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78475 Los(e)/Seite
A group of prints to include a hand coloured etching after THOMAS ROWLANDSON. Masquerade at the Pantheon in Oxford Street, London circa 1809, published as Plate 60 of Microcosm of London 1809, lithograph of Windsor castle and St George`s chapel by Paul Gauci (fl. 1830s-1860s), 9 North Cresent, Bedford sq. London Nov. 1st 1844 and two prints of North St. Bishops Stortford, Herts. labelled to back, largest plate size approx. 46cm by 28cm.
A parcel lot to include a Victorian walnut box with marquetry bands to sides and mother of pearl cartouche to lid and lockplate, miner`s lamp by the Protector lamp & lighting Co. Ltd. type GR6S, framed etching of Weymouth port, Indian box, brass and copper bedpan, and a selection of wood, ceramic and plaster masks to include African, Balinese and Inca style examples, and a pine display shelf, approx. 40 pieces.
DAME ELISABETH FRINK R.A. (1930 - 1993) Framed, signed and inscribed `A/P` in pencil, 1974, Kestrel, from the Birds of Prey (Wiseman 112), etching with aquatint in colours on paper, from an edition of 50, with 10 artist`s proofs. 90cm x 62cm. Provenance: Purchased from Century Galleries, Henley-on-Thames. (ARR)
EILEEN ALICE SOPER R.M.S., S.W.L.A. (1905 - 1990) Framed, signed in pencil, etching on paper, young children sitting around a table, with pens and paper. Soper worked notably as an illustrator for children`s and wildlife books. She is best known as one of the illustrators for Enid Blyton and Elizabeth Gould. She also wrote and illustrated her own children`s stories, alongside becoming a founding member of S.W.L.A. 12cm x 19cm.
JAMES PRIDDEY R.B.S.A F.R.S.A. (1916 - 1980) Framed, signed in pencil, etching, titled in pencil, `The Cathedral of St. Chad, Birmingham`, together with a quantity of unframed, prints, etchings and watercolours on paper, some signed, showing various subjects and artists, including P. RHODES. Priddey was president of B.W.S (1959 - 1961) and Hon. Secretary of R.B.S.A (1966). Exhibited with R.S.A and the Paris Salon. (17) Average: 29cm x 30cm.
DAVID COX (1783 - 1859) Two unframed, signed works, one etching on paper, signed in plate and additionally signed in pencil, pastoral scene with figure and horses on pathway, the other a pencil sketch on paper, dated 1823, river scene with footbridge and county cottage, together with a collection of other unframed watercolours, prints, and pencil sketches of various subjects and artists, some signed. (Quantity) David Cox`s: 19.5cm x 26cm and 24cm x 34.5cm.
A scarce pre 1827 officer’s sword of a Volunteer rifle regiment, slightly curved fullered blade 28½”, with faint traces of etching in panels, solid steel half basket guard engraved with crowned strung bugle overlaid with WRV in fine script, large plain forward sloping pommel and plain backstrap, wirebound leather grip. GC (blade heavily worn)
A mid 18th century German hunting sword, SE shallow fullered blade 21½”, with narrow back fuller, DE at point, 11 line German inscription in panel on one side at forte and traces of etching in panels overall, all brass hilt, the turn down shell guard bearing a scene in high relief of maiden and nymph bewailing a dead hero, cherub head finial to crossguard and cherub panels to centre of knucklebow, cap shaped pommel embossed with squirrels and busts of bewigged gentlemen, shallow pistol shaped grip engraved with stylized flowers in panels. Basically GC for age (wear and some heavy pitting patches to blade). Plate 6
Percy Lancaster A.R.E (1878-1951) Vegetable and flower sellers outside a cathedral, signed in pencil, a black and white etching, together with two further signed etchings by the same artist depicting a Continental river scene and another 17.5cm by 12.5cm each (3) *from a single owner private collection
Attributed to Joseph Urbain Melin (1814-1886) Portrait of a woman, signed and dated 1842, pencil heightened with white chalk, together with a further 19th century head and shoulders drawing of a gentleman, a drawing depicting bailiffs by Thomas Unwins, another 19th century drawing of figures in an interior, an etching of a Venetian Riva and a further etching of an academic drawing class, 28cm by 22.5cm and various other sizes (6)
Christine Chagnoux (20th century) Two nudes at rest, signed, pen and ink, together with a further work by the same artist, four limited edition prints after Graham Payne depicting scenes, seven botanical prints and a limited edition coloured etching of toads, 18cm by 23.5cm and various other sizes (qty)
BEATRICE PRINCESS: (1857-1944) Fifth daughter & youngest child of Queen Victoria. A.L.S., Beatrice, three pages, 8vo, Balmoral, 19th October 1878, to [Theodore] Martin, on the attractive monogrammed stationery of the Princess. Beatrice writes on behalf of her mother, explaining that 'we are all very desirous to have an engraving made after Angeli's picture of our lamented Sir Thomas Biddulph' and continuing to add that the Queen 'thinks that Mr. Hall could perhaps do a vignetted head larger, but not so highly finished as those of the Royal Family. If it could be more in the style of an etching, it would not be so expensive, as the Queen would prefer not going beyond £35 to £40.' The Princess further states 'The heads of Grant & Brown, intended for the Queen's book, were only 25 guineas, therefore if something could be done more slightly & rather larger, surely 10 or 15 guineas more would suffice. Would you kindly let the Queen have an answer about this as soon as possible.' VG Theodore Martin (1816-1909) Scottish Poet & Biographer, best known for his Life of the Prince Consort (1874-80), a work with which he gained the lifelong friendship of Queen Victoria. Sir Thomas Biddulph (1809-1878) British Army officer and Courtier, Master of the Household to Queen Victoria from 1851-66 and later Keeper of the Privy Purse.

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78475 Los(e)/Seite