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Los 934

After Frank Walton, signed etching, tree in landscape. 25 ins x 18 ins.

Los 10

HEDLEY FITTON (1859-1929) 'Horse Guards, London', etching, pencil signed in the margin and titled, 34 x 44cm Exh. Robert Dunthorne, Castle Street, Liverpool

Los 11

HEDLEY FITTON (1859-1929) The Pulteney Bridge, Bath, etching, pencil signed in the margin, 32.5 x 42.5cm Exh. Robert Dunthorne, Castle Street, Liverpool

Los 12

HEDLEY FITTON (1859-1929) Pont St. Etienne, Limoges, etching, pencil signed in the margin, 34.5 x 42cm

Los 15

WILLIAM HOGARTH 'Simon Lord Lovat', etching, pub. c1746, 36 x 23.5cm

Los 18

FRANCIS DODD (1874-1949) Portrait of an old man, etching, pencil signed in the margin, 12.5 x 9.5cm

Los 2

AFTER DENNIS FLANDERS Keble College, Oxford, Limited Edition colour print, pencil signed by the artist and numbered 262/350, 29.5 x 45cm; and four further various items to include: J Lewis Stand - 'Magdalen Tower', etching; engraved view of Oxford from Headington Hill; a monochrome photograph of Magdalen Tower; and a portrait of a girl amongst honeysuckle (5)

Los 251

JOHN ROBERT KEITLEY DUFF (1862-1938) A country farmstead with cattle on a track, inscribed 'To Joan from J.R.K. Duff', watercolour, 26 x 36cm; two further but smaller watercolours by the same hand; an etching - a Venetian scene; and three unsigned watercolours (7)

Los 30

CECIL ALDIN (1870-1935) Two scottie dogs, etching, pencil signed in the margin and numbered 40/150, 15 x 21cm

Los 31

ANTHONY GROSS (b. 1905) 'Miranda Del Ebro - Spain', etching, pencil signed, titled and dated 1926 in the margin, 18.5 x 26cm

Los 32

WILLIAM WALCOT (1874-1943) The Royal Exchange, 1933, drypoint etching, signed to the margin in pencil, 18 x 20cm

Los 35

FRANK HENRY MASON (1876-1965) Dutch scene with windmills, etching, pencil signed in the margin, 20 x 26cm; and six further etchings to include: M.C. Robinson - River Bridge; Henry G Walker - London Bridge; R.J. King - Loch Achray; Oswald Fletcher - 'Westminster' and 'St Dunstan's in the West' and The Church Corner High Wycombe after F Robson (7)

Los 36

HEDLEY FITTON (1859-1929) Pont St Etienne, Limoges, etching, pencil signed in the margin, 34 x 42cm; together with Albany E. Howarth - Winchester West Gate, etching, pencil signed in the margin, 40 x 27cm; and an engraved view of Windsor Castle in maple frame, 34.5 x 40cm (3)

Los 38

GEORGE VERNON STOKES (1873-1954) Pointers in a landscape, etching, pencil signed in the margin, 25 x 29cm; four colour prints after George Wright; and a pair of lithographs after Thomas Worth titled 'The Parson's Colt' and 'Bolted!' (7)

Los 40

DAVID ROBERTSON (1834-1925) A continental fountain, possibly Italy, etching, pencil signed in the margin and numbered 38/75, 27.5 x 19cm; together with five further prints or engravings to include: Henry Macbeth-Raeburn; R Thompson after Lely - 'The Countess of Stamford'; Henry Scott Bridgwater after Corot etc (6)

Los 42

EDGAR L. PATTISON (b. 1872) 'Return of the Caravan', etching in colours, pencil signed and titled in the margin, 14.5 x 29cm

Los 47

JOHN BRUNSDON (b. 1933) 'Chohill Horse', etching with aquatint in colours, pencil signed in the margin, titled and numbered 16/100, 45 x 59.5cm

Los 48

JOHN BRUNSDON (b. 1933) 'Hotel Cipriani, Venice', etching with aquatint in colours, pencil signed in the margin, titled and numbered 32/150, 45 x 60cm

Los 49

JOHN BRUNSDON (b. 1933) 'Marlborough Downs', etching with aquatint in colours, pencil signed, titled and numbered 27/100 in the margin, 45 x 59cm

Los 55

AFTER I DONOWELL 'A View of Queen's College, University College, All Souls College, The Steeple of St Mary's Church, etc in the University of Oxford', hand-coloured engraving printed for Sayer, Bowles & Carington Bowles, 29 x 43cm; and four further prints or engravings to include: Boydell - 'A View of the High Lodge in Blenheim Park in the County of Oxford; Charles W Cain - 'The Great Bridge, Blenheim Palace, etching, numbered 6/30; After Turner - 'Oxford from North Hinksey Hill' and William Nicholson - 'View of Worcester College' (5)

Los 68

FREDERICK ARTHUR FARRELL (1882-1935) A continental town from across the river, etching, pencil signed in the margin, 23.5 x 21.5cm; together with a 19th Century leather bound scrapbook containing assorted engravings; and three etchings from the Edinburgh Etching Club Portfolio by H. Raeburn Macbeth, J.B. Abercromby and R. Paton Reid (3)

Los 70

JULIAN WILLIAMS (CONTEMPORARY) Normandy Cow, 2/60, signed, numbered and titled in pencil, etching, 44.5 x 38cm.

Los 73

JOB NIXON (1891-1938) 'The Arno, Florence', etching, pencil signed in the margin, 25.5 x 20.5cm

Los 74

EUGENE BEJOT (1867-1931) 'La Place de L'Institut', etching, inscribed with title in the plate and pencil signed in the margin, 16 x 24cm

Los 76

WILLIAM TATTON WINTER (1855-1928) A shepherd driving sheep in a landscape, etching in colours, pencil signed in the margin, 30 x 37cm; and companion, a pair (2)

Los 77

WILLIAM WALCOT (1874-1943) 'St Paul's from the Thames', etching, pencil signed in the margin, 13 x 12.5cm, mounted but unframed

Los 87

WILLIAM RUSSELL FLINT (1880-1969) 'Echo', etching, signed in brown ink to the margin, 15 x 10.5cm, mounted but unframed

Los 88

CHARLES TURNER AFTER J.M.W. TURNER Scene on the French Coast from 'Liber Studiorum', sepia mezzotint lettered 'M' above image, 21 x 29cm; together with one further sepia etching by Frank Brangwyn, both mounted but unframed (2)

Los 89

JAMES ABBOT MCNEIL WHISTLER A man seated drawing on the banks of a river, etching, published by Day & Son, 11 x 16cm; mounted but unframed

Los 90

JACQUES-FELIX SCHNERB AFTER RENOIR 'La Liseuse', etching, 20 x 15.5cm; and three further various etchings to include Jules Hereau; Jean Francois Raffaelli; and after Frans Hals, all mounted but unframed (4)

Los 93

THOMAS ROWLANDSON 'Fast Day', etching, hand-coloured, 24.5 x 29cm (im); and five further by the same hand, all unframed (6)

Los 94

THOMAS ROWLANDSON 'Raising the Wind', etching, hand-coloured, 35 x 24.5cm; three further to include": 'Soldiers on a March' 'The Fort' and 'Snips'; and three after H W Bunbury, all unframed and on watermarked paper (7)

Los 98

JAMES GILLRAY 'Dreadful Hot Weather', etching, hand-coloured on J Whatman ?1826 watermarked paper, 26 x 20.5cm; and six further from the Weather Series, all hand-coloured, two trimmed to the plate mark, all unframed (7)

Los 99

JAMES GILLRAY 'The King of Brobdingnag and Gulliver', etching, hand-coloured, 33.5 x 25cm; and four others, all unframed (5)

Los 400

After Wyllie: an etching, shipping scene, 6" x 12", and two other etchings, maritime views

Los 411

Jenkins, after, A Perspective View of Matlock Bath in Derbyshire, engraved for the Modern Universal British Traveller, monochrome etching, 18.5cm x 27cm; others, The Terrace, Haddon Hall; Robin Hood's Stride, Youlgrave, Derbyshire; a Victorian woolwork panel, of convolvolus and other flowers, 21cm x 18cm (4)

Los 413

Cruikshank, after, Woodward, by, A Sketch at Burrows-Ash, Derbyshire, monochrome etching, plate 88, 18cm x 22cm; another, Subterraneous Guides, plate 92, 24cm x 17cm (2)

Los 132

An 18th century road map Clown to Skipton, framed and glazed; after Peter Ford, signed cartoon etching, framed and glazed; another etching, framed and glazed

Los 1290

Richard Barrett Talbot Kelly (1896-1971)PUFFINS, FARNE ISLANDSSigned l.l., pen and ink and watercolour19 x 28.5cm;a linocut of a FOX by the same artist;and an etching of PUFFINS by F Gheys (3)

Los 102

Mortimer Luddington Menpes, R.I. (1855-1938) Portrait of Whistler Drypoint etching Signed 16.5 x 14.5cm; 6½ x 5¾in ++Good condition

Los 103

‡ Augustus Edwin John O.M., R.A. (1878-1961) The Malt House Signed Etching, Ref. Campbell Dodgson 126 state ii 8 x 10cm; 3¼ x 4in ++Some light time-staining otherwise good condition

Los 104

Jean Auguste Vyboud (French 1872-1944) Kneeling nude, rear view Signed in pencil Drypoint etching 11.5 x 9.5cm; 4½ x 3¾in (plate size) ++Good condition

Los 105

Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier puppy Signed and numbered 109/150 Etching 15 x 10.5cm; 6 x 4in ++Paper discoloured otherwise good condition

Los 106

Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier on her haunches Signed and numbered 109/150 Etching 17.5 x 12.5cm; 7 x 5in ++Paper discoloured otherwise good condition

Los 112

‡ Sybil Andrews (British/Canadian 1898-1992) St. Jacques, Lisieux Signed and titled Etching 27 x 20cm; 10¾ x 7¾in (plate size) Sybil Andrews helped establish the Grosvenor School of Modern Art ++Good condition

Los 114

‡ Marie Laurencin (French 1883-1956) L’Ange bleu Signed and numbered 66/150 Etching with aquatint 30 x 24cm; 11¾ x 9½in (plate size) Provenance: The Redfern Gallery, London, 16th May 1960 ++A few small fox marks mainly to margins otherwise good condition

Los 116

‡ Marie Laurencin (French 1883-1956) Joyeuse de Mandoline Signed and numbered 25/100 Etching with aquatint 18 x 24cm; 7 x 9½in (plate size) ++A few small fox marks mainly to margins otherwise good condition

Los 124

‡ André Bicât (French 1909-1996) The Balcony Signed and titled Artist’s proof Etching with aquatint 50 x 42.5cm; 19¾ x 16¾ (plate size) With a further print of a life drawing studio scene by a different hand (2) ++1. some discolouration to margins, some rippling and some bloom; 2. some printers creasing, some light foxing visible to margins

Los 125

‡ Julian Trevelyan R.A. (1910-1988) St. James’ Park Signed, titled and numbered 38/75 Etching with aquatint, from the London Parks Suite, 1969, unframed 59 x 77cm; 23¼ x 30½in (sheet size) ++A small dent upper right plate corner, one or two minor blemishes to margins, good condition

Los 126

‡ Patrick Procktor R.A. (1936-2003) Chateau Mouton-Rothschild Signed, titled and numbered 101/150 Aquatint etching, unframed 50 x 63.5cm; 19½ x 25in (sheet size) ++One or two minor marks to outer margins, good condition

Los 15

Herbert Thomas Dicksee (1862-1942) The Alarm With blind stamp Etching, published by Frost & Reed, 1918 50 x 75.5cm; 19¾ x 29¾in (plate size) ++Good condition

Los 16

Herbert Thomas Dicksee (1862-1942) after Rosa Bonheur Family of lions Signed in pencil Etching by Herbert Dicksee, published 1910 by L. H. Lefevre and Son and J. McLean (E. Cremetti successor), also copyright E. L. Knoedler, New York 46 x 65cm; 18 x 25½in ++One small stain lower right below signature, some bloom to the margins, otherwise in good condition

Los 17

Herbert Thomas Dicksee (1862-1942) Raiders Signed in pencil Etching, published by Frost & Reed, 1898 41 x 67cm; 16 x 26½in (plate size) ++Slight time staining, some areas of restoration, one or two punctures and blemishes

Los 18

Herbert Thomas Dicksee (1862-1942) The Destroyers Signed in the plate and with blind stamp Etching, published by Frost & Reed, 1904 44 x 71cm; 17¼ x 28in (plate size) ++Good condition

Los 19

Herbert Thomas Dicksee (1862-1942) Lion Drinking Signed in the plate Etching 17.5 x 25cm; 7 x 10in (plate size) ++Good condition

Los 207

‡ David Tindle R.A. (b.1932) Still life of an apple and a birds nest Signed and dated 77 Etching, artist’s proof 16 x 20cm; 6¼ x 8in ++Some small stains to outer line of etching

Los 21

Herbert Thomas Dicksee (1862-1942) In the Enemy Country Signed in pencil Etching 53 x 72cm; 21 x 28¼in (plate size) ++One or two slight blemishes otherwise good condition

Los 22

Herbert Thomas Dicksee (1862-1942) Danger With L.B.J. blind stamp Etching on buff paper, published by Arthur Tooth & Sons, 1905 44 x 73cm; 17¼ x 28¾in (plate size) ++Some staining upper right, slight discolouration, otherwise good

Los 25

Herbert Thomas Dicksee (1862-1942) The Tigress (The Mother in Law) Later re-strike of original etching published by C. E. Clifford, 1891 58 x 49.5cm; 23 x 19½in (plate size) ++Good condition

Los 26

Herbert Thomas Dicksee (1862-1942) His Majesty Signed in pencil, with blind stamp Etching, published by C. L. Clifford, 1888 59 x 46.5cm; 23 x 18¼in (plate size) ++Some insect damage lower left and lower centre margins, and crack/crease upper right, some scuffs and scrapes, especially on his nose

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