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Preisdatenbank abonnierenAFTER GAY CORRAN "Botanical Study", signed limited edition print, AFTER PIERS BROWNLIE "Lie long high snowdrifts in the hedge", artist`s signed limited colour proof, 19TH CENTURY SCHOOL "Rural Dwellings", charcoal, unsigned, 20TH CENTURY SCHOOL "Stone balustrades with flowers", oil on board, monogrammed lower left, 20TH CENTURY JAPANESE SCHOOL "Badger in prunus and leafy landscape", etching, signed, together with further botanical prints, etc.
Giovanni Battista Piranesi Veduta delle Antiche Sostruzioni...dette il Bel Lido [H.125 I; F.841; W-E.258] etching with engraving on laid paper (Hind watermark 4) 1776 but c.1780 posthumous Rome edition 450 x 675mm.(17 1/2 x 26 1/2 in) unframed. Condition report: A fold in each side margin well outside the plate.
Giovanni Battista Piranesi Avanzi d`un portico coperto o criptoportico in una villa di Domiziano... [H.79 I; F.781; W-E.212] etching and engraving on heavy laid paper 1766 or later Rome edition 415 x 595mm.(16 x 23 in) with wide margins unframed. Condition report: Stitch holes along left sheet edge.
Giovanni Battista Piranesi Veduta del Ponte Salario [H.31 II; F.744; W-E.180] etching with engraving on thick laid paper (watermark not in Hind) 1754 but c.1780 posthumous Rome edition 405 x 615mm. (16 x 24 in) unframed. Condition report: A vertical fold in each side margin well outside the plate.
Karl Bodmer Fac Simile of an Indian Painting plate 22 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring 1839- Bodmer`s blindstamp Coblenz Hölscher; London Ackermann; Paris Bertrand hinged into mount 345 x 480mm.(13 1/2 x 19 in) unframed. Condition report: Slight surface dust an old marginal exposure line well outside the plate a small splash in the lower margin.
Karl Bodmer Embouchure du Fox River (Indiana) plate 5 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring and heightened with gum-arabic 1839- Bodmer`s blindstamp Paris Imprimerie de Finot & Bougeard hinged into mount 415 x 535mm.(16 x 20 1/2 in) unframed. Condition report: Slight surface dust.
Karl Bodmer Winter Village of the Minatarres plate 26 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic on laid india paper 1839- Bodmer`s blindstamp Coblenz Hölscher; London Ackermann; Paris Bertrand hinged into mount 360 x 430mm.(14 x 17 in) unframed. Condition report: Very slight spotting to support sheet just inside the platemark.
Karl Bodmer Massika Wakusasse double half-length portraits of a Saki Indian and a Musquake Indian respectively plate 3 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic on laid india paper 1839- Bodmer`s blindstamp Coblenz Hölscher; London Ackermann; Paris Bertrand hinged into mount 495 x 415mm.(19 1/2 x 16 in) unframed. Condition report: Two repaired tears in the lower margin one just into the plate some marginal dampstaining minor creasing and an old exposure line.
Karl Bodmer View of the Rocky Mountains plate 44 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic 1839- Bodmer`s blindstamp Coblenz Hölscher; London Ackermann; Paris Bertrand hinged into mount 415 x 535mm. (16 x 21 in) unframed. Condition report: A few faint spots one spot retouhed in the sky.
Karl Bodmer Snags (sunken trees on the Missouri) Plate 6 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 360 x 430mm.(14 x 17 in) unframed. Condition report: Slight browning and surface dust.
Karl Bodmer The Steamer Yellow-Stone On the 19th April 1833 plate 4 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 355 x 430mm. (14 x 17 in) wide margins unframed. Condition report: A fold near the sheet edge in the right margin.
Karl Bodmer Mih-Tutta-Hangkusch A Mandan Village plate 16 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 350 x 430mm. (13 1/2 x 17 in) unframed. Condition report: Pale even browning and surface dust slight rubbing on right platemark.
Karl Bodmer Herd of Bisons on the Upper Missouri Plate 40 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic on laid india paper Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 345 x 430mm.(13 1/2 x 17 in) unframed. Condition report: Slight surface dirt.
Karl Bodmer View of the Rocky Mountains Plate 44 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 415 x 535mm.(16 x 21 in) unframed. Condition report: A few faint spots one spot retouhed in the sky.
Karl Bodmer Sih-Chida & Mahchsi-Karehde Double full-length portraits of Mandan Indians plate 20 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring Bodmer`s blindstamp on laid india paper [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 400 x 490mm. (16 x 19 in) unframed. Condition report: An old marginal exposure line well outside the plate taped at upper and lower edges of verso into mount.
Karl Bodmer Indian Utensils and Arms Plate 48 from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp on laid india paper [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 410 x 530mm.(16 x 21 in) unframed. Condition report: Slight surface dirt.
Karl Bodmer Cleveland Lighthouse on the Lake Erie Vignette XXXII from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint and roulette work in hand-colouring and heightened with gum-arabic Bodmer`s blindstamp [1839-] Coblenz Hölscher; London Ackermann; Paris Bertrand 255 x 335mm. (10 x 13 in). Condition report: Faint marginal exposure line well outside the plate a small surface abrasion in the title field not affecting letters.
Karl Bodmer Offering of the Mandan Indians Vignette XIV from Travels in the Interior of North America by Prince Maximilian zu Wied-Neuwied etching with aquatint in hand-colouring and heightened with gum-arabic 1839 or later Bodmer`s blindstamp Coblenz Hölscher; London Ackermann; Paris Bertrand 245 x 315mm.(9 1/2 x 12 in) unframed. Condition report: A minor surface abrasion in the lower margin faint marginal exposure line well outside the plate.
[Admiral Lord Nelson] A Battle of Trafalgar Lloyds Patriotic Fund certificate awarded to Seaman Barn.y Allen Her Majesty`s Ship Belleisle voting him twenty pounds “in consideration of the Wound you received in contributing to the signal Victory.” etching and engraving by E. Scriven after Robert Kerr Porter watermarked 1804 3 December 1805 completed in manuscript and signed by the Mayor James Shaw engraved surface 354 x 248mm. (14 x 10in.) wide margins unframed. Condition report: A few minor tears at extreme edges a little dusty at top but a good example.
Sir David Young Cameron The Royal Scottish Academy Building and the National Gallery of Scotland etching with drypoint signed in the plate lower right 1916 issued to subscribers of a special edition of The Royal Scottish Academy 1826-1916 by William Darling McKay and Frank Rinder 180 x 350mm. (7 x 13 3/4 in). Condition report: Pale even browning under glass with no other visible faults.
Herbert Thomas Dicksee Suspense etching with drypoint signed in pencil lower left initialled and dated 1920 in the plate lower right Fine Art Trade Guild blindstamps lower left Frost & Reed 455 x 680mm. (18 x 26 3/4 in) unframed. Condition report: Minor handling creases mostly marginal slight surface dust.
Herbert Thomas Dicksee The Destroyers etching with drypoint on vellum paper signed in pencil lower left initialled and dated 1904 in the plate lower right Printsellers Association blindstamp lower left Frost & Reed 435 x 710mm. (17 x 28 in); with another of a crouching tiger similar both unframed (2). Condition report: The first with slight browning and cockling with minor abrasions to a few raised surfaces the second with a thin varnish overall.
Herbert Thomas Dicksee The Sentinel etching with drypoint on vellum paper signed in pencil lower left with etched vignette of metal gauntlet initialled and dated 1913 in the plate lower right Frost & Reed Printsellers Association blindstamp lower left 375 x 645mm. (14 3/4 x 25 1/2 in) unframed. Condition report: A few very faint spots.
Herbert Thomas Dicksee Goodbye etching with drypoint on vellum paper signed in pencil lower left with etched vignette of roses initialled in the plate also lower left 1913 C. Klackner Printsellers Association blindstamp lower left 750 x 555mm. (29 1/2 x 22 in) unframed. Condition report: Pale browning a few faint spots in the lower margin.
George Cruikshank The Royal Transport & the Captive Daughter or Prince Blue Beard Triumphant!!!! the Prince Regent with flowing beard and turban stands on the shore as his wife sails away their daughter calling after her while suspended in a cage labelled Cram Bone Lodge [not in BM Satires] original hand-coloured etching 1814 H. Harrild 215 x 260mm. (8 1/2 x 10 1/4 in); The R__t Kicking up a Row or Warwick House in an Uproar!!! [BM Satires 12292] original hand-coloured etching 1814 T. Tegg 250 x 350mm. (9 3/4 x 13 3/4 in); with a plate from Dr Syntax all unframed (3). *** The two principal plates relate to the decision of Princess Charlotte to break off her engagement to the Prince of Orange as she feared to leave the country would be to further undermine her mother`s position against the Prince Regent. He planned to move Charlotte to Cranborne House in Windsor Park but she slipped away in a cab to her mother`s home in Connaught Place. Condition report: `The Royal Transport & the Captive Daughter` is trimmed on or just within the platemark a repaired tear through the title just into the image two short tears at the right sheet edge. `The R__t Kicking up a Row` has surface dirt and slight spotting a few tears and small losses at sheet edges one tear just to the image. (3)
James Fittler. Captain MacBride three-quarter length portrait after Northcote engraving 1792 printed in dark blue/black by J. Shoveller 495 x 365mm.(19 1/4 x 14 1/2 in); with a portrait of Charles Saunders Vice Admiral of the Blue mezzotint 1794 360 x 255mm.(14 1/4 x 10 in); another of General Elliot later Governor of Gibraltar soft-ground etching 1794 520 x 355mm.(20 1/2 x13 3/4 in); also with The English Politicians by Richard Houston mezzotint 1794 610 x 460mm.(24 x 18 in) unframed (4)
Giovanni Battista Piranesi Veduta interna della Chiesa della Madonna degli Angioli [H.129 II; F.835; W-E.262] etching with engraving on laid paper (Hind watermark 6) [1776 but c.1780] posthumous Rome edition 490 x 715mm.(19 x 28 in) unframed (2). Condition report: A fold in each side margin well outside the plate.
Giovanni Battista Piranesi. Vaso antico di marmo presso S. E. il Sig. Gen.le Schouvaloff for Vasi Candelabri Cippi. [F.676; W-E.963] etching c.1768-1778 Rome 540 x 390mm (21 1/4 15 1/4 in); with Altra Veduta in Prospettiva dello Stesso Tripode [F.702; W-E.989] etching c.1768-1778 Rome 530 x 390mm (21 1/2 x15 1/4 in) unframed (2) Condition report: Minor dampstaining slight spotting.
Giovanni Battista Piranesi. Vaso antico di marmo di gran mole [.] si vede nel cortile del Monastero di S. Cecilia in Trastevere for Vasi Candelabri Cippi... [F.635; W-E.922] etching c.1768-1778 535 x 390mm.(21 x 15 1/2) unframed. Condition report: One repaired tear on upper right with other minor tears.
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