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78472 Los(e)

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*Rossini (Luigi, 1790-1857). Veduta dell'avanzo del fianco del Portico, che circondava la Cella del Tempio di Antonino Pio, i

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Dominic Winter Auctions

Los 365

*Rossini (Luigi, 1790-1857). Veduta dell'avanzo del fianco del Portico, che circondava la Cella del Tempio di Antonino Pio, in Oggi Dogana di Terra, e Piazza di Pietra, Rome, 1822, etching on laid paper, plate size 400 x 540 mm (15.75 x 21.25 ins), with margins, framed and glazed, together with Veduta del Gran Sepolcro di Cecilia Metella situato nella Via Appia, Rome, 1822, etching on laid paper, plate size 460 x 625 mm (18 x 24.5 ins), with margins, black and gilt frame, glazed (2)

Live Auktion

*Evans (Merlyn Oliver, 1910-1973). Helmet Mask, 1957, monochrome etching on thick wove paper, signed and dated lower right,

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Dominic Winter Auctions

Los 455

*Evans (Merlyn Oliver, 1910-1973). Helmet Mask, 1957, monochrome etching on thick wove paper, signed and dated lower right, titled and numbered 4/50, plate size 735 x 500 mm (29 x 19.75 ins), modern wood frame, glazed (1)

Live Auktion

*Anderson (Stanley, 1884-1966). The National Gallery, 1925, etching on cream wove paper, signed in ink, plate size 224 x 288

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Dominic Winter Auctions

Los 493

*Anderson (Stanley, 1884-1966). The National Gallery, 1925, etching on cream wove paper, signed in ink, plate size 224 x 288 mm (8.8 x 11.3 ins), framed and glazed (1)

Live Auktion

*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from the edition of 75, sign

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Dominic Winter Auctions

Los 488

*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from the edition of 75, signed in pencil, plate size 240 x 325 mm (9.5 x 12.75 ins), framed and glazed Rushbury 74. (1)

Live Auktion

*Strang (Ian R.E., 1886-1952). Cannon Street Station, from the River Thames, 1923, etching and drypoint, signed, dated, insc

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Dominic Winter Auctions

Los 492

*Strang (Ian R.E., 1886-1952). Cannon Street Station, from the River Thames, 1923, etching and drypoint, signed, dated, inscribed to David Strang, and marked Trial Proof, additionally signed David Strang imp., plate size 197 x 312 mm (7.75 x 12.2 ins), with margins, framed and glazed, with CCA Galleries label to verso (1)

Live Auktion

*Proctor (Patrick, 1936-2003). Untitled (from the South African Suite), 1974, etching with aquatint on wove paper, signed and

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Dominic Winter Auctions

Los 471

*Proctor (Patrick, 1936-2003). Untitled (from the South African Suite), 1974, etching with aquatint on wove paper, signed and inscribed Artist's proof in pencil, plate size 127 x 178 mm (5 x 7 ins), with margins (1)

Live Auktion

*Wyllie (William Lionel, 1851-1931 ). The Forth Bridge, circa 1914, etching with drypoint on pale cream wove paper, signed i

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Dominic Winter Auctions

Los 535

*Wyllie (William Lionel, 1851-1931 ). The Forth Bridge, circa 1914, etching with drypoint on pale cream wove paper, signed in pencil lower left, plate size 163 x 378mm (6.4 x 14.9ins), with margins, framed and glazed, together with an etching on india paper, by Edward Burrow entitled Rossau Shore, 1902, signed in pencil lower left, laid down, plate size 170 x 320mm (6.75 x 12.6ins), framed and glazed (2)

Live Auktion

*Briscoe (Arthur John Trevor, 1873-1943). Command (Third Plate), 1937, etching on laid paper, signed and numbered in ink 26/

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Dominic Winter Auctions

Los 501

*Briscoe (Arthur John Trevor, 1873-1943). Command (Third Plate), 1937, etching on laid paper, signed and numbered in ink 26/50, a very good, clean impression, plate size 210 x 350 mm (8.25 x 13.75 ins), with margins, framed and glazed (unexamined out of frame) (1)

Live Auktion

*Strang (William, 1859-1921). Portrait of Thomas Hardy, etching on thin laid paper, the second state (of 3), before the plat

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Dominic Winter Auctions

Los 525

*Strang (William, 1859-1921). Portrait of Thomas Hardy, etching on thin laid paper, the second state (of 3), before the plate was significantly reduced in size, inscribed in pencil by David Strang to lower margin 'In final state (3rd) the plate had been cut to 6" x 4". D.S. 2nd state. Wm. Strang fec. D.S.', plate size 301 x 203 mm (11.8 x 8 ins), sheet size 228 x 330 mm (9 x 13 ins), mounted, together with Rothenstein (William, 1872-1945), Portrait of Hilaire Belloc, lithograph on india paper laid on wove, signed in pencil, some scattered spotting, india paper sheet size 255 x 228 mm (10 x 9 ins), laid down on card (2)

Live Auktion

Salvador Dalí, Spanish (1904-1989) Color etching "Alice in Wonderland Alice's Evidence" Signed and numbered 150/300 in pencil

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Kodner Galleries

Los 251a

Salvador Dalí, Spanish (1904-1989) Color etching "Alice in Wonderland Alice's Evidence" Signed and numbered 150/300 in pencil. Toning from age or in good condition. Measures 22-1/8" x 15", frame measures 30" x 22-1/4". Shipping $95.00 (estimate $100-$200)

Live Auktion

A Collage of 2 photographs taken by Phil Maxwell in London & Bangladesh, with ink on Canson edition etching rag (59.5x42cm)

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Adam Partridge Auctioneers & Valuers

Los 127

A Collage of 2 photographs taken by Phil Maxwell in London & Bangladesh, with ink on Canson edition etching rag (59.5x42cm) From my early childhood I have been fascinated by photography. The first camera I ever used was an old box camera with a hole at the front for the exposure of the roll of film which slipped along the back of the box. It was simplicity itself, but it had the capacity to mesmerise me. The facility to capture a moment in time was like magic for a young boy. As the years went by, my fascination changed to a passion that drew me to other photographers, and I began to explore the world and humanity through the hundreds of pictures that were waiting to be discovered in books in my local library.

Live Auktion

HERBERT DICKSEE, PENCIL SIGNED LIMITED EDITION ETCHING DEPICTING TWO SLEEPING DOGS, FOR RESTORATION

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Cato Crane Auctioneers

Los 669

HERBERT DICKSEE, PENCIL SIGNED LIMITED EDITION ETCHING DEPICTING TWO SLEEPING DOGS, FOR RESTORATION

Live Auktion

Edmund Blampied (1886-1966), group of three seated men, etching, signed in pencil, 27cm by 19.5cm, (a/f - damaged frame), tog

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Henry Adams Auctions

Los 316

Edmund Blampied (1886-1966), group of three seated men, etching, signed in pencil, 27cm by 19.5cm, (a/f - damaged frame), together with Joseph Gray (1890-1962), seascape with distant mountain, etching, signed and inscribed XLV in pencil, 23.5cm by 32.5cm

Live Auktion

Sir Frank Brangwyn RA (1867-1956), figures gathered at a procession, etching, signed in pencil, label verso, 25.5cm by 27cm

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Henry Adams Auctions

Los 438

Sir Frank Brangwyn RA (1867-1956), figures gathered at a procession, etching, signed in pencil, label verso, 25.5cm by 27cm

Live Auktion

Hanslip Fletcher (1874 -1955), St James's Street 1931, etching, 15cm by 20.5cm, John Bryce (20th century), Victoria Embankmen

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Henry Adams Auctions

Los 328

Hanslip Fletcher (1874 -1955), St James's Street 1931, etching, 15cm by 20.5cm, John Bryce (20th century), Victoria Embankment, limited edition 5/50, signed and inscribed in pencil, 15.5cm by 14cm, together with an etching of St Paul's Cathedral, indistinctly signed, 30cm by 21cm

Live Auktion

Glynn Thomas (20th century), Southwold Fishermen, limited edition coloured etching 42/200, signed and inscribed in pencil, 20

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Henry Adams Auctions

Los 338

Glynn Thomas (20th century), Southwold Fishermen, limited edition coloured etching 42/200, signed and inscribed in pencil, 20cm by 9.5cm, together with three limited edition etchings by the same artist, seaside and scenic views including Blythburgh and Dunwich, all signed and inscribed in pencil

Live Auktion

M Oliver Rae, Newnham College Memorial Hall, Cambridge, etching, signed and titled in pencil, 14cm by 19cm, and after E W Coo

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Henry Adams Auctions

Los 327

M Oliver Rae, Newnham College Memorial Hall, Cambridge, etching, signed and titled in pencil, 14cm by 19cm, and after E W Cooke, Men of War at Spithead, ships moored at sea, coloured print, 19cm by 14cm

Live Auktion

Otto Weber RA (German 1832-1888), group of horses by a river with distant shoreline, etching, signed in pencil, 23cm by 31cm

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Henry Adams Auctions

Los 374

Otto Weber RA (German 1832-1888), group of horses by a river with distant shoreline, etching, signed in pencil, 23cm by 31cm

Live Auktion

Sir Frank Brangwyn RA (1867-1956), figures cavorting amidst classical ruins, etching, signed in pencil, Fine Art Society labe

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Henry Adams Auctions

Los 439

Sir Frank Brangwyn RA (1867-1956), figures cavorting amidst classical ruins, etching, signed in pencil, Fine Art Society label verso, 78cm by 63cm

Live Auktion

James Abbott McNeill Whistler PRBA (1834-1903), nautical scene with two men in foreground, ships beyond, Rotherhithe, etching

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Henry Adams Auctions

Los 436

James Abbott McNeill Whistler PRBA (1834-1903), nautical scene with two men in foreground, ships beyond, Rotherhithe, etching, signed and dated 1860 within the print, inscription verso reads: Rotherhithe K66 3rd state - published as part of the sixteen Thames set (purchased 28.05.54), 29cm by 21.5cm

Live Auktion

Edgar Holloway (1914-2008), nude seated at the edge of a bath, The Glass Queen, etching, signed in pencil, inscribed and date

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Henry Adams Auctions

Los 443

Edgar Holloway (1914-2008), nude seated at the edge of a bath, The Glass Queen, etching, signed in pencil, inscribed and dated '87, 13.5cm by 18.5cm

Live Auktion

James Abbott McNeill Whistler PRBA (1834-1903), riverside view with ships, clock tower and buildings on the crowded shoreline

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Henry Adams Auctions

Los 435

James Abbott McNeill Whistler PRBA (1834-1903), riverside view with ships, clock tower and buildings on the crowded shoreline, London Bridge in the distance; Billingsgate, etching, signed and dated 1859 within the print, 16.5cm by 23.5cm

Live Auktion

William Lionel Wyllie (1851-1831) Fishing Boats on the Thames by the Embankment, etching, signed in pencil to lower left marg

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Bourne End Auction Rooms

Los 207

William Lionel Wyllie (1851-1831) Fishing Boats on the Thames by the Embankment, etching, signed in pencil to lower left margin, mounted and glazed in a gilt frame, 8 5/8 x 16 3/8

Live Auktion

William Lionel Wyllie (1851-1931) Shipping in Greenwich Reach, etching, signed in pencil to lower left margin, mounted in a g

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Bourne End Auction Rooms

Los 209

William Lionel Wyllie (1851-1931) Shipping in Greenwich Reach, etching, signed in pencil to lower left margin, mounted in a gilt frame, 14 1/2 x 4

Live Auktion

William Lionel Wyllie (1851-1931) View of Shipping on the Thames towards Tower Bridge, etching, signed in pencil to lower lef

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Bourne End Auction Rooms

Los 211

William Lionel Wyllie (1851-1931) View of Shipping on the Thames towards Tower Bridge, etching, signed in pencil to lower left margin, mounted and glazed in a gilt frame, 4.5 x 14.5

Live Auktion

William Lionel Wyllie (1851-1831) Barges on the Thames by a bridge, etching, signed in pencil to lower left margin, mounted i

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Bourne End Auction Rooms

Los 206

William Lionel Wyllie (1851-1831) Barges on the Thames by a bridge, etching, signed in pencil to lower left margin, mounted in a gilt frame, 8 2/8 x 14.5

Live Auktion

William Lionel Wyllie (1851-1931) Views of the Thames towards Big Ben and the Houses of Parliament, etching, signed in pencil

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Bourne End Auction Rooms

Los 213

William Lionel Wyllie (1851-1931) Views of the Thames towards Big Ben and the Houses of Parliament, etching, signed in pencil to lower left margin, 9 6/8 x 14.5

Live Auktion

William Lionel Wyllie (1851-1831) London Bridge and Southwark Cathedral, etching, signed lower left corner margin, mounted an

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Bourne End Auction Rooms

Los 205

William Lionel Wyllie (1851-1831) London Bridge and Southwark Cathedral, etching, signed lower left corner margin, mounted and glazed in gilt frame, 12 x 9

Live Auktion

William Lionel Wyllie (1851-1931) Views of the Thames towards St Paul's, etching, signed in pencil lower left corner, margin,

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Bourne End Auction Rooms

Los 208

William Lionel Wyllie (1851-1931) Views of the Thames towards St Paul's, etching, signed in pencil lower left corner, margin, mounted and glazed in a gilt frame, 14 3/8 x 10 2/8

Live Auktion

William Lionel Wyllie (1851-1931) London on the Thames with fishing craft to the foreground, etching, signed lower left margi

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Bourne End Auction Rooms

Los 212

William Lionel Wyllie (1851-1931) London on the Thames with fishing craft to the foreground, etching, signed lower left margin in pencil, mounted and glazed in a gilt frame, 14 6/8 x 10 3/8

Live Auktion

William Lionel Wyllie (1851-1931) Views of Shipping on the Thames with bridge to the distance, etching, signed in pencil to l

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Bourne End Auction Rooms

Los 210

William Lionel Wyllie (1851-1931) Views of Shipping on the Thames with bridge to the distance, etching, signed in pencil to lower left margin, mounted and glazed in a gilt frame, 5.5 x 12.5

Live Auktion

William Lionel Wyllie ARA (1851-1931), boats on the Thames, City of London, etching, signed in pencil, 22cm by 27cm

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Henry Adams Auctions

Los 419

William Lionel Wyllie ARA (1851-1931), boats on the Thames, City of London, etching, signed in pencil, 22cm by 27cm

Live Auktion

Norman Webster (20th century), seated dog with presents, Tim's first Christmas, etching, signed, inscribed and dated 1988 in

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Henry Adams Auctions

Los 340

Norman Webster (20th century), seated dog with presents, Tim's first Christmas, etching, signed, inscribed and dated 1988 in pencil, 10cm by 12.5cm, together with four prints of cats and rabbits including two limited editions, both inscribed in pencil

Live Auktion

Pictures and Prints - a framed coloured lithograph print; framed colour etchings, Le port de Bordeaux, Le port de Calais; a V

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Bamfords Auctioneers & Valuers

Los 141

Pictures and Prints - a framed coloured lithograph print; framed colour etchings, Le port de Bordeaux, Le port de Calais; a Victorian etching, Imogen in the Cave; framed botanical prints; etc. qty.

Live Auktion

English School (early 20th Century)Summer FieldsWatercolour, framedA Victorian framed etching entitled Lady Barrow, signed in

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Bamfords Auctioneers & Valuers

Los 252

English School (early 20th Century)Summer FieldsWatercolour, framedA Victorian framed etching entitled Lady Barrow, signed in pencil too margin; etc. (3)

Live Auktion

Dodgson (Campbell). The Etchings of James McNeill Whistler, 1st edition, The Studio, 1922, 96 black and white plates with ti

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Dominic Winter Auctions

Los 481

Dodgson (Campbell). The Etchings of James McNeill Whistler, 1st edition, The Studio, 1922, 96 black and white plates with tissue guards, original gilt-decorated quarter vellum, boards and spine slightly rubbed, 4to, together with Monkhouse (Cosmo), The Manchester Whitworth Institute Historical Catalogue of the collection of Water-colour Drawings by Deceased Artists, Manchester, 1894, numerous black and white plates, original gilt-decorated green cloth, 4to, plus Pennell (Joseph), Lithography and Lithographers, 1915, Etchers and Etching, 1st edition, 1920, both with numerous illustrations, some minor toning, both original brown cloth, boards and spines slightly rubbed, large 8vo, plus other late 19th-century and modern British art reference, including Oil Paintings in Public Ownership, 14 volumes, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (6 shelves)

Live Auktion

Jones (David, 1895-1974). The Sleeping Lord, Faber and Faber, 1974, numbered 132 from an edition of 150, and signed by the au

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Dominic Winter Auctions

Los 446

Jones (David, 1895-1974). The Sleeping Lord, Faber and Faber, 1974, numbered 132 from an edition of 150, and signed by the author to limitation leaf, black and white frontispiece, title printed in yellow and black, original publisher's cloth, blindstamped title to upper board, gilt title to spine, contained within original slipcase, spine and slipcase slightly faded, 8vo, together with An Introduction to the Rime of the Ancient Mariner, Clover Hill Editions, 1972, numbered 132 from a total edition of 330, original vignette etching by the author to title, printed throughout on grey paper, original publisher's cloth, 4to (2)

Live Auktion

After James Gillray - 'Physical Aid, or Britannia recover'd from a Trance', 19th Century etching with near period colour, app

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Toovey's

Los 119

After James Gillray - 'Physical Aid, or Britannia recover'd from a Trance', 19th Century etching with near period colour, approx 27cm x 37cm, within a gilt frame.

Live Auktion

William Lionel Wyllie - 'H.M.S. Chester', monochrome etching, signed in pencil recto, titled label verso, approx 14cm x 18cm,

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Toovey's

Los 92

William Lionel Wyllie - 'H.M.S. Chester', monochrome etching, signed in pencil recto, titled label verso, approx 14cm x 18cm, within an ebonized frame.

Live Auktion

Arnold Higuer - 'Grand Canal, Venice', monochrome etching, signed in pencil, approx 18.5cm x 24.5cm, within an ebonized frame

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Toovey's

Los 86

Arnold Higuer - 'Grand Canal, Venice', monochrome etching, signed in pencil, approx 18.5cm x 24.5cm, within an ebonized frame.

Live Auktion

After David Hockney - 'An Etching and a Lithograph for Editions Alecto 1973', colour collotype, editioned 87/2000 in pencil,

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Toovey's

Los 146

After David Hockney - 'An Etching and a Lithograph for Editions Alecto 1973', colour collotype, editioned 87/2000 in pencil, approx 78.5cm x 51.5cm.

Live Auktion

Anthony Raine Barker - 'Clayton Mills', monochrome etching, signed in pencil recto, titled label verso, approx 24.5cm x 35cm.

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Toovey's

Los 177

Anthony Raine Barker - 'Clayton Mills', monochrome etching, signed in pencil recto, titled label verso, approx 24.5cm x 35cm.

Live Auktion

Tom Carr - 'Leu in there - Draw!' (Hunting Scene), coloured etching, signed, titled and editioned 54/75 in pencil, approx 24.

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Toovey's

Los 16

Tom Carr - 'Leu in there - Draw!' (Hunting Scene), coloured etching, signed, titled and editioned 54/75 in pencil, approx 24.5cm x 20.5cm.

Live Auktion

Elizabeth Blackadder - Cat with Cathedral, etching with aquatint, signed and editioned 52/80, approx 40.5cm x 33cm, within a

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Toovey's

Los 100

Elizabeth Blackadder - Cat with Cathedral, etching with aquatint, signed and editioned 52/80, approx 40.5cm x 33cm, within a cream painted frame.

Live Auktion

Elisabeth Frink - Study of a Bull, etching with aquatint, artist's proof, signed in pencil, approx 28cm x 38.5cm, within a st

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Toovey's

Los 99

Elisabeth Frink - Study of a Bull, etching with aquatint, artist's proof, signed in pencil, approx 28cm x 38.5cm, within a stained and gilt frame.

Live Auktion

After William Heath - 'Opera Reminiscences 1829', 19th Century etching with near period colour, approx 24.5cm x 36cm, within

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Toovey's

Los 132

After William Heath - 'Opera Reminiscences 1829', 19th Century etching with near period colour, approx 24.5cm x 36cm, within a gilt frame, together with three further etchings of similar interest.

Live Auktion

After James Gillray - 'Posting to the Election', 19th Century etching with near period colour, approx 22cm x 62.5cm, within a

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Toovey's

Los 140

After James Gillray - 'Posting to the Election', 19th Century etching with near period colour, approx 22cm x 62.5cm, within a Hogarth style frame.

Live Auktion

Dorsey Potter Tyson - Dragon Boat Festival, hand-coloured etching, signed and editioned 46/100 in pencil, approx 31.5cm x 26c

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Toovey's

Los 33

Dorsey Potter Tyson - Dragon Boat Festival, hand-coloured etching, signed and editioned 46/100 in pencil, approx 31.5cm x 26cm, within a painted frame.

Live Auktion

Harold Sayer - 'Wood Gatherers', monochrome etching, signed, titled, dated 1939 and editioned 20/50 in pencil, approx 19cm x

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Toovey's

Los 32

Harold Sayer - 'Wood Gatherers', monochrome etching, signed, titled, dated 1939 and editioned 20/50 in pencil, approx 19cm x 20cm, within a silvered frame.

Live Auktion

Eric Taylor - 'The Bath', 20th Century monochrome etching, signed and editioned 7/30 in pencil, approx 23cm x 21cm.

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Toovey's

Los 121

Eric Taylor - 'The Bath', 20th Century monochrome etching, signed and editioned 7/30 in pencil, approx 23cm x 21cm.

Live Auktion

Eduard Jokisch - Female Nude, 20th Century monochrome etching, signed in pencil, approx 33cm x 22cm, together with another et

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Toovey's

Los 106

Eduard Jokisch - Female Nude, 20th Century monochrome etching, signed in pencil, approx 33cm x 22cm, together with another etching by Jokisch, Female Nude riding a Dolphin.

Live Auktion

Henry Wilkinson - Two Gordon Setters in a Landscape, coloured etching, signed and editioned 92/160 in pencil, approx 27cm x 3

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Toovey's

Los 1

Henry Wilkinson - Two Gordon Setters in a Landscape, coloured etching, signed and editioned 92/160 in pencil, approx 27cm x 36.5cm.

Live Auktion

After James Gillray - 'A Broad Hint of Not Meaning to Dance', early 19th Century hand-coloured etching, approx 25.5cm x 38cm,

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Toovey's

Los 139

After James Gillray - 'A Broad Hint of Not Meaning to Dance', early 19th Century hand-coloured etching, approx 25.5cm x 38cm, within a Hogarth style frame.

Live Auktion

After Thomas Blinks - Terrier and Ferrets, late 19th Century monochrome etching, sheet size approx 77cm x 55.5cm.

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Toovey's

Los 169

After Thomas Blinks - Terrier and Ferrets, late 19th Century monochrome etching, sheet size approx 77cm x 55.5cm.

Live Auktion

Rembrandt van Rijn - Abraham's Sacrifice, 17th/18th Century monochrome etching from the original plate, signed and dated 1655

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Toovey's

Los 120

Rembrandt van Rijn - Abraham's Sacrifice, 17th/18th Century monochrome etching from the original plate, signed and dated 1655 in the plate, approx 15.5cm x 13.5cm.

Live Auktion

After James Gillray - 'The Reconciliation', early 19th Century etching with near period colour, approx 14.5cm x 34.5cm, withi

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Toovey's

Los 102

After James Gillray - 'The Reconciliation', early 19th Century etching with near period colour, approx 14.5cm x 34.5cm, within a gilt frame, together with another etching.

Live Auktion

Fred A. Farrell - View of the Royal Exchange and Bank of England, monochrome etching, signed in pencil, together with three f

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Toovey's

Los 126

Fred A. Farrell - View of the Royal Exchange and Bank of England, monochrome etching, signed in pencil, together with three further monochrome etchings.

Live Auktion

After William Heath - 'The Pointers, Two Very Clever Dogs', 19th Century colour etching, approx 25cm x 36.5cm, within a gilt

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Toovey's

Los 101

After William Heath - 'The Pointers, Two Very Clever Dogs', 19th Century colour etching, approx 25cm x 36.5cm, within a gilt frame.

Live Auktion

An 18th Century etching in the manner of Rembrandt, St John preaching, approx 55cm x 67.5cm, together with a print after J.B.

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Toovey's

Los 173

An 18th Century etching in the manner of Rembrandt, St John preaching, approx 55cm x 67.5cm, together with a print after J.B. Jackson.

Live Auktion

Percy Robertson - Hampton Court Palace, 1922', monochrome etching, approx 15.5cm x 20cm, within a gilt frame, together with t

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Toovey's

Los 94

Percy Robertson - Hampton Court Palace, 1922', monochrome etching, approx 15.5cm x 20cm, within a gilt frame, together with two similar prints.

Live Auktion

78472 Los(e)

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