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78475 Los(e)/Seite
Los 547
Eugen Hersch, German/British 1887-1967- Recumbent man with angel and cherubs rising to the heavens; etching with drypoint, 23.5x14cm: together with two drawings in pencil, one drawing in pen and ink and one other etching by the same hand, some initialled in pencil, various sizes, (5) (unframed) (may be subject to Droit de Suite) Provenance: John Denham Gallery, London. Note: Hersch was a winner of the Prix de Rome; works held in the José Berado collection, Rio de Janeiro
Los 588
Carl Toms OBE, British 1927-1999- Two pugs in a garden; oil on board, signed, inscribed to the reverse `To Dicky, with love Carl & John", 28.5x33.5cm: Marguerite Kirmse, British/American 1885-1954- "Pung & Chow"; etching, signed and titled, 15x21cm: together with a watercolour of a cat, a charcoal study of a dog, and two oils of pugs by various hands, (6), (may be subject to Droit de Suite)
Los 611
James Kirby Baldrey, British 1750-1823- "Symptoms of a Mob", after Brownlow North publ July 1 1799; stipple engraving, 17x22.5cm: James Kirby Baldrey, British 1750-1823- "Symptoms of a Thaw", after Brownlow North publ May 27 1799; stipple engraving, 17.5x22.5cm: After Brownlow North, British 1778-1829- "The Disaster", publ by W Mason; stipple engraving, 17x22cm: W Mason, Cambridge, publ- "The Convention"; etching, 20x25cm: Brownlow North, British 1778-1829- "A College Rout", publ June 21 1799 by J Baldrey Cambridge; etching, 20x25cm: Brownlow North, British 1778-1829- "Highland Reel"; stipple engraving, 15x21.5cm: together with three Japanese colour woodblock, prints, various sizes, (9) (unframed)
Los 613
* Charles Macé, French 1631-1665- "Rebecca ex Mesopotamia ad virum fuum Isaac proficiscitur", after Giovanni Benedetto Castiglione, Il Grechetto; etching on laid, 31x44cm: Ignace-Cornelius Marinus, Dutch 1599-1639- "Tvnc Princeps Sacerdotvm Scidit Vestimenta sva Dicens Blasphemavit", after Jacob Jordaens; engraving, 43.2x33.5cm: Girardo Fontana, Italian, late 17th century- The Nativity of Christ; engraving on laid, 35.5x45cm: together with a further small quantity of Old Master and later prints engravings and others, (12) (unframed)
Los 635
Willems, Dutch, 19th/20th century- Couple by a beached sail boat; oil on board, signed, 11.5x16.5cm: Jan Bissell, 20th century- Portrait of a man; pastel on coloured paper, signed in red, 27.6x20.5cm: Constance Gertrude Copeman ARE, British 1864-1953- A mill, King`s Lynn 1900; etching, signed in pencil, 15x7.5cm: Mid 20th Century- Portrait of a girl; pastel on buff paper, signed indistinctly, dated 1949, 3.5x22.7cm: together with a quantity of engravings and reproduction prints of various sizes and designs, (a lot) (may be subject to Droit de Suite)
Los 638
Christopher Penny, British b.1947- "Hillside Sheep"; etching with aquatint printed in colours, signed, dated `72, titled and numbered 1/75 in pencil, 35x48cm: Frances St Clair Miller, British late 20th/early 21st century- "Worton"; aquatint printed in colours, signed, titled and inscribed `A/P` in pencil, 29.5x28.5cm: together with two other aquatints, one printed in colours, by the same artist, entitled "Cafe near the ..." and "Avenue of Pines", both signed, titled and inscribed `A/P`: Colin Kirby-Green, British late 20th/early 21st century- "Alresford Creek, Essex I"; aquatint printed in colours, signed, titled, dated 1980 and numbered 49/50 in pencil, 15x20cm: Anthony Flemming, British late 20th/early 21st century- "Severn Trow"; etching with aquatint, signed and numbered 4/200 in pencil, 10x12cm: together with a number of reproduction prints and pictures after various hands including botanical prints and hand coloured reproductions after 18th century originals, a reproduction print after Tanguely and others, (a lot), (may be subject to Droit de Suite)
Los 365
The Honorable Edwina Sandys MBE, British b.1938- At the Circus; lithograph printed in colours, signed, numbered 40/75 in pencil, inscribed `For Robert with love from Edwina 30/10/72` on the print, 76.5x55.5cm: Julia Midgley, British b.1948- "Bus Stop, Marrakech"; etching with aquatint, signed, titled and numbered 11/30 in pencil, 24x44cm: British School, late 20th century- "Pinball Wizard"; lithograph printed in colours, signed, titled, dated `73 and inscribed `e.a` in pencil, 48x64cm: After William Heath Robinson, British 872-1944- "Jazz Tennis, The new craze in full swing at Wimbledon"; reproduction printed in colours, signed by Oliver Robinson and numbered 53/250 in pencil, 36.5x56.5cm: together with a number of other 20th/21st century prints and reproductions including examples after Raoul Dufy and Henri Matisse , (a lot), (may be subject to Droit de Suite)
Los 367
British School, 19th century- Portrait miniature of a military officer; oil on panel, feigned oval, 10x7.5cm: British School, 19th century- Silhouettes of gentlemen with walking canes; black ink, a pair, in matching walnut veneered glazed frames, ea. 19.5x12cm: Charles Williams, British act. 1797-1830- "John Bull on a Bed of Roses", publ July 1806 by Wm Holland; hand coloured etching, 25.5x35.5cm: Rossingol, French School, 19th century- "Vue De Paris"; hand coloured etching, 24.5x31.5cm: together with a further quantity of 19th century and later prints including hand coloured etchings and lithographs, a set of botanical chromolithographs, and a quantity of reproduction pictures and prints, (a lot)
Los 370
Graham Clarke, British b.1941- `Chez Nous`: etching, aquatint with hand colouring, signed, titled and numbered 30/400 in pencil, 34x54cm: Christopher Battye, British b.1942- `Dinner Party`; serigraph in colours, signed, titled, and numbered 76/100 in pencil, 50x73cm: Christopher Battye, British b.1942- `In the Colony Club`; serigraph in colours, signed, titled and numbered Studio proof 2/2, 68.5x54cm: Ljerca Njers, Croatian b.1937- `Untitled` ; serigraph in colours, signed and number 4/100, 50x51cm., (4) (unframed) (may be subject to Droit de Suite)
Los 374
* Susan Jameson, British b.1944- `Knife Scar II`; etching in colours, signed and dated 77, titled and numbered 52/60, 37x27cm: Susan Jameson, British b.1944- `Knife Scar III`, 37x27cm: Jenny Devereux, British b.1945- `Flower from Maria`; etching in colours on tissue stuck down on card, signed, titled and numbered 15/125, 49x40.3cm: Jenny Devereux, British b.1945- `Three Vases of Flowers`; etching in colours on tissue, signed, titled and numbered 21/75, 36.3x45cm: Jenny Devereux, British b.1945- `Summer Fireworks`; etching in colours on tissue, signed, titled, numbered 4/125 and inscribed, 19.5x22.6cm: Jenny Devereux, British b.1945- `Spring Primroses`; etching in colours on tissue, signed, titled, numbered 8/125 and inscribed, 16.7x19cm: Jenny Devereux, British b.1945- `Pot of Pinks`; etching in colours, signed, titled and numbered 44/15, 7.7x9cm: Jenny Devereux, British b.1945- `Paper Flowers; etching/mixed media, signed, titled and numbered 47/75, 37x14cm., (8) (unframed) (may be subject to Droit de Suite)
Los 375
Donald Wilkinson, British b.1937- `A Winter Sunrise`; etching in colours, signed, titled and numbered 38/90, 51x40cm: together with five others by Donald Wilkinson, British b.1937- `Storm over the Sea`, `Garden Windowsill`, `Fields near Orange - Provencal` (Triptych), `A Morning after Snow`; etching in colours, all signed, titled and numbered, 43x50.5cm (max) (5): Mick Durrant, British b.1950- `La Cabana` & `Gardens II`; serigraph in colours, both signed, titled and numbered 245/275 & 32/275, 81x61cm (max) (2): Terence Warren, British b.1948- `Storm I` & `Storm II`; serigraph in colours, both signed, titled and numbered 62/80 & 46/80, 99x71.5cm (each): together with six others by Terence Warren, British b.1948- `Force of Nature` XVI VI, XVI IV, XVI X, XVI I, XVI II, & XVI III; serigraph in colours, all signed, titled & numbered, 46.2x436.2cm., ea., (17) (unframed) (may be subject to Droit de Suite)
Los 377
André Bicat, French 1909-1906- `Tuscan Farm`: lithograph in colours, signed and numbered 11/30, 57x78cm: Urbain Huchet, French b.1930- `Estuary`; lithograph in colours, signed and numbered 49/200, 54x76cm: Tanya Short, British b.1955- `Spring Table` `Geraniums` & `Fresias`; serigraph in colours, one signed and dated 91, all titled, numbered `Studio Proof I/II` or `This 89 Artists Proof`, 87.3x68.5cm (max) (3): Tanya Short, British b.1955- `Blue Fusion` & `Orchids`; serigraph in colours, both signed and titled, 77.2x58.5cm (max) (2): Yvonne Cole, British b.1953- `Tender Spot`, `Sweetheart`, `Queen of Hearts`, `Cuckooland`, `Brush and Comb`, `Toothbrushes`, `Ice Lollies`, `Fireworks`, `Sweets`; lithoghraph in colours, all signed, titled and numbered either 6/40, 9/40, 7/33 & 12/33 in pencil, 55x70 (max) (9): Ljerca Njers, Croatian b.1937- `Pink Flowers`, `Yellow Tulips` & `Red Roses`; oil monoprint in colours, signed and dated 1989, titled, 44.5x30cm, (3): Ljerca Njers, Croatian b.1937- Still life of flowers, together with two others; lithograph in colours, signed and dated 1988, 58.7x54cm (each) (3): Ljerca Njers, Croatian b.1937- `Blue Flowers`; etching in colours, signed, titled and numbered 24/100, 44.5x54.5cm: Adrian George, British b. 1944- `Girl in Shower`; lithograph in colours, signed and dated 1981, numbered 13/75, blindstamp HS, 79x58.2cm: Adrian George, British b.1944- `Pink Tutu`; lithograph in colours, signed and dated 1988, 82x66cm: Roy Woodard, British b. 1953- `Love`; lithograph in colours, signed, titled and numbered 105/300, 88x61cm: Pete Kozowitz, 20th Century- `Heart on Fire`; etching in colours/mixed technique, signed, titled and numbered 14/100, 53.5x42cm., (a lot) (unframed) (may be subject to Droit de Suite)
Los 378
Richard Spare, British b.1951- "Lisianthus"; hand coloured dry point etching, signed, titled and numbered 136/150 in pencil beneath the plate, 53x37cm: Frances St Clair Miller, British b.1947- "Luxembourg Gardens Dawn", "Luxembourg Gardens Dusk"; etching with aquatint printed in colours, two, both signed, titled and numbered 129/150 and A/P respectively in pencil beneath the plate, ea., 43x29cm: together with another etching with aquatint printed in colours by the same artist entitled "Late Autumn at Bredwardine", signed, titled and inscribed `Artist`s proof` in pencil beneath the plate, 43x59cm: James Clark, British late 20th/early 21st century- "Summer Pond"; aquatint printed in colours, signed, titled, numbered 126/195 in pencil beneath the plate, 48.5x37cm: After Terence Cuneo, British 1907-1996- "Visit to Lloyd`s by Her Majesty Queen Elizabeth II with his Royal Highness the Duke of Edinburgh K G to lay the Foundation Stone of Lloyd`s New Building, November 6 1952"; reproduction printed in colours, 50x64cm, (6), (may be subject to Droit de Suite)
Los 391
Thomas Oldham Barlow, British 1824-1889- `Sir William Sterndale Bennett` after Sir John Everett Millais Bt PRA, publ by Edward S Palmer, London Oct 1876; mezzotint, stamped verso DBW, 49x38cm: Thomas Hardy, British 1757- c.1805- `Edward Miller, Mus Doct Doncaster`; stipple engraving, stamped verso DBW, 27x20cm: William Strasser, 20th century- Old man asleep with a broom; mixed method engraving, signed in pencil, musical notes in pencil under plate, stamped verso DBW, 27.5x21cm: Achille Devéria, French 1800-1857- `G A Osborne`, publ and printed by Charles Motte, Paris; lithograph, stamped DBW verso, 26.5x20.6cm: Paolo Toschi, Italian 1788-1854 and Isaac, 18/19th century- `Ferdin: Päer Parmigiano`, after Francois Gérard; engraving with etching, stamped DBW verso, 38.5x6cm (5) (unframed)
Los 414
Jan Christiaan Poortenaar, Dutch 1886-1958- View of a courtyard; etching printed in colours, signed in pencil, bars publisher`s blindstamp, bears label for Ruskin Galleries, Chamberlain Square, Birmingham attached to the reverse of the frame, 29.5x44cm: together with one other etching printed in colours of a street scene by the same hand, signed in pencil, bears publisher`s blindstamp, 21.3x27.8cm., (2) (may be subject to Droit de Suite)
Los 418
Hayter, Stanley William, New Ways of Gravure, preface by Herbert Read, publ by Routledge & Kegan Paul Limited, 1949, black cloth covered boards: Giles Grinagain, British fl.1801-1807- "New Arrivals at Chelsea", publ Mar 15th 1802 by S Howitt Panton Street Haymarket; hand-coloured etching, 21x25cm., (book and one framed print) (2)
Los 424
John Fullwood, British 1854-1931- "Halliford"; etching with drypoint, signed and titled in pencil, bears label for Richard Haworth 25 Preston Road Blackburn attached to the reverse of the frame, 21.3x19cm: together with one other etching by the same hand titled `Weybridge", signed and titled in pencil, 21.3x19cm: together with two etchings, a watercolour of a tropical sunset and a signed colour reproduction print of flowers by and after different hands, various sizes, (6) (may be subject to Droit de Suite)
Los 449
Victor Askew, British 1909-1974- Woodland scene; oil on canvas, signed, 56x71cm: Ernest Stephen Lumsden RE RSA, British 1883-1945 exh 1906-1940- On the Ganges; etching, signed and dated 1929 within the plate, signed and numbered in pencil, 25x38cm., (2) (part unframed) (may be subject to Droit de Suite)
Los 452
After Ernest William Haslehust RBA RI, British 1866-1949 exh 1888-1940- Haycart travelling through a stream, and A shepherd with his flock in a winter landscape; chromolithographs, two, signed within the plate, ea. 28.6x42.6cm: W J Cook, British mid 19th century- "Emir Sultan, Brusa", after Thomas Allom; hand coloured engraving, 16.5x21cm: Charles Herbert Clark, British b.1890- "King`s College, Taunton"; etching, signed in pencil and numbered 16/75cm, 22.8x30.5cm: After Lionel Louis Edwards, British 1874-1954- Hunting scene; reproduction printed in colours, signed in pen beneath the plate, 28x39.5cm: together with a further reproduction print in colours after the same artist entitled `The Pytchley, Braunston Brook`, 16.3x25cm: After Frank Algernon Stewart, British 1877-1945- The Hunt; reproduction printed in colours, signed in pen beneath the plate, 25x62cm: together with four other reproduction prints in colours depicting, a zebra and an elephant, in matching frames, ea. 17x22cm, after Renoir, `Jeunes filles au Piano`, 26.5x19cm, and a group of wine bottles, 37x27cm, (11)
Los 229
* Barry Flanagan (Welsh, 1941-2009), Field Day, signed with monogram, numbered 56/75. etching, 25 x 26cm (10 x 10in). Barry Flanagan was a Welsh sculptor, best known for his bronze statues of hares. He was born in Prestatyn, North Wales and studied at Birmingham College of Art and Crafts, before going on to St. Martin`s School of Art in London. Flanagan graduated in 1966 and went on to teach at St. Martin`s and the Central School of Arts and Crafts. In 1982 Flanagan represented Britain at the Venice Biennale and a major retrospective of his work was held at the Fundación `La Caixa` Madrid in 1993. In 1999, he had a solo exhibition at Xavier Hufkens in Brussels followed by an exhibition at the Tate in Liverpool the following year. In 2002 another major exhibition of his work was shown at the Kunsthalle Recklinghausen, Germany, which went on to tour at the Musee d`Art Moderne et d`Art Contemporain in Nice. His popular hare motif bronzes can be seen in several public spaces and have included Park Avenue, New York in 1995-96 and Chicago`s Grant Park in 1996.
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78475 Los(e)/Seite