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78472 Los(e)/Seite
Los 570
A COLLECTION OF ETCHINGS AND ENGRAVING PRINTS to include Sir Joshua Reynolds P.R.A. Self portrait, published 1795, William Hogarth portrait of Daniel Lock Esq, portrait of Isaac De Benserade by Gerard I Edelinck, Madame De Miramion also by Edelinck, etching of a Goat Herd at Night and a landscape watercolour by Capt R Duncan dated 1842?
Los 268
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: Minotaur Caressing a Woman" 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 36cm x 29cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Los 262
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Nude Male Stabbing The Neck of The Minotaur In An Arena Watched By Spectators". 29th May 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper and one other. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 26.5cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Los 265
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Minotaure Mourante" - the Minotaur dying in an arena reaching out to Marie Therese for aid, forgiveness, pity. 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Suite Vollard watermark to paper. Published by Ambroise Vollard, Paris 1939. Sheet size: 45cm x 34cm. Image size: 26.5cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Los 277
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Les Repos Du Sclpteur Devant Le Petit Torse". 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper and one other. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 26cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Los 251
Arthur Pond after Watteau - Caricature of the quack Dr. Misabin 1739 etching 29cm x 20cm and another by Arthur Pond after Ghezzi - portrait of Padre Sebastiano Resta, etching 1738 28cm x 18cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 196
A collection of three 18th / 19th Century Georgian drinking glasses comprising of a rummer raised on circular foot with faceted stem, double sided ' home sweet home ' etched decorated rummer on circular base, another on circular foot with pedestal stem and leaf decorated etching to bowl. Tallest: 13cm high.
Los 166
Wright (Harold J.L.). Etchings and Dry Points by Sir William Russell Flint, Catalogue Raisonne, P. & D. Colnaghi, 1957, original drypoint etching on laid paper by Sir William Russell Flint (Manolita), from the edition of 135, published by P. & D. Colnaghi, signed in ink, plate size 190 x 113 mm (7.5 x 4.5 ins), sheet size 280 x 190 mm (11 x 7.5 ins), bound as frontispiece, monochrome illustrations, occasional neat pencil annotations, original blue cloth gilt, 4to (Qty: 1)NOTESLimited edition 90/135, signed by the artist.
Los 67
* Ridinger (Johann Elias, 1698-1767 ). Die Auer-Hanen Paltz (La Surprise des Coqs de Bois), & Der Breren Fang (La Prise des Ours), [1729], two etchings on laid paper from Der Fursten Jagd-Lust, plate size 33 x 40 cm (13 x 15.75 ins), narrow margins, together with Farington (Joseph 1747-1821), View of Walton Bridge from Oaklands, 1793, hand-coloured aquatint by J.C. Stadler after Farington, published by J. & J. Boydell, June 1, 1793, sheet size 29.5 x 40 cm (11.5 x 15.75 ins), laid down on later card, plus other various prints and engravings, mostly 19th century, including a colour lithograph of Chepstow Castle by J. Newman, a tinted lithographic view of the National Monument, Calton Hill, Edinburgh, after James Duffield Harding, three hand coloured aquatint views of Eton School Room, Hall of Eton College and Ante-Chapel of Eton College, by Stadler & Havell after Pugin, all laid down on later card, a colour printed fan by Dudley Hardy, entitled A Watteau Fan, circa 1906, a hand-coloured engraving entitled A Particular View of Paris, by R. Parr after Rigaud, published by Laurie & Whittle, 12th May 1794 (trimmed and laid down on card), an etching entitled The Death of the First Born by A. Mongin after Alma-Tadema, etc., mostly large format (Qty: approx. 100)
Los 59
* Piranesi (Giovanni, Battista, 1720-1778), del Tempio detto della Concordia, etching on heavy paper, numbered in the plate 764 and 12 to upper right, plate size 46.5 x 71 cm (18.25 x 28 ins), with good margins, circular blindstamp of the Regia Calcografia lower right, and with printed inscription to lower margin 'In remembrance of the XXI meeting of Supreme Economic Council, Roma, XXVI November MCMXIX', signed below by Dante Ferrari, a few light marks and spots, framed and glazed (Qty: 1)
Los 187
Nevinson, (Christopher Richard Wynne, 1889-1946), The Great War, Fourth Year. With an essay by J.E. Crawford Flitch, R.F.A., Grant Richards, 1918, 24 monochrome plates, front endpaper (with etched bookplate AK with design of two stylised butterflies, signed K.C. to lower right corner), and later bookplate of Charles Berman M.D. to front pastedown, front endpaper and half-title detached, original cloth-backed pale brown boards with paper label to upper cover, and remains of paper label to spine, a little rubbed, 4to (Qty: 1)NOTESLimited deluxe edition of 100 copies, this copy numbered 5 and signed by the publisher. Lacking the colour frontispiece and the etching Nerves of an Army to pocket at rear.
Los 136
Mardersteig (Giovanni). Die Officinaa Bodoni ,DassWerkkeinerrHandpressee 1923-1977, 1st edition, Hamburg, Maximilian-Gesellschaft, 1979, colour and monochrome illustrations, original cloth gilt, with card slipcase, folio, together with Merian (Maria Sibylla), NeuesBlumenbuchh (Nurnberg 1680),Faksimileausgabee, 1966, colour illustrations, original quarter vellum gilt, with separate booklet of printed text, and card slipcase, folio, plus Goldschmidt (E.P.). The First Cambridge Press in its European Setting,Sandarss Lectures in Bibliography, 1953, Cambridge University Press, 1955, monochrome frontispiece and several plates, original cloth gilt in dust wrapper, 4to, and BremerPressee. Eranos, Hugo vonHofmannsthall, original etching by Ludwig vonHofmannn, original lithographs by MaxLiebermannn and EmilOrlikk, top edge gilt, original boards, some light soiling andbackstripp deficient, 4to, printed in an edition of 1050 copies, plus other bibliographical interest, history of printing, private press,etcc., including Muller-Krumbach, HarryGraff Kesslerundd die CranachPressee, 1969, HansFurstenbergg,Italienischenn Renaissance-Einbande, 1966, ReneBeehh,M'Barkaa, 1914,Voulliemee,DeutschennDruckerrdessFunfzehntennJahrhundertss,Zweiteeauflagee, 1922,etcc., almost all printed in German, mostly original cloth/boards, mainly 4to/8vo, but including some folios (approximately 40 volumes) (Qty: approx. 40)
Los 156
* Brigitte, (Simon, 1926-2009) and Lecuire, (Pierre, 1922-2013), Déserts, cinq sonnets inédits de Pierre Lecuire, cinq pointes-sèches originales de Brigitte Simon, épitaphe à la mémoire de Christopher Hewett, Paris, 1984, 5 drypoint etchings by Brigitte Simon (including one to upper wrapper), original pale cream wrappers, with etching to upper cover, oblong 8vo (115 x 200 mm, 4.5 x 7.8 ins), contained in original publisher's bookbox, limited edition of 60 copies only, this being one of 30 copies on Chine, signed in pencil by Pierre Lecuire and Brigitte Simon to verso of half-title, together with, Textes, Taranman , 1980, an anthology of the poet's work, printed on handmade paper from St. Cuthbert's Mill, Somerset by Christopher Skelton, Wellingborough, Northamptonshire, original printed wrappers, large 8vo, limited edition of 615 copies, this being one of 15 copies numbered in roman numerals, signed by Pierre Lecuire, and with an original etching by Vera Pagava, and Ubac, (Raoul, 1910-1985), Untitled, 1980, slate engraving (empreinte d'ardoise), hand-printed on Japan tissue, signed and numbered 18/20 in pencil, 245 x 165 mm (9.6 x 6.5 ins), contained in Raoul Ubac, Ardoises, Taranman Gallery, 9 October-8 November 1980, monochrome illustrations, original printed wrappers, 8vo, catalogue printed in an edition of 300 copies, this being one of 20 copies only with the original slate engraving printed at Dieudonne by Anne Delfieu (Qty: 3)NOTESProvenance on Déserts: Given to David Gould of Taranman Press by Colin Clark in 1986 (according to a handwritten note loosely inserted).
Los 51
* Lewin (William, 1747-1795). Peacock Butterfly, & Scarlett Admirable (plates 4 & 7 from The Insects of Great Britain), 1795, two hand-coloured engraved plates, plate size 17.5 x 13.5 cm, with margins, matching frames, glazed, together with Donovan (Edward), Murex Carinatus, & Turbo Duplicatus (plates CIX and CXII from The Natural History of British Shells), 1799, two hand-coloured engraved plates, plate size 20 x 12 cm, with margins, matching frames, glazed, plus other various framed prints, mostly 19th and early 20th century, including two signed etchings by Andrew Affleck (one of a Venetian palazzo), Bray by John Fullwood, signed etching, two signed etchings of Mont St Michel and a French street, by Oliver Rhys, Charles Williams (active 1797-1830), The New Minister or As It Should Be, 1806, hand-coloured engraved caricature, margins trimmed and some marks and overall toning, 33.5 x 23.5 cm, etc. (Qty: 25)
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78472 Los(e)/Seite