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Preisdatenbank abonnierenDorothy Kay BASOTHO BLANKET hardground etching with aquatint, signed and inscribed with the title in pencil in the margin partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good 1 sheet size: 32 by 25,5cm partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good
Albrecht Durer (1471-1528), "St. Jerome in his Study", engraving, image size 24 x 18.5cm.; 9.5 x 7.25in, together with another after Rembrandt Harmensz van. Rijn (1606-1669), Rural landscape with windmill, etching, image size 14.5 x 21cm.; 5.75 x 8.25in; and three other etchings and engravings (5).
British School, late 20th century- Still life of lamp and books on a table; oil on board, 25x31cm: British School, late 20th/early 21st century- Figure study of a woman; watercolour, signed with initials `MQ`, 44x34.5cm: William Topley, British b.1959- "Study for Pride"; pencil, signed with initials and dated `88, Albemarle Gallery, London label to verso of frame, 34x29cm: together with an etching entitled `Mother and Daughter` by the same hand: together with three further late 20th/early 21st century British pictures by various hands, (8) (may be subject to Droit de Suite)
Kimio Tschiya, Japanese b.1955- "Collage on Blue 2"; etching with aquatint and collage on paper, signed, inscribed `AP`, 56x57cm Note: Born Fukui Japan. A renowned Japanese sculptor, he was awarded a commission in Japan for a Peace Memorial which was unveiled by the Emperor in March 2001. In Japan, Kiyoshi Oshima, Head Curator of Setagaya Museum placed the artist along side Miyajima, Kawamata, Morimura and Yanagi within a list of the 100 Japanese with the power to compete internationally
Jonathan Gibbs, British b.1953- `Untitled`; etching, signed and dated 84, inscribed `AP`, 56x71.5cm Note: Jonathan Gibbs trained at Central School of Art and Design and the Slade School of Fine Art and is currently a lecturer in illustration at the Edinburgh College of Art. (may be subject to Droit de Suite)
After John Edmund Mace RBA, British b.1889 exh 1920-1938- Still life of flowers in a blue vase; pochoir printed in colours, 22x17cm: David Young Cameron RE RA, Scottish, 1865-1945- "Perth Bridge"; etching, 17.5x26cm: Paul Geissler, German 1881-1965- Cathedral; etching, signed and inscribed in pencil, 28x19cm: together with a small quantity of further etchings and prints, (a lot) (may be subject to Droit de Suite)
Keiko Minami, Japanese b.1911- Fish with coral; etching printed in colours on paper, signed in pencil, 5.6x5.6cm: F Lara, French, 20th century- Abstract, Untitled; gouache on board, signed and dated 12/4/69 (verso) and inscribed `Pour Anne-Marie`, 23.7x33cm., (2) (may be subject to Droit de Suite)
Continental School, mid 20th century- Untitled organic abstract composition; etching with aquatint, signed, numbered 73/95 in pencil, publishers blindstamp, bears label for JJ Patrickson & Son Ltd, Chelsea attached to the reverse of the frame, 60x42cm Note: There are similarities that can be drawn between the technique and style of this print and that of the artist`s of Atelier 17 in Paris, founded by Stanley William Hayter in 1927.
Hermann Daur, German 1870-1925- Windmill and wind swept trees; etching, signed within the plate and signed in pencil, 19.5x31cm: together with six other etchings by the same hand, four signed in pencil, all signed within the plate, various subject to include landscape and rural themes, to include a catalogue on the artist`s work, Hermann Daur, von Hermann Eris Busse, publ by Verlag E F Muller, Karlsruhe, 1924, 19.5x30cm (largest) (7)
David Koster, British b.1926- `Longtailed Tits`; etching/aquatint in colours, signed, titled and numbered 40/50, 22x29cm: together with one other by the same hand- `Orange Tips`; etching/aquatint in colours, signed, titled, artist`s proof, 22.5x19.5cm., (2) (may be subject to Droit de Suite)
After Maurice de Vlaminck, French 1876-1958- "Montigny sur Avre"; hand-coloured lithograph, signed within the plate, bears facsimile signature in ink and number 108/200 in pencil, bears Redfern Gallery label to the reverse, 34x47cm: Bryan Brooke, British 1915-1998- "View from the Studio of Cedric Morris, River Brett, Hadleigh, Suffolk"; watercolour, signed and dated 1974, 53.5x44.5cm: together with documentation noting Brooke`s connections to Morris: Michael Oelman, British b.1941- "The Imperial Ack-Ack"; etching and aquatint printed in colours, signed, titled and inscribed `T/P` in pencil, 26x22.5cm: together with a silk picture of a bird, 32.5x45cm., (4) (may be subject to Droit de Suite)
Frederick Harry Baines, British 1910-1995- View of a pier and lighthouse, c.1939; oil on board, signed, bears inscription on the reverse, 48x66cm: L Pelling-Hall, British exh 1896-1902- "Blick auf die Blamberge am Tegernsee"; oil and gouache on board, signed and titled on the reverse, 36x49cm: After Gaetano Zompini, Italian 1700-1778- "Varii Capricci e Paesi", after Giovanni Benedetto Castiglione; etching, 20.5x29cm., (3) (may be subject to Droit de Suite)
Terence Warren, British b.1948- "Waste not want not"; etching with aquatint printed in colours, signed, titled, dated `80 and numbered 92/125, 23x19.3cm: together with five further etchings with aquatint printed in colours by the same artist entitled "Where there`s a will there`s a way", "A fence between keeps friendship green", A bad workman always blames his tools", "Last but not least" and "Prevention is better than cure", all signed, titled, dated `80 and numbered, ea. 23x19.3cm: Richard Bawden, British b.1936- "Nightwatch"; mezzotint, signed, titled and inscribed `A/P`, 41.4x30.7cm: Philip Bawden, British, late 20th/early 21st century- "Boredom"; etching with aquatint, signed, titled and numbered 6/40, 25.7x21.3cm., (7) (unframed) (may be subject to Droit de Suite)
Graham Evernden, British b.1947- "Field Poppies"; aquatint printed in colours, signed, titled and numbered 286/295, 40x30cm: together with two further aquatints printed in colours by the same artist, "Shadow Ferns", signed, titled and inscribed, `AP xv/xx`, 30x40cm, and "Nymans", signed, titled and numbered 15/350, 30x40cm: Simon Bull, British b.1958- "Georgian Window I & II", two; hand coloured etching with aquatint printed in colours, signed, titled and numbered 115/250 and 99/250 respectively, ea. 17x11.5cm: William Ayliffe, British late 20th/early 21st century- "Ashgate"; etching with aquatint printed in colours, signed, titled and numbered 19/200, 19.5x11cm: together with seven further similar garden scene etchings and aquatints printed in colours, by the same artist, 18x21cm and smaller, (13), (unframed), (may be subject to Droit de Suite)
After Myles Birket Foster RWS, British 1825-1899- Farmer boy resting under the trees with his dog and sheep; etching, signed within the plate, 20x25cm: with eight other etchings after various artists, Provenance: From a folio issued as an `Art Prize under the sanction of the Department of Science and Art, Nine examples of Modern Etchings`, presented as the `Worcester` prize to Louis Hadley in 1887. Louis Hadley was the son of the Worcester artist and modeler James Hadley: together with a folio of twelve selected photographs of details of relief ornaments of the Italian Renaissance and another folio of reproduction prints after various Old Masters in French museums, both folios presented as school prizes to Louis Hadley, (a lot) (unframed) (3 folios)
Books: Carron Company Architect`s Catalogue; Christopher A Markham, The Church Plate of the County of Northampton; A G Grimwade, The Queen`s Silver, signed by the author and dated 1972; Modern Master of Etching, Frank Brangwyn RA (second volume); and `An Encyclopaedia of Ironwork`, published by Ernes Benn Ltd, 1927. (5)
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