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Los 1

* Martin (Frank, 1921-2005). Aurora Drive, etching printed in burgundy/purple tint, signed, titled and marked AP4, sheet size approx. 755 x 540 mm, framed and glazed From the estate of the artist. (1)

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* Martin (Frank, 1921-2005). Eden Roc, etching printed in colours, signed, titled, and numbered 22/50, sheet size approx. 635 x 525 mm (image size approx. 300 x 250 mm), framed and glazed From the estate of the artist. (1)

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* Martin (Frank, 1921-2005). Mae Murray, etching printed in colours, signed, titled and numbered 5/50, sheet size approx. 650 x 500 mm (image size approx. 390 x 260 mm), framed and glazed From the estate of the artist. (1)

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After Elridge, etching, 'At rest in Newlyn Harbour', a print of Big Ben, an etching of a bridge signed Hugh Paton

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Ian Douglas Smart, a view of the River Thames", etching, signed in margin

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After Olwen Rae, etching Kings College Cambridge, signed in pencil

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FRANK STACK, SIGNED LIMITED EDITION BLACK AND WHITE ETCHING, (51/100), ‘Staircase’, 11” x 9”

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GRAHAM CLIVERD, SIGNED AND DATED 1921 TO MARGIN, BLACK AND WHITE ETCHING, ‘Bruges---’, 11” x 6”

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AFTER J TOWNSHEND, ENGRAVED BY G S HUNT, HAND COLOURED ENGRAVING, ‘Southampton Docks’, 8” x 16” and W A DONALD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘Girton College, Cambridge’, 7” x 9”, (2)

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E SHARLAND, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING, Inscribed ‘Canterbury Cathedral’, 16” x 8”

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FRANK PATON, SIGNED IN PENCIL, BLACK AND WHITE ETCHING, ‘Royal and Ancient, St Andrews 1798’ (early golfing scene), 8” x 10”, unframed

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F FARKAS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘Venice’, 9” x 6” and two other similar, one frame, two unframed, (3)

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AFTER G GAREN, BLACK AND WHITE ETCHING, ‘The Rescue’, 13” x 20”

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JULIUS KOMJATI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (10/75), ‘De Profundis’ (see gallery label verso), 5” x 6”, mounted and unframed

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LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The Golfer’s Bridge – Melton’, 7” x 9”

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ROBERT GALLON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, river scene with bridge and church, 8” x 5” and CHARLES J McKENZIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Whitstable Harbour, 4” x 5”, mounted but unframed, (2)

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J E C SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, coastal view (inscribed), 6” x 12”

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S TUSHINGHAM, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Continental river landscape with town in distance, 9” x 13” and INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, a ruined castle across a river, 13” x 11”, (2)

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ARTHUR BRISCOE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, limited edition (66/75), ‘Aloft’, 10” x 16”, mounted but unframed

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ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘London, St Pauls from the south side’, (see Artist’s label verso), 5” x 10”

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WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, fishing boats at sea, 7” x 9”

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WALTER DENDY SADLER. A Gentleman by a dining Table, pencil signed, etching, Pl. 14 x 10 in

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SIDNEY FERRIS. St. Pauls during war-time, pencil signed, etching, 11 x 14 ihn

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JOSEPH FARQUHARSON., Shepherd and sheep in lane, etching, Pl. 14 1/2 x 22 in

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G. WYLLIS PRYCE. A River landscape with a country House, signed,G.Willis Pryce , oil on canvas, 8 x 12 1/2 in ; and an etching by Seymour Haden (2)

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Lawrence (D.H.) Lady Chatterley, version première traduite de l'Anglais, illust. Chem, Paris, pub. Deux-Rives, 1956, full-page col. lithos., and illusts. to text, loosely contained in orig. col. pict. wrappers, with glassine d.j. (small tear to foot of spine), in card slipcase (some wear), 4to Limited edition of 950 copies, this being 74/200, containing an original uncoloured etching by Chem, and an additional suite of the lithographs printed in black and white. (1)

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*Cipriani (Giovanni Battista) Three Putti, pub. F. Bartolozzi, March 1, 1787, etching printed in brown, by Bartolozzi after Cipriani, plate size approx. 230 x 290 mm, framed and glazed, together with two other hand-col. stipple engravings by Bartolozzi after Cipriani, featuring a Goddess and attendant putti and faun, each approx. 295 x 245 mm, matching black and gilt frames, glazed, plus Morland (George), Delia in Town, pub. J. R. Smith, February 12th 1788 [but later], hand-col. stipple eng. by J. R. Smith after Morland, plate size approx. 295 x 235 mm, framed and glazed, and Ramberg (H.), 'The Young Girl Returns Home', hand-col. circular stipple eng. by F. Bartolozzi, after Ramberg, early-mid 19th c., approx. 290 mm diameter, in contemp. black and gilt frame, glazed, plus a hand-col. proof soft-ground etching after George Morland, showing a stables, with horse, two men and a dog, image size approx. 375 x 500 mm, framed and glazed plus one other later reproduction after Morland, framed and glazed, and two 20th c. col. mezzotints after English Old Masters, both framed and glazed (9)

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*Gillray (James) A Bravura Air - Mandene/The Bulstrode Siren, pub. 1801-03, [but later], two hand-col. caricatures of opera singers, image size approx. 35 x 25 cms., framed and glazed, together with Cruikshank (Robert), A Dandy Fainting - An Exquisite in Fits, pub. Thomas McLean, 1835, uncol. etching, approx. 25 x 35 cms., together with A Broad Hint of Not Meaning to Dance, pub. H. Humphrey, 1804, uncol. etching, approx. 25 x 40 cms., both in gilt frames, glazed (4)

Los 1

Arbuthnot (John) The Miscellaneous Works of the Late Dr. Arbuthnot, 2 vols., Glasgow, 1751, ad. leaf to vol. 1, some browning, portion of f.f.e. to both vols. torn away, contemp. calf, some wear to exrems., 8vo, together with Defoe (Daniel), The Life and Most Surprising Adventures of Robinson Crusoe, of York, Mariner..., new ed., 1798, eng. port. frontis. and plts., sewing broken, contemp. sheep, old reback, some wear, 12mo, with, Goldsmith (Oliver), The Deserted Village of Oliver Goldsmith, Illustrated by the Etching Club, 1841, numerous etched illusts. to text, some spotting, a.e.g., contemp. gilt dec. morocco by Slocombe & Simms of Leeds, 4to, plus five other antiquarian vols. (9)

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English School (mid 19th century) ‘Convent of Barlaam, Theassaly’; ‘Great Convent, Meteora, Theassaly’ Each pencil and watercolour Each inscribed with title and dated 1859 upon the mount lower centre Each 34.5cm x 24cm T. J. Greenwood (20th century) ‘Bank Vole’ Etching Signed and inscribed with title within the mount P. 7.5cm x 7.5cm and a quantity of other pictures

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R. Earlom after Claude Lorraine Landscapes; twelve plates Each etching and aquatint Various sizes

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Bertram Buchanan (20th century) ‘Crains dans le mur Aveugle un regard qui T’epie’ Etching and aquatint Signed in pencil within the margin lower right S. 23cm x 18cm Best Bid

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Anthony Gross (1905-1984) Fairies Etching Signed in pencil within the margin lower right P. 22.5cm x 14.5cm

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Mabel Lee Hankey (20th century) ‘Sur la Place’ Etching and aquatint Signed in pencil within the margin lower right Inscribed with title in pencil lower centre P. 128cm x 10cm Best Bid

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Alfred Richard Blundell (1883-1968) ‘Wind in the Wood’; ‘Across the Marshes’ Each etching and aquatint Each signed within the margin lower right Each inscribed with title lower left The first p. 25cm x 17.5cm The second p. 45cm x 59.5cm Hester Frood (1882-1971) ‘Corfe Castle’ Etching Signed in pencil within the margin lower right P. 21cm x 26.5cm John Brunsdon (b. 1923) ‘Hayle Sanctury’ Limited edition etching and aquatint Signed in pencil within the margin lower right Inscribed with title and 9/50 lower left and centre P. 45cm x 30cm

Los 1

Anna Duberiska Two figures beneath a tree Etching Signed and dated ‘59 within the margin lower riht P. 25cm x 18.5cm Robert L. Howey ‘The Mill’ Limited edition linocut Signed in pencil within the margin lower right Inscribed with title and 14/100 lower left P. 15cm x 16.5cm Suzette McDougale ‘Animal Vibrations’ Limited edition woodcut Signed and dated 1994 lower right Inscribed 3/3 lower right, with title lower centre P. 11cm x 18.5cm and Elaine Marshall ‘Forgiving Hoe’ Hand coloured etching and aquatint Signed in pencil within the margin lower right Inscribed 43/50 and title lower left P. 17cm x 17cm

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James Abbott McNeill Whistler (1834-1903) Portrait of the sculptor Charles Drouet Etching Signed and dated 1859 within the plate lower right P. 22.5cm x 15cm Unframed

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Emile Boilvin, 1845-1899- 'Vespertina Quies', after Sir Edward Coley Burne-Jones Bt., publ. 1897 by Arthur Tooth & Sons Ltd; etching on vellum, signed by both artist and printmaker in pencil, 55x36.5cm

Los 1

W J Cooper, British 19/20th century- 'Limehouse'; etching, signed titled and dated 1878 within the plate and signed and inscribed 'No 4' in pencil, 19x30.5cm: H Papprill- 'This View of Her Majesty's Steam Frigate Cyclops, off Spithead...', after Knell, publ. March 2nd 1857 by Ackermann & Company, 96 Strand; hand-coloured aquatint, 46x62.3cm: Thomas Shotter Boys- 'The Bank, Looking towards the Mansion House'; lithograph: together with a reproduction print after Thomas Shotter Boys, (4), (part unframed)

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Phyllis Gorlick King 20th century- 'Rites I; drypoint etching, 30x22cm, and one further etching titled 'Jonah's Whale; artists proof. (2)

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After Pablo Picasso- 'Girl and Mirror'; etching, signed within the plate and numbered 91/100 in pencil, 38x27cm. Note: part of the suit to illustrate the poems 'Les Amours De Picasso' 1963 by Genevieve Laporte.

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Tristram James Ellis, 1844-1922- 'The Old Ships, Portsmouth, Dawn'; etching, signed and dated 1887 within the plate, signed, titled and inscribed 'Final Proof' in pencil, 27.5x43cm

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AFTER MORGAN DENNIS 'The Campbells are Coming' (Two Scotties at a window) Etching Signed and inscribed in pencil 9.5in x 9.5in (24 x 24cms)

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AFTER HERBERT DICKSEE 'Fire Worshippers' Etching 15.75in x 25.75in (40 x 65.6cms)

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AFTER HERBERT DICKSEE 'Oh for the touch of a vanished hand' Etching Published by The Fine Art Society 13.75in x 25.75in (35 x 65.5cms)

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AFTER FRANK PATON 'Tree'd (Cats up a tree pursued by terriers) Etching 22.5in x 10.75in (57 x 27.5cms)

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AFTER F BLOMFIELD SMITH The Fisherman's Prayer Etching Signed in pencil 7in x 4.5in (18 x 11.5cms)

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AFTER GEORGE VERNON STOKES Three Blue Tits on a branch Etching Signed in pencil and numbered 24/75 9.5in x 12in (24 x 30.5cms)

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NORMAN C. JACQUES, (twentieth century) ETCHING, Falkner Street from Portland Street, Manchester, signed and numbered 1/50, 9 ?" x 11 ?"

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A CONTINENTAL ARTILLERY OFFICERS SWORD. Single edged curved blade, with 7/8 fuller, 81cm, 91cm overall length. Some etching to blade, with brass knuckle-bow hilt and scabbard.

Los 1

GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DELL'INGRESSO DELLA CAMERA SEPOLCRALE DI L. ARRUNZIO Etching with engraving, full titles and narrow margins 39 x 60cm.; with another engraving by the same hand, "Veduta di una parta de' fondamenti del Teatro di Marcello", 58.5 x 39cm. (2) ++ The former with a few small tears extending into image and foxing; the latter satisfactory; each in need of a clean

Los 1

WALTER GREAVES (1846-1930) THE LAST CHELSEA REGATTA, c.1871 Etching with drypoint, signed in pencil, bears number 8 in a different hand, on cream laid, the full sheet, unframed Image 26 x 55cm. * This etching is Greaves' most ambitious etched work and shows the steam boat pier below Battersea Bridge (soon after dismantled). The buildings on the left were demolished for the building of Cheyne Walk. See also lot 1178 ++ A few soft handling creases

Los 1

WALTER GREAVES (1846-1930) BATTERSEA FROM CHELSEA Etching, signed in pencil, bears number 14 in a different hand, on cream laid, the full sheet, unframed Image 13 x 20.5cm. ++ A good impression; in good condition

Los 1

WALTER GREAVES (1846-1930) OLD PUTNEY BRIDGE Etching, signed in pencil, bears number 9 in a different hand, on cream laid, the full sheet, unframed Image 18.7 x 27.5cm. ++ A good impression; in good condition

Los 1

WALTER GREAVES (1846-1930) CREMORNE AIR BALLOON, CHELSEA Etching, signed in pencil, bears number 3 in a different hand, on cream laid, the full sheet, unframed Image 15.7 x 22.3cm. ++ A good impression; in good condition

Los 1

WALTER GREAVES (1846-1930) CHELSEA, NEAR "THE ADAM AND EVE" Etching, signed in pencil, bears number 20 in a different hand, on cream laid, the full sheet, unframed Image 11 x 22cm. ++ A good impression; in good condition

Los 1

ALBANY E. HOWARTH (1872-1936) BAMBOROUGH CASTLE Etching, printed in sepia, with FATG blindstamp, signed in pencil, a good impression 39.5 x 55cm. ++ Good condition

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STANLEY ANGUS (Fl.1932-1938) BAMBOROUGH CASTLE Etching, signed in pencil 23.5 x 41.5cm. ++ Some very slight backboard staining within the image; otherwise in good condition

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NORMAN WILKINSON (1878-1971) LOCH AWE AND KILCHURN CASTLE Etching, signed in pencil 16 x 22cm. ++ A few pale spots of foxing, otherwise in good condition

Los 1

W.Woollett after Geo. Stubbs ‘Shooting’ Copper engraving and etching 44cm x 54cm published by Thos. Bradford 1769 - 1770 (4)

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  • 78472 Los(e)
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