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78472 Los(e)/Seite
Los 263
A framed and glazed original letter from The Parsonage, Shiplake, Oxfordshire, dated 30th December 1769 regarding a disease in London that appears to lead to the destruction of old books! 25 x 17; together with a small framed and glazed etching of The Church, Shiplake; and a metal bust of woman with headdress, height 32 cms. Estimate £20-40
Los 10
Etching, dry point, by Salvator Rosa (Naples 1615-Rome 1673) depicting man with the left stick and sword to right, from "Different figures." Etching from copper plate, mm140x90, in frame mm 265x180 Monogrammed and numbered left to right 53 (1656/58). Excellent copper Etching printed in contemporary paper, II state. The collection of "Different figures" is undoubtedly the most famous graphic work of Salvador Rosa times already considered a model for young artists and in it place on topics already covered by many engravers like Callot, The Beautiful and Liagno. A letter to his friend Ricciardi dated 1656 allows you to securely date this series of figurines. They count 61 of incisions models subsequently brought to 72. ASORstudio
Los 12
Etching, Stefano Della Bella (Florence 1610- 1664 Florence). Etching Signed on the lower left depicting scenes of everyday life and popular. Bottom written pencil pointing to the numbering of the annotated catalog "De Vesme Alexande", 145x135 mm, in frame mm 245x160. Devoid of the frame. Good copper Etching. Schoolboy sculptor Giambologna, was an autodidact who began to study the Callot which was greatly influenced. It can be considered as a pure graphic of his time as he devoted himself entirely to the etchings and the drawings. Well-known in France was an attentive observer of all his Italian contemporaries, Flemish, French and worked a lot for French printers. Rome, Florence, Paris, saw him work with great success. His works are cataloged in "De Vesme Alexande"
Los 18
Round golden brass in wooden frame ebonized De Nuptis Mercurii et Philologiae, late eighteenth century Depiction of Philology of the rise in the sky to marry Mercury, the god of eloquence, in a meeting with the liberal arts. In the background an architectural landscape with deep relief Etching on copper stiacciato making it a great sense of depth and relief. They celebrate the event the seven liberal arts: grammar, dialectic, rhetoric, the "Trivium", arithmetic, geometry, astronomy and music, the "crossroads". Tondo golden stiacciato diameter 15 cm, diameter 25 cm frame ,. Small gold deficiencies for use.
Los 1801
RENOIR, AUGUSTE (1841-1919), "Le chapeau épingle", zwei Mädchen mit Hut, die eine der anderen den Hut feststeckend, Radierung/Bütten, in der Platte bezeichnet 'Renoir', HxB: Platte ca. 11,8x8 cm, Blatt ca. 33,5x25,5, Außenmaße Rahmen ca. 43,5x37,5 cm. Gebräunt, Lichtrand. An den Blattkanten mit Papierstreifen im Passepartout montiert, im verglasten Rahmen. RENOIR, AUGUSTE (1841-1919), "Le chapeau épingle", two girls with hats, one of them pinning the hat on to the other, etching / laid paper, inscribed 'Renoir' on the plate, HxW: plate approx. 11.8x8 cm, sheet approx. 33.5x25.5, outer dimensions frame approx. 43, 5x37.5 cm. Tanned, light edge. Mounted on the sheet edges with strips of paper in a mat, in a glazed frame.
Los 1655
TAKAHASHI, YOSHI (1943-1998), 2 Figürliche Kompositionen, 1x "Gesicht vor Landschaft", u.li. signiert und datiert 'Yoshi 7.95', Mischtechnik/Bütten, HxB: ca. 19x21 cm (43x44 cm mit Rahmen); 1x "Landschaft mit Kirche", Farbaquatintaradierung/Bütten, u.re. mit Bleistift von Hand signiert und datiert 'Yoshi 3/95', HxB: Blatt ca. 23,5x16,5 cm (43x35 cm mit Rahmen). Je mit Passepartout hinter Glas gerahmt. TAKAHASHI, YOSHI (1943-1998), 2 figurative compositions, 1x "face before landscape", below left. signed and dated 'Yoshi 7.95', mixed media / handmade paper, HxW: approx. 19x21 cm (43x44 cm with frame); 1x "Landscape with Church", color aquatint etching / handmade paper, u.re. Signed and dated 'Yoshi 3/95' by hand in pencil, HxW: sheet approx. 23.5x16.5 cm (43x35 cm with frame). Each framed with a passepartout behind glass.
Los 1827
BURNAND, E., wohl Eugène (1850-1921, schweizer Maler u. Radierer), "Paysanne du Valais", Darstellung einer sitzenden Bäuerin, Radierung nach M. Girardet, i.d. Platte bez. u. betitelt, HxB: ca. 21,5x17,5 cm (Plattenmaße), 47,5x37 cm (Außenmaße Rahmen). Gebräunt, fleckig. Im Passepartout hinter Glas gerahmt. Altersspuren. BURNAND, E., likely Eugène (1850-1921, Swiss artist), "Paysanne du Valais", Representation of a sitting peasant woman, etching modelled after M. Girardet, plate designated and titled, HxW: arround 21.5 x 17.5 cm (slab dimensions), 47.5 x 37 cm (outside dimensions frame). Tanned, spotty. Framed behind glass in the passe-partout. Signs of age.
Los 1811
LIEBERMANN, Max, ATTRIBUIERT (1847-1935), "Amsterdamer Judengasse", Radierung/Papier, HxB: Platte ca. 15x20 cm, Blatt ca. 18x23,5 cm, Außenmaße Passepartout ca. 26x34 cm. Gebräunt, Lichtrand, Flecken, Knickspuren. An den Ecken in Passepartout montiert. AUF DEM PASSEPARTOUT mit Bleistift bezeichnet 'Liebermann, Karrenhandel'. LIEBERMANN, Max, ATTRIBUTED (1847-1935), "Amsterdamer Judengasse", etching / paper, HxW: plate approx. 15x20 cm, sheet approx. 18x23.5 cm, external dimensions passe-partout approx. 26x34 cm. Browned, light edge, stains, crease marks. Mounted in a mat at the corners. ON THE PASSEPARTOUT inscribed 'Liebermann, Karrenhandel' in pencil.
Los 1816
HRDLICKA, ALFRED (1928-2009), "Freizeitgestaltung für Schwererziehbare", Aquatintaradierung/BFK Rives (mit Wasserzeichen), u.re. mit Bleistift von Hand signiert und datiert (19)71/72, u.li. mit Stempel betitelt, HxB: Platte ca. 40x50 cm, Blatt ca. 50x66 cm. Minim. gebräunt und fleckig, wenige Knickspuren, Reißnagellöchlein an den Ecken. HRDLICKA, ALFRED (1928-2009), "Recreation for those who are difficult to educate", aquatint etching / BFK Rives (with watermark), signed and dated by hand in pencil (19) 71/72, below left titled with a stamp, HxW: plate approx. 40x50 cm, sheet approx. 50x66 cm. Minim. browned and stained, a few crease marks, thumbtack holes at the corners.
Los 1800
DALI, SALVADOR (1904-1989) "L'Académie de Paris" Farbradierung auf Japanpapier, Bleistiftsignatur, Exemplar CLVII/CCCL Platte, WVZ Michler-Löpsinger, Nr.514, HxB: 43 x 60 cm, gerahmt, leichte Altersspuren. DALI, SALVADOR (1904-1989) "L'Académie de Paris" Colour etching on Japan paper, pencil signature, copy CLVII/CCCL plate, WVZ Michler-Löpsinger, No.514, HxW: 43 x 60 cm, framed, slight signs of age.
Los 438
* Victoria Cross. Soper (George, 1870-1942), 2nd Lancers at Epehy 1st Decr 1917, drypoint etching, showing Gobind Singh V.C. starting on his third ride, signed in pencil lower right, image size 20 x 30.5cm, framed and glazedQty: (1)NOTESGobind Singh was attached to the 2nd Lancers (Garner's Horse) from the 28th Light Cavalry when he was awarded the Victoria Cross for his extreme bravery at Peizieres in France during the battle of Epehy. He volunteered three times to carry messages between the regiment and brigade headquarters, a distance of 2.4km (1.5 miles). He set off each time on horseback but had one horse killed by machine-gun fire, one shot and one killed by a direct hit from a German shell, so he delivered the messages on foot.
![Title: Jules De Bruycker (1870-1945): 'Le montage du Dragon sur le beffroi de Gand', etching, ed. 58/125, [1914]Description:](https://cdn.globalauctionplatform.com/e5f2d24f-f776-4add-931a-ac8c00b8639c/c5294b4b-346f-4a9d-be02-ac8c00d2743b/468x382.jpg)
Los 194
Illustrated Binding.- Palgrave (Francis T.) The Golden Treasury, edited by Laurence Binyon, bound in vellum, by H.T.Wood, with coloured etching of a naked baby (?Pan) playing a type of bagpipes by Kenneth Hobson beneath the vellum of the upper cover, signed and dated 1931 by Hobson at foot, spine titled in gilt, yapp edges, g.e., very slightly soiled, 8vo, 1927.⁂ Kenneth Hobson worked for the bookbinding firm H.T.Wood & Son, which later merged with Sangorski & Sutcliffe. The firm revived the practice of bindings with paintings on paper beneath the vellum, a technique originally developed by Edwards of Halifax in the eighteenth century.
Los 100
Prunella Clough (British, 1919-1999)Corrugated Fence A rare etching with hand-colouring, 1955, on wove, signed 'Clough' in pencil, printed by the Artist, 87mm x 123mm (3 3/8 x 4 7/8in)(PL)Footnotes:The present lot was made by the Artist when she was teaching at Chelsea School of Art. She made a number of proofs, but none of the etchings were editioned. A similar example of the present lot is in the collection of Tate, London (reference P07915).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 248
Dame Elisabeth Frink R.A. (British, 1930-1993)The Wife of Bath's Tale signed and dated 'Frink 71' (lower right), inscribed ''The Wife of Bath's Tale'./Great was the anguish churning in his head/When he and she were piloted to bed/He wallowed back and forth in desperate style/his ancient wife lay smiling all the while;' (lower centre)watercolour and pencil on paper49.5 x 46.5cm (19 1/2 x 18 5/16in).Footnotes:The present lot is a drawing for the etching and aquatint of the same title, one of 19 etchings from Frink's second extended series of prints of The Canterbury Tales, published in 1972.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 246
A German Third Reich Naval Dirk by Carl Eickhorn, each side of the 25cm double edge double fullered steel blade etched with a fouled anchor and entwined dolphins, with maker's ORIGINAL EICKHORN, SOLINGEN squirrel logo, the gilt brass hilt with wire bound cream plastic grip, the gilt brass scabbard engraved with lightning bolts and with two suspender rings, 41cm CONDITION REPORT: . Minor black patches to the blade, the etching is quite crisp. The press stud fastener works. There is wear to the gilding on the hilt and scabbard
Los 248
A German Third Reich Parade Bayonet, the 24.5cm single edge fullered steel blade etched Zur Erinnerung an meine Dienstzeit flanked by oak leaves and anthemion, the opposing side with maker's mark for ALCOSO, ACS Solingen, the nickel plated hilt with chequered black plastic grip scales, with black enamelled steel scabbard and leather frog CONDITION REPORT: . Blade in good clean condition with crisp etching. The plating on the pommel is a little gritty. Scabbard has some rust pitting towards the tip
Los 426
1877 book "The portfolio of an artistic periodical" with 35+ good quality etchings & heliogravures on proper, quality etching paper of great artists such as Durer, Rembrandt, Turner etc including etchings by Paul RAJON (1842/43-1888),The book measures 36 x 26 cmThe book itself is not in good condition with many loose pages but the images are generally in great condition, (some staining within the book).
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78472 Los(e)/Seite