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Los 152

‡ Robin Tanner (1904-1988) December, Elegy for the English Elm Signed Etching 29.5 x 23.5cm ++Paper very slightly discoloured, good condition

Los 153

‡ Robin Tanner (1904-1988) April Signed Etching 20.5 x 23cm ++Paper slightly rippled, good condition

Los 154

‡ Robin Tanner (1904-1988) August in Wiltshire Signed and dated 1976 Etching 23.5 x 29.5cm ++Good condition

Los 236

‡ Dame Elisabeth Frink RA (1930-1993) Herakles in the Lion~s Mask Signed, titled and numbered 26/70 Etching with aquatint, from the series Children of the Gods 53.5 x 37.5cm (plate size) ++Two or three light stains to margins otherwise good condition

Los 253

‡ David Inshaw (b.1943) Lake landscape Signed dated and numbered 4/45 Etching with aquatint 40 x 33cm

Los 33

Walter Richard Sickert (1860-1942) Jack ashore Signed in the print Soft ground etching, possibly 2nd state of 5 34 x 25.5cm Provenance: Christie~s, 6.2.79 Professor Rodney Fitch C.B.E. Exhibited: Leicester Galleries, Nov. 1962, No. 14 ++Large tear upper right quarter, paper discoloured, slipped in frame

Los 34

Walter Richard Sickert (1860-1942) Noctes Ambrosianae Signed and titled in the print Etching and aquatint 18 x 22cm With a further signed print of Stooks, Broadwas, Worcester, 1884 by the same hand (2) Provenance: Professor Rodney Fitch C.B.E. ++1. A repaired tear lower margin otherwise good; 2. A repaired tear upper margin otherwise good

Los 49

Jean Emile Laboureur (French 1877-1943) Les Soldats a L~Estaminet Engraving, from Petites images de la guarre sur le front Brittanique, 1916 17 x 14cm With a signed etching by Pat Lear of an arched window in an interior (2) Provenance: Michael Parkin Gallery, London Professor Rodney Fitch C.B.E. ++1. good condition; 2. with some bloom

Los 55

Edwin Edwards (1823-1897) Old Inn, Croscombe, Somerset Signed, titled and dated 72 in the plate Etching 18 x 22cm Provenance: Professor Rodney Fitch C.B.E. ++Good condition

Los 76

James Abbott McNeill Whistler (American 1834-1903) La Marchande de Moutarde Etching, 5th state, K 22 15.75 x 8.5cm (plate size); 23 x 15.75cm (sheet size)

Los 79

William Strang RA (1859-1921) The Old Bridge Toledo Signed Etching 25.5 x 28.5cm (plate size) Together with 3 further etchings by Seymour-Haden; L.C. Rosenberg and Rushbury (4)

Los 81

Frederick Landseer Griggs RA (1876-1938) The Cresset Signed Etching 19.5 x 27cm

Los 368

Hedley Fitton: an artist's proof etching, "Cour au Corbeau Strasbourg", in strip frame, and SQL Scott: a signed etching, "Chancery Lane Gateway", in strip frame

Los 452

Hans Georg Rauch, German (1939 - ) Nieve, 1978, Etching with Aquatint, signed and numbered in pencil, 7/20, 37x43 cm

Los 479

Hans Georg Rauch, German (1939 - ) Untitled Broken Bridges, 1978, Etching with Aquatint, signed and numbered in pencil, 13/20, 37x42 cm

Los 498

Framed and glazed etching by James Whistler (1834-1903), titled 'Little Arthur' and signed in the plate and sold previously by Goldmark Gallery in Rutland. Etching size H:33.5cm x W:31cm.

Los 396

An early 20th century album of small watercolours, pencil sketches and pen and ink cartoons and rhymes, togethers with an original folder of Varsity etching postcards of Liverpool university and a victorian book 'Sixty years a Queen' and a vintage round r

Los 729

Wayne Edouard Audrain (British, b.c.1953), 'Faldouet Dolman', Jersey, drypoint etching, signed, titled, numbered 1/30 and dated '83, 9 7/8 x 6¾in. (25 x 17cm.).

Los 730

Arnold, Jean and Appleby, John, 'Edmund Blampied A Catalogue Raisonne Of Etchings, Drypoints And Lithographs', Deluxe Edition, no.93/350, containing a numbered and previously unpublished Blampied etching, pub. 1996 by JAB Publishing, dark red morocco leather with gilt title to front and spine, gilt edges, with leather edged slip case. * Condition: Very good. Small split to one front corner of slip case. Line of white tape adhesive to one side of case. Small bump to one corner of book. Dirty smudge to top of front free end paper. Otherwise VG. 

Los 731

after Wenceslaus Hollar (Prague, 1607-England 1677), two different views of Elizabeth Castle, Jersey, a pair of copper plate etchings, c.1650, inscribed to plate, one signed and dated 1650 in plate, both 2¼ x 5 1/8in. (5.8 x 13cm.). (2) , * These important etchings are the first ever recorded graphic images of Jersey. ** Condition: - Etching with the castle centralised: Two central vertical creases. Laid down onto paper mount. Two corners very slightly clipped. Clean overall.- Etching with the castle walls to right: Paper browned but with some pale patches  (possibly from earlier attempts to clean). Tiny tear to lower left corner. Laid down (glued) onto paper mount.

Los 733

Edmund Blampied (British, 1886-1966), 'A Jersey Shore', drypoint etching, signed and numbered 77/100 in ink, signed and dated Nov. 1929 to foot of plate, 7 3/8 x 10 7/8in. (18.75 x 27.5cm.). * Condition: Light browning to paper at margins (joint with mount). Tiny pinprick relief imperfection to paper approx. 1cm. to left of signature. Well framed in watercolour lined mount.

Los 735

Edmund Blampied (British, 1886-1966), Horse in Stable, drypoint etching, c.1951, signed in ink lower left, numbered 2/25 lower right in pencil, titled to artist's handwritten label verso, also inscribed 'Exhibited at the Royal Academy 1958, Cat. No. 1175, bought at Private View by N. Gin', 4 7/8 x 6 7/8in. (12.4 x 17.5cm.).

Los 736

Edmund Blampied (Jersey, 1886-1966), 'Soup', drypoint etching, signed in pencil to lower margin, 9 x 89in. (22.75 x 20.5cm.), * Provenance: Wishart Brown Limited, 136 St. Vincent Street, Glasgow

Los 737

Edmund Blampied (Jersey, 1886-1966), 'Noonday Rest', drypoint etching, c.1920, signed in ink to lower margin, from an edition of 100, 8½ x 11in. (21.5 x 28cm.).

Los 738

Edmund Blampied (Jersey, 1886-1966), 'The Speech of the Evening', drypoint etching, signed and dated Jan 1931 to plate, signed and numbered 28/100 in ink to margin, 11 x 11in. (28 x 28cm.), * Provenance: Robertson & Bruce Ltd., Fine Art Dealers, 90 Commercial Street, Dundee.

Los 739

Edmund Blampied (Jersey, 1886-1966), 'Le Chef d'Oeuvre', drypoint etching, signed and dated Jan 1931 to plate, signed and numbered 21/100 in ink to margin (faded), 12 x 9in. (30.5 x 22.75cm.).

Los 740

Edmund Blampied (British, 1886-1966), 'The Cowman', drypoint etching on laid paper, c.1920, signed in pencil to margin, no. 67/100, 12 7/8 x 9¾in. (32.7 x 24.75cm.).

Los 744

after Frank Brangwyn RA RWS RBA (British, 1867-1956), 'Old Hammersmith', etching, signed in pencil to margin lower right, 21½ x 27½in. (54.5 x 70cm.). * Condition: Good overall. Very slight time staining at margins from acid mount. Slight cockling to paper to centre right. Also at centre right margin, a small strip where the sepia colour is missing (the colour which is visible across the remainder of the print). In the lower left corner, and to a lesser extend to the lower right corner, the very dark areas of the print have a faint whitish bloom on them, possibly mould. In a couple of places, this has some rubs in it showing the black beneath. Probably fairly easily removed when out of frame.

Los 755

William Monk (British, 1863-1937), 'The Tower of London' , etching, signed and titled in pencil to margin , 7 x 10in. (17.75 x 25.5cm.). * Condition: Good, clean condition, with no foxing or time staining. In pre-war ebonised frame with ink lined ivory mount.

Los 761

after Giovanni Battista Piranesi (Italian, 1720-1778), 'Altra Veduta Degli Avanzi del Pronao del Tempio Della Concordia', etching on laid paper, 18½ x 27¾in. (47 x 70.5cm.). * Condition: Some foxing across top half of etching and two small dark stain spots in centre top area of sky. No folds or creases. Paper only very slightly time stained. No restoration or repairs. In a mid-20th century Hogarth style frame with lined mount.

Los 82

An 18th century Continental large wine glass, the trumpet bowl with foliate and fruit etching within a foliate reserve, on spiral fluted stem, to fold over foot with pontil, 18.8cm. high. * Condition: Sulphur spot to edge of base from the making. Crescent shaped opaque flaw to top of foot from the making when pontil cut. No chips or cracks.

Los 185

William Lionel Wyllie (1851-1931). Uncoaling on the Medway, artist signed etching, numbered CV, 12.5cm x 39cm.

Los 186

William Lionel Wyllie (1891-1981). Norwegian Timber ships leaving the Thames, artist signed etching, numbered CV, 12.5cm x 34cm.

Los 331

After Lance. Fruit No 1 and No 2, pair of Baxter prints, 18cm x 21cm, together with a pair of botanical engravings, 28.5cm x 17.5cm, and a 19thC etching, mythical scene, monogrammed WS, 20cm x 20cm, (5).

Los 428

A COLLECTION OF PRINTS including military subjects and an etching by Graham Calvert 'Top of the Hill'

Los 315

Malcolm Osborne, "The Veil of Spring Windermere" etching, 20 x 40cms.

Los 130

An Andre Minaex contemporary signed etching depicting a female head in a lava effect background.

Los 331

Tatton Winter, shepherd leading his flock, etching, framed and three other pictures (4)

Los 369

ARR Victor Pasmore (1908-1998) - Etching with colour aquatint - "Sensory World (2) "1997, on Somerset paper by Hope (Sufferance Press) London, published by Marlborough Graphics Ltd, London with full margins, 11.75ins x 11.75ins, initialled in pencil and dated '96 to lower right, and No. I/III to lower left, in brushed aluminium frame and glazed Note: John Pasmore, son of the artist, has confirmed to the vendor that this work is an artists proof.

Los 372

Attributed to ***Raoul Dufy (1877-1953) - Etching - "L'Odalisque" - Portrait of a reclining woman,13.75ins x 20ins, unsigned, in gilt frame and glazed

Los 1323

Arthur Briscoe, signed etching entitled ' The Trawler ', 11ins x 15ins including margins

Los 1324

Similar signed Arthur Briscoe signed etching, square rigger entitled ' In the Trades ', 9ins x 11ins including margins

Los 1325

Henry Rushbury, signed etching entitled ' Roman Bridge, Verona ', 11.5ins x 18ins including full margins, unframed

Los 1326

W.L. Wyllie, signed etching, shipping in a sea port, 7ins x 15ins

Los 1327

Henry Rushbury, signed etching entitled ' Sussex Village ', 8.5ins x 14ins

Los 1330

Suzzane Duchamp, etching highlighted with pencil, seated female figure study initialled in plate, unframed, 13ins x 10ins

Los 1520

Paul Drury, signed etching, an unusual study of gravestones and memorials, signed and dated 1939

Los 1246

Henry Lambert, signed etching of Piccadilly Circus together with another, Trafalgar Square, a William P. Robins etching, view of St. Pauls from the Thames, pair of Edward Cherry etchings and other miscellaneous prints

Los 512

Art portfolio '4 x 1 grafiek', 106/200, ed. Pauwels International: Ampe D., lithograph, 36/200; Cornelis B., silkscreen, 18/200; Dijck W., woodcut, 100/200; Van Grieken J., etching, 104/200, 45 x 63 cm (folder) - 42 x 59,4 cm (graphic works) (water damage to the folder)

Los 321

A FRAMED SIGNED ETCHING ARTIST WILLIAM WALCOT RA 1874-1943

Los 199

Joseph W Simpson, dry point etching depicting a gentleman wearing a fur coat, pencil signed to mount

Los 15

Joseph W Simpson, dry point etching, study of Lucy in Galloway, pencil signed to mount

Los 885

A coloured etching after James Priddey, Windermere and a similar etching, Brixham

Los 847

A watercolour, Dutch boy on chair, an etching, The Forth Road Bridge, decorative prints, silhouette pictures etc

Los 2151

* ADRIAN WISZNIEWSKI RA (SCOTTISH b.1958), TIGHTROPE etching, titled and signed in pencil, numbered 17/25 25cm x 20cm Framed and under glass

Los 2201

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE LOVERS etching with aquatint in colours, artist proof, signed and numbered 2/5 in pencil 75cm x 56cm Mounted, framed and under glass

Los 2202

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE PRESENCE etching with aquatint, signed and numbered 18/50 in pencil 74cm x 55cm Mounted, framed and under glass

Los 2203

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), SAMSON AND DELILAH etching with aquatint in colours, signed and numbered 13/50 in pencil 75cm x 56cm Mounted, framed and under glass

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