Norman Ackroyd RA, CBE (b.1938) "Lock Broom from Achiltibuie" Signed and dated (19)93, inscribed with title and numbered 29/90, a black and white etching, 34.5cm by 49cm (pl) CONDITION REPORT: Some areas of scratching along the top edge of the sheet. Otherwise appears in general good condition. Has not been examined out of the frame.
78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
Tom McGuinness (1926-2006) "Night Shift" Signed and dated 19(76), inscribed with title and numbered 24/50, a black and white etching, 7.4cm by 10cm (pl) CONDITION REPORT: A few very minor spots of foxing to the margins. Otherwise appears in general good condition. Has not been examined out of the frame.
John Farleigh (1900-1965) "Aphrodite" Signed, inscribed with title and numbered 4/20, wood block print, together with a etching depicting two dancers by Bob Greig, signed and inscribed "Thanks Phillip", an etching titled "Offizier" signed Hanswühr, a woodblock print by another hand titled "Operation Hunger" and two further contemporary prints by two further artists, 23cm by 15.5cm and various other sizes (all unframed) (6)
Sarah Bushman (Contemporary) "Les Alpilles with Tower of St. Paul" Signed, inscribed verso, oil on board, together with a further oil on board titled "Chapel of St. Paul, Evening", a mixed media titled "Clear of the Sun" and an etching by the same hand, 19.5cm by 25cm, 24cm by 30cm, 28cm by 33.5cm and 13cm by 8.5cm respectively (4)
Bernard Tozer Pike (1908-1996) A head and shoulders portrait of a young man wearing a green jumper Oil on board, painted verso with an industrial landscape, together with an etching of the portrait, three further portrait etchings and a collection of various later head and shoulder oil on board portraits of female subjects, 35.5cm by 37.5cm, 12.5cm by 10cm, 10cm by 7.5cm and 35.5cm by 37.5cm respectively (a collection) (all unframed)
EDGAR L. PATTINSON (1872 ?) ARTIST SIGNED COLOURED ETCHING `An Arab street` signed, titled to label verso 6"" x 5 1/4"" (15.2cm x 13.3cm) LASCONCY (?) ARTIST SIGNED COLOURED ETCHING ON TEXTURED PAPER Wooded river landscape signed and indistinctly titled 15 1/2"" x 11 1/2"" (39.4cm x 29.2cm) (2)
Edmund Blampied (1886-1966), "En Pension", signed in the margin and plate, dated in the plate OCT 30. 1929, no. 19/100, drypoint etching, framed. 21.5cm by 30.5cm Note: Arguably the most celebrated artist to have hailed from the Channel Islands. He is best remembered as a printmaker and especially, an etcher. His fluidity of line, strong sense of humanity and Gallic humour suggests a kinship with Daumier and Gavarni.
A collection of prints, engravings, etc, including a late 19th century black and white etching of a winter scene with horse and cart after Fred Slocombe and dated 1885, a limited edition print of an ape after J Kingdom, a pair of black and white signed limited edition prints after Michael Oxenham showing blue tit fledglings, signed in pencil and editions out of 500, a set of three signed limited edition studies of architectural views after Ian Wolfe and dated 73, various unframed topographical etchings and engravings including a church interior, view of Kings Weston, Gloucestershire, etc
A collection of pictures and prints relating to ornithological subjects including a limited edition coloured signed etching by Peter Partington showing pin tailed ducks, signed bottom right by the artist, edition 106/150, 24 x 33 cm in gilt frame, a signed coloured print of a snowy owl after Barry Driscoll, a set of six coloured prints after Marjorie Blaney, etc
Harold Charles Bartlett R.W.S.,R.A.,A.R.C.A L.G. ` Winter Berth` Original aquatint, Limited edition of 13 of 45. Represented in several Public Collections; together with an etching by Paul Bisson, etching with aquatint hand coloured, limited edition 174/250, signed, entitled `The Thames at St. Margarets`; James McNeill Whistler, Lithograph, `Baby Leyland` by T.P.Way; together with James McNeill Whistler, `Les Bebes du Luxembourg`, Lithograph, Way 84; Levy 79; edition of c3000 published for the Art Journal, December 1894, a fine impression printed on ivory paper monogrammed with the butterfly in the stone (4)
A collection of various fountain pens to include an Osmeroid 75 blue and burgundy, Conway 106 blue, Parker black with 14 carat rolled gold lid, Parker blue with polished steel lid, together with Frank Quinton "Thatched cottages with Liddington Manor", watercolour and a coloured etching by Sue Lewington

-
78472 Los(e)/Seite