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78472 Los(e)/Seite
AFTER KEN HOWARD "Study of Hong Kong looking from the water's edge", limited edition coloured print, signed in pencil bottom right no 137/200, together with another similar, a pair, AFTER ERNEST GEORGE "St John's Gate, Clerkenwell, 1884", an etching, signed bottom left, another "Continental scene", etching and pencil Fashion studies, etc CONDITION REPORTS All pictures have various conditions, fox stained etc. Various general signs of wear and tear to all throughout.
§ Joe Tilson (British, b.1928) The Mask of Poseidon signed lower right "Tilson 1984" and numbered 7/40 soft ground etching and aquatint in colours 114 x 102cm (44 x 40in) Provenance: Waddington Graphics, 34 Cork Street, London, W1, Joe Tilson Exhibition, 1984. Under non-reflective glass. Condition appears fine.
§ Valerie Thornton (British, 1931-1991) Cloister, Santa Domingo de Silos, Northern Spain, signed lower right "Valerie Thornton '78" and numbered 31/50 coloured etching 69 x 40 cm (27.2 x 15.75in); and another, Capitals, Elbe, Czech Republic, signed lower right "Valerie Thornton '80" and numbered 48/70, etching 23 x 15 cm (9 x 5.9in) Fine.
§ Peter Coker, RA (British, 1926-2004) View of Staffin on the Isle of Skye signed on the reverse "Peter Coker" oil on board 20 x 34cm (8 x 13in) Other Notes: Peter Coker was a pre-eminent post-war British artist. Studying at the Royal College of Art at the same time as Coker were Jack Smith, John Bratby, Derek Greaves and Edward Middleditch; they became known as the Kitchen Sink School, a term coined by the critic David Sylvester in response to their unique brand of realism inspired by everyday domestic life in post-war Britain. Coker had discovered the work of Gustave Courbet while visiting Paris in 1950 and also that of Nicolas de Stael. Inspired by Courbet, Coker began to paint landscapes from nature in Normandy and Brittany by the mid-1950s. He continued to use bold colours in his landscapes, using thickly impasto paint to capture the power of natural forces. He also painted in Devon, Cornwall, Essex and, towards the end of his life, in North West Scotland. Coker published a book "Etching Techniques" in 1976. He became an Associate of the Royal College of Art in 1953, was elected a Royal Academician in 1972, and won an Arts Council Award in 1976. Condition is fine.
§ Richard Bawden, RWS, NEAC, RE (British, b. 1936) Sitting room interior, London signed lower right "Richard Bawden" watercolour 55 x 71cm (21 x 28in) Other Notes: Mrs Richard Bawden writes: The interior is in our family house in Balcombe Street, Marylebone, London. We are not sure about date; possibly the early 1990s. The paintings of interest on the wall are Left to Right: Valerie Thornton etching Edward Bawden Albert Bridge top watercolour in France by Stuart Rose (my father) below Student design project done while at the Architectural Association by John Cruikshank Rose (my uncle). We are grateful to Richard and Hattie Bawden for their assistance with the catalogue entry. Condition is fine.
A SMALLSWORD & PARTIAL SHAMSHIR. A Gentlemans smallsword in the 1796 infantry officers style, complete with its brass mounted black leather scabbard. Brass hilt and p[ommel , folding guard with plain finish. The stirrup hilt and pommel partially decorated with swirl designs, wooden grip lacking its wire wrap. 31" tapering blade with light etching and almost full length fuller. Possibly of Continental manufacture, a handsome usable sword. A 19thC Shamshir sword with grips loose and blade shattered in two pieces, with partial scabbard.
William Lionel Wyllie (British, 1851-1931) - 'Loch Fyne, Fishing Boats'Pencil signed etching, bears label verso 'From Robert Dunthorn The Rembrandt Gallery, 28 Castle Street, Liverpool, presentation copy from The Collection of the late F. Goulding of London', approx 22x30cm, mounted and framed.
Sarondi?? Unclear, 18th C, view of a hilltop town and buildings with river to foreground, 32 x 27cm, Max Zimmermann etching (18)44, pond landscape with deer, 13 x 18cm, 18th C watercolour study of a cuckoo, continental signed lakeside study of boats, oil on card, c. 1900, 18 x 28cm, and a gold leaf abstract geometric composition, 46 x 60cm (5)
THE DAVID BOWIE ARCHIVE - An incredible selection of 18 x LPs and 1 x 12" presented in wonderful condition. Titles include Low (PL12030 original stickered track listing - archive vinyl appears unplayed/Ex+ sleeve with insert), Diamond Dogs (UK APLI-0576 A-1owy/B-1owy - archive vinyl without spindle markings indicated this is an unplayed copy/Ex+ gatefold), Heroes (1st UK PL 12522 'DAVES RCA' etching A-3E/B-5E, archive vinyl that looks like it has just come off the pressing plant with 'excess' vinyl on the outer rim/Ex+ or archive sleeve, incredible copy with insert), The Man Who Sold The World (LSP-4816 1E/2E original UK - archive vinyl with poster/Ex+ sleeve very clean indeed), Space Oddity (RCA issue UK LSP 4813 A-4E/3E archive vinyl that appears unplayed with lack of spindle wear/Ex+ immaculate with poster), Ziggy (Mainman sleeve SF 8287 archive copy with lyric inner), Let's Dance (AML 3029 printed inner factory sample sticker on sleeve and picture disc AMLP 3029), Hunky Dory (SF 8244 5E/3E, archive vinyl that once again appears to be unplayed without markings/Ex+ sleeve with insert), Young Americans (RS 1006 6E/3E - archive/strong Ex), Pinups (RS1003 3E/3E, similar 'untouched' archive vinyl/Ex+ sleeve, fold on insert), Changes One (RS1055 3E/5E) and Scary Monsters (BOWLP2 still in shrink). Condition of the records is Ex+ or archive with the sleeves Ex to Ex+/archive. This won't be seen again.( VINYL RECORDS )
A Vic 1845 pattern officer’s sword of The 85th (The King’s L. Infantry) Regt, slightly curved, fullered blade 32½”, faintly etched with crowned VR cypher on both sides with strung bugle and “85” on one side and “85 Regt” on the other, in scrolled panels, with maker’s name “Tatham 37 Charing Cross” and “Warranted Proved” in scrolls at forte, regulation brass hilt with turn down inner portion, stepped pommel, ornamental backstrap, wirebound grip, in steel scabbard with 2 rings. Basically GC (blade worn and cleaned, much of the etching unclear).

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78472 Los(e)/Seite