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78472 Los(e)/Seite
Los 1095
Reginald James Lloyd (1926-2020)Crowing cockerelSigned and dated 1984, linocut; together with a collection of unframed prints and works on paper by the same hand, to include a harbour scene watercolour signed and dated (19)52, contained a portfolio including a letter to Jim outlining the artist's first attempts at etching (a collection)There are approximately 23 unframed works in this lot, all contained within a folio
Los 1072
Victor Anton (1909-1980)Geometric formsSigned, dated and numbered 4/12, etching; together with two further abstract etchings by the same artist; and one other unsigned work, 14.5cm by 17cm, 11.5cm by 15.5cm, 12.5cm by 11cm and 17.5cm by 22.5cm respectively (4)Overall good condition, dust and debrisHole to left, creases and foxing to one image
Los 274
Italy.- Rome.- Piranesi (Giovanni Battista) Avanzi Del Tempio del Dio Canopo nella Villa Adriana in Tivoli, from Vedute di Roma, etching, a good impression of Hind's second state (of four), platemark 460 x 585 mm (18 1/8 x 23 in), under glass, central vertical fold, good margins, heavy spotting and toning to sheet, framed, 1768
![Prisons.- History of the Press-Yard (The): or, a Brief Account of the Customs and Occurrences that are put in Practice...[in]](https://cdn.globalauctionplatform.com/7b7b6639-9e79-49fd-b3fd-b27401092c0c/e1f91a17-c4a7-4de5-a908-b274010a82ed/468x382.jpg)
Los 106
Prisons.- History of the Press-Yard (The): or, a Brief Account of the Customs and Occurrences that are put in Practice...[in] His Majesty's Goal of Newgate, first edition, title laid down, T.Moor, 1717 bound with The Secret History of the Rebels in Newgate...Taken From a Diary, second edition, J. Roberts, [1717] and Poulter (John) The Discoveries of John Poulter, alias Baxter; who was Apprehended for Robbing Dr. Hancock, of Salisbury, on Clarken Down, near Bath..., eleventh edition, B1 & 2 misbound, Sherborne, R. Goadby, & London, W.Owen, 1754, together 3 works in 1 vol., lightly browned, occasional soiling, cropped shaving a few headlines and pagination, contemporary half calf, red roan label, rubbed § Hunt (Henry) A Peep into a Prison; or, the Inside of Ilchester Bastile, sixth edition, folding etching frontispiece, signature to head of title, 1821; Investigation at Ilchester Gaol. . . into the Conduct of William Bridle, first edition, etched frontispiece by George Cruikshank and 5 plates (probably by Robert Cruikshank), one hand-coloured, 1821, together 2 works in 1 vol., some foxing and offsetting, contemporary marbled boards, uncut, rebacked & recornered, rubbed, [Cohn 421; Goldsmiths' 23262], all rubbed; and 10 others on prisons, some pamphlets, 8vo et infra (12)*** Henry Hunt was a radical politician who had been incarcerated in Ilchester gaol for his involvement in the Peterloo Massacre of 1819. He was released in 1822 and brought a series of complaints against the prison, particularly the gaoler William Bridle, instigating an Inquiry into prison conditions.The first work is sometimes attributed to Daniel Defoe.
Los 288
London.- Etching Revival.- Menpes (Mortimer) Collection of 7 views of London, including Westminster Abbey, and three duplicates, others of St Bartholomew-the-Great, etchings with drypoint, most signed in pencil, various sizes between 170 x 150 mm (6 3/4 x 5 7/8 in), 220 x 315 mm (8 3/4 x 12 1/4 in), unframed, 20th century (7)
Los 289
London.- Etching Revival.- Menpes (Mortimer) Collection of 7 views of London and elsewhere, some duplicates, etchings with drypoint, largest 400 x 290 mm (15 3/4 x 11 1/2 in), and smaller, all unframed, 20th century; together with 7 further prints by various hands, including views of Westminster Abbey and others, all unframed, 20th century (14)
Los 75
λ GEORGES ROUAULT (FRENCH 1871-1958) MISERERE XXXIII: ET VERONIQUE AU TENDRE LIN PASSE ENCORE SUR LE CHEMIN.. Etching and aquatint 43 x 43cm (16¾ x 16¾ in.)Literature: J.T. Soby, Georges Rouault, Museum of Modern Art, New York, 1947 G. Rouault, Misere, foreword by Anthony Blunt, London 1950This print, made with photo engraved plate and re-worked with a variety of engraver's techniques was one of a set made between 1916 and 1927 for an intended publication of Ambrose Vollard's, with text by Andre Suares. The text was never written, and the prints were not published until 1948, when the Societe d'Edition l'Etoile Filante published an edition of 450 (the set from which this engraving comes from was 238). Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEW Please note high resolution images are available upon request please contact the department directly on pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA, TWO DAYS AFTER THE AUCTION. Condition Report Disclaimer
Los 1641
A Sèvres coffee can (gobelet litron), c.1775, painted by Charles-Nicholas Dodin with a depiction of Venus spanking Cupid with a spray of pink roses, within a gilt panel on a white ground, decorated with gilt swags and formal motifs, blue interlaced Ls enclosing X mark above a painter's mark, 2mm rim chip, 7cm.The scene derives from Benigno Bossi's etching now in the Philadelphia Museum of Art.
Los 136
This set includes twelve beautiful crystal stemware glasses, each featuring delicate floral engravings around the bowl. The design is elegant and timeless, ideal for adding sophistication to any collection. The glasses are unmarked and unbranded, yet their craftsmanship speaks to quality. The clear crystal features subtle etching details that are sure to impress any admirer of fine glassware. Dimensions: 5.25"HCondition: Age related wear.
Los 135
This elegant set of eight crystal goblets stands at 7 inches tall and features detailed, intricate floral etching on the body. The clear crystal showcases a refined pattern, with delicate leaf motifs and a faceted stem that adds sophistication to the design. These goblets are ideal for formal occasions or as a beautiful display set, offering both style and functionality. Issued: 20th centuryDimensions: 7"HCondition: Age related wear.
Los 73
I'M WAITING FOR YOUColor etching and drypoint, 1966, on wove paper, signed, dated and numbered 11/50 in pencil, with (full?) margins, framed.Plate 13 x 12 inches; 330 x 305 mm.Frame 23 1/8 x 22 1/2 inches; 587 x 572 mm.Lightstain, pale matstain, affixed with tape at bottom sheet corners verso to top mat (pale offsetting showing through to recto), a piece of tape affixed in the top margin horizontally through most of the sheet, some foxing, a few handling creases (mainly in the top margin), minor soiling and other discoloration verso, framed with glass.Lightstain, pale matstain, affixed with tape at bottom sheet corners verso to top mat (pale offsetting showing through to recto), a piece of tape affixed in the top margin horizontally through most of the sheet, some foxing, a few handling creases (mainly in the top margin), minor soiling and other discoloration verso, framed with glass.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Los 87
Salvador Dalí (1904-1989)Le Jugement de Paris, from Suite Mythologique Nouvelle (Field 71-8F; M&L 485a)Drypoint with etching and pochoir in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 150, printed by Ateliers Rigal, published by Vision Nouvelle, on BFK Rives wove paper, with full margins, sheet 755 x 565mm (29 3/4 x 22 1/4in)
Los 84
Salvador Dalí (1904-1989)L'Immortalité, from Alchimie des Philosophes (Field 75-12D; M&L 839a)Lithograph and screenprint in colours with drypoint and etching, 1975, signed in black felt tip ink, numbered from the edition of 225, printed by Viglino/Arts Litho/CAZA, published by Art et Valeur, Paris, on vellum, the full sheet printed to near the edges, sheet 772 x 575mm (30 3/8 x 22 5/8in)
Los 9
Roy Lichtenstein (1923-1997)Illustration for 'Hüm-Bum!' (Corlett 274)Etching with aquatint printed in colours, 1992, signed and dated in pencil, numbered from the edition of 42, as included in 'La Nouvelle Chute de l'Amérique', printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur, published by Les Editions du Solstice, Paris, on Japan nacré paper, with full margins, sheet 481 x 354mm (19 x 14in)
Los 107
Bob Dylan (b.1941)Dad's Restaurant, from The Drawn Blank SeriesDigital pigment print in colours, 2010, signed in pencil, numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, on Hahnemühle 350gsm Museum Etching wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in)
Los 86
Salvador Dalí (1904-1989) Venus et le Joueur d'orgue, from Suite Mythologique Nouvelle (Field 71-8E; M&L 484c) Drypoint with etching and pochoir printed in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 50 in roman numerals, printed by Ateliers Rigal, published by Vision Nouvelle, on Richard de Bas Auvergne paper, with full margins, sheet 587 x 790mm (23 1/8 x 31 1/8in)
Los 85
Salvador Dalí (1904-1989)Reflection, from The Cycles of Life (Field 79-1C; M&L 929f)Etching with photolithograph printed in colours, 1977-1979, signed in pencil, numbered from the Grafos Verlag edition of 125, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on BFK Rives wove paper, the sheet trimmed, sheet 375 x 555mm (14 3/4 x 21 7/8in)
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78472 Los(e)/Seite