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78472 Los(e)/Seite
Lawrence (D.H.) Lady Chatterley, version première traduite de l'Anglais, illust. Chem, Paris, pub. Deux-Rives, 1956, full-page col. lithos., and illusts. to text, loosely contained in orig. col. pict. wrappers, with glassine d.j. (small tear to foot of spine), in card slipcase (some wear), 4to Limited edition of 950 copies, this being 74/200, containing an original uncoloured etching by Chem, and an additional suite of the lithographs printed in black and white. (1)
*Cipriani (Giovanni Battista) Three Putti, pub. F. Bartolozzi, March 1, 1787, etching printed in brown, by Bartolozzi after Cipriani, plate size approx. 230 x 290 mm, framed and glazed, together with two other hand-col. stipple engravings by Bartolozzi after Cipriani, featuring a Goddess and attendant putti and faun, each approx. 295 x 245 mm, matching black and gilt frames, glazed, plus Morland (George), Delia in Town, pub. J. R. Smith, February 12th 1788 [but later], hand-col. stipple eng. by J. R. Smith after Morland, plate size approx. 295 x 235 mm, framed and glazed, and Ramberg (H.), 'The Young Girl Returns Home', hand-col. circular stipple eng. by F. Bartolozzi, after Ramberg, early-mid 19th c., approx. 290 mm diameter, in contemp. black and gilt frame, glazed, plus a hand-col. proof soft-ground etching after George Morland, showing a stables, with horse, two men and a dog, image size approx. 375 x 500 mm, framed and glazed plus one other later reproduction after Morland, framed and glazed, and two 20th c. col. mezzotints after English Old Masters, both framed and glazed (9)
*Gillray (James) A Bravura Air - Mandene/The Bulstrode Siren, pub. 1801-03, [but later], two hand-col. caricatures of opera singers, image size approx. 35 x 25 cms., framed and glazed, together with Cruikshank (Robert), A Dandy Fainting - An Exquisite in Fits, pub. Thomas McLean, 1835, uncol. etching, approx. 25 x 35 cms., together with A Broad Hint of Not Meaning to Dance, pub. H. Humphrey, 1804, uncol. etching, approx. 25 x 40 cms., both in gilt frames, glazed (4)
Arbuthnot (John) The Miscellaneous Works of the Late Dr. Arbuthnot, 2 vols., Glasgow, 1751, ad. leaf to vol. 1, some browning, portion of f.f.e. to both vols. torn away, contemp. calf, some wear to exrems., 8vo, together with Defoe (Daniel), The Life and Most Surprising Adventures of Robinson Crusoe, of York, Mariner..., new ed., 1798, eng. port. frontis. and plts., sewing broken, contemp. sheep, old reback, some wear, 12mo, with, Goldsmith (Oliver), The Deserted Village of Oliver Goldsmith, Illustrated by the Etching Club, 1841, numerous etched illusts. to text, some spotting, a.e.g., contemp. gilt dec. morocco by Slocombe & Simms of Leeds, 4to, plus five other antiquarian vols. (9)
English School (mid 19th century) ‘Convent of Barlaam, Theassaly’; ‘Great Convent, Meteora, Theassaly’ Each pencil and watercolour Each inscribed with title and dated 1859 upon the mount lower centre Each 34.5cm x 24cm T. J. Greenwood (20th century) ‘Bank Vole’ Etching Signed and inscribed with title within the mount P. 7.5cm x 7.5cm and a quantity of other pictures
Alfred Richard Blundell (1883-1968) ‘Wind in the Wood’; ‘Across the Marshes’ Each etching and aquatint Each signed within the margin lower right Each inscribed with title lower left The first p. 25cm x 17.5cm The second p. 45cm x 59.5cm Hester Frood (1882-1971) ‘Corfe Castle’ Etching Signed in pencil within the margin lower right P. 21cm x 26.5cm John Brunsdon (b. 1923) ‘Hayle Sanctury’ Limited edition etching and aquatint Signed in pencil within the margin lower right Inscribed with title and 9/50 lower left and centre P. 45cm x 30cm
Anna Duberiska Two figures beneath a tree Etching Signed and dated ‘59 within the margin lower riht P. 25cm x 18.5cm Robert L. Howey ‘The Mill’ Limited edition linocut Signed in pencil within the margin lower right Inscribed with title and 14/100 lower left P. 15cm x 16.5cm Suzette McDougale ‘Animal Vibrations’ Limited edition woodcut Signed and dated 1994 lower right Inscribed 3/3 lower right, with title lower centre P. 11cm x 18.5cm and Elaine Marshall ‘Forgiving Hoe’ Hand coloured etching and aquatint Signed in pencil within the margin lower right Inscribed 43/50 and title lower left P. 17cm x 17cm
W J Cooper, British 19/20th century- 'Limehouse'; etching, signed titled and dated 1878 within the plate and signed and inscribed 'No 4' in pencil, 19x30.5cm: H Papprill- 'This View of Her Majesty's Steam Frigate Cyclops, off Spithead...', after Knell, publ. March 2nd 1857 by Ackermann & Company, 96 Strand; hand-coloured aquatint, 46x62.3cm: Thomas Shotter Boys- 'The Bank, Looking towards the Mansion House'; lithograph: together with a reproduction print after Thomas Shotter Boys, (4), (part unframed)
GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DELL'INGRESSO DELLA CAMERA SEPOLCRALE DI L. ARRUNZIO Etching with engraving, full titles and narrow margins 39 x 60cm.; with another engraving by the same hand, "Veduta di una parta de' fondamenti del Teatro di Marcello", 58.5 x 39cm. (2) ++ The former with a few small tears extending into image and foxing; the latter satisfactory; each in need of a clean
WALTER GREAVES (1846-1930) THE LAST CHELSEA REGATTA, c.1871 Etching with drypoint, signed in pencil, bears number 8 in a different hand, on cream laid, the full sheet, unframed Image 26 x 55cm. * This etching is Greaves' most ambitious etched work and shows the steam boat pier below Battersea Bridge (soon after dismantled). The buildings on the left were demolished for the building of Cheyne Walk. See also lot 1178 ++ A few soft handling creases

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78472 Los(e)/Seite