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78472 Los(e)/Seite
After Herbert Thomas Dicksee (English, 1862-1942),‘The Startled Tiger’,Etching,Signed in pencil and blind stamped to the lower margin, published by Frost & Reed, 1919,73cm x 48cm,Framed and glazed CONDITION REPORT:The paper shows minor distortion across the surface, most visible at the upper mount, but the print surface shows no obvious damage. The margins show the odd small fox mark. The frame appears to be structurally sound. The glass is dirty and would benefit from cleaning.
After Herbert Thomas Dicksee (English, 1862-1942),‘Suspense’,Etching,Signed in pencil and blind stamped to the lower margin, published by Frost & Reed, 1920,65cm x 42cm,Framed and glazed CONDITION REPORT:The paper shows minor distortion across the surface, most visible at the upper mount, but the print surface shows no obvious damage. The margins show the odd small fox mark. The frame appears to be structurally sound. The glass is dirty and would benefit from cleaning.
After Herbert Thomas Dicksee (English, 1862- 1942),Leopard clawing a tree,Etching, Signed in pencil and blind stamped to the lower margin, published by Frost & Reed c. 1924,32.5cm x 50cm,Framed and glazed CONDITION REPORT:The print shows minor distortion at the mount on the left hand side, but the print surface shows no obvious damage. There are some small dead insects between the glass and the mount in the lower left corner. The frame appears to be structurally sound.
After Herbert Thomas Dicksee (English 1862-1942),‘Stealth, A Leopard’,Etching,Signed in pencil and blind stamped to the lower margin, published by Frost & Reed, 1914,69.5cm x 42cm,Framed and glazed CONDITION REPORT:The print shows some foxing and staining to the lower margin, with lesser marking to the other margins (mainly to the lower edges of the left and right margins). The image itself shows the odd small fox mark, but no other obvious damage. The frame appears to be structurally sound.
After Herbert Thomas Dicksee (English, 1862-1942),‘Play’,Etching,Signed in pencil and blind stamped to the lower margin, published by Frost & Reed, 1907,67cm x 51cm,Framed and glazed CONDITION REPORT:The paper shows minor distortion across the surface, most visible at the mount at the top and at the left hand side. The margins show the odd small fox mark, most noticeably in the lower right corner. The frame appears to be structurally sound.
NORMAN WILKINSON (BRITISH, 1878-1971) (3)Fishing on a loch signed 'Norman Wilkinson' (in lower margin) etching 20 x 30cm ARR Provenance Trim Bridge Galleries, Bath, from whom acquired by the parents of the present owner; Thence by descent Together with Bath rooftops under snow, a watercolour by Sylvia Packard (provenance: Trim Bridge Galleries, Bath); and Cambridge, pen and ink attributed to William Thomas Hawksworth (3)
VALERIE THORNTON (1931-1991) (4)St. Euphemia, Spoleto; Aachen Interior two, one signed, dated, titled and numbered 'Valerie Thornton '85 56/70' (in lower margin); the other signed, dated, titled and numbered 'Valerie Thornton 82 25/50' (in lower margin) etchings one 54 x 34cm; the other 53 x 33cm together with Little Salkeld, an etching by the same hand; and Abstract with feathers, an etching by another hand (4) ARR
AFTER CAVALIERE PIRANESIVeduta Dell'Arco di Constantino etching 48 x 70.5cm (unframed)Condition reportThis work is an etching but can't be certain when the impression/strike was taken, it could be a later impression.Extensive foxing, various marks, abrasions, some old tears and repairs, creases and damage.Dirt.
TWO BOXES AND LOOSE PICTURES AND PRINTS ETC, to include a William Monk (1863-1937) etching signed to the lower margin, approximate size 20cm x 30cm, a watercolour a harvesting scene against a hilly backdrop signed and dated H.J.B. Brown 1941, a winter watercolour landscape signed D Adamson, together with a John Downman mezzotint print 'Mrs Payne', topographical prints, reprints of Vanity Fair and Cries of London prints, picture frames etc
A SMALL QUANTITY OF ETCHINGS AND BOOK ILLUSTRATIONS ETC, to include Reichsdruck etchings by Albrecht Durer - Melencolia I, Sea Monster bearing away a Princess, St Jerome in his study, The Lamentation of Christ, Barthel Beham - Mary with child on breast and skull, Martin Schongaur - Madonna and Child, together with early 20th century Rembrandt etchings - The flight into Egypt, Landscape with cottage and large tree, Sacrifice of Isaac and a version of The Hundred Guilder print, an signed Oswald Von Krobshofer etching of a 'Lottie'54/100, signed Earnst Ascher portrait etching and a quantity of disbound 'Seymour's Sketches' by Alfred Crowquill etc
CLAIRE SPENCER (BRITISH 1937-) 'WILD FLOWERS', a still life study of wild flowers in a terracotta vase, signed bottom right, pastel on paper, approximate size 80cm x 57cm, together with an etching depicting canal lock gates 'Approach' 95/100 signed Mills, approximate size18cm x 13cm including margins, a pen and ink drawing with watercolour wash 'On the beach - Aberdovey July 1986' signed Pike, a painting on silk depicting a tree by Kathy Cumming, a limited edition coastal landscape print 'Estuary Cottage' signed Miles, a limited edition print by Chris Smith and two William Russell Flint prints 'The Basket Makers' and 'The Swing in the Chateau' (8)
A QUANTITY OF PRINTS AND ETCHINGS ETC, to comprising Isobel Ellis artist proof print 'Fishnet II', signed, numbered and titled to lower margin, approximate size 23cm x 18cm, two Jean Joseph Chabridon aquatint landscape etchings, signed to lower margins, approximate sizes 64cm x 20cm, an indistinctly signed drypoint etching 'The Red Lion Corner, Weobley', an indistinctly signed dry point etching depicting a continental town, monogrammed VK, an indistinctly signed wood block print depicting a continental town scene, Ilana Richardson silk screen print 'Honeysuckle' 77/175, a indistinctly signed limited edition print depicting a figure on a horse 19/30 and three Stuart Macdonald Powell photographic prints
FRANK BRANGWYN (1867-1956) AN ETCHING OF A MAN WITH A HAND WRITTEN PERSONAL INSCRIPTION, the etching depicts a bearded man wearing a head covering, possibly Jewish, signed beneath the etching and again beneath the inscription, image size 5cm x 5cm size of paper 39cm x 28cm, some of the inscription is indistinct - 'Dear Mr Janson?, herewith a few prints one of two - Indistinct - I will send you some better ones before long, hope all is well with you, all good wishes, Sincerely', Condition Report: two creases and dirty marks to top right corner, small creases to bottom right corner (artist resale rights apply)
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two etchings after Albrecht Durer 'Three peasants in conversation' stain to the margin and 'Saint Jerome in his study', an Abu Bakar Ibrahim coastal landscape watercolour, Kathleen G Jefferies etching depicting St John the Baptist church in Bristol, assorted prints, selection of butterflies in a glazed case - glass cracked, unsigned oil on canvas depicting a landscape - varnish cloudy in places (Qty)
Brilliant clear crystal figurine of a butterfly on a frosted leaf with round crystal adornment. Swarovski factory etching on butterfly. This item has its original box: 4"H x 5"D. Dimensions: 3"L x 1.5†W x 2.25†HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Etching on paper of the Guild Hall in London, by Edward Sharland (English, 1884-1967). Signed in pencil on lower right. Stamp on lower left. Sight size: 6"L x 21.65†H. Frame size: 17.55"L x 21.65"H x 0.75"W. Artist: Edward SharlandIssued: c. 1920Country of Origin: EnglandCondition: Age related wear.
Anglo Japanese School Buildings Etching, Seal mark and indistinct monogram, dated '35, 10x14cm plate size Together with a second etching, indistinct inscriptions, 10x13cm plate size. Lay's Auctioneers are able to offer in-house postage on this lot from £19.76. For more information contact postage@davidlay.co.uk
David HISCOK (1957) Seven Ages Of Man, No 1 (1990) Etching, signed and dated '90, numbered 17/50, image size 20 x 24.5cm. Together with a print and graphite by Patrick Lowry. Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Bianca CORK (XX-XXI, Falmouth School of Art) Two works Photographic etching Limited edition and each signed 63 x 93cm Born in Essex, Cork has studied at Glasgow School of Art, Brighton University and University College Falmouth, mainly specialising in printmaking. She manages her creative ideas with the alchemy print process, mixing traditional and new methods using resistant materials. The art of printmaking is a central theme in her work, blurring boundaries between the process and finished artwork. Cork's work often examines the artist's position in relation to contemporary image making. The act of printmaking becomes a performance in itself. We are unable to offer in-house postage on this lot. Please contact our postage department for more information postage@davidlay.co.uk

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78472 Los(e)/Seite