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Helmuth Stone Gallery
Los 638

Ronau Woiceske  (New York, Illinois, 1887 - 1953) Etching of a Mountain lake scene.  Signed lower right.  He studied under Birge Harrison and John Carlson and concentrated in his later years on etchings. Many of his snow scenes attracted at the time national attention. His etchings and paintings were exhibited in many American cities and abroad. He was a member of the Philadelphia Print Club and the National Association of Etchers. Sight size: 12 x 9.5 in. Overall Size:  in.

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Helmuth Stone Gallery
Los 643

Winifred Marie Louise Austen  (England, 1876 - 1964) "Brent Geese" Original etching.  Pencil signed in lower margin.  Image size: 8 x 11.5 in.  Austen worked in both oils and watercolors but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter Scott said 'she was certainly the best bird-etcher of this century'.  In 1902 Austen was elected to the Society of Women Artists followed in 1907 to the Royal Society of Painter-Etchers and Engravers, and in 1933 to the Royal Institute of Painters in Water Colours. She was also a fellow of the Royal Zoological Society from 1903. Condition issues to the outside margins.

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Helmuth Stone Gallery
Los 76

Guillaume Azoulay (California / Israel, born 1949) Etching. Pencil Numbered (65/180) and titled lower left. Signed lower right. Image Size: 15 x 11.5 in. Unframed. Included in the artist's achievements are the acceptance of seven of his works in the permanent collection of the Musee Du Louvre (Cabinet Des Dessins). His work is in the private collections of President Ronald Reagan, His Majesty King Hassan II of Morocco, President Francois Mitterand of France and the late President Sadat of Egypt. Several works by Azoulay are in the Nelson Rockefeller Collection.

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Helmuth Stone Gallery
Los 87

Stephen Maxfield Parrish (Pennsylvania, New Hampshire, 1846 - 1938) Etching of a harbor scene. With sailing vessels throughout. Signed and dated lower left. Sight size: 9.5 x 13 inches.

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David Duggleby Auctioneers & Valuers
Los 93

'St. Etienne du Mont', etching signed in pencil by Hedley Fitton (British 1859-1929) 52cm x 38cm Condition Report Click here for further images, condition, auction times & delivery costs

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David Duggleby Auctioneers & Valuers
Los 94

'The Penultimate Swan Song', etching initialled and dated '52 within plate by Paul Drury (British 1903-1987) 21cm x 25cmProvenance: from the Paul Drury Memorial Portfolio, Garton 1996 Condition Report Click here for further images, condition, auction times & delivery costs

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David Duggleby Auctioneers & Valuers
Los 95

'A Wedding Procession with Camels', etching signed with initials in pencil No.10 from an edition of 100 by Marius Alexander Jaques Bauer (Dutch 1867-1932) 45cm x 29cm Condition Report Click here for further images, condition, auction times & delivery costs

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David Duggleby Auctioneers & Valuers
Los 96

'Vienna', three colour etchings on silk signed in pencil by Hans Figura (Austrian 1898-1978), 'Vienna Graben', etching signed by Robert Kasimir (Austrian 1914-2002) and 'Le Sacre Coeur..', ltd.ed etching No.108/200 signed in pencil by Aimé Edmond Dallemagne (French 1831-1914) titled verso max 44cm x 20cm (5) Condition Report Click here for further images, condition, auction times & delivery costs

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Arthur Johnson & Sons Auctioneers
Los 17

A signed Maggi Burley limited edition etching, Rush Hour, framed

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McTear's
Los 207

HENRY WRIGHT KERR, THE WEAVES, etching, signed in pencil 17cm x 12cm mounted, framed and under glass

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McTear's
Los 209

JOHN FULLWOOD (BRITISH 1855-1931), COUNTRY SCENE, etching, signed Mounted, framed and under glass

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Sheffield Auction Gallery
Los 1701

Robert Walker Macbeth, The Harvest Moon, sepia etching, published by Rob Dunthorne, 32 x 86cm, graphite signed lower left.

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Sheffield Auction Gallery
Los 1733

Martin Leeman, 'Trixie' limited edition etching signed and dated '78' XIX Century colour print of Cockerel entitled 'WAR' (2)

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Jacobs & Hunt
Los 23

A Glass Drinking Set together with a set of twelve cut glass Hock glasses with grapevine etching

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Forum Auctions
Los 105

Brizio (Francesco, ca. 1574-1623), attributed to. The adoration of the Magi, after Ludovico Carracci, etching, a good impression of the lettered state on laid paper with watermark of a quadruped, possibly a dog, sheet 228 x 180 mm. (8 7/8 x 7 1/8 in), trimmed just within platemark with thread margin around image, inset at edges onto paper support, small repaired tear in the lower right quadrant, small pin hole in the lower left, minor surface dirt, unframed, [circa 1590-1620]; together with three etchings by Giulio Bonasone (ca. 1531-1576), including The Adoration of the Shepherds, [B. 39; Massari 167], St Paul Preaching, after Perino del Vaga, [B. 72; Massari 103], and Father Time, after Giulio Romano, [B. 172; Massari 224], etchings, various sizes, all unframed, [circa 1545-1565] (4). Literature:(Brizio) Bartsch (under Annibale Carracci) 1; TIB (Brizio) 1⁂ Scarce. The etching attributed to Brizio is after the fresco by Ludovico Carracci in the Gessi chapel of S.M. della Pioggia in Bologna, which was destroyed in World War II. The present impression bears the added lettering falsely attributing the etching to Annibale Carracci, and the work has also previously been attributed to Carlo Marrati, yet The Illustrated Bartsch retains the attribution to Brizio.

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Forum Auctions
Los 107

Carracci (Annibale, 1560-1609) Mary Magdalen in the Wilderness, etching and engraving, an evenly inked and detailed impression on laid paper, without watermark, sheet 220 x 165 mm. (8 3/4 x 6 1/2 in), trimmed on or just within the platemark with thread margin before the borderline, inset at edges onto paper support, minor repair to nick in the lower left corner, minor surface dirt, unframed, [1591] § Lana (Lodovico, 1597-1646) The Holy Family with the Virgin reading from a book, a very scarce print, etching, on laid paper without watermark, 135 x 110 mm. (5 1/4 x 4 1/4 in), trimmed within the platemark, lacking lettering, several areas of restored loss replaced with facsimile, surface dirt unframed, Bartsch 1, [circa 1620 and later]; together with Giovanni Lanfranco's (1582-1647) The Adoration, plate 52 from the series of etchings 'Biblical Scenes', after the frescoes by Raphael in the Vatican Loggia, etching, 135 x 183 mm. (5 1/4 x 7 1/4 in), inset at edges onto paper support, unframed, Bartsch 27, [circa 1600-10] (3). Literature:(Carracci) Bartsch 16; Bohlin 12

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Forum Auctions
Los 108

Carracci (Ludovico 1555-1619) Madonna and Child with Angels, etching, on laid paper without watermark, sheet 165 x 115 mm. (6 1/2 x 4 1/2 in), trimmed on or just within the platemark, inset at edges onto paper support, some surface dirt and minor spotting, unframed, published by Nicolas van Aelst, [circa 1595-1610] § Biscaino (Bartolomeo, 1629-1657) The Nativity, with Christ being adored by angels, etching, on laid paper without watermark, 204 x 145 mm. (8 1/8 x 5 3/4 in), trimmed to image, inset at edges onto paper support, restoration to lower left corner with loss replaced with pen facsimile, minor rubbing in places, spotting and surface dirt, unframed, [circa 1650-1657]; together with Pietro del Po's (1610-1692) Venus reclining on a bed while Vulcan labours at his forge, after Agostino Carracci, etching, 188 x 288 mm. (7 3/8 x 11 1/4 in), inset at edges onto paper support, unframed, [circa 1650-1690] (3) Literature:(Carracci) Bartsch 2; Bohlin 3(Biscaino) Barstch 6(del Po) Bartsch 32

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Forum Auctions
Los 113

Carpioni (Giulio, 1613-1679) St Jerome kneeling beneath a tree; St Antony of Padua kneeling before a vision of Christ, two works, etchings, both excellent richly inked impressions with burr, the former with light plate tone and wiping marks, both on laid paper, the former with partial indistinct watermark, 224 x 161 mm. (8 7/8 x 6 3/8 in), and 215 x 140 mm. (8 1/2 x 5 1/2 in), respectively, both trimmed just within platemarks and inset at edges onto paper support, the first mentioned with printer's crease in the lower right quadrant, small repairs to tear in lower right of second mentioned, some surface dirt and browning, unframed, published by Matteo Cadorin, [circa 1640-1660]; together with A guardian angel leading a child by the hand, an "en contre-partie" of Simone Cantarini's etching (Bartsch 28), traditionally ascribed to Reni, but here with old attributions to Carpioni, etching, a good impression on laid paper, without watermark, sheet 167 x 131 mm. (6 1/2 x 5 1/4 in), trimmed within image, laid onto paper support and inset at edges onto paper mount, numerous pencil annotations verso, unframed, [circa 1640-1660] (3).Provenance:(St Jerome) indistinct collector's ink stamp, [possibly L. 900]Literature:Bartsch 12, 11 and 28 (Cantarini); Mazzoli 12, 11, and ?, respectively.

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Forum Auctions
Los 115

Strada (Vespasiano, 1582-1622) Virgin and Child embracing the infant Baptist in mountainous landscape, etching, a good detailed impression, on fine quality paper with watermark of bird within a circle (similar to Briquet 12209), sheet 221 x 155 mm. (8 3/4 x 6 1/8 in), with thread margins to all except the lower edge, inset at edges onto paper support, ink numbering '1135' in the lower right corner, further numbered verso '498', small repair to loss in the lower left corner, otherwise minor finger-soiling and surface dirt, unframed, published by Scipione Corneliano, [circa 1600-1622]; together with Ecce Homo: Pilate gesturing while standing beside Christ who is surrounded by seven soldiers, etching, a good impression on laid paper without watermark, sheet 186 x 260 mm. (7 1/4 x 10 1/4 in), with small margins, inset at edges onto paper support, minor surface dirt, numerous pencil annotations verso, unframed, [circa 1620] (2) Literature:Bartsch 15 and 3, respectively.

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Forum Auctions
Los 116

Rubens.- Wyngaerde (Frans van den, 1614-1679) Samson slays the lion, after Rubens, etching, on laid paper with indistinct watermark, sheet 130 x 120 mm. (5 1/8 x 4 3/4 in), trimmed on or just within the platemark, inset at edges onto paper support, minor surface dirt, [circa 1635-1675]; together with The Holy Family with St Elizabeth and the Infant John the Baptist, after Rubens, a copy in reverse after the engraving by Vorsterman, engraving, on laid paper with countermark of initials 'IV', sheet 270 x 200 mm. (10 3/4 x 7 7/8 in), trimmed within the platemark, inset at edges onto paper support, minor spotting and surface dirt, unframed, published by Pieter Schenk, [circa 1621-1645 but slightly later]; and with Martin Rota's The question of paying tribute to Caesar after Titian, engraving, 270 x 230 mm. (10 3/4 x 9 in), small repairs, nicks and tears, without publisher's details, inset at edges onto paper support, all unframed (3). Literature:(Wyngaerde) Hollstein 1(after Vosterman) H. 43 [copy]

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Forum Auctions
Los 117

Troger (Paul, 1698-1762) A child blowing bubbles amongst architectural fragments (an allegory of Transitoriness), etching, on laid paper without watermark, platemark 92 x 117 mm. (3 5/8 x 4 1/2 in), sheet 105 x 135 mm. (4 1/8 x 5 1/4 in), central vertical fold, carefully repaired tear lower centre-right, into the image, minor surface dirt, unframed [circa 1730-1740]; together with an etching by another hand indistinctly signed and dated 1766, 135 x 95 mm. (5 1/4 x 3 3/4 in), minor surface dirt, unframed (2).Literature:Nagler 17

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Forum Auctions
Los 15

Greece.- Morghen (Filippo) [Antichità di Pesto (Antiquities of Paestum)], eight plates only, including nos. 1 through to 8, plates 1 to 6 after Antonio Joli, etching and engravings, on laid paper with text-based watermarks, platemarks each approx. 280 x 385 mm. (11 x 15 1/4 in), sheets approx. 385 x 525 mm. (15 1/8 x 20 3/4 in), plate 1 with several tears into the margins, handling creases and surface dirt, all with occasional nicks, surface dirt, handling creases and browning, all unframed, loose, Naples, [1769].⁂ Fine views of the archaeological ruins of Paestum.

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Forum Auctions
Los 17

India.- Havell (David) A View at Lucknow, after Henry Salt, plate no. VI from 'Twenty-four views in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt', etching and aquatint with hand-colouring on wove paper, 450 x 625 mm. (17 3/4 x 24 1/2 in), under glass, some light cockling to the sheet, minor spotting, browning, and surface dirt, framed and glazed, William Miller, 1809 § Hodges (William) A View of the Mosque, at Mounheer, from the S.E., etching and aquatint with hand-colouring on thick laid paper, platemark 330 x 480 mm. (13 x 18 7/8 in), sheet 445 x 580 mm. (17 1/2 x 22 3/4 in), minor surface dirt, unframed, J. Wells, 1787 (2).

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Forum Auctions
Los 94

Stage and Mail Coaches.- Pollard (James, 1792-1867), After. Four in Hand; The Edinburgh Express; Approach to Christmas; Kennington Gate, aquatints with etching, by George Hunt and Harris, each with hand-colouring, various sizes, largest 450 x 540 mm. (17 3/4 x 21 1/4 in), all with good margins, some spotting and browning, all unframed, [c. 1860-1880]; together with a duplicate impression of 'Four in Hand' after Pollard, George Hunt's 'Stage-Coach' after Jones, 'A Sporting Tandem' after Alken, and another titled 'Mail Coach', etchings and aquatints, with hand-colouring, largest sheet 440 x 590 mm. (17 1/4 x 23 1/4 in), some spotting and browning, all unframed, [19th century], (8).

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Burstow & Hewett
Los 1055

Joan Miro, etching, L'Aigrette, published by Maeght 1956, plate size 4.75" x 3.5", framed

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Burstow & Hewett
Los 1056

Andre Derain, etching, 2 figures, published in Satyricon 1955, plate size 11.5" x 9.5", framed

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Burstow & Hewett
Los 1065

Dolf Rieser (1893-1983), etching, sea birds in flight, signed in pencil, no. 18/45, plate size 11.5" x 15.5", mounted

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Burstow & Hewett
Los 1119

Winifred Austen (1876-1964), coloured etching, little lovelies, signed in pencil, plate size 6.75" x 10", framed

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Burstow & Hewett
Los 1136

John Greenwood, coloured etching, snow landscape, signed in pencil 1981, plate size 17" x 19.5", framed

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Burstow & Hewett
Los 1165

Michael Chaplin, coloured etching, farm buildings L'Auvergne, signed in pencil, 1975, plate size 22.5" x 19", together with another print by a different hand, framed (2)

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Burstow & Hewett
Los 1229

James Exley (1878-1967), etching, Japanese domestic fowls known here as yokohamas, signed in pencil, dated 1912, plate size 11" x 9", framed

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Burstow & Hewett
Los 1291

Rowland Langmaid, etching, Victory Class off the Old Implacable, signed in pencil, plate 3.5" x 12.5", framed

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Burstow & Hewett
Los 1298

Fritz Wotruba, etching, Homage to Michelangelo, signed in pencil by the artist's wife, 1975, no. 35/200, plate 14" x 19.5", framed

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Hansons Auctioneers and Valuers
Los 1458

A vintage etched glass pitcher and matching set of six lemonade tumblers, with gilt etching; together with cruet bottle, jug and jam jar with plated cover (two boxes)

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Hansons Auctioneers and Valuers
Los 3085

Walter Hoyle (1922-2000), 'St. Catherine's College Chapel Entrance', limited edition etching signed l.r. and numbered 72/75

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Cheffins
Los 249

Marian Sugden etching, Pamela Hughes woodblock and another, largest 24 x 31cm (3)

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Cheffins
Los 290

Cecil Charles Windsor Aldin, R.B.A. (1870-1935), The Bull Inn, Dartford, print by Eyre and Spottiswoode, 42 x 32 cm; The Bell Inn, Waltham, St Lawrence, etching, 26.5 x 36 cm; together with another print of an old inn, by Arthur Bell & Co, 30.5 x 25 cm (3)

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Golding Young & Mawer
Los 113

Rowland Langmaid (1897-1956). City square, London, artist signed etching, 15.5cm x 20.5cm.

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Golding Young & Mawer
Los 114

E.H Groome. Looe Harbour, artist signed and titled etching, 16.5cm x 24cm.

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Golding Young & Mawer
Los 115

E.H Groome. Edeau Druan Castle and Skye, artist signed and titled etching, 16.5cm x 24cm.

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Golding Young & Mawer
Los 117

Andrew Fairbairn Affleck (1874/75-1935/36). Venice scene, artist signed etching, 29.5cm x 22cm.

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Golding Young & Mawer
Los 119

Charles O'Connor (b.1943). Uninvited, artist signed and titled etching, 9cm x 10.5cm.

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Golding Young & Mawer
Los 121

Percy Robertson. Hyde Park Corner, artist signed etching, titled verso, 20cm x 27cm.

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Golding Young & Mawer
Los 210

Richard Bawden (b.1936). Norodevichy Convent Moscow, artist signed coloured etching, numbered 8/85, 49cm x 38cm.

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Golding Young & Mawer
Los 212

John Brunsdon (1933-2014). Dorset Summer, artist signed coloured etching 92/150, 51cm x 71cm.

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Golding Young & Mawer
Los 312

Leon Danchin (1887-1938). Setter, limited edition etching 169/500, 33cm x 26cm.

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Maxwells
Los 450

Dendy Sadler: etching, family at table in period setting, signed, 19" x 25", oak framed

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Maxwells
Los 451

Edwin Law: etching; Ernest Stamp: colour mezzotint, both framed; a French relief painted cafe sign

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Maxwells
Los 453

Brewer, signed etching of The Shambles, Manchester; Ponte Vecchio Florence print & an oil painting in gilt frame

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Cuttlestones Auctioneers
Los 406

A HALLMARKED SILVER POURING BOWL TOGETHER WITH A WHITE METAL CUP WITH STAG ETCHING (2)

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Peter Francis
Los 399

J. Alphege Brewer 'Ypres', the wool market and square, sepia etching, signed in pencil by the artist. 56 x 43cm approx. Framed and glazed. (B.P. 24% incl. VAT)

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Thomas N. Miller
Los 530

Twentieth century school : Stirling Bridge, dry point etching, indistinctly signed, framed.

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Sworders
Los 193A

A large collection of Victorian prints and etching/engravings, to include a pair after Morland

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Thomas Watson
Los 384

TOM MCGUINNESS (1926-2006), "WOMEN PICKETS", signed, titled, dated '86 and numbered 4/50 in pencil, etching, framed. Plate 18cm by 8cm

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Thomas Watson
Los 385

TOM MCGUINNESS (1926-2006), "FACE WORKERS", signed, titled, dated '77 and numbered 15/25 in pencil, etching, framed. Plate 7.5cm by 10.5cm

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Thomas Watson
Los 386

TOM MCGUINNESS (1926-2006), "DRILLER", signed, titled, dated '77 and numbered 39/50 in pencil, etching, framed. Plate 8.5cm by 12.5cm

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