‡RICHARD BAWDEN RWS NEAC RE (b.1936)'Dead Oaks'etching in colours,signed, inscribed in pencil as title, and numbered 2/75 in lower marginPl. 19 x 15 1/4 inThe artist was the son of Edward Bawden. He initially studied at Chelsea and St. Martin's School of Art. Later he became a student at the Royal College of Art. His versatile output has also included murals, mosaics, stained glass windows and posters, most notably for the London Underground. His work is in a number of public collections including the Victoria and Albert Museum, The Tate Gallery and London Transport. David Buckman noted that 'Bawden's work combined excellent draughtmanship, a true sense of colour and an eye for the unusual'.
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‡SIR FRANK BRANGWYN RA RWS RBA (1867-1956)Breaking up the 'Hannibal'original etching, pencil signedPl. 19 1/2 x 24 1/2 in From the only edition of 70 signed proofsLiterature: Gaunt 36This is one of Brangwyn's earliest large scale etchings. Etched on zinc after a preparatory sketch. HMS Hannibal a wooden screw-ship of the line was built in 1854, powered by 450 horse-power engines. The scene shows the massive hulk of the old wooden Hannibal lying in Castle's breaking-yard at Charlton, Woolwich The artist and writer Walter Shaw Sparrow wrote in 1919 of Brangwyn's depiction of 'Hannibal' comparing it to Turner's Fighting Temeraire, noting however that the 'Hannibal was brought too close to my eyes, occupying so much of a large plate that I cannot see her poetry because I see much of her bulk'. By contrast the Temeraire was 'surrounded by a great seascape and visiting sunset'...As a big study full of apt concentration, Brangwyn's 'Hannibal' is very good; but yet...it seems to me that he ought to have achieved more because his emotion was all of a piece with Turner's'
‡GERALD LESLIE BROCKHURST RE (1890-1978) L'Eventail (The Fan) 1921etching on laid papersigned in pencil, from an edition of 76, with full margins, Pl. 6 1/4 x 4 1/2 in; sold with a further etching by the artist titled 'Seule, 1923' (reference William Dolan Fletcher no. 36); two (2)Provenance: J. R. Bettinson, Esq; thence by descent L'Eventail is based on the 1916 painting of the same title. The model depicted is Anais Brockhurst. Dressed in an elaborated patterned gown and holding a fan she stands in a sumptuous interior setting, accented by the mirrors's ornate frame.Gerard Leslie Brockhurst spent his early painting career in Ireland. He didn't begin etching in earnest until after the finish of the First World War, eventually achieving success as a print maker and society portraitist. In 1921 he was one of the founder members of The Society of Graphic Art.
‡ROWLAND LANGMAID RSMA (1897-1956)St. Ives Harbour, Cornwall; Newlyn Harbour looking towards St. Michael's Mountdrypoint etchings, pencil signedPl. 6 1/2 x 11 3/4 in, two; together with a further signed etching by the artist titled 'An Old Two Decker', three (3) Langmaid studied under William Lionel Wyllie. Later as a young seaman serving on HMS Agamemnon he made official sketches of the landings at Dardanelles. After WWI he studied at the Royal Academy Schools and the Royal College of Art. As well as an artist he was a highly accomplished engraver, collaborating with Wyllie on the series 'Seafights of the Great War 1914-1918'. In WWII he worked as a war artist in Alexandria.
BERGEHM (XVII). Dutch school, mountainous track with dog, sheep, donkeys and drover, unsigned, etching on paper, framed and glazed, 28 x 37 cm, together with R.H. CAWTHORNE. 'The Cross Chester', signed in pencil lower right, etching on paper, framed and glazed, 19 x 22 cm, SIR ERNEST GEORGE (1838-1922). 'Bruges', signed with initials in lower plate, lower right, etching on paper, framed and glazed, 15 x 21 cm and COLIN LOCKYEAR. Wooded river landscape, signed in pencil lower right, limited edition etching and aquatint on paper, no. 37, framed and glazed, 12 x 18 cm (4)
J LEWIS SAINT artist's proof coloured lithographs, a pair, titled 'Claverley near Bridgnorth', 38 x 27cms and 'Chaddesley Corbett, Worcestershire', 27.5 x 36.5cms, both signed in pencil with proof stamps and HENRY G WALKER, signed coloured etching titled 'Shelley's Cottage, Lynmouth', 27 x 22cms
A LATE19TH OR EARLY 20TH CENTURY RHINOCEROS HORN HILTED MOROCCAN JAMBIYA, 23cm sharply curved double edged blade etched with oak leaves, to one side and marked AGADI (Agadir), characteristic white metal mounted hilt embossed with scrolling foliage, contained in its white metal mounted scabbard decorated to match, the etching to the blade is of typical Imperial German style, together with two further Moroccan Jambiya. From an established West Country Collection. (3)
After David Hockney (British 1937-) 'Cold Water About to Hit the Prince', etching and aquatint from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper 42cm x 29cm Condition Report Click here for further images, condition, auction times & delivery costs
Percy Robertson ARE (1868-1934), ''The Drinking Fountain'', signed and inscribed etching, together with four further signed and inscribed etchings ''The Plough'', ''Farrow Pool'', ''Gloucester'', ''Southampton Water'', one inscribed etching ''Rye Sussex'' and four signed etchings of various scenes (10) (unframed)
Percy Robertson ARE (1868-1934), ''Waterloo Place'', signed and inscribed etching, together with three signed and inscribed etchings, ''Stapleton, Holborn'', ''Holborn *'', ''The Tower of London'', one signed etching on the Houses of Parliament and one etching of boats moored in the Thames (6) (unframed)
A Ltd Edition and Numbered Fishing Book Titled ' The Diary and Observations of a Tench Fisher ' by D.R ( Bob ) Wakefield. Published by Chevington Press 1981, Signed by the Authors, The Book In No 6 of Only 50 Issued Worldwide. Description - Tall Folio Quarter Leather Ltd and Numbered Edition, No 6 of 50. Signed by Wakefield Below The Colophon, 6 Full Page Signed Etchings, Along with 8 Smaller Etched Head and Tall Pieces, Excellent Work, Backed In Tan Calf Leather with Marbled Paper over Boards and on Engraved Titled Paste down with Etching on The Upper Cover, This Book Is a Recollection of the Artists, Fishing Trips In The Years Preceding Publication. Condition of Book In All Aspects Is Excellent, This Includes Interior, Exterior, Binding and Comes with Outer Cover.

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