78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

* Cain (Charles William, 1893-1962). A Persian Bazaar, 1929, drypoint etching on pale cream wove paper, from the published edition of 90 impressions, signed and numbered 12.90. to lower margin, plate size 250 x 373 mm (9.9 x 14.7 ins), with margins, generally in excellent condition, framed and glazedQty: (1)

* Griggs (Frederick Landseer, 1876-1938). Launds, 1929, etching on laid paper, the fifth, published state, issued in an edition of 70 impressions at the Dover's House Press, signed 'F W Griggs imp' to lower right, and inscribed in ink to verso D.H.P. 67, trimmed to plate margin by the artist, 173 x 253 mm (6.8 x 10 ins), framed and glazedQty: (1)NOTESComstock 39, v/viii. Griggs initially titled the work Summer Garland.

ARR * Gross (Anthony, 1905-1984). Shadow of a Walnut Tree, 1968, etching with drypoint on handmade paper, from the published edition of 70 impressions, signed, titled and numbered 4/70, plate size 253 x 300 mm (10 x 11.8 ins), with margins, in excellent clean condition, framed and glazed, with original gallery label for the New Academy Gallery, 34 Windmill Street, London, to versoQty: (1)NOTESHerdman, The Prints of Anthony Gross, 68.

* Icart (Louis, 1888-1950). Louise, 1927, drypoint etching with aquatint in colours on pale cream paper, an artist's proof, aside from the published edition of 475 impressions, published by Graveurs Modernes, Paris, signed in pencil lower right, with publisher's blindstamp lower left, plate size 530 x 360 mm (20.8 x 14.2 ins), with margins, framed and glazedQty: (1)NOTESHolland, Catania & Isen 317. The print depicts the artist's wife on their balcony in Montmartre, Paris.

ARR * Knight (Laura, 1877-1970). Dressing Room No. 2, drypoint etching and aquatint on laid paper, signed in pencil lower right, additionally inscribed by the artist to lower edge of the sheet: aquatint Dressing Room No. 2, plate size 174 x 223 mm (6.8 x 8.8 ins), sheet size 230 x 330 mm (9 x 13 ins), framed and glazedQty: (1)

* McBey (James, 1883-1959) . Rio dei Greci, Venice, (Venice Set No. 1), 1925, etching with drypoint on antique pale cream wove paper, watermarked 1818, from the published edition of 80 proofs, signed and numbered XVII in ink to lower margin, light overall mount stain, plate size 265 x 170 mm (10.4 x 6.7 ins), sheet size 282 x 185 mm (11.1 x 7.25 ins), framed and glazedQty: (1)NOTESHardie & Carter 228.

* Morgan (William Evan Charles, 1903-1979). Italian Hill Farm, 1928, etching with drypoint on cream laid paper, watermarked DAVID STRANG to lower left corner of the sheet, signed, dated, titled and numbered 19/78, plate size 160 x 210 mm (6.25 x 8.25 ins), sheet size 235 x 310 mm (9.25 x 12.25 ins)Qty: (1)

* Morgan (William Evan Charles, 1903-1979). Perseus, 1929, drypoint etching on pale cream laid paper, from the published edition of 70 impressions, signed, dated, titled and numbered 70/70, plate size 220 x 207 mm (8.2 x 8.7 ins), with margins, sheet size 360 x 280 mm (14.1 x 11 ins), framed and glazedQty: (1)NOTESWilliam E. C. Morgan studied at the Slade and took the 1924 Prix de Rome for engraving. "His detailed classical figure subjects were inspired by 16th century German engravers and are splendid in design ... they include his masterpiece Perseus (1929) ... it is scarcely a tribute to such a distinguished artist that so little has been recorded about him" (Guichard, British Etchers 1850-1940, page 51).

* Osborne (Malcom, 1880-1963). "A Dieppe Café", Etching for Queen [Mary]'s Dolls' House, miniature etching on laid paper, depicting 2 conversing men in profile seated at a table in a café, one leaning across table with glass in hand, the other holding a cane, an archway beyond, a few fox spots, signed in pencil lower right below image, plate size 26 x 38mm (1 x 1.5ins), sheet size 63 x 78mm (2.5 x 3ins), mounted, with inscription in ink to mount 'With all best Wishes for a very Happy Christmas and New Year from Malcolm Osborne', and title beneath, framed and glazedQty: (1)NOTESThis minute print was commissioned for the library of Queen Mary's dolls' house, designed by Lutyens (see Royal Collection RCIN 927240). There can have been only a very few of these produced, and we have been unable to trace another copy sold at auction.

* Roussel (Theodore, 1847-1926). Bathers & Tents, 1923-24, etching with drypoint on pale cream wove paper, signed in pencil, a very good impression, with light plate tone, plate size 228 x 355 mm (9 x 14 ins), with margins, framed and glazed, with old label for A.J. Mucklow & Son, 35 Cranbourn Street, Leicester Square, London, W.C. to verso, with artist's name, title and priceQty: (1)NOTESHausberg 134.

* Rushbury (Henry George, 1889-1968). St. Paul's from Paternoster Row, 1941, etching with drypoint on pale cream laid paper, signed in pencil, plate size 200 x 300 mm (7.9 x 11.8 ins), sheet size 267 x 405 mm (10.5 x 16 ins), framed and glazed, together with: St. Mary Le Bow, 1943 , etching with drypoint on pale cream laid paper, signed in pencil, plate size 280 x 210 mm (11 x 8.25 ins), sheet size 394 x 270 mm (15.5 x 10.6 ins), framed and glazed, plus: Stirling Castle, 1945, etching with drypoint on pale cream laid paper, signed in pencil, plate size 200 x 300 mm (7.9 x 11.78 ins), sheet size 270 x 380 mm (10.6 x 15 ins), remains of brown paper tab mounts to extreme upper left and upper right, and: Fountains Abbey, 1946, etching with drypoint, published in an edition of 100 impressions, signed in pencil, pale mount stain, brown paper mounting tabs to verso upper left and upper right, plate size 225 x 310 mm (8.8 x 12.25 ins), sheet size 282 x 381 mm (11.1 x 15 ins)Qty: (4)NOTESRushbury, Owen & Ramos, Henry Rushbury Prints, Catalogue Raisonné, 79, 81, 83 & 84.

* Simpson (Joseph, 1879-1939). Russian Girl, 1925, etching with drypoint on pale cream wove paper, signed in pencil, printed with plate tone, plate size 302 x 214 mm (12 x 8.5 ins), with margins, framed and glazed, together with: Todd (Arthur Ralph Middleton, 1891-1966). The Silhouette, etching with drypoint, signed in pencil, plate size 175 x 133 mm (6.8 x 5.25 ins), with margins, framed and glazedQty: (2)

* Steel (Kenneth, 1906-1973). Durham Cathedral and Castle across Milburngate Bridge, etching with drypoint on pale cream wove paper, signed in pencil, a very good impression, plate size 305 x 355 mm (12 x 14 ins), with margins, framed and glazed,  together with:Edinburgh Castle from the Vennel Steps, etching with drypoint on pale cream laid paper, signed in pencil, pale mount stain, with some very light scattered spots, plate size 368 x 258 mm (14.5 x 10.2 ins), sheet size 425 x 305 mm (16.75 x 12 ins), laid down (to sheet edges only) on card, old frame, glazedQty: (2)

* Strang (William, 1859-1921). Sir Emery Walker, 1906, etching on pale cream wove paper, signed in pencil, image size 368 x 240 mm (14.5 x 9.4 ins), sheet size 510 x 398 mm (20 x 15.7 ins), framed and glazedQty: (1)

ARR * Tanner (Robin, 1904-1988). Easter, 1970, etching on pale cream wove paper, from the Robin Tanner Memorial Portfolio edition of 112 impressions, published by Robin Garton in 1988, signed in pencil to centre of lower margin, with blindstamp to lower right corner 'Robin Tanner Memorial Portfolio', numbered I in roman numeral, plate size 390 x 270 mm (15.3 x 10.6 ins), sheet size 450 x 340 mm (17.75 x 13.4 ins), framed and glazedQty: (1)NOTESGarton, Robin Tanner, The Etchings, 5 (although this posthumous edition was issued the year after the publication of Garton's catalogue raisonné).

* Tissot (James Joseph, 1836-1902). Histoire ennuyeuse (An Uninteresting Story), 1878 [or later], etching and drypoint on laid paper, with watermark of a fleur-de-lys within a shield with letters JGL below, a very good strong impression, signed and dated in the plate to upper right, unsigned, plate size 314 x 203 mm (12.3 x 8 ins), sheet size 377 x 283 mm (14.8 x 11.2 ins)Qty: (1)NOTESWentworth 32.

ARR * Tunnicliffe (Charles Frederick, 1901-1979). Hard Winter, 1928, etching on pale cream wove paper, from the published edition of 75 impressions, signed and numbered 29/75 in pencil, plate size 227 x 275 mm (8.95 x 10.85 ins), with margins, framed and glazedQty: (1)

* Whistler (James Abbott MacNeill, 1834-1903). La Marchande de Moutarde, 1858, etching on pale cream laid paper, the 5th state (of 5), with printer's name and address removed, light mount stain, short closed tears to lower left and lower right blank corners, plate size 158 x 88 mm (6.2 x 3.5 ins), sheet size 323 x 241 mm (12.75 x 9.5 ins), together with other prints by or after Whistler, including La Robe Rouge, 1894, lithograph (printed in an edition of approximately 3000, as published in The Studio, November 15, 1895, framed and glazed, colour lithographs by Thomas Robert Way after Whistler (Bead-stringers, Venice, 2 copies, Sunset: Venice, The Purple Cap, Baby Leyland, and The Blue Girl), as published in The Studio, 1903-1905, all framed and glazed or mounted, plus a reproduction of Whistler's Chelsea etchingQty: (9)NOTESKennedy 22, v/v; Glasgow Online Catalogue, 20, v/v (75 known impressions).

* Whistler (James Abbott MacNeill, 1834-1903). Chelsea, etching on pale cream wove paper, depicting Old Battersea Bridge and Chelsea Church, butterfly monogram to lower margin within image, pencil note to upper left blank margin, some faint creases and minor marks, plate size 13.1 x 20.6cm (5.25 x 8ins), sheet size 28.5 x 40.2cm (11.25 x 15.75ins), together with: Haden (Francis Seymour, 1818-1910) , Egham Lock, etching on pale cream laid paper, depicting an open lock on the Thames in Surrey, a little light creasing, mostly marginal, short nick in upper left edge, plate size 15 x 22.5cm (6 x 9ins), sheet size 18.5 x 27.5ins)Qty: (2)

* Wohlfart (Johannes, 1900-1975). Die Alten, woodcut on light cream japan paper, signed and titled in pencil, image size 215 x 190 mm (8.5 x 7.5 ins), sheet size 380 x 300 mm (15 x 11.75 ins), tipped-in to card window mount, together with: Grossmann (Rudolf, 1882-1941). 'Maler Purrmann bom meister selbst gedruckt', etching on off-white handmade paper, signed in pencil, also titled in pencil to lower edge, and marked 'abzug', with several printing flaws touching the image, 210 x 175 mm (8.25 x 6.9 ins), plus two lithographs by Anatoli Kaplan (1902-1980), each signed and titled, and an etching of the head of a woman, indistinctly signed F. Schimmings (?), the latter three works framed and glazed (except final work without glass)Qty: (5)

* Wyllie (William Lionel, 1851-1931). Santa Maria della Salute, Venice, drypoint etching on pale cream wove paper, from the edition of 150 impressions, signed in pencil, plate size 175 x 227 mm (6.9 x 9 ins), with margins, framed and glazed, with early printed label of Doig, Wilson & Wheatley, 90 George Street, Edinburgh, to verso, together with: A Light Air from the South East, drypoint etching, published in a sole edition of 150 impressions, signed in pencil, plate size 125 x 169 mm (4.9 x 6.6 ins), with margins, framed and glazed, with early Frost & Reed labels to versoQty: (2)

ARR * Ayrton (Michael, 1921-1975). Narcissus, 1971, etching from the published edition of 75 impressions, numbered 15/75, but here unsigned, 17 x 20 cm (6.75 x 8 in), framed and glazedQty: (1)

* Roberts (John, 20th c.). Floral Heads, 1982, mixed media, captioned, signed & dated in pencil to lower margin, image size 30.5 x 49.5cm (12 x 19.5ins), framed & glazed, together with Take a Card, 1983, uncoloured lithograph of male figure holding an ace of spades playing card, captioned, signed & dated in pencil to lower margin, image size 41.5 x 24cm (16.5 x 9.5ins), framed & glazed, (limited edition 15/50), together with Brangwyn (Frank, 1867-1956). Busy street scene before an Abbey , lithograph, heightened with watercolour, apparently unsigned, 41 x 31 cm (16 x 12.25ins), framed and glazed, plus Sorel (Agathe, 1935-). Rochers , colour etching, 1960, signed, titled and numbered 22/30, plate size 45.5 x 35.5 cm (18 x 14 ins), framed and glazed, and Howerd (Geoffrey, 20th c.). Chelsea Pensioners , mounted colour lithograph, signed and dated in pencil to lower margin, 35 x 25cm (13.75 x 9.75ins), framed and glazed, plus four other framed and glazed prints by various artists including Peter Godfrey Coker and Hubert Andrew FreethQty: (9)

ARR * McDonnell (Hector, b. 1947). Fischers, etching, one of 250, this an Artist's Proof signed lower right, image 21.5 x 22.5 cm (8.5 x 8.75), framed and glazedQty: (1)

* Liddell (Mary, 20th Century). The Rape of Europa, 1982, etching with aquatint on pale cream wove paper, from the edition of 6 impressions only, signed and dated in pencil in lower right margin, numbered 1/6 in pencil in lower left margin, a few light spots and creases, margins with 2 closed tears, plate size 29.5 x 44.5cm (11.75 x 17.5 ins), with margins, framed and glazed, together with Four Horses and Chariot, 1982, etching on pale cream wove paper, from the edition of 20 impressions only, signed and dated in pencil in lower right margin, numbered 2/20 in pencil in lower left margin, a few light spots and creases, 2 closed tears to blank margins (1 repaired), plate size 35 x 49cm (13.75 x 19.25ins), with margins, framed and glazedQty: (2)

George Vernon Stokes, 'Bull Terrier and Siamese Cat', signed and numbered 73/75, colour etching, pl.14 x 28cm.

After John Sell Cotman (1772-1842) West Front Byland Abbey, etching, signed and dated in the plate, published 1838, 32.5cm by 25cm

Frederick Arthur Farrell (1882-1935) ''Below London Bridge'', signed and inscribed, limited edition etching, together with ''The Tower of London'', signed and inscribed limited edition by the same hand, and two watercolours of the Isle of Sky (4)

An engraving of William Cowper when Lord Chancellor, in gilt frame; an etching of Judge Hamilton of the Court of the Exchequer in Ireland, in black frame; Meissonier etching of horsemen, signed in pencil, in Hogarth frame; two lithographs of Blenheim dated 1842, marked C.W Radcliffe, in Hogarth frames; two lithographs of Lancaster entitled ''South View'' and ''East View'', drawn by J. Farington R.A., engraved by W. Woolnoth, in gilt frames; engraving of Lancaster Castle dedicated to the Noblemen and Gentlemen of the County of Lancaster, drawn by T. Hearne, engraved by Wm.Watts, in oak frame (quantity)

Circle of Salvador Dali (20th century), Figure before a tree, indistinctly signed, etching, together with another (2)

AFTER CECIL ALDIN (1870-1935) 'After Dinner', limited edition 136/150 etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 13 x 22cm

AFTER CECIL ALDIN (1870-1935) 'Who Said Rats?'', limited edition 103/150 etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 18 x 13cm

AFTER CECIL ALDIN (1870-1935) 'A Bunch of Mischief', limited edition 146/150, etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 18 x 13cm

MEYER-EBERHARDT Study of a Hare, original etching, signed in pencil, 39 x 29cms

§ Louis Icart (French 1888-1950). Basket of Apples, 1924, colour etching, image size 42.5 x 31cm. Signed lower right, inscribed 102 lower left. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

§ Louis Icart (French 1880-1950) Parasol, signed drypoint etching, embossed blindstamp, le Graveur Modernes Paris. 28.5 x 42cm. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

Etching of a nude woman leaning on a rock in the sea, 26 x 22cm

Herbert Thomas Dicksee (British, 1862-1942). 'Goodbye', etching, signed. 66.5 x 51cm. Framed, size of frame 99.5 x 81cm

Mixed folder of contemporary prints, including a screenprint by Yvaral (1934-2002) (Son of Victor Vasarely) signed and numbered 72/200 in pencil, 75 x 75cm; a print titled 'Colour-Change', numbered 57/100, indistinctly signed and dated 73, image size 59.5 x 29.5cm; Marie Arbaretez, 'L'Exploratia de Sa Maman', etching, signed and numbered 24/100, 46 x 58cm; Jean Sariano screenprint of a fireplace in moonlight, 58 x 41cm; a limited edition serigraph published by Matalon Luciana, Milan, signed 'L. Matapon' () and numbered 70/99, 12 x 18cm; Steph Cony, 'Eloge a Philippe Druillet', etching, signed, titled and numbered IIB, 25 x 17cm; and other prints, etchings and lithographs, approximately 28 in total

Mixed folder of unframed vintage etchings and prints, including Edward J Cherry (1886-1960), etching of a courtyard with cathedral to background, signed in pencil, image size 12.5 x 7.5cm; lithograph of figures after Edouard Goerg, unsigned, 24 x 14.5cm; etching of sketches of Leith Hills, Dorking, after William Holmes May, signed to block,14.5 x 22cm; diptych etchings for Faust after Emeric Timar, 10 x 15cm and 12 x 15cm; an etching of fishermen pulling their catch onto a dock, indistinctly signed and inscribed to lower margin, 33 x 41cm; and other etchings of landscapes and townscapes (14 total)

Kate Thomas (Contemporary), 'Crouched', limited edition etching, signed in pencil to lower margin, numbered 1/25, 40.5cm x 27.3cm, label for Curwen & New Academy Gallery verso

A quantity of framed prints to include Bernard Myers (1925-2007), Bohun Gallery, pencil signed poster, framed, size of frame 67.5 x 82.5cm. Gilbert Browne (Scottish, b.1954). 'Mooring - Little Venice', etching, signed, marked H de C (hors de commerce - not for sale) and titled in pencil, 31 x 24cm, framed and glazed. Dieja Vatarun, Bangkok, limited edition etching, 1996, signed and numbered 77/300 in pencil, 20 x 27cm, framed and glazed. Carl March, two limited edition etchings of park scenes in Milan, each signed, titled and numbered 104/150 and 148/150, each 8.5 x 15.5cm. Framed and glazed. A reproduction still life print of flowers in a vase (unsigned), framed and glazed, size of frame 53.5 x 42cm. A watercolour depicting a Christmas scene, signed Paul B Davies, dated '99, framed and glazed, size of frame 48 x 38cm. A framed offset lithograph after Antoine Calbet of a reclining nude, 27 x 34cm, and a colour print of a house, signed lower right, 34 x 44cm, framed (9)

Peter Kosowicz, 'Taking Flight', limited edition etching, signed in pencil to lower margin, numbered 42/50, 50 x 35cm Good condition. Only minor flecks of paint below signature. Very minor mark to top right of margin.

Chelsea School of Art, two portfolios of prints, one by Students and Staff of the Printmaking Department 1992, solander box comprising Christine W. Marshall, Untitled, etching, signed and numbered 12/30, 39 x 37.5cm; Fernanda Santos, 'Trace of Time', etching, titled, signed and numbered 12/34, 38 x 37cm; Deirdre Leyden, 'Our Symbols, Our Signs', lithograph, signed and numbered 12/30, 37 x 38cm; and Morgan Doyle, 'A Shadow of My Former Self', screenprint and etching, signed, titled and numbered 12/30 (4); the other box containing portfolio of prints from Printmaking Department 1990, comprising James Read, 'Bauble', etching; Margaret Regan, 'Cock on Pedestal', lithograph; Stuart Jebbitt, 'God's Gift to Women', lithograph and woodblock; Alexandra Ashton, 'Garden of Oysters', screenprint; Katherine Frajbis', 'Sutton Hoo: East by North East, etching; Clare Hennessy, 'Blind Entanglement', lithograph; Amanda Lewis, 'Witloof, screenprint; Volker Schoenwart, 'Box Open/Closed', screenprint; and Christine Blackburn, 'Electric Avenue, Brixton', etching, each signed, titled and numbered 31/35,(9) 2 boxes, total 13 prints

§ Paula Rego RA (British, b1935) Wild Duck (Rosenthal 72), etching and aquatint, 1990, signed and numbered '19/75' in pencil, printed by Culford Press, London, published by the National Art Collections Fund, London, with the printer's blindstamp, with full margins, 61 x 50cmPlease note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information. § No damage to image.Minor smudge to paper at lower right corner. Possible minor creasing to border but not opened frame.

Quantity of prints, original artworks and posters, to include Ryan Callanan (AKA RYCA) (British, b.1981), 'Bubblegirl', screenprint, signed in pencil, numbered 31/40, bearing Scrawl Collective blindstamp, 71 x 50cm; an etching of a dove by Leon De Bliquy (1943), signed and dated 81, numbered 79/100, 8 x 8cm; a poster for Grands Bal Ba-Ta-Clan, 65 x 50cm; a mixed media on cork by Aiva Kukulite, 81 x 54.5cm; and other original works and prints (16)

NO RESERVE Celestial.- Woodthorpe (V[incent]) The Horizon, doube-page map of the horizon from Woolsey's ' Cellestial Companion or projects in plano of the Starry', engraving, etching and aquatint, on laid paper without watermark, sheet 545 x 770 mm (21 3/4 x 30 1/4 in), several nicks and tears at edges, trimmed to or just within the plate edges at the left and right, upper right corner with restoration to loss into plate, central vertical fold with some splitting, unframed, Robert Woolsey, 1801 [but circa 1803].

France.- Baur (Johann Wilhelm, 1607-1641) [Siege of Valenciennes, then in the Hapsburg Netherlands], etching, 295 x 415 mm (11 3/4 x 16 1/4 in), lettered key at top, signed in the plate lower right, vertical centre crease, corner-mounted on support sheet with some minor associated creases, marginal tear in the lower left corner, unframed, [Hollstein, German, 13-23], issued in De Bello Gallica, Rome, 1632

RICHARD EARLOM (1743-1822) AFTER CLAUDE LORRAIN (c.1600-1682) 'Liber Veratis' A set of twenty-two prints from the collection of two hundred original designs in the Collection of the Duke of Devonshire, etching and mezzotints, each c. 21cm x 27cm (22) Plate 4 'Coast Scene'; Plate 22 'Landscape with river'; Plate 45 'Landscape with the flaying of Marsyas'; Plate 65 'Landscape with Tobias and the Angel'; Plate 87 'Pastoral Landscape'; Plate 90 'Pastoral landscape with the Ponte Molle'; Plate 91 'Landscape with Cephalus and Procris reunited by Diana'; Plate 93 'Pastoral landscape'; Plate 95 'Pastoral landscape with the story of Apollo and Marsyas'; Plate 99 'Coastal View with Apollo and the Cumean Sibyl'; Plate 100 'Landscape with the death of Procris'; Plate 105 'Landscape with buildings and cattle'; Plate 109 'Landscape with peasants and cattle'; Plate 110 'Landscape with peasants and cattle'; Plate 115 'Landscape with peasants and cattle, the Colosseum and arch of Septimus Severus visible to the distance'; Plate 117 'Landscape with peasants and cattle, enriched with buildings'; Plate 119 'View of Delphi with a procession'; Plate 159 'Landscape with Mercury and Battus'; Plate 162 'Landscape with Psyche and the Palace of Amor'; Plate 169 'Landscape with Jacob, Rachel and Leah at the well'; Plate 170 'Landscape with Apollo guarding the herds of Admetus and Mercury stealing them'; Plate 182 'View of Delphi with a procession' 

John Hoyland R.A. (British, 1934-2011), Night Music, signed and dated 1981 l.r., H/C No.1/1, aquatint etching, 56 by 71cm, framed Provenance: a Corporate Art CollectionNote: Artist Resale Rights apply 

Sir Terry Frost R.A. (British, 1915-2003), Is it True, 1989, signed l.r., No.5/5, aquatint etching, 55 by 37cm, framedNote: from the series Eleven Poems by Federico Garcia Lorca (Spanish, 18998-1936)Provenance: a Corporate Art Collection Note: Artist Resale Rights apply  

AN ETCHING BY HENDRIKUS ELIAS ROODENBURG DEN HAAG, SIGNED AND NO 329 18.5X41CM

Antonio Canaletto (Italian, 1697-1768)The Wagon Passing Over a Bridge (Bromberg 32) Etching, on thick laid, the final second state, with narrow margins, 145 x 127mm (5 3/4 x 5in)(PL)(unframed)Footnotes:ProvenanceRudolph Phillip Goldschmidt, Berlin, 1840-1914 (Lugt 2926).Christie's 8 December 2009, lot 85.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 78; Scottish Arts Council 81) Etching and aquatint printed in tone, 1969, on Hodgkinson handmade wove, signed and inscribed 'A.P. XIII', an artist's proof aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, with margins, 440 x 327mm (17 3/4 x 12 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Stanley William Hayter (British, 1901-1988)Familie Japonaise (Black & Moorhead 219) Engraving, soft-ground etching and scorper printed in colours, 1955, on Lauriat paper, signed, titled, dated and numbered 47/100 in pencil, printed by Hayter at Atelier 17, Paris, published by St. Georges Gallery, London, with wide margins, 395 × 299mm (14 1/8 × 9 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Abbott McNeill Whistler (American, 1834-1903)Billingsgate (Kennedy 47; Glasgow 51) Etching, 1859, on thick laid, Glasgow's eighth state of nine, 152 x 223mm (6 x 8 3/4in)(PL)(unframed)For further information on this lot please visit Bonhams.com

James Abbott McNeill Whistler (American, 1834-1903)Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, 275 x 200mm (10 7/8 x 7 7/8in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Antony Gormley RA (British, born 1950)From the Cave Photogravure etching, 2010, on Fabriano paper, signed, titled, dated and numbered 28/50 in pencil verso, published by Ingleby Gallery, Edinburgh, with full margins, 383 x 450mm (15 1/8 x 17 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Stanley William Hayter (British, 1901-1988)Witches' Sabbath (Black & Moorhead 239) Engraving, etching, soft-ground etching and scorper printed in colours, 1957-8, on BFK Rives, signed, titled, dated and inscribed '2/5' in pencil, one of five proofs aside from the numbered edition of 50, printed and published by the artist at Atelier 17, Paris, with margins, 493 x 643mm (19 3/8 x 25 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Anthony and Cleopatra (Wiseman 128) Etching and aquatint printed in colours, 1982, on Arches, signed and inscribed 'AP III/XV' in pencil, an artist's proof aside from the numbered edition of 200, printed at Kelpra Studio, London, published by the Royal Shakespeare Company, London, with margins, 750 x 560mm (29 1/2in x 22in)(PL)Footnotes:This depicts Michael Gambon and Helen Mirren in their roles with the Royal Shakespeare Company in 1982.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com