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Preisdatenbank abonnierenFrank Martin (British 1921-2005) "Vilma Banky" Signed, titled and numbered 'Artist's Proof' in pencil in the margin, etching.40.5 x 30cm (framed 70 x 57.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some light time staining and browning around the edges of the paper near the mount board. The print is ornately framed and glazed.
John Hoyland R.A. (British 1934-2011) "Anking" Signed, dated '79 and numbered P/P in pencil in the margin, with printer's blind stamp, etching and aquatint in colours.plate size 68 x 53.5cm (framed 97 x 72.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed slightly in most areas, and there are a number of minor spots of foxing found across its surface. The print is framed and glazed.
Frank Martin (British 1921-2005) "Constance Bennett in 1924" Signed, titled and numbered 'Artist's Proof' in pencil in the margin, etching.plate size 43.5 x 30.5cm (framed 77 x 60cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed slightly and there is some light time staining around the edge of the sheet near the mount board. There are minor spots of foxing found across the paper. The print is ornately framed and glazed.
Frank Martin (British 1921-2005) "Ann Pennington" Signed, titled and numbered AP3 (Artist's Proof) in pencil in the margin, etching.plate size 33 x 50.5cm (framed 65 x 80.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed slightly and there are several minor spots of foxing, both within the plate and the margins. The print is ornately framed and glazed.
Terry Frost R.A. (British 1915-2003) "Lament for Ignacio Sanchez Mejios" from the Lorca Suite (Kemp 98) Signed and numbered 12/75 in pencil, etching and aquatint.55.5 x 38cm (framed 65 x 46.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are a few very minor spots of foxing found in some places across the sheet. The print is framed and glazed. The frame has one or two minor scuffs commensurate with age.
Φ Dame Elisabeth Frink CH, DBE, RA (1930-1993)Viszla B (Wiseman 125)Signed and inscribed A.P 6/10 Frink (in pencil to margin) and with Kelpra Studio blindstampEtching and aquatint, 1980, one of 10 artist's proofs aside from the edition of 7554.8 x 69.3cm (plate)Provenance:The Collection of Michael and Henrietta Gough
James Abbott McNeill Whistler RBA (American 1834-1903)Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris")Etching and drypoint13.4 x 8.2cm (plate)Provenance:William Darby, London;The Collection of Michael and Henrietta GoughExhibited:London, William Darby, Christmas Exhibition, 1976, no.21
*BOB COSFORD (Contemporary) 'Rosie'inkjet on German etching paper hand finished with glitter and paint drips. 48cm x 54cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".
An English rare etching after Morland, Circa 1860 entitled "The Infant Nursery" from the original in the Pofscfsion of William Lynn Esq. picture size 10½" (26.5vm) x 8¾" (22.5cm), glazed an in gilt and ebonised wooden frame and a black and white print of a girl holding a muff entitled "The English Girl" from Cory Publications July 1st 1791 in gilt oval frame, 3" (7.5cm) x 2½" (6.5cm) (P31)
Paul César Helleu (French, 1859-1927) Meditation (Méditation), from 'L'Estampe Originale'hand-signed to the margin in pencil and numbered '3'drypoint etching, artist's proof28 x 19.5cmThe paper has yellowed to a minor degree, with a visible darkening of the paper closer to the contact of the mount where it meets the paper. No visible signs of tears or rips. The signature and art proof symbol also been clean and clear found in the lower left and lower right. No visible signs of foxing or spotting. Unexmained out of the frame. Frame size: 63cm x 45.5cm
Attributed to William Hamilton (British, 1751-1801) The Month of March, girls with chickens in a farmyardoil on canvas30 x 26cmProvenance:The French Gallery, London;From Suffolk country houseThe present lot was possibly painted by Hamilton for use as reference in an etching series titled The Months of the Year, engraved by Francesco Bartolozzi in 1793 as The Month of March.55 x 51cm (framed)Oil on canvas which has been lined. The canvas is in plane and the paint layers are in a good, stable condition overall. There is the faint impression of an oval with marks at each corner. It is possible that the painting was once shown in an oval slip which has caused abrasion to the paint surface. The corners have extensive areas of brushy overpaint. Overpaint has also been used in the central composition to reinforce certain areas. The varnish layer is very thick in areas of very yellowed. In the upper right quadrant there are some white marks across the surface.It is possible that the appearance of the corners within an apparent oval may have been caused by the spandrels of the painting being at one time covered by an oval slip. It is also possible, however, that these corner areas outside the oval could have been added by the artist, or at a later date.
Herbert Thomas Dicksee RE (British, 1862-1942) 'Footsteps'hand-signed in pencil to margin, signed with initials and dated 1925 in the plateartist's proof etching on vellum37 x 54cmThe etching is in an overall good condition, however, the vellum has discoloured slightly, which is mainly visible to the area around the signature. There are no signgs of foxing or spotting, nor any rips or tears to the vellum. Unexamined out of the frame.The work is framed (additional photos provided)56.5cm x 75cm (frame size)
Walter Richard Sickert RA RBA (British, 1860-1942) Sallyhand-signed by the artist to the marginetching, published by Carfax & Co.15.5 x 9.5cmWe are grateful to Dr Wendy Baron for her assistance with the cataloguing of this work.Framed and glazed. The glass dirty and mount appears discoloured but print itself appears in very good, clean condition with impression mark and signature clearly visible. Unexamined out of frame.
Paul César Helleu (French, 1859-1927) Portrait of Madame Chéruithand-signed in pencil to the margindrypoint etching42 x 22.5cmThe paper has yellowed to a minor degree, with a visible darkening of the paper closer to the contact of the mount where it meets the paper. No visible signs of tears or rips. The watermark is clear in the middle section with the signature also been clean and clear found in the lower left. No visible signs of foxing or spotting. Unexmained out of the frame.Frame size: 63.5cm x 46cm
Victorian Royal Navy Warrant Officer's Presentation Sword. A good scarce example, the blade etched with fouled anchor surmounted by a Victorian Crown, also presentation panel PRESENTED TO H TAYLOR FROM OFFICERS HMS BEMBOW ON HIS PROMOTION GUNNER RN. Solid gilt metal guard, with black shagreen grip and stepped gilt metal pommel. Housed in black leather scabbard with gilt metal mounts. Gilt polished, etching to blade clear, with some rust spots. GC.
WW1 Period Royal Navy Attributed Officer's Sword. A clean example retailed through Alfred Shannon of Devonport The blade etched with a GVR cypher and crowned fouled anchor device. The solid gilt metal guard with crowned device, this engraved with the name MACKENZIE DALLAS RN. White shagreen grip surmounted by a lion's head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear. Gilt mounts have been polished. Attributed to Engineering Lieutenant Commander Dallas Mackenzie, who was commissioned from Warrant rank in 1914 and was Mentioned in Despatches for his service onboard HMS Malaya during the Battle of Jutland. In 1918 he was serving as acting Lt Cdr onboard HMS Radstock.
Imperial German WW1 Period Officer's Sable Sword. This example with single edged curved blade, with etched decoration incorporating an Imperial Eagle and floral decoration. The hilt with a single brass bar guard and shagreen grip. Housed in metal scabbard, with brass mounts and rings. Blade is clean, etching clear. Hilt slightly slack otherwise GC.
WW1 Period Royal Navy Officer's sword. A clean example, the blade etched with a Royal Coat of Arms and crowned fouled anchor device. The solid gilt metal folding guard with crowned device enclosing a white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear. Gilt mounts have been polished.
George IV 1822 Infantry Pattern Sword. A good scarce early example of the pattern. The slightly ciurved piped back blade with etched pannel of a GIVR cypher and cuttlers details of Prosser London. The hilt with gilt open guard with crowned GIVR cypher and retaining black leather lining. The shagreen grip with twist wire binding. Complete with leather and gilt metal mounted scabbard, these fitted with loose rings, the top mount with the addition of a frog button. Overall near VGC, blade clean, etching clear, gilt bright.
WW1 Attributed British Army Infantry Pattern Sword. A good regulation example. The blade with etched decoration of a crowned GVR cypher engraved panel A H HUNNINGS AUGUST 1915 and retailers details of James Deakin Sheffield. The hilt with shagreen grip retaining twist wire binding. Housed in polished brown leather field service scabbard, with sword frog. Clean condition. Crowned device engraved with the name MACKENZIE DALLAS RN. White shagreen grip surmounted by a lion's head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade clear. Gilt mounts have been polished. Attributed to Lieutenant Arthur Hunnings, who was awarded the BWM & VM. He is shown as serving with the Graves Registration Unit, before service with the 22nd Bn King's Royal Rifles, which was a training battalion before volunteering for service with RAF as a Technical Officer in 1918.
WW1 Period Royal Navy Officer's sword. A good example, the blade etched with a GVR cypher and crowned fouled anchor device. The solid gilt metal folding guard with crowned device enclosing a white shagreen grip and lion’s head pommel. Housed in leather scabbard with gilt metal mounts. Etching to blade now faint with some staining and pitting spots. Gilt mounts have been polished.
Marsh, Reginald H.: (1898 Paris - Dorset 1954). Skyline from Pier 10, Brooklyn, New York. Radierung 1931. 16,4 x 30,2, Blgr. 20,2 x 34,4 cm. Sign. u. num. "# 12" u. mit dem Namenszug u. Datum i.d. Platte. An den oberen Ecken unter Passep. geklebt. Sasowsky 129. Zustand 2 (von 4). - R. Marsh gilt als einer der bedeutendsten amerikanischen Vertreter der Neuen Sachlichkeit; seine wichtigsten Schüler waren Roy Lichtenstein (1923-1997), Harold B. Cousins (1916-1992) und George Clair Tooker, Jr. (1920-2011). Marsh ist besonders bekannt für seine Gemälde, Aquarelle und Radierungen von New York und Coney Island der 1930er und 1940er Jahre. - W. Rd. vereinz. leicht fleckig u. leicht knittrig, kl. Randeinriss re. - Etching, under passepartout. Signed, numbered and with name and date in the plate. Ocassionally slightly stained on the margin, slightly creased, small chipping on the right side. R
James Gillray, The Grand Coronation Procession of Napoleon, hand coloured etching on wove paper, published by H Humphrey 1805, impression 24x78cm, and James Gillray, John Bull Taking a Luncheon, hand coloured etching on wove paper, trimmed inside the plate mark, 16x20.5cm. TITLE OF SECOND WORK CHANGED 29.11.24 Qty: 2 Condition report:The images are correct - description has been amended. James Gillray, The Grand Coronation Procession of Napoleon, hand coloured etching on wove paper, published by H Humphrey 1805, impression 24x78cm, and James Gillray, John Bull Taking a Luncheon, hand coloured etching on wove paper, trimmed inside the plate mark, 16x20.5cm. TITLE OF SECOND WORK CHANGED 29.11.24
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