78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Reserve Bank of India, initial engravers’ workings on transparent acetate showing the outlines of the obverse plate design for 10 Rupees, 1975-88 issues, design as issued, unique and remarkable survivor, as most were simply treated as printers’ waste, an interesting record BNB B261, Pick 81 £120-£180 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.

William Lionel Wyllie, RA, RI, RE, (British, 1851-1931) 'Below London Bridge' signed in pencil, black and white etching 19 x 28cm (7.5" x 11") together with four further signed etchings by Wyllie (5)

William Lionel Wyllie, RA, RI, RE, (British, 1851-1931) 'Yacht Racing at Cowes' signed in pencil, black and white etching 17 x 35cm (7" x 14")

Sir Terry Frost RA,  British 1915-2003 -  Study for Quadrant and Circles, c.1967; acrylic and pencil on paper, annotated along bottom edge 'Proof IV Abstract Newlyn', 11.8 x 22 cm (ARR)  Note: this work is one of a number of studies for an etching that was never editioned and printed at the University of Reading. 

JAN CHALON, 18th Century etching "Study of Two Heads" after Rembrandt, 14cm x 18cm, also portrait "Injured Innocence"

WILLIAM WYLLIE, pencil signed etching "Busy River scene near the Tower of London", 17cm x 37cm

Y ERICH WOLFSFELD (Polish 1884-1956) "The Goat Herd", etching, signed in pencil, plate size 12" x 9 3/4", stained frame (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Some very mild brown staining to paper, otherwise good, no glass.

WILLIAM WYLLIE (1851-1931) "H.M.S. Victory at Portsmouth Harbour", etching, signed in pencil, plate size 9 1/2" x 29 1/4", framed (Est. plus 24% premium inc. VAT)Condition Report: Good, some browning to edge of margins near the mount.

PAUL CESAR HELLEU (French 1859-1927) Lady Wearing a Hat, etching, signed in pencil, 23 1/4" x 13 3/4", ebonised frame (Illustrated) (Est. plus 24% premium inc. VAT)

LOUIS J L ICART (French 1888-1950) Lady in a Broad Brimmed Hat, coloured etching, roundel, signed, plate size 9” wide, gilt frame (Est. plus 24% premium inc. VAT)Condition Report: Generally good, small white spots to margin lower left

19th century monochrome etching (Jesus Christ Saviour), framed, coloured engraving, a morning greeting, another depicting warships in rough seas etc (5)

Naked figure at the shore, drypoint etching, indistinctly signed in pencil Margaret C..., image 22cm x 28cm, framedGood condition

Haden, Sir Francis Seymour -- Ô Laborum Dulce Lenimen - Hands Etching. Radierung und Kaltnadel. 13,8 x 21,4 cm. (1865). Harrington 94 II (von III), Schneiderman 84 V (von VII)."Ô Laborum Dulce Lenimen" - der Mühen süße Linderung ("O Sweet Solace of my Labors"), so betitelte der antike Dichter Horaz in einer seiner Oden liebevoll seine Laute, welche ihm immer wieder aufs Neue süße Zerstreuung spendete (Carmina 1,32,14f.). Der britische Künstler Francis Seymour Haden fand diese wohlige Zerstreuung zwar nicht in den süßen Tönen einer Laute, wohl aber in der schöpferischen Gestaltungskraft, die er in der Kunst des Radierens für sich entdeckte. Ursprünglich zum Arzt und Chirurgen ausgebildet ist Haden heute jedoch vor allem als Radierer und Kunstförderer bekannt, der mit seinem leidenschaftlichen Interesse am Medium der Radierung einen bedeutenden Anteil am sogenannten Etching Revival in England hatte. Zusammen mit anderen Verfechtern der Technik, darunter James McNeill Whistler (1834-1903) und Alphonse Legros (1837-1911), betonte er insbesondere die große Freiheit, Lebendigkeit und Spontaneität, die die Technik der Radierung mit sich brachte. Seine Anstrengungen gipfelten 1880 schließlich in der Gründung der Society of Painter-Etchers, welcher Haden über lange Jahre als erster Präsident vorstand. Desweiteren war er Mitglied des Institut de France, der Académie des Beaux-Arts und der Société des Artistes Français und wurde 1894 zum Knight Bachelor geschlagen. Das vorliegende, ungemein reizvolle Blatt mit der reduzierten Darstellung von den Händen und Arbeitsgerätschaften des radierenden Künstlers stellt klar Invention und Entstehungsprozess des finalen Kunstprodukts in seinen Fokus. Es handelt sich um eine von mehreren solcher auf nahansichtige Aufnahmen der Künstlerhände reduzierten Darstellungen, die Haden im Laufe seines Lebens geschaffen hat. Die Radierung erschien erstmals im Jahre 1865 in Hadens erster kunsttheoretischen Abhandlung Etudes a l'eau forte. Es handelt sich um einen Abzug des fünften Druckzustandes vor der weiteren Verstärkung der Schattenpartien und vor der Verkleinerung der Platte. Prachtvoller, kräfiger und toniger Druck mit feinem Rand um die gratig druckende Plattenkante. Vorzüglich erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

A pair of etching plates, depicting the Liverpool to Manchester Railway 1831, in walnut glazed frames 29 x 67cm, Set of three, Etching print /book plate, titled "The Full Cry" "Joy in the Village", " quiet with hounds", printed by CJ Culliford, and titled to mount Full Cry , Mossoo's Hunt and print signature G Bridgeman 27cm x 33cm, A gilt glazed engraving of a hunting scene, titled to mount, "Hertfordshire, Village Scenery, Hounds going to cover, Publ 1833 by D Wolstenholme, 28.5 x 38.5cm, in good condition

After Snaffles , "The season 1939-40, signed in pencil lower right, , Blind Dtamp, Good colour, 28 x 49cm, An etching print,Henry Alken, engraved W Summers, titled Tattenham Corner". In partial gilt glazed frame 48cm x 77cm, After Cecil Aldin, The Belvoir Hunt, framed and glazed, signed in pencil to mount, 32cm x 68cm

Full title: Jules De Bruycker (1870-1945): 'Piccasilly Circus London', etching, dated (19)33Description:Work: ca. 23 x 18,5 cm Paper: 41 x 33 cm Frame: 45 x 37 cm Ref.: - J.D.B. 84 (link). - Le Roy, 63.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Jules De Bruycker (1870-1945): 'Paria', etching, dated 1906Description:Work: ca. 19,5 x 14,5 cm Paper: 23,5 x 19 cm Frame: 29,5 x 25 cm Signed inside and outside the plate. Ref.: - J.D.B. 006 (link). - Le Roy, 4.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: James Ensor (1860-1949, after): 'The deadly sins dominated by death', etching in colours, [1904]Description:Work: 13,5 x 8,5 cm Frame: 33,8 x 29,2 cm Reference: - A. Taevernier, James Ensor. Illustrated catalogue of his engravings, their critical description and inventary of the plates, Ghent, 1999, pp. 310-311 (N. 126).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Jules De Bruycker (1870-1945): 'Theatre Tenor', etching, [1907]Description:Work: 22 x 13,5 cm Paper: 43 x 30 cm Frame: 46,5 x 33,5 cm Ref.: - J.D.B. 22 (link). - Le Roy, 16.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: James Ensor (1860-1949): 'Squelettes voulant se chauffer', etching, dated(18)95Description:Work: 13,5 x 10 cm Paper: 33 x 27,5 cm Frame: 40 x 34 cm Signed and dated in the plate. Ref.: - Taevernier, 98.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Jules De Bruycker (1870-1945): 'La Moisson', etching, ed. 38/80, [1916]Description:Work: 52,8 x 43 cm Paper: 60,3 x 49,5 cm Frame: 79 x 65 cm Ref.: - J.D.B. 77A (link). - Le Roy, 55. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Jules De Bruycker (1870-1945): 'Cathedrale d'Audenaerde', etching, (1920)Description:Work: 42,5 x 39,8 cm Paper: 65,3 x 47,7 cm Ref.: - J.D.B. 117B (link). - Le Roy, 82.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: James Ensor (1860-1949): 'Small bizarre figures', etching, second state, (1888)Description:Work: 14 x 10 cm Paper: 29,7 x 24 cm Provenance: - Ex-collection Georges Buysse (with certifcate, August 22, 1974). - Private collection, Belgium. Ref.: - Taevernier, 53 (2/2).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Jules De Bruycker (1870-1945): 'Jacobus Alijn', etching, ed. 4/75, (1921)Description:Work: 54 x 36,5 cm Frame: 68,7 x 49,5 cm Frame: 73 x 54 cm Ref.: - J.D.B. 135A (link). - Le Roy, 100. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Full title: Rik Wouters (1882-1916): The prisoner, etching, dated 1911Description:Work: 21,5 x 14,5 cm Paper: 36 x 27 cm Frame: 38,5 x 29,5 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

A signed etching by Harold Wyllie (1880-1973). 50.5x33cm

A late 16th century German silver and ‘lemon’ parcel-gilt ‘monatsbecher’ by Hans Erne, Strasbourg, circa 1580, of flared design and engraved in the manner of Virgil Solis (1514-1562), the decoration emblematic of the month of May, finely engraved below the rim with a broad band of panels beneath, the inscription ‘SECHT / WELCH / EIN / MENSCH / ISTDAS / DER / MEY / BRINGT / BLIEMLEIN / MANIGFAT / MACHT / FRISCH / GEBLVET / IVNG / VND / ALT’, the foot with a further band of engraved decoration of fruit and foliage, reserving three panels of a stag and hounds, the base with assay scrape, maker’s mark conjoined ‘HE’, town mark for Strasbourg, height 10cm. £2,000-£3,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- The engraved inscription translates as ‘The month of May brings magnificent flowers and makes fresh blooms young and old.’ The small German beakers known as ‘monatsbecher’ (‘month beakers’) were made in sets of a dozen, one beaker for each month of the year, and used almost exclusively in German-speaking countries. They were fashionable between the early 16th and mid 17th centuries. This example will have been the fifth in a set of twelve. These cups were popularised by the designs of Virgil Solis (1516-1564), a German draughtsman, skilled in engraving, etching and woodcut, and one of Nuremberg’s most prolific printmakers and book illustrators. The engraved or embossed scenes are often allegorical and inspired by the Labours of the Months. The month of May was associated with courtship and merrymaking and can be seen here in the depiction of figures playing backgammon and drinking in a boat and in the couple bathing together. The significance to mankind of Blood, Water and Wine, both sacred and profane, can also be interpreted; sacramental (a panel depicting Christ: Ecce Homo); medicinal (scene of blood-letting); hospitality (a servant preparing a dinner table). Further references to the month of May include the depiction of lily of the valley or ‘Maiglöckchen’ in German, translating literally as ‘little May bells’, together with the panel depicting ‘twins’ amidst clouds representing the astrological sign for Gemini, against which is visible the numeral ‘5’ for the month of May. For a similar silver and parcel-gilt ‘monatsbecher’ by Courakt Grenter, Strasbourg, circa 1560, see the Salting Collection, V & A (Room 62, The Foyle Foundation Gallery). We are grateful to the Goldsmiths’ Hall Library for assistance in researching the maker’s mark. Literature: The maker’s mark is identified from: L'orfèvrerie de Strasbourg dans les collections publiques française, by Hans Haug, pub. Éditions des Musées nationaux, Palais du Louvre, Paris, 1978. Old Silver of Europe and America: from early Times to the Nineteenth Century. by E. Alfred Jones, pub. B.T.Batsford Ltd., London 1928. Condition Report Engraved decoration in good condition, with no apparent rubbing to the gilt surface. Horizontal dent, approximate length 3cm, positioned approximately 3cm above the footrim, not affecting engraved areas. Further horizontal indentation running around the upper part of the cup, possibly the result of stacking.

JOHN WHITTAKER AFTER JAMES AND FRANCIS STEPHANOF, A SET OF FIVE PRINTS OF THE PROCESSION AT THE CORONATION OF GEORGE IV CIRCA 1823 Each with gilt cartouche detailing participants below on on Japan vellum with gold letterpress, stipple engraving with etching and aquatint, and hand-colouring and including: Price William-Frederick Duke of Gloucester, Leopold George-Fredrick Duke of Saxony, Prince Frederick Duke of York, and two others, now framed and glazed frames 72 x 59cm John Whittaker's production of the folios of this series was undertaken in total secrecy with no one allowed to see or know how he produced the final mixed media prints. The undertaking was so time consuming, and expensive that it bankrupted him and consequently few examples of the work were ever made. A complete bound set, probably George IV's own copy, is held in The Royal Collection (RCIN 1005090).

After John F. Herring Etching and aquatint The race horse Elis, engraved by Charles Hunt, published by the artist and S. & J. Fuller, 1836, framed and glazed, 46.5cm x 59cm After J A Wheeler Sen. Colour lithograph The race horse "Paradox" ridden by F Archer, published by Messrs Fores, Piccadilly, framed and glazed, 49.5cm x 58cm (2)

OASIS - (WHAT'S THE STORY) MORNING GLOSY LP (UK DAMONT - CREATION CRE LP189). A beautiful original UK LP pressing of Oasis' 1995 2nd studio album (What's The Story) Morning Glory (CRE LP189, 1995 UK pressing on Creation. A1/ B1/ C2 D- matrix, all sides have Damont etching. Labels all bright and clean. Records are both in lovely VG+ condition, each side displays a small number of wispy/ hairline paper marks. Both original black glossy inner sleeves are Ex, no splits or tears. The tri-fold sleeve is also in quality Ex condition).

JAMES ABBOT MCNEILL WHISTLER (1834-1903) “Old Westminster Bridge” (Kennedy 39), black & white etching, signed & dated 1859 in the plate, on laid paper with partial watermark, 7.5cm x 20cm, inscribed in pencil to mount “K39II & W36II”; purchased from Ernest, Brown & Phillips, The Leicester Galleries, 1960, framed & glazed (15.7cm x 32cm overall).

ERNEST HERBERT THOMPSON (1891-1971) “Oak Trees near Calshot”, black & white etching, signed, inscribed & numbered 18/50 in pencil, 19cm x 29cm (image), framed & glazed (39cm x 49cm overall) *ARR

VALERIE THORNTON (1931-1991) “Etruscan Encounter”, coloured etching on wove paper, Signed & dated ’83, inscribed & numbered 44/50 in pencil, 26cm x 36cm (image), framed & glazed (48cm x 58cm overall). *ARR

J. M. KRELSEN (20th century). “Migration”, black & white etching, signed, dated 1988, inscribed & numbered 12/20 in pencil lower margin, 14cm x 25cm (image), framed & glazed (32.5cm x 42.5cm over-all).

ENGLISH SCHOOL, 19th century. A wooded landscape with figure gathering firewood, Oil on panel: 25cm x 20cm, in gilt gesso frame (37cm x 31.5cm); together with a signed Robert Rodwell etching of The Guildhall, York, 8cm x 11cm, & two black & white engravings of York views

Martin Renton Ware, signed etching, figures in a room with curtains, No. 4 of an edition of 8, 51 x 72cm including full margins (unframed)

Chris Orr, signed Limited Edition etching, ' Animal Orchestra and Insect Chorus ', signed and dated 1992, numbered 28 of 50, 53 x 41cm approximately, framed

Signed etching, study of an exotic bird, signed Freeman, 27 x 17cm, oak framed, together with a small oak framed monochrome etching, figures in a landscape, signed Apperley, No. 2 of 40

Glynn Thomas, artist signed proof etching, pollarded willows, 30 x 60cm, framed

Valerie Thornton, Limited Edition etching ' Hellebors Aiger ', signed and dated '81, No. 62 of 75, 29 x 18.5cm, framed

Pat Schaverien, signed Limited Edition etching, ' Conservatory ' No. 35 of 40, 40 x 29cm, framed together with another, abstract composition, 16 x 21.5cm

Michael Chase, signed etching, ' Hidcote Arum ', No. 17 of 40, signed and dated 1984, 24 x 18.5cm, framed

Peter Ferber, watercolour, study of timber buildings, 34 x 24cm, together with an etching ' Sunshine ', signed Michael Carls, No. 17 of 30

Max Rives oval mounted etching of a lady, signed to the border, 48 x 23cm, gilt framed

H. Rayner, signed etching, Chelsea morning together with another by the same artist, unsigned, ducks in flight

Morgan Dennis, signed etching, study of a dog chasing a toad, 14 x 11cm

Richard Beer, signed Limited Edition etching, ' Spanish Steps ' No. 78 of 150, 59 x 38cm

William Edinlaw - two early 20th century etching on paper artworks depicting London scenes, along with an etching by Mabel Oliver Rae of New College Cloister, Oxford. The Edinlaw sketches titled The Houses of Parliament and The Horse Guards. Each one framed and glazed. Largest to measure approx. 33cm x 27cm including frame.

Josephine Haswell Miller (British 1890-1975). Etching Bamberg castle. Signed in pencil lower right. Provenance: from the collect of Sylvia Percival Prescott, daughter of Archibald and Josephine Haswell-Miller. H.60 W.80 cm. H.40 W.58cm.

Théodore Duret Die Impressionisten. Berlin, B. Cassirer 1909. Erste deutsche Ausgabe der wichtigen und frühen Monographie zum Impressionismus. 1 von 970 numerierten Exemplaren. Mit den Radierungen von Auguste Renoir (3 Akte - Delteil 12, 14, 15), Camille Pissarro (Faneuses - Delteil 94/XII), Armand Guillaumin (Farbradierung), Paul Cézanne (Porträt Guillaumin ), Berthe Morisot und P. M. Roy nach Alfred Sisley. EINBAND: Halblederband der Zeit mit Rückenvergoldung. 26 : 21 cm. - ILLUSTRATION: Mit 7 Orig.-Radierungen, 1 Radierung nach Sisley und zahlreichen Abbildungen.  - ZUSTAND: auf Anfrage. - LITERATUR: Fromm 8375. - Lang S. 11. - Vgl. Mahé I, 810. First German edition of the important early work on Impressionism. Contemp. half calf. With 7 orig. etchings by A. Renoir, C. Pissaro, P. Cézanne, B. Morisot and A. Guillaumin and 1 etching by P. M. Roy after Sisley and many illustrations. - Binding slightly stained, spine weakly faded. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Lyonel Feininger Der Reeder. The Privateer. Orig.-Radierung mit Kaltnadel. Signiert, datiert unten links und betitelt unten rechts. Zudem in der Platte rechts unten signiert. 1911. Auf sehr festem cremefarbenem Vélin. 13,5 : 21,5 cm. Papierformat 24,3 : 32,3 cm. Früher Druck, bei dem die Platte noch nicht so stark oxidiert ist. Zudem eine der wenigen Radierungen, in denen Feininger Ätzung mit Kaltnadel kombiniert. Von einem Hügel aus beobachtet der Reeder im Wind stehend mit vorgehaltenem Binokel die vorbeifahrenden Schiffe. Feininger betitelte das Blatt auch An der Waterkant ; es entstand nach seinen Eindrücken von Schiffen und Strandleben in Usedom an der Ostsee. -  ZUSTAND: Auf Anfrage. - PROVENIENZ: Seit 2000 in norddeutschem Privatbesitz. LITERATUR: Prasse E 41 A. Orig. etching with drypoint. Signed, dated lower left and titled lower right. Also signed in the plate lower right. 1911. Early impression where the plate is not yet as oxidized. Also one of the few etchings in which Feininger combines etching with drypoint. On very strong cream wove paper. 13.5 : 21.5 cm. Paper size 24.3 : 32.3 cm. - With minimal damage to the paper surface at the lower left margin. Verso mounted on cardboard in 2 places at the upper edge. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Bernhard Kretzschmar Auktionator. Orig.-Radierung mit Strichätzung. Signiert und datiert. 1921. Auf Vélin mit Trockenstempel der Marées-Gesellschaft. 34,5 : 39,5 cm. Papierformat 46,5 : 56 cm. Druck für die Ganymed-Presse der Marées-Gesellschaft. 1920 kehrt Kretzschmar in seinem Oeuvre zur Radierung zurück, die bis 1922 Mittelpunkt seines Schaffens bleibt. In seinem graphischen Werk zeigt sich seine Erzählfreudigkeit. Er dokumentiert das kleinbürgerlich-proletarische Sein und schildert die Attraktionen der Vorstadt in humorvoller Weise. Eine besondere Szene zeigt die Auktion, die in einem kleinen gut gefüllten Raum abgehalten wird. Der die Szene dominierende Auktionator schwingt gerade seinen Hammer, um einem Bieter die dargebotenen Damenunterhose zuzuschlagen. - ZUSTAND: Auf Anfrage. - LITERATUR: Schmidt R 80b. Dabei: Ders., Straßenszene mit Passanten. Orig.-Kaltnadelradierung mit Aquatinta. Signiert und datiert. 1920. Auf festem Vélin. 26,3 : 30,3 cm. Papierformat 45,5 : 52 cm. - Schwach gebräunt. Orig. etching with line etching. Signed and dated. On wove paper with blindstamp of the Marées Society. 34.5 : 39.5 cm. Paper size 46.5 : 56 cm. - Slightly foxed in the margin, 1 small restored edge tear, verso with 2 mounting remains on the upper edge. - 1 addition. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.

Will Grohmann Paul Klee. Paris, Éditions 'Cahiers d'Art' 1929. 1 von 30 numerierten Exemplaren der Vorzugsausgabe mit einer signierten Orig.-Radierung von Paul Klee. Erste Ausgabe 'der ersten von Will Grohmann publizierten Monographie über Klee. Enthält einen wichtigen Einführungstext von Grohmann, ferner mit Beiträgen von Aragon, Eluard, Lurçat, Soupoult, Tzara und Roger Vince' (Dok. Bibl. VI, 564). - Mit der signierten, datierten und mit 'K 10' bezeichneten Orig.-Radierung Nicht endend auf Van Gelder Zoonen. Format 28 : 18,5 cm (Platte 17,7 : 13,7 cm). - Von den verschiedenen Vorzugsausgaben dieser Monographie enthalten nur insges. 43 Exemplare eine Orig.-Radierung. EINBAND: Orig.-Broschur. 28,8 : 23 cm. - ILLUSTRATION: Mit 7 Abbildungen im Text und 84 Abbildungen auf 60 Tafel-Seiten. - KOLLATION: 3 Bll., S. IX-XXVII, 5 Bll. (so komplett). - ZUSTAND: Auf Anfrage. - LITERATUR: Kornfeld 106. - Dok. Bibl. VI, 564. First edition, important and first monograph on Paul Klee by Will Grohmann. 1 of 30 numbered copies of the de luxe edition with a signed and dated orig. etching by Paul Klee. Orig. wrappers. - Wrappers bumped and browned, binding damaged. Outer margins of the etching slightly browned. Dieses Objekt wird regelbesteuert angeboten (R).

Salvador Dalí Don Quichotte et Sancho Pança. Orig.-Radierung. Signiert. Bezeichnet als Epreuve d'Artiste. 1968. Auf BFK Rives (Wasserzeichen). 49 : 39 cm. Papierformat 75,5 : 56,5 cm. Eine der bekanntesten Radierungen Dalís und eines von nur wenigen Künstlerexemplaren außerhalb der Auflage von 125 arabisch und 94 römisch numerierten Exemplaren. Herausgegeben durch die Werbungs- und Commerz Union Anstalt und Ateliers Taille-Douce. - ZUSTAND: Auf Anfrage. - LITERATUR: Michler/Löpsinger 266 d. - Field 68. One of Dalí's most famous etchings. One of only a few Epreuve d'Artiste copies, apart from the edition of 125 Arabic and 94 Roman numbered copies. Orig. etching. Signed and inscribed 'Epreuve d'Artiste'. 1968. On BFK Rives (watermark). 49 : 39 cm. Paper size 75.5 : 56.5 cm. - On the left white margin with 1 small foxspot. Verso with 2 remains of mounting on the upper edge. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.

Winfried Georg Sebald und Jan Peter Tripp 'Unerzählt'. 33 Miniaturen. München und Wien, C. Hanser 2002. Seltene Vorzugsausgabe mit eigenhändiger Widmung von J.-P. Tripp. 1 von 33 röm. num. Exemplaren der Buch-Vorzugsausgabe mit 33 sign. und num. Orig.-Radierungen, einem radierten Porträt sowie 1 Porträtfoto. Vortitel mit eigh. Widmung m. U. von J.-P. Tripp für 'Großwesir Volker Huber', dat. Okt. 2004: 'Alles keine Zauberei - nur eine Prise Kalte Nadel'. - Jan Peter Tripp schuf die Radierungen, Augenpaare von Dichtern und Künstlern nach Gemälden oder Fotografien, zu Texten von W. G. Sebald, die zwischen 1999 und 2001 entstanden. 'Der Maler zeigt, wie die Menschen schauen, der Dichter, wie ihre Wahrnehmung die Welt modelliert. So ist dieser Dialog zwischen Text und Radierung auch ein Blickwechsel zwischen Dichtern und Malern, zwischen den Lebenden und den Toten' (Essay). EINBAND: Orig.-Halblederband mit Leinenbezug, in Halbleinen-Schuber mit mont. Deckelschild. 29 : 17,5 cm. - ILLUSTRATION: Mit 33 sign. und num. Orig.-Radierungen von J.-P. Tripp, 1 sign. und num. Orig.-Porträt-Radierung 'MAX' sowie 1 rücks. sign. und num. Barytabzug eines 2001 entstandenen Porträtfotos. - ZUSTAND: Auf Anfrage. - 1 of 33 Roman numb. copies of the de-luxe book edition with 33 signed and numb. orig. etchings by J.-P. Tripp, 1 sign. and numb. orig. portrait etching 'MAX' and 1 reverse sign. and numb. Barite print of a portrait photo taken in 2001. Preface with personal dedication by J.-P. Tripp for 'Grand Vizier Volker Huber', dated October 2004: 'It's not magic - just a pinch of cold needle'. Orig. half calf in orig. half cloth slipcase with cover label. Fine copy. Dieses Objekt wird regelbesteuert angeboten (R).

AFTER ALBRECHT DURERSt. Jerome in his StudyEtching, 25 x 19cm

A .177 BSA 'CADET MAJOR' AIR-RIFLE, serial no. M10909, late first issue introduced between 1947-48, with 18 1/2in. blued barrel, dove-tailed fore-sight, elevating notch rear-sight, plain air-chamber etched with make and model (some staining to etching but quite legible), beech half-stock with wood fillet inlet to the pistol-grip, the whole retaining the majority of its original finish and in collector's external condition.

A RARE PATTERN 1848 CRIMEAN WAR PERIOD HOUSEHOLD CAVALRY TROOPER'S SWORD MARKED TO THE ROYAL HORSE GUARDS, circa early 1850s, with 39in. single-edged slightly curved blade, double-edged for the final third and fullered on each side, top of blade etched '[HAM]BURGER / [Ro]gers & Co. / [30] King St / [CO]''nt Garden / [L]ondon' (the first letters of the etching having been lost through sharpening of the blade), steel hilt with ears and Honeysuckle guard stamped 'G 21 R.H.Gds', black fish-skin grips with brass wire binding, together with its steel scabbard similarly stamped 'G / 21 / R.H.Gds' at the throat, with brass suspension loops and bands, and brass drag, some staining and light rust patches, some losses to the fish-skin exposing the black-painted wood underneath, scabbard dented at the drag, 47in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

A SCARCE .177 'A' PREFIX BSA STANDARD AIR-RIFLE, serial no. A2845, for 1937, with 17in. barrel, dove-tailed fore-sight, elevating notch rear-sight, tap loading breech, plain air-chamber originally etched 'THE BSA STANDARD AIR-RIFLE .177 BORE (No.1), THE BIRMINGHAM SMALL ARMS CO. LTD. ENGLAND, PATENTED, SOLE MAKERS' (etching faint and illegible in places), single screw trigger unit, walnut saw-handled butt-stock with pressed chequered panels to the grip incorporating 'B.S.A.', ribbed heel, no provision for fore-end and push-button release under-lever, strong amount of finish remaining but some patchy corrosion and lightly cleaned over etched area. Pre-1939

A framed photographic print depicting a lake, E. Redfern watercolour study depicting Buttrum's Mill; a framed coloured humorous etching depicting golf scenes; a framed print of "The Vineyards of England and Wales, 1981"