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Los 623

An etching after Anthony Gross, rustic path, signed and dated 1924, 10 x 7.5inCONDITION REPORT - FRAMED

Los 601

An etching, William Walcott, The House of Sallust, 8 x 7.5in

Los 618

An etching, after Percy Lancaster, River Lune, signed, 4 x 5in and a similar etching, castle, 4 x 5in

Los 110

Joyce Ntobe AKA Beezy Bailey (South African 1962-) I DREAMED I FLEW AWAY WITH THE AMERICANS IN THEIR CADILLAC signed, dated '15, editioned A/P and inscribed with the title in pencil in the margin softground, hardground and aquatint etching with hand-embellished blind embossing In 1992 the South African National Gallery acquired three works on paper by a little known “township artist Joyce Ntobe” who had been overlooked by the selection panel of the Cape Town Triennale. When the institution wanted to pay the artist a furor erupted as it was revealed that Joyce Ntobe in fact did not exist. Joyce Ntobe was in reality, the constructed personae of artist Beezey Bailey, grandson of Randlord Sir Abe Bailey and heir to a prestigious collection of 18th century British Art on Permanent Loan to the National Gallery. With cheque in hand, Bailey held a press conference and arrived dressed in housekeeper’s uniform, half his face painted white and the other black. In a playful dig at the collecting policies of the South African National Gallery at the time of post-democratic inclusivity in 1991, Bailey produced works under cover of his ”alter-ego”. After the ploy was exposed, the works remained attributed to Joyce Ntobe because once accepted by the Acquisitions Committee, works of art in the national collection are inviolate and protected ad infinitum by an act of parliament. Building on this success, Bailey created many new works and a website that tracks Joyce’s development. Here is a unique opportunity to acquire a striking work by the now well-known Joyce Ntobe who is celebrated both locally and abroad … and is included in the National Collection! sheet size: 124 by 59cm

Los 71

HENRY JAMES STUART BROWN (Scottish, 1871-1941) 'View in Cambridgeshire', etching, signed, 19cm x 29cm, bearing 'T.& R.Annan & Sons, Glasgow' label to verso

Los 456

NORMAN ACKROYD 'Clearbury Ring from Old Sarum', 1999, etching, signed, dated, titled and numbered 10/90, 23cm x 28cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Los 2164

A framed Etching of Hereford Cathedral drawn by the late S. Read

Los 2139

A Rembrandt etching of 'The Three Trees' in a gilt frame.

Los 2131

A Gerard Trignac pencil signed Etching of a fantasy illustration; 'Le Sanctuaire'.

Los 100

Four Mogul School paintings on cloth etc, an etching of a castle and an oriental 3D relief picture in a boxed frame (6)

Los 161

Henry Wilkinson, coloured etching, signed in pencil and numbered 99/100, in a glazed frame, 47 x 28cm

Los 163

Henry Wilkinson, coloured etching, signed in pencil and numbers 20/150, in a glazed frame, 36 x 28cm

Los 164

Henry Wilkinson, coloured etching, signed in pencil and numbers 56/150, 32 x 27cm

Los 514

After Eduard Manet - original etching on wove paper - Gazette Des Beaux Arts 1884, etching by H Guerard after the painting by Manet - Un Bar Aux Folies Bergere - Ref Beraldi, limited edition 1500 - framed size 38cm x 42cm - image size 16cm x 20cm - in good condition with new mount and frame

Los 21

Paul Daxhelet (Belgian 1905 - 1993), industrial docks, etching, 28 x 34cms and an etching of an old woman

Los 1053

Assorted pictures and prints to include Charles Harris - etching, Latin map of South East England, watercolours etc

Los 1057

Fred Bottomley - St Michael's Mount, etching, signed and titled in pencil to the margin, 17.5x25cm

Los 517

PABLO PICASSO (1881-1973) - 'Raphael and the Fornarina XIX', plate 134 from series 347 Suite (Bloch 1794), etching, dated '5.9.68.I' in the plate, signed in pencil and numbered 17/50 in pencil, framed, 14.5cm x 20.5cm.Published by Galerie Louise Leiris (Paris), 1968.

Los 494

LINDA SUTTON (B.1947) - 'The Fox', etching, signed and titled in pencil, numbered 9/50, framed, 59cm x 43cm.

Los 1460

Marion Rhodes, 'Frankfurt', signed and titled, etching, pl.23 x 30cm; together with a further pair of pencil signed lithographs, by Frank Short after J M W Turner.   

Los 1039

Victorian Album of Scraps, 1970's and later Private Eye magazines, three piece carving set (cased), c. 1920's postcard sets including WWI themed 'En Argonne', two Victorian etching:- One Box

Los 161

Four antique Welsh related prints including a coloured etching dedicated to Sir Charles Morgan of Castle of Brecon, another etching of Brecknock Castle & a monogram map ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Los 282

A St Donats etching, a Taff river etching & another, print of Aberdaron ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Los 283

A coloured etching AFTER RICHARD WILSON entitled 'The Great Bridge Over the Taaffe' Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Los 287

WILLIAM WALCOT etching - architectural study with figures, titled to mount 'The Atrium', signed fully in pencil, 51 x 57cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Los 288

WILLIAM WALCOT etching - architectural study with figures, titled to mount 'The Frigidarium', signed in pencil, 51 x 62cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Los 667

WILLIAM LIONEL WYLLIE View of the River Thames Etching Signed 9cm x 35cm

Los 1042

Arthur Baylis Allen (b.1889) ''The Transmitter, Brookmans Park'', signed, inscribed and dated 1930, etching, together with five further prints, including; Reginald Goodfellow ''Saturday Afternoon, Brentford'', Norman James, two studies of boats, Jolan Williams (1908-1988), ''Still Life'' and ''Studio Window'' (6) Provenance: Abbott and Holder Ltd., London

Los 1084

Walter Horsnell, River landscape, watercolour, signed lower left; Henry Wilkinson, a pair of Labradors, coloured etching; and a quantity of assorted prints and further pictures

Los 1040

Marcel Frischmann (1900-1951) Builders resting, signed, etching, together with five further prints, including, Viola Paterson (1899-1981) ''At Slumber Time'' and works by Hilda Ainscough, Wilfred Appleby, Cliff Wyndham, etc (6)

Los 253

HARDY, THOMASSOUVENIR PROGRAMME. THOMAS HARDY'S WESSEX SCENES FROM "THE DYNASTS" Performances at the Corn Exchange, Dorchester, on December 6th and 7th, 1916. 4to, (285 x 225mm.), original printed salmon wrappers; Hardy, Mrs Florence Autograph letter signed to James Fairweather Milne regarding "photograph of the map of Wessex drawn by my late husband", 13 June 1936, with envelope; Hardy, Mrs Florence Autograph letter signed regarding the reproductions "of the map of Wessex drawn by my husband", 21 October, [1936], with envelope (3)Note: Loosely inserted is an etching of Stinsford Church & Grave of Thos. Hardy by R.C. Bean, 75 x 104mm.

Los 857

Karl WESCHKE (1925-2005)Woman and Dog Etching Signed and dated and dated 1971Edition 11/25Plate size 65 x 49.5cm

Los 202

John BRUNSDON (1933-2014) St Michael's Mount Etching/aquatint Signed, inscribed and numbered #58/75 (2nd version) Together with two Mary STORK prints and one other print

Los 622

Denis MITCHELL (1912-1993)An exhibition catalogue Marjorie Parr Galleries, London, 1969.Together with a copper etching plate used in the catalogue.

Los 401

Alixe Jean Shearer ARMSTRONG (1894-1984)Two linocuts, each titled 'The Star', one signed and inscribed.Together with a woodcut titled 'This Year of Grace', signed and inscribed, an etching of a cockerel, monogrammed and various exhibition flyers and newspaper articles.Provenance:From the David Wilkinson Collection. David Wilkinson was a seriously multi-talented Architect, Researcher, Sculptor, Musician, Author and more. When he came to St Ives in 1993 it was a breath of fresh, innovative air. What's more he was instantly accepted and liked. This sale touches on the breadth of his knowledge and his interests.

Los 225

William Lionel WYLLIE (1851-1931)Sailing Barges and other Shipping on the Thames Etching Published Dunthorne, 1924Signed Plate size 16 x 37.2cm Condition report: Some minor foxing. Yellow edge from acid mount.

Los 334

Alfred HARTLEY (1855-1933) Godrevy from Lelant Etching Signed 30 x 37.5cm

Los 721

Vincent WILSON (1933) Near Hexworthy, Dartmoor Etching aquatint Artist's Proof Signed, inscribed and dated 1991 Plate size 40 x 46cm Together with two other contemporary works

Los 555

Bryan INGHAM (1936-1997)By The White SeaTricorne Publications London, 1997.Initialled and numbered by hand #11/75 to back cover, includes original etching also initialled and numbered #11/75. Complete with original dustwrapper and slipcase.

Los 266

Robert Borlase SMART (1881-1947) Sloop Inn, St. Ives 1931 Etching Monogrammed 35 x 50.5cm

Los 861

William Lionel WYLLIE (1851-1931)Thames Barges and other shipping Etching Signed Plate size 15.5 x 35cm Condition report: Paper discolouration throughout.

Los 44

Gwen MAY The Old Vic Two theatrical etchings Together with one other etching - The Memorial Theatre by Night

Los 45

Gwen MAY Midnight Walk - Tuke Extension Highgate 1937 Etching Together with one other etching

Los 52

Francis H. DODD (1874-1949) Villas on the Thames Etching Signed Plate size 13.5 x 21cm Together with other works including a portrait of a child by Thomas White

Los 55

LAWRENCEChinese Monk and Wild Horses Etching ProofSigned Plate size 30 x 45cm

Los 1027

Belcher, George (1875-1947) R.A Etching signed - golfer and caddie with narrative below - Golfer - what did you think of my game today caddie? -Caddie - "well I prefer golf Sir" image 15.25" x 12.25" overall 24.5" x 18.5" Note George Frederick Arthur Belcher was an English cartoonist etcher and painter of genre, sporting subjects and still life He drew for the Punch Almanac from 1906 and for Punch itself regularly from 1911 also for the Tatler and Vanity Fair - Belcher exhibited at the Royal Academy from 1909

Los 737

G VALK AFTER PHILIPS WOUVERMAN A cavalry officer taking a welcome drink outside a camp, etching, 19 x 28cm; and four further various engravings to include: The Weight of the Bible, engraving after Huijeh Allardt; a landscape engraving by C Galle; a hand-coloured engraving of Queen'3s College, Oxford; and a western view of All Souls College, one unframed (5)

Los 200

Cartography - a tinted etching, Sussex by Letts Son& Co; another map of Lincolnshire Wapontakes; a modern print - Derbyshire divided into the Hundreds (3)

Los 21

FRAMED POLYCHROME ENGRAVED ETCHING- FORE'S COACHING RECOLLECTION, THE OLDEN TIME, APPROXIMATELY 45cm x 68cm

Los 289

δ Allix (Susan) Egyptian Green: Views from Egypt, number 8 of 24 copies signed by the artist/binder, printed in green and black on a variety of papers, etchings by Susan Allix, some with hand-colouring and drawing, original green goatskin with cut-out panels and small shapes over tan paper, etching of Egyptian figure in upper panel onlaid with small dots of green and tan goatskin, lower blank, by Allix , uncut, original green cloth drop-back box with paper flaps inside, paper and cloth onlay on upper cover and label on spine, 4to, 2003.⁂ A beautifully-presented compilation of writings on Egypt from the ancients to Amelia Edwards, including ancient coffin texts, Herodotus, Catullus and the Koran.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 61

Dufy (Raoul, 1877-1953) Nu sur la plage, etching, a good impression with depth on thin wove paper, signed in pencil and numbered from an edition of 125, platemark 170 x 107 mm. (6 3/4 x 4 1/4 in), sheet 226 x 128 mm. (8 7/8 x 5 in), unframed, circa 1920.

Los 272

Whistler (James Abbott McNeill) The Gentle Art of Making Enemies, inscribed by the author "To Siegfried Bing - with compliments & pleasant sympathy" and butterfly monogram on front free endpaper, 1892; Eden versus Whistler: The Baronet and the Butterfly, Paris, [1899] § Pennell (E.R. & J.) The Life of James McNeill Whistler, 2 vol., 1908 § Menpes (Mortimer) Whistler as I Knew Him, number 138 of 500 deluxe copies signed by the author and with original etching by Whistler of the Menpes children, original decorated cloth, t.e.g., spine soiled, A. & C.Black, 1904, plates and illustrations, the first two lightly browned with occasional foxing, all but the last original cloth-backed boards, rubbed, all uncut, 4to (5)⁂ Siegfried Bing (1838-1905), influential German-French art dealer who introduced Japanese art to the West, published the magazine Le Japon Artistique, and was an important figure in the development of the Art Nouveau style.

Los 134

Hardy (Thomas).- Dodd (Francis) Portrait of Thomas Hardy, for 'The Dynasts', etching, signed in pencil (also signed and dated in the plate), c.230 x 155mm., 1927, together with Hardy's signature in ink, mounted, framed & glazed

Los 136

Heaney (Seamus) The Testament of Cresseid: A retelling of Robert Henryson's poem, number 56 of 75 deluxe copies signed by the author and artist and with an additional original etching, from an edition limited to 450, tipped-in colour illustrations by Hughie O'Donoghue, original cloth, uncut, original colour etching numbered and signed in pencil, loose as issued in original card folder, together in cloth slip-case, 4to, printed at the Rampant Lions Press of Cambridge for the Enitharmon Press, 2004.

Los 402

Jefferies (Richard) & others. Sun, Sea & Earth, number 35 of 125 copies, copper-engravings by Brian Hanscomb, original wrappers sewn in Japanese style, slip-case, Andoversford, Whittington Press, 1989 § Duncan (Robert) The Structure of Rime, number 175 of 275 copies, illustrations, original cloth with cut-out panel revealing etching by Frank Lobdell in each cover, uncut, slip-case, with accompanying etching with aquatint by Lobdell numbered, signed & dated in pencil, loose in paper folder, with prospectus, San Francisco, Arion Press, 2008, 4to (3)

Los 20

Bosschère (Jean de).- Baudelaire (Charles) Little Poems in Prose, translated by Aleister Crowley, one of 800 copies, errata leaf, imprint leaf and 4pp. advertisements at end, plates by Jean de Bosschère, original suede-backed cloth, glacine wrapper (frayed at edges), broken slip-case, Paris, Edward W.Titus, At the Sign of the Black Manikin, 1928 § Putnam (Samuel) The World of Jean de Bosschère, number 90 of 100 copies on hand-made paper with an additional signed colour etching, from an edition limited to 1000, title in red and black, colour woodcut frontispiece, plates and illustrations, original vellum-backed cloth, Fortune Press, 1922, t.e.g., others uncut; and 14 others illustrated by de Bosschère, some limited editions, 8vo & 4to (16)

Los 229

Schwimmer (Max).- Goethe (Johann Wolfgang von) Dreizehn Liebesgedichte, out-of-series copy from an edition limited to only 13, printed on japon, lithographed illustrations by Max Schwimmer (but not hand-coloured as indicated in colophon), with small signed hand-coloured etching by the printer loosely inserted, bound in Japanese style in original pictorial silk wrappers printed in red, slightly soiled, Leipzig, Hellmuth Weissenborn, 1932; and a small quantity of proofs & unbound sheets for the production including one sheet with original watercolour drawing, 2 with hand-coloured illustrations and other pasted-up sheets, folio (a bundle)

Los 428

*Gillray (James). A Bravura Air Mandane, published H. Humphrey, 1801, etching with contemporary hand colouring, slight staining, 355 x 255 mm, mounted, framed and glazed, together with Dighton (Robert, the elder), Madame Catalani in Semiramide. Her first appearance in England, Decr. 13th 1806 [and] Mr Braham in the character of Orlando..., March 22nd, 1802, two etched caricatures with contemporary hand colouring, each approximately 270 x 200 mm, mounted, framed and glazed, with Freeman (Samuel), Madame Catalani, published William Holland Jany. 10th 180, stipple engraving after Adam Buck with contemporary hand colouring, slight staining.270 x 200 mm, mounted, framed and glazed, plus another French caricature of a scene at the Theatre Royal, London of a performance of an opera, almost certainly of Madame Catalani in Semiramide, 310 x 305 mm, mounted, framed and glazed (5)

Los 74

A FRAMED HAND COLOURED ETCHING OF PEKINGESE DOGS SIGNED G. VERNON STOKES

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