78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
A Victorian 1827 Pattern Naval Officer's Sword, the 80cm single edge pipe back steel blade bearing traces of etching (af) the brass gothic hilt bearing traces of gilt, with hinged guard, cast with a fouled anchor, with wire bound fish skin grip and well cast lion head pommel, the black leather scabbard with brass mounts, the locket engraved W.C.Cox, Devonport, shoe missing
A Meissen figure of the Merchant's Wife, 19th century, after the model by Kändler, seated at a small table and writing in a ledger, with a second one open in her lap, a pounce pot in her left hand, a basket of bottles to one side and tied parcels at her feet, blue crossed swords mark, incised 2654, a little restoration, 14.5cm. Kändler's original model was based on the etching L'économe by Jacques-Philippe Le Bas, after the painting of the same name by Jean Siméon Chardin.
View from Mont St. Jean of The Battle of Waterloo at the commencement of the grand charge made on the French about 7 O'clock on the evening of the 18th June 1815 Coloured etching Published by R. Bowyer, Pall Mall, 1816 57 x 32 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/foxing, crease mark.
After HENRICUS HONDIUS (1587-1638) Dutch A General Plot and Description of the Fens and Surrounded Grounds with Six Counties of Norfolk, Suffolk, Cambridge Within the Isle of Ely, Huntingdon, Northampton and Lincoln, etc. 17th century coloured etching 56.5 x 45 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining, fold creases.
* PHILIP REEVES RSA PPRSW RGI RE, ACADEMY etching, signed in pencil and numbered 3/14 38cm x 76cm Mounted, framed and under glass Note: Philip Reeves studied at the Cheltenham School of Art and at the Royal College of Art, London before being appointed lecturer at Glasgow School of Art in 1954. In 1967 he founded the Edinburgh Printmakers, and was made Head of Printmaking at Glasgow School of Art in 1970, during which time he honed his skill, and expanded his media to include collage and construction. He has been extensively exhibited nationally with collections in the City Art Centre, the Royal Scottish Academy and the V&A Museum. His work can be found in many public and private collections in the UK.

-
78472 Los(e)/Seite