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Los 47

A small red translucent glassware with cut leaves and etching that reads: C. Leech Bristol Exhibition 1884. Dimensions: 2.25"W x 3.5"HCondition: Age related wear.

Los 20

Original etching on paper of a man's profile drawn in a caricatural style. His name is written in cursive directly in the plate as well as the artist's signature and date: 1930. Written in pencil below the plate on the lower left: 1/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 1 of 100 Condition: Age related wear.

Los 19

Rare original etching on paper of Bengali literary, philosophy and artistic genius Rabindranath Tagore. He is represented looking to the side, in a three-quarter view portrait. His name is written in cursive directly in the plate, with the signature of the artist and the date: 1926. Written in pencil below the plate on the lower left: 4/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 4 of 100 Country of Origin: United StatesCondition: Age related wear.

Los 53

Antique Coastal Scene Fisherman Etching by Frank Short (1857-1945) - 41x53cm inc frame

Los 60

EVE DOOLITLE (b.1947) 'Mustangs in the Mountains: Hide and Seek', coloured etching, 55cm x 70cm, signed and numbered, framed.

Los 4074

Edgar Holloway (British 1914-2008): 'Hurstpierpoint' West Sussex, drypoint etching signed and numbered 3/100 in pencil, signed titled and dated 1976 in the plate 20cm x 27cm; 'Keymer', miniature drypoint etching signed and inscribed 'Best Wishes 1979' in pencil, titled in the plate 5cm x 7cm with full margins (10cm x 13cm full sheet) (unframed) (2)

Los 183

An 18th century wine glass, circa 1770, having a bucket shaped bowl, on a multi series opaque twist stem, h.16cm; together with an 18th century ale glass, circa 1770, having an elongated conical bowl, on a double series opaque twist disc knopped stem, h.18cm (2)Both have some chipsWine glass has a crack to the base of thebowlAle glass has later etching to the bowl

Los 1049

Alfred Blundell - The End of the Island, etching, signed and titled in pencil to the margin, 21x35cm, together with one other by the artist entitled Reeves Barn, Hawstead (2)

Los 489

A 19th century etching of water crossing scene with a lurcher and a horse with a framed watercolour of the Ross Shire Mountains, largest 18x27cm exc frames (2).

Los 304

After Edmund Blampied (1886-1966) - Fishermen returning, etching, pencil signed to lower right margin, 17 x 23.5 cm

Los 352

Mixed pictures including Anne Shingleton 'Sheep-Goat chimaera', etching; Shelagh Popham etching of a hen; diminutive etchings, watercolour etc (box)

Los 303

After Lionel Lindsay - 'The Clock, Old Fishmarket, Naples', etching, pencil signed to margin, numbered 100, 25 x 17.5 cm

Los 2104

Three framed hunting pictures to include 'Hare Coursing' published by R. Ackerman, a framed and mounted print of a Fox Huntsman Inspecting the Hounds, and a wooden cross framed coloured etching titled 'Unearthing the Fox'.

Los 2164

A framed and mounted etching by Bartholomew Esteban Murillo 'L'Assumption', 26'' x 33''.

Los 2105

A framed coloured etching by H. Alken titled 'Sparring at the Fives Court', published by Jones and Co, 1821, along with a framed cutting from a Sports Paper.

Los 2102

A wooden framed etching titled 'Crop' published by J. Pitman, Warwick Square along with a wooden framed etching titled 'Maniac' also published by J. Pitman, Warwick Square, 11 3/4" x 10 1/4"

Los 111

PETER BEESON, (Contemporary) British (AR), Shelducks, a signed limited edition etching, numbered 2/50 and signed to the margin. 36 x 13 cm.

Los 113

SUE KAVANAGH (20/21 century) British (AR), Winter Snowdrops, a signed limited edition etching, numbered 23/50 and signed to the margin. 30 x 24 cm.

Los 5228

Edward Sharland (British 1884-1967): 'Bridge of Sighs - Venice', coloured etching signed and titled in pencil, together with a similar etching by HP Huggill (2)

Los 5503

E River (British 20th century): Jockeys Taking a Fence, etching signed 16cm x 28cm

Los 1006

Winifred Austin (1876-1964) ''Doormouse''Signed and inscribed in pencil, dry point etching, 12.5cm by 15.5cm

Los 1070

After Daniel King (17th Century)"The North Prospect of the Cathedral Church of Durham""The South Front of the Cathedral Church of Durham"Etching, 19.5cm by 30cm; together with engravings and prints of Yorkshire, Northumberland, Isle of Mull and Isle of Skye, (qty)

Los 1038

David Biglands (Contemporary)''Little Tree, Lend Me Your Shadow'' (Formentera, Spain)Signed gouache, together with a Percy Smith etching of a lady feeding a goat and S A Preston ''Lismore Castle, Co. Waterford'' mixed media (3)

Los 1048

~ After George Vernon Stokes (1873-1954)Spaniel and duckSigned and number 5/75, etching, together with a further etching by the same hand depicting blue tits and three prints after Henry Alken (5)

Los 809

John Bellany (1942 - 2013), Fealty, etching, artist's proof, signed in pencil, plate 25cm x 20cm, clip frameSlight paper discolouration along the top edge in the margin and a very small stain in left-hand corner margin, no foxing

Los 626

Anthony GROSS (British 1905-1984) Rustic Pupils, dry point etching, image size 18cm x 21cm, signed 'Anthony Gross 1924' lower right, framed and glazed.Some minor browning to plate / paper.

Los 731

William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Echidna The Untameable of Soul, from Compositions from the Works, Days and Theogony of Hesiod, published byLongman, Hurst, Rees, Orme and Brown 1817, 13cm x 28cm, mounted, glazed and framed. Flaxman, a close friend of Blake, was the much more successful artist at thetime and used his name to help the struggling Blake with engraving commissions. According to The William Blake Archive, the Hesiod etchings “are one of Blake’smajor endeavours as a commercial etcher/engraver of designs by other artists … Without the Hesiod project, Blake and his wife Catherine might have descended intodire poverty."

Los 789

Julian Trevelyn (1910 - 1988), Tuscany, coloured etching with embossing, artist's proof, signed in pencil, 37cm x 55cm, framedSeveral light creases, otherwise good condition

Los 754

Rembrandt after Jan Lievens, Oriental head, etching with drypoint, plate 14.5cm x 12.5cm, framedA few very light fox marks and stains, no paper damage

Los 52

MAX SLEVOGT (1868-1932)Selbstbildnis beim Zeichnen, 1911 signed in penciletching, on laid paperSheet 18.7 x 13.1cm (7 3/8 x 5 3/16in).Footnotes:LiteratureJ. Sievers & E. Waldmann, Max Slevogt: Das druckgraphische Werk, Erster Teil, 1890-1914, Heidelberg and Berlin, 1962, no 424.For further information on this lot please visit Bonhams.com

Los 182

NO RESERVE Dighton (Robert) A View near Hyde Park Corner, etching with original hand-colouring, faintly inscribed in ink 'Mr Tattersall' in the lower right corner, sheet 203 x 142 mm (8 x 5 5/8 in), unframed, 1802; together with a later Bohn edition of Gillray's 'Sandwich-Carrots!, hand-coloured, unframed, (2)

Los 38

Satirical Broadside.- La Rareté de Prague - De Praagsche Rariekiek, engraved titles in French and Dutch, central fold, tears in top right corner and lower left corner without loss, browned, 550 x 425mm., [BM Satires Catalogue 2504], Amsterdam, by Jan 'T Lam, Boekverkooper bezuyden 't Stadhuys, naer de Copy van London, Publish'd According to Act of Parliament, by T. Cooper, at the Globe in Pater-Noster-Row, [c. 1745].⁂ A Dutch broadside after an English broadside published by Cooper, satirising Cardinal Fleury (1653-1743), chief minister of Louis XV of France and other European heads of states and politicians prior to their march against Prague. The etching showing the interior of a room, at its centre a table with a map of Europe, surrounded by various heads of state and politicians pointing at certain areas. In mid-1741 France, Spain, Bavaria and Prussia forged an alliance, in which they promised each other support in exchange to the rights of certain territories conquered from the Austrian forces. In the same year the allied forces marched against Prague, which was stormed by the French in November 1741.

Los 31

*DAME ELISABETH FRINK (1930-1993) 'The Old Man of the Sea' from the 'Children of the Gods' series (Wiseman 148), signed and numbered 17/70 in pencil to the margin, etching with aquatint in brown, printed at Kelpra Studio on Velin Arches paper, plate size 54cm x 37.5cm

Los 184

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: The 'Train Tracks' Portfolio a set of four sealed standard format giclee prints on Hahnmuhle 350gsm Museum etching paper, each signed by the artist, 53 from the numbered edition of 295, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet size 70cm x 56cm each work with a signed and numbered certificate of authenticity (4, all unframed in sealed envelopes as new)Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

Los 30

*DAME ELISABETH FRINK (1930-1993) 'Hermes' from the 'Children of the Gods' series (Wiseman 145), signed and numbered 18/70 in pencil to the margin, etching with aquatint in brown, printed at Kelpra Studio on Velin Arches paper, plate size 56cm x 37.5cm

Los 195

Nora Scholly (Slovakian / Austrian, 1905-1965), Fairy, small scale hand coloured etching, signed Nora Scholly to lower right. Scholly wrote a total of 16 Children’s books between 1930 to the 1960’s which she illustrated herself. In her books she often gave animals, trees and flowers a human face. In this way, Scholly tried to bring the unity of humanity and nature closer to children. Framed and glazed, ‘Scholly Verlag Badischl’ label to reverse. 8cm x 11cm.

Los 1499

†Henry G. Walker: a vintage oak framed small format coloured etching, depicting moored sailing vessels on a river - signed in pencil to the margin

Los 1143

Winifred Pickard (1908-1996) - A young girl reading with flowers in a vase with fruit on table top, etching with aquatint, signed and dated Xmas 86 in pencil, unframed, 16.5cm x 21.5cm, also seven other etchings by the same hand. (8)

Los 789

Bernard Meadows (1915-2005) - 'Malloy Plate 7', etching with aquatint, signed in pencil, dated '66, unframed, 17cm x 55.5cm, also one other unframed etching by the same hand. (2)

Los 790

Anthony Imre Alexander Gross CBE RA (1905–1984) - 'Paysage du Lot', etching, signed in the plate, signed and titled in pencil, numbered 100/200, unframed but mounted, 24.5cm x 34.5cm, also two other etchings by the same hand depicting figures in a French landscape, dated 1932 and one other titled 'Toulouse'. (3)

Los 367

After Isaac Robert Cruikshank (1789-1856) - 'Dandies Dressing', hand-coloured etching, pub. 1818 by Thomas Tegg, Cheapside, (25.5 x 35.5 cm). Hogarth frame ( 28 x 38.25 cm).* Condition: Not examined out of frame. Stain top right corner, moderate toning throughout, heavier toning to lower margin. Some spotting. Slightly faded. Near vertical crease just to left of centre, heavier to lower half of sheet.

Los 404

Charles Chaplin (1907-1987) - 'Forest Glade', monochrome etching; titled, signed 'Chas Chaplin' and dated 1963 in the margin (19.5 x 27 cm). Verso - artist's name and address, title and price, and in another hand 'Purchased at Royal Academy Summer Exhibition 1963'. (Frame 41 x 53.5 cm)Cockling to sheet. Acidic mount. No spotting, mount burn or toning. Water stain to mount.

Los 425

George F. Fallows (1920-2011) - medieval dancing lady, artist's proof colour etching, marked 'A/P' and signed in pencil (45.5 x 29 cm). (Frame size 74 x 53 cm)

Los 5070

Albert Speer - Stich von A. Schuricht 1944 sowie zwei Versicherungsscheine "Schopenhauer Strasse, Berlin", 1937 Ein Stich von Arthur Schuricht "Professor A. Speer", handschriftlich datiert "13.03.1944", Maße Blatt ca. 27 x 20 cm. Dazu zwei Versicherungsscheine der Basler Versicherungs-Gesellschaft, Direktion für das Deutsche Reich, Berlin. Ein Feuer-Schein Nr. 84232 für Herrn Prof. Albert Speer, Schlachtensee, Schopenhauer Strasse 31, Berlin, ausgestellt am 04.11.1937, mehrseitig. Dazu ein weiterer V-Schein "Hausrat, Brand-Einbruch usw. Nr. 007759", gleiche Anschrift und Ausstellungsdatum, mehrseitig.Provenienz: Aus Familienbesitz. Albert Speer- an etching by A. Schuricht 1944 and two insurance certificates "Schopenhauer Strasse, Berlin", 1937 Albert Speer- an etching by A. Schuricht 1944 and two insurance certificates "Schopenhauer Strasse, Berlin", 1937Ein Stich von Arthur Schuricht "Professor A. Speer", handschriftlich datiert "13.03.1944", Maße Blatt ca. 27 x 20 cm. Dazu zwei Versicherungsscheine der Basler Versicherungs-Gesellschaft, Direktion für das Deutsche Reich, Berlin. Ein Feuer-Schein Nr. 84232 für Herrn Prof. Albert Speer, Schlachtensee, Schopenhauer Strasse 31, Berlin, ausgestellt am 04.11.1937, mehrseitig. Dazu ein weiterer V-Schein "Hausrat, Brand-Einbruch usw. Nr. 007759", gleiche Anschrift und Ausstellungsdatum, mehrseitig.Provenance: Aus Familienbesitz.Condition: II

Los 41

Braun & HogenbergOxonium and Vindesorium, etching, hand-coloured, pub. Cologne 1575, 36 x 48cm Vertical crease just right of centre and a repaired tear to the lower margin approx. 3 inch long. Colours are good but colouring appears later.

Los 506

Mmlle Rhodon after Delacroix'Tigre Couche', etching printed by Salmon, Paris, 13 x 16.5cm; four further etchings/lithographs; and two cartes de visite, one with Delacroix standing and one seated (7) From the estate of the late Dr Simon Lee, formerly Associate Professor of the History of Art, Reading University

Los 37

John Sell Cotman'West End of Braysworth Church, Suffolk', etching 1st Ed 1811, 30 x 21.5cm Prov: With the William Weston Gallery

Los 532

George Cruikshank'German Mountebank blowing his own trumpet at a Dutch Concert of 500 Pianofortes', etching with hand-colouring, double-page with printed script titled 'A Flourish of Trumpets'. pub. c.1818, 26.5 x 21.5cm (pl), 34 x 39cm (sh), unframed

Los 57

Graham Clarke (b.1941)'Valley Cottage', etching, pencil signed in the margin and titled, 8.5 x 12cm; and two further similar to include: 'Rural Scene No. 1#; and 'Old Quarries' (3)

Los 62

Adriaen van Ostade (1610-1685)The Two Gossips (Bartsch 40, Hollstein 40 iii/v), etching c.1648-54, partial watermark, 10 x 9cm; and one further - Peasant with his hand in his cloak, 8.5 x 5cm, unframed (2) Prov. The GossipsEx. Colln. E.V. Rouir (L. 2156a)Dr HerwexAndre-Jean Hachette (L. 132)Prov: With Elizabeth Harvey-Lee

Los 60

Valerie Thornton (1931-1991)'Etruscan Encounter', etching with aquatint, pencil signed in the margin, titled, numbered 1/50 and dated '83, 25 x 36cm In good condition.  Not examined out of frame.

Los 25

Elyse Ashe Lord (1900-1971)'Kingfisher', etching with hand-colouring, signed in pencil and numbered 70/75 to the margin, 30 x 31cm; and one further by the same hand 'Reading', 28 x 25cm (2) Kingfisher – scattered areas of very light foxing. One or two light surface marks. Mount grubby and frame in state of disrepair with no glass.Reading – one or two light surface dots. Mount slightly grubby with thunderflies. Otherwise generally good.

Los 5

Samuel & Nathaniel BuckSouth West Prospect of the City of Chester, hand-coloured etching, 24.5 x 71.5cm; and another, the North West Prospect of the University of Cambridge (2) Chester: Time stained and has slipped slightly within mount. A few minor spots of foxing.Cambridge: Heavily stained and foxed throughout.

Los 9

Rowland Hilder (1905-1993)Little Bew Bridge Farm, etching in colours, pencil signed in the margin and numbered 46/175, 39.5 x 59.5cm Prov: With Duncan Campbell Fine Art

Los 38

William NicholsonRadcliffe Camera, lithograph in colours, pub by Stafford Gallery, 34 x 31cm; Morton Matthews (1866-1955) - 'Bertrams Barn', signed and inscribed in pencil, etching, 30 x 23cm; and J.C. Bourne - 'Long Tunnel Foxes Wood', lithograph, 27 x 39cm (3)

Los 56

Samuel and Nathaniel BuckThe South East View of Wymondham Abbey, in the County of Norfolk, etching, 19.5 x 37cm; and nine further in partially dismantled album bound in full calf; together with two further loose - The North - West Prospects of Maidstone and Sheerness

Los 30

Thomas William Daniell'Raje Gaut, The Principal Road up to Rotas Ghur, Bahar', plate no. V, etching with aquatint in colours, published by Robert Bowyer at the Historic Gallery, Pall Mall, 48.5 x 65cm; and one further similar - 'An Ancient Hindoo Temple in the Fort of Rotas, Bahar', plate no. XI (2) Both: Very minor discolouration to lower margins. Some very minor pale and tiny spots of foxing.

Los 15

D B MartinThe Clayton Mills, etching, pencil signed in the margin and titled, 22 x 27cm

Los 31

Thomas William Daniell'S.W. View of the Fakeers Rock in the River Ganges, near Sultanganj', plate no. IX, etching with aquatint in colours, published by Thomas Daniell; and one further similar - 'The Armenian Bridge, near St Thomas's Mount, Madras', plate no. X (2) 1st: Time stained / discoloration, with band of paler discoloration to margins from a previous mount. Foxing spot to the title tablet. Scattered small dark spots.2nd: Dark brown scuff type mark to the sky near upper margin. Possible margins obscured by mount. Some repaired tears to right side, lower right margin appears trimmed. Scattered small dark spots.

Los 59

E Hedley Fitton (1859-1929)Church of The Three Kings, St Emilion, Guyenne, etching, faintly inscribed in pencil to the margin, 31 x 35cm

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