William Hogarth (1697-1764) John Wilkes Esqr Drawn from the Life and Etch'd in Aquafortis. Publish'd according to Act of Pariament May ye 16 1763. Etching with engraving and stipple engraving on wove paper (no watermark), plate size 35.8 x 23.4cm, sheet size 39.8 x 26.4cm, priced 1 shilling in the plate, remnants of paper mount adhering to verso [Paulson 214.1] First state of one of the best-known political caricatures of the 18th century, showing the radical politician holding the cap of Liberty while seated next to numbers 17 and 45 of his newspaper, the North Briton, established to attack the Bute ministry which Wilkes viewed as a vehicle for a Scottish and Jacobite takeover of English government. Numbers 17 and 45 respectively contained attacks on Hogarth for accepting the patronage of George III, and on George III himself for the disadvantageous terms of the Treaty of Paris, which brought to an end the Seven Years' War. Hogarth's grotesque depiction of his adversary backfired and became adopted as an emblem of the radical movement.
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Rubáiyát of Omar Khayyám 4 editions Fitzgerald, Edward, translator - Willy Pogany, illustrator. Rubáiyát of Omar Khayyám. London: George G. Harrap & Co. Ltd., [n.d. but c.1918] 8vo, 16 colour plates, original red leather gilt;Idem. Rubáiyát of Omar Khayyám. New York: Thomas Y. Crowell Company, [n.d.] 4to, number 368 of 750 copies signed by the illustrator, 12 colour plates and an original signed etching by Pogany, original pink cloth gilt;Idem. - Edmund Dulac, illustrator. Rubáiyát of Omar Khayyám. London: Hodder and Stoughton, [n.d. but c.1910] 4to, 20 colour plates, original red cloth gilt;Idem. - “Fish”, illustrator. London: John Lane the Bodley Head, 1922. 4to, plates, original patterned boards over cloth (4)
Three framed and glazed artworks to include a signed etching titled 'Chopper 3' by Tamsin Relly, a print after Picasso's 'Long Haired Young Girl', a boxed Momart Christmas card titled 'Bike' 2009 by Catherine Yass, and an etching with aquatint depicting figures at a bar below an 'Adnams' sign. All framed and glazed. largest H.32.5 L.28cm
Three prints to include a signed 19th century etching titled 'Buckingham Palace (as first bought by George I)' by G. Barnard, a 19th century engraving titled 'Kensinton Palace' and another 19th century engraving titled 'The Present Stock Exchange'. All framed and glazed. H.29.5 W.36cm (largest)
Four artworks to include a signed and limited edition etching in colours titled 'Cockle Boats' by Simon Winch, an indistinctly signed hand coloured etching titled 'Westminster Bridge', a small floral print, and an indistinctly signed watercolour depicting a Venetian canal and bridge. All framed and glazed. H.26.5 L.15.5cm
PETER BLAKE (1932-) 'AFTER LEDA AND THE SWAN', a print on card depicting a Blake painting in progress, signed in pencil to the lower margin, approximate size 29.5cm x 21cm, Condition Report: light creases to the corners, together with a small selection of prints and a drawing, comprising four Anne Aspinall etchings, two depicting mothers with children, two depicting nude female figures, a Robin Spey charcoal sketch of a mother and child, an etching of a mother and child and a linocut of a female figure, together with a Alan Cownie signed limited edition print of a sitting nude female, approximate size 44cm x 32cm, Condition report: good overall condition (9)

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