942) DANGER, LIONS Etching on vellum, signed in pencil, published by Arthur Tooth & Sons Ltd., 1905 I.40 x 69cm Provenance: From the daughter of the artist; The Bryan Steele Collection.

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