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78472 Los(e)/Seite
Winifred Marie Louise Austen (1876-1964). "LESSER WHITETHROAT". Signed artist's proof, also inscribed with the title on the margin, black and white drypoint etching, {15cm by 13.5cm (6in by 5.25in)}; together with a further etching "BLACK CAP AND IVY BERRIES" {13.5cm by 18.5cm (5.25in by 7.25in)} (2)
W. Trenkler- 'Klosterneuberg'; watercolour, signed and dated 1938, 25.7x36.5cm: E. W. Sharland- The Bank of England; etching, signed in pencil and bears Fine Art Trade Guild blind stamp, 13.4x24.8cm: together with three other etchings by different hands, all signed in pencil, various sizes, (5), (part unframed)
William Strang, R.A., R.E.- Traveller's rest; etching, signed and dated '85 within the plate, 17.2x22.7cm: together with a mixed folio of prints by different hands, including examples by: C. W. Rhead, F. A. Laguillermie, W. Wise, A. Briend de Matignon, R. W. MacBeth, L. Lhermite, L. Marvy and others, various sizes, (a lot), (unframed)
Wenceslaus Hollar and Cornelius Galle- River village landscape, 1649 after P. Brueghel; etching, 19.6x27.5cm: Johann Georg Dietrich- Figures in an interior with a satyr, 1739; engraving: together with a mixed folio of prints by or after different hands, c18/19th century, various sizes, (a lot), (unframed)
Edith Martineau- Strawberries on a bank; watercolour, signed and dated 1880, 12.6x17.5cm: Margaret Pilkington- Pastoral landscape; woodcut, signed, dated 1925 and numbered 24/25 in pencil: together with one other woodcut by the same hand, an etching by Dorothy Woodland, two other prints and a watercolour, various sizes, (7)
Percy Hague Jowett- 'A Village Gossip'; etching, signed within the plate, and signed and titled in pencil, 12.3x20cm: W. Douglas MacLeod- Church interior; etching, signed in pencil: together with a colour lithograph after Pierre Brissaud, oval, and four maps of Bohemia, Moravia and Silesia by different hands, various sizes, (7)
Lewis (Wyndham). The Roaring Queen, ed. Walter Allen, 1st ed. Secker, 1973, orig. cloth, slipcase, 8vo, ltd. ed. no. 64 of 100 copies signed by Mrs Wyndham Lewis, Walter Allen and Michael Ayrton, with a signed etching by Michael Ayrton, together with Norris (Leslie, ed.), Vernon Watkins 1906-1967, Faber, 1970, plus Bainbridge (Beryl), Master Georgie, Duckworth, 1988, and Ricks (Christopher, ed.), T.S. Eliot, Inventions of the March Hare, Faber, 1996, all orig. cloth in d.j.s, plus a qty. of others, poetry, criticism etc. (2 shelves)
*Piranesi (Francesco). Veduta dell' Anfiteatro Flavio, detto il Colosseo, [1850 or slightly later], b&w etching, approx. 44 x 70.5cms., framed and glazed together withPiranesi (Francesco)Colonna Trajana, early 19th c. etching,approx. 51 x 39cms, framed and glazed, together with another similar etching entitiled Obelico Egizio, later re-strike, approx. 55 x 40cms, framed and glazed, plus two other modern re-prints of etched views of Rome by Piranesi and Zocchi, both framed and glazed (5)
M** Andrews, Metropolis II, limited edition lithograph 107/150, p. 57.5 x 74.5 cm, Covait, Blue Chairs, lithograph, s. 59.5 x 45.5 cm, Francis St Clair Miller, Amsterdam II, limited edition etching 4/75, p. 37.5 x 25.5 cm, Mark Spain, The Interior Stairway, Kew; St Dunstan's in the East, each limited edition aquatint, the first p. 44.5 x 32 cm, the second p. 31.5 x 44.5 cm, and Continental School, Boats II, limited edition etching 12/200, p. 44 x 65 cm
Piers Brown, Stapleford Mill, limited edition etching 51/100, 41 x 32.5 cm, David Gentleman, Georgian Faade; The White Tower; St James's Palace, each lithograph, the first s. 50.5 x 42 cm, the second s. 41.5 x 53 cm, the third s. 50.5 x 41.5 cm, and Christopher Penny, Saplings, limited edition etching 118/200, 39.5 x 29.5 cm

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78472 Los(e)/Seite