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78472 Los(e)/Seite
Los 1128
Philippe VANDENBERG (1952-2009), etching Jamais d'ordre, numbered 2/7, signed and dated 2007Philippe VANDENBERG (1952-2009), ets Jamais d'ordre, genummerd 2/7, getekend en gedateerd 200741.5 x 29 cm In 2007, the Sint-Jans Suite was published, a series of 19 original etchings by Philippe Vandenberg. During the preparation, he also made 4 additional etchings not included in the series but autonomous etchings on 7 copies printed by Henri Hemelsoet in GhentIn 2007 verscheen de Sint-Jans Suite, een reeks van 19 originele etsen van Philippe Vandenberg. Tijdens de voorbereiding maakte hij ook 4 extra niet in de reeks opgenomen etsen maar autonome etsen op 7 exemplaren gedrukt door Henri Hemelsoet te Gent
![Alfons Bytautas RSA [B.1955] Original artist's proof etching titled "Saint- Etienne- de- Gourgas" [Frame- 56.5x72cm]](https://cdn.globalauctionplatform.com/c2f238c3-3ab5-40ac-9c5f-b1ea00ec982f/dfea2dcd-1002-47be-baa8-b1ea0113ddf3/468x382.jpg)
![Norman Wilkinson CBE, RI (1878-1971) - English Galleon, signed in pencil, n.d. [c. 1930-40], etching, 32 x 31cm Good co](https://cdn.globalauctionplatform.com/f82386df-387f-4ae9-839f-b1e2010ec298/fb88c2f0-9365-46ec-9f82-b1e20113719d/468x382.jpg)
Los 441
A folio of Old Master and other prints, early 18th c and later, including Jacques Philippe Le Bas (1707-1783) after Julien-David Le Roy (1724-1803) - Vue d'un Monument élevé en l'honneur de Thrasyllus à Athenes; Vue du Tmple de Minerve Suniade; Vue du Monument appellé vulgairement à Athenes l'Arc de Thesée; Vue du Temple de Jupiter Olimpien à Athenes; Vue de quelques fragments d'un Temple, situé dans un lieu de l'Attique appellé Thoricion, five, s.l., s.n., n.d. [1758], etchings, trimmed to just within the platemark, the largest 30.5 x 46cm; Francesco Morelli (c.1767-c.1830) after Jean Jérôme Baugean (1764-1827) - [Pyramid of Caius Cestius], Rome: Agapito Franzetti, n.d. [1795-1800], etching, 35 x 45cm; another two Grand Tour prints conforming; possibly by Robert White (1645-1703) - [Kentish Petition of 1701/The Kentish Petitioners], unlettered, s.l., s.n., n.d. [1701], line engraving, 36.2 x 26.2cm; Thomas Goff Lupton (1791-1873) after John Renton (1774 - c. 1841) - The Rev:d Matthew Wilks, portrait, London: Smith & Son, mezzotint, 41.5 x 31.5cm; 18th c portrait engravings; a gouache coat of arms; Welsh castles; 18th c Dutch maps; other European towns; other prints, mixed media and sizes, repaired early 19th c folio, leather over marbled boards, (54.5 x 72cm), (approx. 70) Mixed condition
Los 439
A folio of approx. 20 British prints, early 20th c and later, including Robert Sargent Austin RA, PPRWS, PPRE (1895-1973) - Landscape, signed in pencil, etching, 15.6 x 23cm, Harry George Webb (1882-1914) - Battersea Reach, signed in pencil, further signed and titled within the plate, etching, 15.5 x 19cm, English School, second-half 20th c - Profile Study, monogrammed LM and numbered 1/1 in pencil, drypoint etching and aquatint, 28 x 37.5cm; and two framed etchings Good, mixed condition. The framed prints unexamined out of their frames.
Los 442
A large quantity of miscellaneous pictures, prints and printed ephemera, 18th c and later, including a Victorian piracy broadside, [The Flowery Land Mutineers] [...] The Five Sea Pirates, London: H. Such, Printer and Publisher, 1864, some losses, but the ballad complete, 24 x 17.5cm; after Henry Beighton (1687-1743), The South Prospect of Blithe-Hall (sic; Blythe) in Warwickshire, The Seat of the Author Sir William Dugdale, 1728, etching and engraving, tatty, 42 x 46cm; Thomas Major after Bonaventura Peeters the Elder; defective Thomas Maybank lithograph with aeroplanes; 1669 birds-eye view engraving of a Dutch formal garden; other 17th/18th c Baroque gardens; 18th copperplate engraved coats of arms; other plates, including English country houses and other topography; 19th c pencil sketch of Lismore Castle; fashion, cartoons and humour; cookery; etc., mixed media, various sizes, (approx. 300) Mixed condition.
Los 39
Art. Koehler (Sylvester Rosa), Etching: An Outline of its Technical Processes and its History, with Some Remarks on Collections and Collecting, New York, London, et al: Cassell & Company, Limited, 1885, illustrated with 30 etchings as called for, further monochrome mixed process plates and in-text illustrations, original publisher's cloth, disbound, lacking spine, top edge gilt, others uncut, silk moiré endpapers, folio (40 x 31cm) Provenance: Reginald W. Sale, etched armorial bookplate to pastedown dated 1895.
Los 463
Rembrandt Harmensz van Rijn (1606-1669) - The Artist's Mother, head-and-bust length, three-quarters right, signed with monogram: RHL [Rembrandt Harmensz Leydensis] and dated 1628 (2 transposed) within the plate, second state, etching and burin drypoint, on laid paper without watermark, sheet 7.1 x 6.9cm, plate mark 6.6 x 6.3cm, [B. 354; Hind 1; New Hollstein 5 ii/iv] Provenance: 1) Faint collector's stamp to verso, early-mid 19th c; almost certainly E.F. within an circle and if so, Eduard Faesch (1812-1845), a Kiel merchant and art collector (L.846). His stamp is noted 'found not only on prints, but also on good drawings (e.g. by Rembrandt)', as many international institutions' collections demonstrate. 2) Contemporaneous and later pencil manuscript inscriptions, to verso of sheet and mounting. Roelof van Straten states this early etching by Rembrandt is one of the first to be signed by the artist with his RHL monogram. The backward "2" is indicative of Rembrandt's incomplete control of the plate's reversal during the printing process. 'The subtlety of modelling and the extensive vocabulary of descriptive strokes suggest an unexpected level of graphic sophistication for an etching of such an early date. [...] The Fact that Rembrandt signed and dated this etching indicates that although he may have initially undertaken the project as an exercise, he ultimately decided to market it. [...] [A] print that shows [...] technical mastery or subtlety of stroke' (Rosenberg, Rembrandt's Religious Prints, 2017, p. 438-39). Please see online images. A clean and even impression. Each corner with blemishes of varying degrees, presumably from former mounting, and now, in places, affecting the image within the plate mark. When examined on a lightbox, the lower-left corner margin appears thinned, but is OK and structurally sound; also, the sheet shows browned portions not generally visible in natural light. The indistinct collector's stamp could be a result of being washed. Currently hinge-mounted to a sheet of annotated card.
Los 328
Cricket. An early 19th c drawing-room album, c. 1830, illustrated with a contemporary watercolour of a cricket match, within a fenced pitch and before a manor house, 10.6 x 15cm, mounted on a leaf with manuscript lines viz. the sport, loosely-inserted watercolour of a similar house from a different perspective, 13.5 x 23cm, the album further typically illustrated and inscribed over approx. [65]ff, with commonplace prose and verse from belles-lettres, and enclosing mixed media works on papers, including an earlier cartoon of Napoleon, [Triumph des Jahres 1813/ Den Teutschen zum Neuenjahr 1814], s.l., s.n., n.d. [1814], cut-out profile, etching, with contemporary watercolour hand-colouring, trimmed with loss of all lettering, 18 x 9cm, with a loosely-inserted contemporary 3pp MS poem on the same subject, India: a tipped-in ALS of 2pp, indistinctly inscribed by a contemporary Indian, in English, to a Master Surgster (?; presumably a member of the East India Company), addressed and dated Bombay/11th July 1829, viz. passage on a ship, an indistinct named-view pen-and-ink of an Indian landscape c. 1830, gouache still life on a petrified leaf, 11 x 11cm, four Chinese watercolour studies on pith paper, various states of condition and sizes, a small watercolour of British soldiers, full-page monochrome pen-and-ink study of a deer, named-view watercolour of Torquay, a satirical print by G. Davies after Charles Jameson Grant, [Frontispiece for The Penny Magazine] The March of the Intellect, lithograph, n.d. [1830-35], trimmed loss of primary title, 25.5 x 20cm, cut-out engravings and further mixed process prints, finely bound in a somewhat worn contemporary brown straight-grained morocco over boards, gilt, contemporary bookseller's ticket to pastedown: Wilson, 88, Royal Exchange, London, rubbed and worn binding, split and contents loose/loosening, all edges gilt, 4to
Los 451
Lieutenant Rowland Langmaid RN, RA (1897-1956) - Billingsgate from the Pool, London, signed in pencil, blind-stamped academy proof, titled label to verso, n.d. [c. 1920-30], drypoint etching, 32 x 25cm Good condition, but for two spherical marks/blemishes within the plate. Unexamined out of frame.
![Miscellaneous Manuscripts. [Mathematics] The Rule of Three, 1696, [2]ff manuscript, arithmetic and pictorial decoration,](https://cdn.globalauctionplatform.com/f82386df-387f-4ae9-839f-b1e2010ec298/2cf0bf06-ef71-4549-806b-b1e201131410/468x382.jpg)
Los 346
Miscellaneous Manuscripts. [Mathematics] The Rule of Three, 1696, [2]ff manuscript, arithmetic and pictorial decoration, trifle tatty, some marginal losses, yet no loss of sense, foolscap; Crests, a Victorian album, Charles C. Prickard, 16th July 1867, typically illustrated with cut and pasted crests, armorials, and monograms, contemporary mauve cloth, gilt-lettered, pastedown and ffeps with armorial bookplate and generational ownership inscriptions, 4to; four sheets of MS accounts, 18th c, including a Memorandum of a Collection made for The Singers in May 1767, others of a John Coysh of Ashcombe, Devon; early 19th c schoolboy's exercise book, Robert Coysh, Ashcombe, Devon, n.d., inscribed with calligraphic alphabet and sentence practice, wrappers, 4to; Adonis Brabbins, Northampton, 22/2/92, his foolscap notebook, approx. 25ff, various manuscript entries on photo-etching, printing, chemistry, etc., original marbled boards, split with some slight movement, folio (31.5 x 20cm); a Victorian cabinet card photograph of a thatched cottage, n.d., with a corresponding print of the same, dated 1902
Los 1105
Jim Gilbert (1933-1995)"Convict"Signed and titled, oil on board, 74cm by 61cm (unframed); together with a further abstract work and an etching "The Faith Healer" numbered 7/40, signed (3)"Convict" - splintering to board verso. Some inlaid paint, and bush hairs as well as horizontal and vertical marks, possibly technique. Thin layer of dust and debris.Abstract work - in similar condition to the latter."The Faith Healer" - Thin layer of dust and debris.
![A group of prints from the Pierre Rouve collection To include: [a] Jean Lauthe ( 1918 - 1982), French A geometric abstr](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/03afa389-d363-479c-b0e3-b1db00eee429/468x382.jpg)
Los 577A
A group of prints from the Pierre Rouve collection To include: [a] Jean Lauthe ( 1918 - 1982), French A geometric abstract composition Lithograph, Ed. '2/15' Signed bottom right [b] Suzanne Rodillon (1916-1988), French Two abstract compositions Lithographs One ed. '22/120' signed and dated '1960' lower right, the other ed. '53/160' signed bottom right [c] Ennio Morlotti (1910-1992), Italian Untitled composition Lithograph, ed. '71/100' Signed bottom right [d] Circa 1960 An abstract composition Lithograph, ed. '4/200' Signed indistinctly lower right [e] A view of the Votivskirche in Vienna Etching [f] A view of Fitzrovia Square Etching, ed. '1/12' Signed 'J. Atkinson' and dated 'oct. 1986' bottom right [g] An imaginary octopus Hand-coloured lithograph Signed 'Kovacic' and dated '83' bottom right [h] A double-sided abstract composition of animals and faces Lithograph To be sold without reserve Provenance: Property of Pierre Rouve Dimensions: Ranging from 10 in. (H) x 8 in. (W) To 16 in. (H) x 13 in. (W)
![British 19th century A pair of architectural prints Hand-coloured etching on paper [a] A view of Greenstead in Essex Signed W](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/91734b21-a5bb-4a04-8323-b1db00ee844e/468x382.jpg)
Los 572
British 19th century A pair of architectural prints Hand-coloured etching on paper [a] A view of Greenstead in Essex Signed W. Rawstorne and dated April 27th 1808 [b] The South Prospect of Somerset House in the Strand To be sold without reserve Dimensions: [a] (Frame) 16 in. (H) x 19 in. (W) (Paper) 10 in. (H) x 13.5 in. (W) [b] (Frame) 16.5 in. (H) x 21.5 in. (W) (Paper) 10.5 in. (H) x 15.5 in. (W)
Los 555
Lilya Pavlovic-Dear (American/Serbian, b. 1947) The Partition Signed and inscribed at bottom 'EA 1971 - The Partition - PAVLOVIC Lilya to my friend Pierre Rouve 5 II. 1973' Mixed media on paper Together with: [a] A 1997 retrospective catalogue of Lilya's works including a printed black and white photograph of the artist [b] Multiple handwritten cards and invitations from the artist to Mrs Rouve Lilya Pavlovic-Dear was born in Yugoslavia in 1947. She studied at the Academy of Fine Arts, Belgrade and did a Master of Fine Arts in Printmaking at the Chelsea College of Arts in 1973, focusing on etching and silk screens. Her work was exhibited at Prudhoe Gallery, London, the Library of Congress in Washington D.C. and at the 2015 Venice Biennale. Many public and private collections include her works throughout Europe, such as the French Bibliothèque Nationale, the United Sates, such as the Museum of Modern Art, South Africa, and China. She taught at UCLA in the 1970s and is currently living and working between the United States and France. Provenance: Pierre Rouve Dimensions: (Frame) 29.5 in. (H) x 22 in. (W) (Paper) 21.5 in. (H) x 15 in. (W)
Los 471
Howard Hodgkin (British, 1932-2017) In an Empty Room 1990-1991 Etching with carborundum and hand-colouring on Velin Arches paper Edition of 55 Provenance: Julia Lane, former wife of Howard Hodgkin (CH CBE 1932-2017) Dimensions: (Paper) 47.5 in. (H) x 58.75 in. (W) (Frame) 54.5 in. (H) x 67 in. (W)
![Circa 1960s A group of prints To include: [a] Giorgio Turcato (1912 - 1995), Italian An abstract composition Acquatint Ed. 2](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/2edf1f43-f820-47d4-8cc9-b1db00eee2d9/468x382.jpg)
Los 577B
Circa 1960s A group of prints To include: [a] Giorgio Turcato (1912 - 1995), Italian An abstract composition Acquatint Ed. 23/100 and signed lower right [b] Victor Vasarely (1906 - 1997), Hungarian El cielo, 1956 Lithograph signed lower right [c] Jena Fautrier (), French An abstract composition Serigraph Ed. 70/70 dated 1928 [d] Circa 1960s An abstract black and white print Ed. 53/100 signed lower right [e] Catherine Val (b. 1925), French Mille après-midi France Culture 29 octobre 1976 Serigraph Ed. 159/200 [f] Emil Stoychev (b. 1935), Bulgarian A Harlequin serenading a seated lady Artist's proof Signed lower right [g] A portrait of Nikolai Vasilyevich Gogol Etching Signed upper right To be sold without reserve Provenance: Pierre Rouve Dimensions: Ranging from 2.5 in. (H) x 2.5 in. (W) to 12.5 in. (H) x 9.5 in. (W)
![Webber, John (1751/2-1793) [Views in the South Seas] London: J. Webber, No. 312 Oxford Street, 1788-92. 16 soft-ground etche](https://cdn.globalauctionplatform.com/e200b2ca-6f8e-4de4-af5b-b1da00e89a7e/30ab17a7-16f3-438c-a5b1-b1da00e97299/468x382.jpg)
Los 36
Webber, John (1751/2-1793) [Views in the South Seas] London: J. Webber, No. 312 Oxford Street, 1788-92. 16 soft-ground etched plates with grey and sepia wash (sheet size 56.9 x 39cm, plate size 44.5 x 32.5cm), each signed ‘J. Webber’ in the plate, on wove paper watermarked J Whatman (without dates), most with tissue-guards, without text as issued [Beddie 1871; cf. Abbey Travel 595 & Beddie 1869-70 & 1872, Tooley 501]. Bound with an extensive set of the engraved plates from James Cook and James King, A Voyage to the Pacific Ocean, 1784. 65 in total (of 87), including folding general map (numbered 1), one other folding chart (36), Death of Cook plate (unnumbered), and plates numbered 4, 6-8, 10-11, 13-18, 20-23, 25-30, 31, 33, 35, 38-43, 45-52, 54, 56-58, 60-68, and 70-78, occasional spotting to margins, heavier and more widespread spotting to chart (36), Death of Cook plate and plate 78, plate 21 tissue-guard ripped, many tissue-guards adhering at points to verso of facing plate.Binding: contemporary red half morocco, spine lettered in gilt ('Prints to Cook & King's Voyage'), marbled sides, light wear to extremities Glasgow Philosophical Society (ink-stamp to verso of folding chart). The extremely rare true first edition of John Webber's spectacular suite of views from Cook's third and final voyage, apparently the only complete copy ever offered at auction, depicting scenes in New Zealand, Macao, Krakatoa, Kamchatka, Tahiti, Moorea, and Pulo Condore in what is now Vietnam.Webber was the official draughtsman on the voyage and issued these 16 views privately during the years leading up to his death. Whereas his drawings for Cook and King's Voyage to the Pacific Ocean, published in 1784, had been engraved by other artists, for Views in the South Seas he learnt the soft-ground etching process in order to make the plates himself. The work has consequently been identified as one of the first works in the now revered tradition of illustrated accounts of exotic lands by artists who were involved in every stage of the production process, exemplified by the Daniells' Oriental Scenery (1795-1814): these artists ‘saw the sights, drew the pictures and worked them up, then back in Europe carried out the processes of plate preparation, and supervised the printing and colouring. This elimination of all intermediaries gave these works immediacy and vastly improved accuracy' (Gerstle & Milner, eds., Recovering the Orient, 1994, pp. 118-19). In 1808 Webber's views were republished by Boydell with the addition of hand-colouring and text, and with Boydell's imprint on each plate.A copy of Webber's edition containing 15 of the 16 plates was offered at Christie's, 8 April 2009, and a set of 12 loose plates appeared at Sotheby's in 1960. The Abbey collection contained a copy of Boydell's edition only. Beddie's Bibliography of Captain James Cook (2nd ed., 1970) describes under catalogue number 1870 a copy containing ‘16 hand-coloured plates bound together … [showing] the same views as in the Boydell edition … arranged in a different order’.The views, here bound in a slightly different order from that of Boydell's edition, comprise:The Narta, or Sledge for Burdens in Kamtchatka. A Sailing Canoe of Otahaite. View in Queen Charlottes Sound, New Zealand. Waheiadooa, Chief of Oheitepeha, lying in State. A View in Oheitepeha Bay, in the Island of Otaheite. Boats of the Friendly Islands. View of the Harbour of Taloo, in the Island of Eimeo. A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine. The Resolution beating through the Ice, with the Discovery in the most eminent danger in the distance. Balagans or Summer Habitations, with the method of Drying Fish at St Peter & St Paul, Kamtschatka. A View in the Island of Pulo Condore. A View in the Island of Cracatoa. View in Macao. View in Macao, including the Residence of Camoens. The Plantain Tree, in the Island of Cracatoa. The Fan Palm, in the Island of Cracatoa.
Los 163
Hamerton, Philip Gilbert Etching and Etchers London: Macmillan and Co., 1868. First edition, 4to (26.4 x 17.5cm), 20th-century red crushed full morocco by Riviere & Son, marbled endpapers, inner dentelles gilt, top edge gilt, others untrimmed, xxvi [2] 354 [2] pp., half-title, title-page printed in red and black with etched vignette on tinted ground, 35 etched plates after Rembrandt, Ostade, and others, printer's colophon leaf to rear, faint score-mark to front cover. Together with a copy of the 1876 edition (8vo, contemporary red half morocco) (2)
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78472 Los(e)/Seite