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78472 Los(e)/Seite
Los 243
After James Gillray (1756-1815), Shrine at St. Ann's Hill, the original plate published 26th May 1799 by Hannah Humphrey, London, later impression with later hand colouring, engraving, image size 35 x 24.5cm. 13.75 x 9.75in, together with Pacific-Overtures_or_a Flight from St. Clouds_over the Water to Charley_a new Dramatic Peace now Rehearsing, the original plate published April 5th 1806 by Hannah Humphrey, London, later impression with later hand colouring, etching, image size 28.5 x 38cm. 11.25 x 15in (2).
Los 1100
Graham Murray b.1938- "Bud Forms"; oil on board, signed, bears inscription onthe reverse of the frame, 28.5x21cm: James Cadzow b.1881- Woodland scene; etching, signed and numbered XVIII in pencil, bears framer's label for Aitken Dott & Son, Edinburgh attached to the reverse of the frame, (2) (may be subject to Droit de Suite)
Los 1204
Circle of David Hockney RA b.1937- Old man standing with a caped figure in a nocturnal mountain landscape; etching with aquatint, unsigned, 18x21cm., (unframed) Note:This print bears strong similarities to examples of etchings by David Hockney from the editions 'Rapunzel', 'The Boy Who Left Home to Learn Fear' and 'Old Rinkrank'
Los 1214
Yinka Adeyemi, Nigerian b.1941- "Laying Ostrich"; mixed technique etching printed on buff paper, signed, titled and dated 1973, 50x39cm: Bruce Onbobrakpeya, Nigerian b.1932- "Playtime (Yellow Base)"; etching with hand-colouring and embossing, signed, inscribed 'Lagos', numbered 4/20 and dated 1973, 59.5x45cm., (2). Note: Yinke Adeyemi was one of the original artists of the Oshogbo School in Nigeria from the early 1960's. He currently resides in the USA. see pages 250 and 254, 'African Art' by Frank Willett, 1971. A print by Bruce Onobrakpeya is illustrated on page 250. (may be subject to Droit de Suite)
Los 1261
The Following Six Lots are from the Studio of Berenice Sydney 1944-1983 Berenice Sydney born 1944 in Esher, Surrey. Studied at the Lycee Francais in London and attended the Central School of Art, before deciding to work independently and dedicating herself entirely to her work. In her Flood Street Studio in Chelsea, she abandoned the figurative representation for total abstraction where geometric forms alternate with with coloured rhythm. From the mid 1960s she began her work with woodcuts and engravings, later with screen printing and other techniques that led her towards a new particular way of representation In the early 1970s she continued to use canvas and etching on steel and copper in her Highgate studio, North London. With a strong involvement not only in her work but also in classical music, poetry and dance. Showing a long list of exhibitions ranging from 1968 until her early death in 1983, including shows in London, Paris, Barcelona and South America to include Drian Galleries, London Royal Institute Galleries Lumley Cazalet Gallery Bibliotheque Nationale, Paris Mostra m'Arte Multiple, Spain Memorial exhibition "Homage to Berenice Sydney" at the Edwin Engelberts, Galerie, Geneva along with many works in Universities and public collections Berenice Sydney died on May 18th 1983 Berenice Sydney 1944-1983- "British Education"; collage, inscribed verso, 76x56cm: together with three other collages by the same hand, depicting Marilyn Monroe and others, (4) (unframed)
Los 1341
Amelia M Bowerley d.1916- The Sphinx; etching, signed in pencil, 22x35cm: Ernest Herbert Wydale 19/20th century- Figures in a village square; etching, signed in pencil: together with five other 19/20th century etchings to include Philip Gilbert Hamerton 1834-1891, J Knight, John Laviers Wheatley 1892-1955 and others, (7) (unframed)
Los 815
An engraving on paper in period framed 'Truly This Man Is The Son Of God', together with After Frank Wiles, print on paper, rural haymaking scene with huntsman and dog, two Oriental scenes on paper, heightened with gold and Alexander H.Kirk, signed in pencil, etching on paper, horses in a wooded landscape. (5)
Los 92
Nelson, Horatio--Orme, Edward. Orme's Graphic history of the life, exploits and death of Horatio Nelson... embellished with a series of engravings... the memoirs by Francis William Blagdon. London: printed for, published and sold by Edward Orme... and by Longman, Hurst, Rees, and Orme, [undated, but 1806]; text watermarked 1803 and J. Whatman 1804, one plate watermarked J. Whatman 1801, folio, engraved portrait, 5 hand-coloured aquatint plates (4 double-page), 1 hand-coloured aquatint headpiece, 3 engraved head-pieces of battle scenes, 1 full-page facsimile of Nelson's handwriting, 1 small facsimile in text of Nelson's handwriting, 1 engraving in text of Ionian seal, contemporary half maroon morocco, uncut, with original printed label on upper cover, lettered in gilt on spine, rubbed, with the top portion of page 26 and 32 left blank, neat marginal repair to C3, Funeral procession by water plate with short split at centre fold . Note: Very rare. This is the earliest, undated, edition. Abbey 327 calls for 12 plates including plate 5 "Battle of Cophenagen - uncoloured strip plate at head of page 26 of text". In the present copy the space for this etching is left blank. In the note to Abbey 328 (the dated 1806 edition of the same work with a slightly differently worded title that calls for "fifteen engravings") Abbey states that "Finally, the fact that the earliest of the two editions is undated, and that both copies carry a blank space on page 32, would appear to argue the probability that an earlier edition than either of the two above was issued. The blank space can only be explained by damage to a plate making it impossible to use". The present copy is probably therefore the very rare earlier edition, with a blank space on both page 26 and 32. Copies of both editions are rare, the undated copies even more so, and this issue especially so. The undated copies retailed for 4 guineas, the dated ones for 2 guineas. "The reduction in price [of the dated copy] and its relegation to an announcement of books already published is a strong indication that the undated copy claims priority of issue" [Abbey]. The dated edition contains 16 plates in total but Abbey notes that "plates 14,15, 16 bear no relation to the letterpress, and are, in fact, an advertisement for three large prints published separately by Orme dealing with incidents in Nelson's life, as mentioned on title-page". Only three copies of the dated edition exist in public libraries in the UK: 2 in the British Library, one in Cambridge University Library; no copies of this undated edition are recorded by KVK in European libraries. Tooley 351 gives a collation only of the 1806 dated edition.
Los 277
* Mason (Frank H., 1876-1965). Sailing boats in calm waters, etching, signed in pencil, plate size approx. 165 x 213 mm (6.5 x 8.5 ins), together with Whitby Abbey with town below, etching, signed in pencil, plate size approx. 160 x 110 mm (6.25 x 4.25 ins), plus Birchall (William Minshall, 1884-1941), H.M.S. Monarch, 1919, watercolour with traces of pencil, on paper, heightened with bodycolour, signed, titled and dated, approx. 210 x 310 mm. (8.25 x 12 in.), and an orig. pencil sketch, attributed to Paul Sandby (1725-1809) showing a manor house amongst trees, sheet size approx. 117 x 186 mm. (4.5 x 7.25 in.), all framed and glazed (4)
Los 285
* Prints & Engravings, mostly 19th & 20th c., including an etching by Winfred Austen of a snipe in flight, signed in pencil, a colour etching of a romantic Italianate landscape by Wilfrid Huggins, three etchings by Alphonse Legros, including one signed in pencil, five 19th c. tinted illustrations after Cotman, a mezzotint by Richard Earlom after Rembrandt, pub. Boydell, 1768, another similar by Jones after Sir Joshua Reynolds, a stipple engraving by Thomas Williamson after Morland, entitled Woodcutters at Dinner, and other various portraits, etc. (approx. 24)
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78472 Los(e)/Seite