78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 118
Francis Seymour Haden (1818 - 1910), 'Early Morning Richmond Park', drypoint etching, inscribed within the plate ' The lark at Heavens Gate', initialed and indistinctly dated within the plate, plate 11cm x 27cm and 'Fulham', inscribed within the plate, plate 11.5cm x 28cm,Qty: (2)The collection of Joan Elizabeth Mary Streeter. Fulham purchased from Michael Parkin Gallery.Fulham paper discoloured. Otherwise both in good condition with no obvious faults. Both framed & glazed.
Los 152
A collection of etchings and engravings comprising - Anthony Raine – Barker (1880 - 1963) The Barrel Organ, original drypoint, artists proof, signed in pencil in the margins, 13.2cm x19cm; Robert Bartlett (20th century) Wind, wood engraving, 1930, signed & titled in pencil in the margins, image 13cm x 15.5cm; E Law (20th century) Dungeness, soft round etching, numbered 11/20, signed & titled in pencil in the margins, image 12cm x 12cm; David Young Cameron (1865 – 1945) Ailsa Craig from Arran (South), signed and titled within the plate, 1888, signed in pencil in the margins, plate 15cm x 24cm: An untitled etching of Atlas with a globe of flowers, indistinctly signed in pencil and numbered 97/100, plate 24.5cm x 20.5cm and Pierre Bonnard (1867 – 1947) Cat (Bouvier III), etching and illustration to La Vie de Sainte Monique, c1930, initialed within the plate, a later impression from the cancelled plate, 18cm x 12cmQty: (6)The collection of Joan Elizabeth Mary Streeter.Ailsa Craig - extensively creased, torn & damaged.
Los 18
Dia Azzawi (Iraq, born 1939)We Are Not Seen, But, Corpses (The Massacre of Sabra and Shatila) etching and lithograph on paper in nine partseach work is signed, dated '1983', titled and numbered, number 10 from an edition of 60, executed in 1983100 x 70 cm eachFootnotes:A rare full set of Dia Azzawi's 'We Are not Seen, But Corpses' in its original presentation caseExhibited:National Council for Art and Culture, Kuwait, 1983Galerie des Arts, Tunis, 1990The British Museum, London, 1991The University of Nevada, USA, 1991Galerie Claude Lemand, Paris, 1995Bibliotheque Nationale, Paris, 1995Qatar Museum Authority, Doha, 2016Institut Du Monde Arabe, 2018 'After the Palestinian fighters left Lebanon, the Phalangists had their opportunity to take revenge on old people, women and children. I have a lot of Palestinian friends, some artists and writers, and I knew those camps. Within two days, up to 3,500 people were killed. So, this work had a moral side: to defend unarmed people with no voice.'- Dia AzzawiDia Al-Azzawi was deeply moved in September 1982 by the massacre of civilian Palestinians in the camps of Sabra and Shatila. The Iraqi artist had first started drawing in his studio in London the polyptych entitled The Sabra and Shatila Massacres, mixed media on paper laid down on canvas, 300 x 750 cm, in the collections of the London Tate Modern since 2012. As often was the case, he took his inspiration from photographs of the massacre published by the media and international newspapers.A few months later, in January 1983, he was inspired by Four hours in Chatila, a report that was written on the spot by the French writer Jean Genet, who has just reached Beirut with Leïla Shahid and who had visited the Palestinian camps the day after the massacres and it would be the source of inspiration for the images of nine original prints (eight etchings and one lithograph, 100 x 75 cm.) that he would publish in a portfolio with a title page and a page taken from Jean Genet's text, in a trilingual edition: We are not seen but Corpses. The Sabra and Shatila Massacres - Lâ nara illa juthathan - Nous ne voyons que des cadavres, London, 1983.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 33
Graham Clarke, British (B.1941-) artist, author and humourist is one of Britain's most popular and best selling printmakers, Framed Etching with aquatint, printed in colour, titled "The Quay" numbered 24/300 of Wells next to Sea, Norfolk signed in pencil lower right margin, 47cm x 43cm in good condition.
Los 66
With an 80cm pointed three sided blade with decorative foliate etching, with shell guard, and polished steel handle with foliate cut details, in a leather and steel scabbard with twin suspension rings. 100cm overall. *CR: Good condition, light marking to steel surfaces. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Los 1384
Full title: Asger Jorn (1914-1973): Composition, etching, dated (19)66Description:Work: ca. 30 x 23,7 cm Paper: ca. 39,2 x 29 cm Frame: 61,6 x 51,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Asger Jorn (1914-1973): 'Stranger in the village', etching, ed. 39/50, [1953]Description:Work: ca. 20,3 x 14,8 cm](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/bcdbb7eb-c62d-4b02-a630-af460003b1cb/468x382.jpg)
Los 1386
Full title: Asger Jorn (1914-1973): 'Stranger in the village', etching, ed. 39/50, [1953]Description:Work: ca. 20,3 x 14,8 cm Paper: 24,6 x 18 cm Frame: 42 x 32 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Roger Raveel (1921-2013): 'Tegenover het vlak', etching, ed. H.C. 3/10, [2007]Description:Work: ca. 24 x 17,5 cm](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/13cd10e5-78b5-413f-a661-af460003e550/468x382.jpg)
Los 1395
Full title: Roger Raveel (1921-2013): 'Tegenover het vlak', etching, ed. H.C. 3/10, [2007]Description:Work: ca. 24 x 17,5 cm Paper: 65 x 51 cm Frame: 87,5 x 68 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Roger Raveel (1921-2013): 'Een drang naar volmaaktheid', etching, ed. 22/40, [2002]Description:Work: ca. 29,8 x 2](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/7961d747-9bc4-4b94-893b-af4600119098/468x382.jpg)
Los 1405
Full title: Roger Raveel (1921-2013): 'Een drang naar volmaaktheid', etching, ed. 22/40, [2002]Description:Work: ca. 29,8 x 23,8 cm Paper: 65,5 x 50,5 cm Frame: 87 x 68,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Roger Raveel (1921-2013): 'Het etsatelier', heightened etching, ed. 50/50, [1973]Description:Work: ca. 34,5 x 26,](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/ab32d10a-7c6a-41fe-af8b-af4600119b3e/468x382.jpg)
Los 1407
Full title: Roger Raveel (1921-2013): 'Het etsatelier', heightened etching, ed. 50/50, [1973]Description:Work: ca. 34,5 x 26,7 cm Frame: 87 x 68,5 cm The etching 'met de hand bijgewerkt' (touched up by hand) by the artist himself. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1410
Full title: Pierre Alechinsky (1927): 'Le sauve-qui-peut de Rocquencort', etching and aquatint, ed. 43/99, dated 1989Description:Work: 90,6 x 59 cm Paper: ca. 102 x 67 cm Frame: 111,5 x 76,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1418
Full title: Pierre Alechinsky (1927): 'Réponse muette', etching and aquatint, ed. E.A. III/XX, dated 1988Description:Work: ca. 174 x 85 cm Paper: 178,5 x 90 cm Frame: 208 x 119 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1422
Full title: Carl-Henning Pedersen (1913-2007): 'Le grand Meaulnes', etching, ed. H.C. 4/10, dated 1991Description:Work: 114 x 74 cm Paper: ca. 135,6 x 99 cm Frame: 150,7 x 113,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1423
Full title: Roger Raveel (1921-2013): 'Natuur en een gedachte in de leegte van een vierkant II', etching in colours, ed. 31/60, [2004]Description:Work: ca. 29,5 x 24 cm Paper: ca. 66 x 51 cm Frame: 87 x 68 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Roger Raveel (1921-2013): 'Een aanwezigheid in perspectief', etching in colours, ed. H.C., [1982]Description:Work](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/d32f78cf-d778-4b8c-a265-af460011f8f6/468x382.jpg)
Los 1425
Full title: Roger Raveel (1921-2013): 'Een aanwezigheid in perspectief', etching in colours, ed. H.C., [1982]Description:Work: 34,8 x 26,2 cm Paper: ca. 65 x 50 cm Frame: 87 x 68,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1429
Full title: Jules De Bruycker (1870-1945): 'Confrère', etching, dated 1906Description:Work: ca. 30,7 x 22,9 cm Paper: ca. 33,8 x 25,8 cm (visible part) Frame: 52 x 42,9 cm Ref.: - J.D.B. 005 (link) - Le Roy, 3. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1432
Full title: Carl-Henning Pedersen (1913-2007) and Pierre Alechinsky (1927): 'L'été Indien II, etching and aquatint', ed. 37/90, dated 1993Description:Work: ca. 65,7 x 49 cm Paper: ca. 96,3 x 67 cm Frame: 123 x 95 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: A.R. Penck (Ralf Winkler, 1939-2017): 'Romantischer Streit', etching and aquatint, ed. VII/X, [1989]Description:W](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/e37d9b0a-28e5-4dd1-81a8-af4600122b52/468x382.jpg)
Los 1434
Full title: A.R. Penck (Ralf Winkler, 1939-2017): 'Romantischer Streit', etching and aquatint, ed. VII/X, [1989]Description:Work: ca. 99,5 x 64 cm Paper: ca. 123 x 98,5 cm Frame: 144,5 x 120,1 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Pierre Alechinsky (1927): 'A bras le corps', etching and aquatint, ed. 17/99, [1995]Description:Work: ca. 60,7 x](https://cdn.globalauctionplatform.com/414b7662-d465-42df-8c7f-af44000822b3/6919b55e-e1dc-47a1-b704-af4600123081/468x382.jpg)
Los 1435
Full title: Pierre Alechinsky (1927): 'A bras le corps', etching and aquatint, ed. 17/99, [1995]Description:Work: ca. 60,7 x 47,5 cm Paper: ca. 63,2 x 49,2 cm Frame: 89 x 75,1 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 1440
Full title: Pierre Alechinsky (1927): 'Ordre minéral', etching and aquatint, ed. 14/99, dated 1980Description:Work: ca. 90 x 61,5 cm Frame: 119,5 x 90,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 105
GIOVANNI BATTISTA PIRANESI (Mogliano Veneto, 1720 - Rome, 1778)."Avanzi di un antico Sepolcro, oggi detto la Conocchia, che si vede poco...".Etching engraving illuminated by hand.Size: 72 x 48 cm (print); 73 x 49 cm (paper); 102 x 79 cm (frame).Avanzi di un antico Sepolcro, oggi detto la Conocchia, che si vede poco lungi dalla Porta di Capua per andar a Napoli. Questo Sepolcro non si sà quant Famiglia abbia poputo appartenere; stante che gli e stata levata la sua antica Iscrizione.Piranesi first arrived in Rome in 1740, and there he found an established market for selling views of the city as souvenirs of the Grand Tour. His Views, however, transcended topographical fidelity and became heroic and tragic visions of the power of Roman architecture. Piranesi's Venetian origins were decisive in this particular representation of the city; his training as an engineer and builder in stone (in the poetic effect of the ruin, for example), and his apprenticeship as a set designer (sensitivity to the effects of light and great skill in linear and atmospheric perspectives). The plates were printed and sold in single sheets or in collections, initially through his publishers, Bouchar and Gravier. Piranesi went to the former's establishment every evening to see which views sold best and to listen to the comments of the customers. In 1760, however, the artist opened his own establishment, in the Palazzo Tomati, and from then on took control of the entire business, from printing to sales. Over the next two decades he produced a large body of work, and after his death in 1778 the business only increased. His son Francesco Piranesi expanded his father's series of 135 plates by two, and continued to sell in Rome until 1799, when he settled in Paris. Francesco sold the first Paris edition between 1800 and 1807, and after his death in 1810 the plates were acquired by the house of Firmin-Didot, which continued to publish them between 1835 and 1839. After the latter date they were acquired by what is now the Royal Chalcography in Rome.Piranesi was an Italian engraver who produced more than 2,000 engravings of real and imaginary buildings, as well as Roman statues and reliefs. He studied architecture in Venice with his uncle, Matteo Lucchesi, where he learned about the works of Palladio, Vitruvius and the buildings of antiquity. In 1740 he moved to Rome, accompanied by the Pope's envoy in Venice, Marco Foscarini. In the Italian capital he was impressed by the Roman ruins and focused on depicting them, combining descriptive zeal and fantasy in a style that advanced Romanticism by a hundred years. In Rome he learned the technique of etching, and in 1743 he published his first large series of prints, "Prima Parte di Architettura e Propettiva". At the age of just twenty-three Piranesi already revealed his mastery as an engraver and his inventiveness. He opened his workshop opposite the French Academy in Rome, so he was always in close contact with French artists and scholars. His engravings enjoyed great commercial success, as they were sold to travellers as souvenirs of the Eternal City. In 1761 he became a member of the Accademia di San Luca in Rome. Prints by Piranesi are preserved in the world's leading museums, including the Hermitage in St Petersburg, the Louvre, the Metropolitan Museum in New York, the Rijksmuseum in Amsterdam, the British Museum, and the Fine Arts Museums in Dallas, San Francisco, Detroit, Washington, Sydney and Montreal.
Los 1
Abdur Rahman Chughtai (Pakistani, 1897-1975)Untitled (Maiden with a spinning wheel) signed 'Rahman Chughtai' lower leftetching29.1 x 20.1cm (11 7/16 x 7 15/16in).Footnotes:ProvenanceAcquired from an Estate sale in Houston, Texas in 2021.For further information on this lot please visit Bonhams.com
Los 3
Sheikh Mohammed Sultan (Bangladeshi, 1923-1994)Untitled signed 'S M Sultan' lower rightcolour pastel and charcoal on paper, framed26.5 x 35.3cm (10 7/16 x 13 7/8in).Footnotes:ProvenanceAcquired by the vendor from Ahmed Saeed Nagi's collection, which was inherited by his son; Nagi was a close friend of the artist.Ahmed Saeed Nagi was known as the 'official artist' of the Pakistan freedom movement, and was the first person to make a portrait of Quaid-e-Azam, Muhammad Ali Jinnah. He completed artwork at Governor House, Karachi, Governor House, Lahore and the Mohatta Palace, Karachi. In 1990 he was bestowed with the Pride of Performance Award by the Government of Pakistan, for his outstanding achievements as a painter.Sultan was born in Machimdia village, in what was then known as Jessore District, British India. He studied at the Government School of Art in Calcutta, where Mukul Dey, the pioneer of drypoint-etching in India was Principal. Under Dey's tutelage, students were encouraged to paint contemporary landscapes and portraits reflecting their own experiences, as opposed to painting Indian allegorical, mythological and historical subjects or copying the Old Masters.Sultan absorbed what he was taught and created a visual language that makes him of the pioneers of Bangladeshi modernism. He repeatedly depicted the same subject, village scenes and his trademark included illustrating peasants with exaggerated muscular physiques. The three works on offer in this auction are from the 1960s. In these works on paper, we see the beginnings of what is to come in his works in the 1970s and 1980s, with the slight exaggeration of the female bodies as seen in (Untitled Figures in a Landscape). To view other works on paper from this period, see Eye for Art, Sheikh Mohammad Sultan Exhibition: Works on Paper, 23rd March - 11th April 2022.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 83
Laxma Goud (India, B.1940)Untitled (Man and Woman) signed and dated 1975 lower rightetching on paper, framed25.1 x 34.3cm (9 7/8 x 13 1/2in).Footnotes:Note: This is AP 1/25.Laxma Goud was born in Nizampur, Hyderabad and grew up surrounded by rural tradition and craft. He studied drawing and painting at the Government College of Fine Arts and Architecture, Hyderabad and subsequently studied Mural Painting at Maharaja Sayajirao University, Baroda under K.G. Subramanyan. His works are an amalgamation of memories, poetry, fantasy and erotica and often feature tribal men and women in their milieu, as is the case with the etching on offer in this auction. He has exhibited widely throughout his career. Some notable exhibitions include the São Paulo Biennale, Brazil, 1977; Contemporary Indian Painting, Festival of India, Royal Academy of Art, London, 1982; Contemporary Art of India, The Herwitz Collection, USA, 1986 and the National Gallery of Modern Art, New Delhi, 1993 to name a few. His works are held in the collections of the Glenbarra Museum, Japan, the National Gallery of Modern Art, New Delhi and the Peabody Essex Museum, Salem Massachusetts. In 2016, the Government of India bestowed him with the Padma Shri.For similar works sold at Sotheby's see Indian Art, New York, 19th September 2006, lots 111 and 112.For further information on this lot please visit Bonhams.com
Los 314
Attributed to Hans Busk,continental street scene,watercolour,framed and glazed,32.5x23cm;and Louis-Etienne Dauphin,moonlit street scene,signed and numbered No. 21, coloured etching and aquatint,framed and glazed,37x26cm.Qty: 2Provenance:Hans Busk watercolour - Purchased by vendor as 'Purchased directly from Busk family by a previous vendor'.
Los 360
Five assorted original artworks including:Ellen Frances Griffin, an illustrated verse, 36x23cm;Arthur Twidle, Jewish ceremony, watercolour, 9x7cm;Edwin Edmonds, Putney Bridge, etching, 16x26cm;Anita M Carr, watercolour, 9x11cm;English School, Cart crossing a river, oil on canvas, 26x36cm.Qty: 5
Loading...-
78475 Los(e)/Seite