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Forum Auctions
Los 85

Gillray (James) The Military Caricaturist, satire with figure in officer's uniform, presumed to be mocking the amateur satirist, General Davies, as retribution for having slighted Gillray, etching with original hand-colouring, platemark 340 x 245 mm (13 3/8 x 9 1/2 in), sheet 380 x 280 mm (15 x 11 in), lower left corner with loss, just affecting within the plate, other marginal nicks, tears and surface dirt, unframed, Hannah Humphrey, 1799Provenance:W. Rottay [brown ink inscription verso]Literature:BM Satires 9442

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Forum Auctions
Los 86

Napoleon.- Gillray (James) Exit Libertè a la Francois!-or- Buonaparte closing the Farce of Egalitè, at St cloud near Paris Novr 10th 1799, satire showing Bonaparte directing the Grenadiers who, at the point of the bayonet, are ejecting the Council of Five Hundred from the Orangery, etching with original hand-colouring, on wove paper, sheet 245 x 350 mm (9 5/8 x 13 3/4 in), trimmed within the platemark, some browning and discolouration in the upper section of image, unframed, Hannah Humphrey, 1799Literature:BM Satires 9426

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Forum Auctions
Los 87

Gillray (James) Every Rogue is a Coward, etching with original hand-colouring on wove paper without watermark, sheet 270 x 380 mm (10 3/4 x 15 in), loss to each of the corners, just touching the platemark, other minor surface dirt, unframed, [BM Satires 9768], Hannah Humphrey, 1801; together with two Rowlandson's, Veneration and Desire, both caricatures from 'Le Brun Travested [sic], or Caricatures of the Passions', [cf. BM Satires 9628-9632], and three uncoloured etchings by George Cruikshank after Crowgill, Indigestion, Jealousy, and The Blue Devils, all unframed, circa 1800-1835 (6)

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Forum Auctions
Los 88

Gillray (James, 1756-1815) The Bulstrode Siren, showing the The Duke of Portland and Mrs. Billington together on a settee, etching with roulette work and original hand-colouring on thin wove paper, 340 x 245 mm. (13 3/8 x 9 3/4 in), under glass, trimmed to image and lacking title in the upper margin, tipped onto an album leaf with ink inscriptions below identifying the characters, some minor cockling, surface dirt and browning, framed, Hannah Humphrey, 1803.Literature: BM Satires 10168

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Forum Auctions
Los 89

Botany.- Thornton (Dr Robert John, circa 1765-1832) The Dragon Arum, from 'The Temple of Flora', a very good impression of the first state (of three), etching with mezzotint printed in colour, finished by hand, on J Whatman wove paper with very faint watermark, watermark date not visible, platemark 475 x 350 mm (18 3/4 x 13 3/4 in), sheet 580 x 465, faint signs of damp-staining and browning, unframed, 1801Literature:Dunthorne, p. 250

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Forum Auctions
Los 93

Please note: the description of this lot has changedNapoleonic satire.- Holland (William, publisher) The Corsican Dissected, etching with original hand-colouring, on Whatman wove paper watermarked '1803', platemark 355 x 250 mm (14 x 9 3/4 in), sheet 420 x 275 mm (16 1/2 x 10 3/4 in), some minor cockling and surface dirt, unframed, [not in BM Satires], 1803; together with 4 others, including George Cruikshank's Boney's threatened Invasion brought to bear_or taking a View of the English coast from ye Poop of the Bellerophon, [BM 12610], and The Modern Hannibal, alias the King of Rome, Swearing Eternal Enmity to England, Isaac Cruikshank's Olympic Games or John Bull introducing his new ambassador to the grand consul, [BM 10016], laid onto card, and Charles William's Britannia correcting an unruly boy, [BM 10012], etchings with hand-colouring, various sizes, all unframed, 1803-1815 (5)

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Jacobs & Hunt
Los 158

A Victorian and Silver Cut Glass Claret Jug with shaped handle and with foliate etching. London 1892. 28cm tall

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Jacobs & Hunt
Los 44

Ryohei Tanaka, House in Early Winter, etching, 16 x 13cm, together with another similar by Yoshida Takayuki, signed in pencil, 28 x 46cm

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McTear's
Los 142

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), NORTH SHIELDS HARBOUR drypoint etching, signed with pencil 16cm x 37cm Mounted, framed and under glass. Label verso: W R Howell & Co., 50 Wellington Street, Glasgow.

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McTear's
Los 143

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), HARBOUR SCENE drypoint etching, signed with pencil 16cm x 37cm Mounted, framed and under glass. Label verso: Mawson, Swan & Morgan, Grey Street, Newcastle.

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McTear's
Los 144

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), LEITH HARBOUR drypoint etching, signed in pencil 16cm x 38cm Unframed

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McTear's
Los 145

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), ST ANDREW'S HARBOUR drypoint etching, signed in pencil; titled in pencil verso 16cm x 38cm Unframed

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McTear's
Los 190

* ANGELA LEMAIRE (BRITISH CONTEMPORARY) TWO ACTORS BEFORE WINDOW linocut print, signed, titled, dated '77 and numbered 1/5 in pencil 31cm x 23cm Mounted, framed and under glass. Note: Angela Lemaire was born in Buckinghamshire and went to the Lyçée Français de Londres and Wispers School in Sussex, then to PLC Pymble in Sydney Australia. She returned to Britain in 1962 and went to Chelsea School of Art, London (1963) and Camberwell School of Arts and Crafts (1964-67, Dip. AD.), where she was taught relief printmaking by Michael Rothenstein. After this she went to Morley College, Lambeth, where she continued etching. The wood-engraver Frank Martin, who taught at Camberwell, gave her a box of wood-engraving tools which had belonged to a colleague of his who had died. With these tools she taught herself wood-engraving; it hadn’t been taught at art-school. She was by then already friends with the wood-engraver and letterer Michael Renton and had watched him at work. She decided she would work principally as a printmaker and with text and image. Angela lives and works in the Scottish Borders and has exhibited widely including numerous solo shows at prestigious galleries around the UK and beyond.

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McTear's
Los 54

AFTER DANTE GABRIEL ROSSETTI (BRITISH 1828 - 1882), PORTRAIT OF A YOUNG LADY etching with watercolour 26cm x 20cm Framed and under glass

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Bamfords Auctioneers & Valuers
Los 160

Pictures and prints - The Rev. Joseph Wilkinson 1764-1831, Elegant Travellers in the Lake District, pencil, pen and watercolour, 19 x 26.5cm, framed; an 18th century engraving of Chatsworth House 'engraved for The Modern Universal British Traveller', framed; another 'Tom And Jerry In Trouble After A Spree.' English Dandies, Tom And Jerry, Before A Judge. Etching By George Cruikshank for Pierce Egan's 'Life In London,' 182, framed; etc. (7)

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Woolley & Wallis
Los 106

‡ Kim Lim (Singaporean 1936-1997) Untitled Signed and dated 1969 in pencil to margin Etching 7.6 x 17.8cm (plate) Provenance: Dame Elisabeth Frink (her estate stamp to backing board); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet

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Woolley & Wallis
Los 107

‡ Ann Christopher RA (b.1947) Drawing no. 20 Signed and dated 1981 Pencil 37.8 x 60.6cm Together with Ann Christopher, Hill Line, Signed and numbered 8/35 in pencil to margin, and further signed and dated 1987 in the plate, Etching and aquatint, 42 x 74cm (sheet) (2) Provenance: Both gifted by the artist to Dame Elisabeth Frink and Alexander Csaky; By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet Ann Christopher's talent was spotted by Elisabeth Frink at an early age, and the two became life-long friends. Christopher's partner Ken Cook worked with Frink, casting many of her small sculptures over 30 years. We are grateful to Ann Christopher for her assistance cataloguing these works.

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Woolley & Wallis
Los 115

‡ Lin Jammet (1958-2017) Fighters Signed, dated 98 and numbered 9/30 in pencil, with blindstamp Etching with dry-point and aquatint, printed at Greshams 49.5 x 32.6cm (plate); 68.5 x 49cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet From a series of seven etchings.

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Woolley & Wallis
Los 118

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 147) Signed and inscribed A/P VII in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 56 x 37.5cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

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Woolley & Wallis
Los 119

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Ganymede (Wiseman 146) Signed and numbered 21/70 in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 56 x 38.8.cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

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Woolley & Wallis
Los 120

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Jason and the Golden Fleece (Wiseman 151) Signed and inscribed A/P IX in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 53.5 x 37.2cm (plate); 73 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

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Woolley & Wallis
Los 121

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hermes (Wiseman 145) Signed and numbered 70/70 in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown paper, part of the Children of the Gods series, 1988 56 x 37.5cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

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Woolley & Wallis
Los 122

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 153) Signed and numbered A/P VIII in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown Velin Arches paper, part of the Children of the Gods series, 1988 53 x 37cm (plate); 73 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

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Woolley & Wallis
Los 123

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Anthony and Cleopatra (Wiseman 128) Signed in pencil, inscribed and numbered A/P, 15/15, and with Waddington Graphics blindstamp Etching in colours on Velin Arches paper by Kelpra Studio, 1982, published by the Royal Shakespeare Company 75 x 56.7cm (plate); 87.5 x 66.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet The two actors depicted are Helen Mirren and Michael Gambon.

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Woolley & Wallis
Los 124

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Franklin's Tale (Wiseman 74) Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 58cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

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Woolley & Wallis
Los 125

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Squire's Tale (Wiseman 73) Titled in pencil to verso Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 57.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

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Woolley & Wallis
Los 130

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Bullring (Wiseman 133) Etching with aquatint in colours on Velin Arches paper, published by Waddington Graphics, 1985

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Woolley & Wallis
Los 152

Gabriel van Schnell (Dutch act.1908-1946) Street curving into the distance Signed and dated 1931 in plate, and signed and dedicated To Albert Dear. with my compliments GVS 1931 in pencil to margin Etching 25.1 x 32.5cm (plate) Unframed

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Woolley & Wallis
Los 159

Gabriel van Schnell (Dutch act.1908-1946) Etching plates Thirteen, each copper Largest 29.6 x 16.5cm; Smallest 13.4 x 7cm (13)

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Woolley & Wallis
Los 165

After Herbert Dicksee Against the Spy; Tiger lying by long grass Two, each drypoint etching Each signed with initials and dated 1928 in the plate 20.5 x 39.9cm; 20.8 x 38.7cm (plate) (2)

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Woolley & Wallis
Los 175

British School Mid 20th Century View of a Middle-Eastern courtyard with a fountain; and further architectural views Ten, one inscribed Etchings Wyndham Lewis in pencil to margin Each etching Largest 19.8 x 13.1cm (plate); Smallest 13.5 x 6cm (plate) Unframed (10)

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Woolley & Wallis
Los 189

‡ Sir Claude Francis Barry (1883-1970) St. Marks, Venice Signed and titled in pencil to margin Etching, 1938 26.4 x 33.1cm (plate) Unframed Provenance: Tom Skinner, the artist's executor, and by descent

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Woolley & Wallis
Los 227

‡ Charles Tunnicliffe OBE, RA (1901-1979) Cattle in a farmyard Signed and numbered 39/75 in pencil to margin Etching 22.2 x 28.4cm

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Woolley & Wallis
Los 278

‡ Ben Nicholson OM (1894-1982) Tesserete (Lafranca 29) Signed, dated 65, and numbered 24 in pencil, with Lafranca blindstamp Etching with tone and hand colouring in black ink 18.8 x 22.5cm (plate); 31.9 x 37.6cm (sheet) Provenance: Alan Cristea Gallery, London

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Woolley & Wallis
Los 279

‡ Ben Nicholson OM (1894-1982) Tesserete (Plate for Lafranca 29a) Scratched-through copperplate 18.5 x 22.6cm Together with Ben Nicholson, Tesserete, Etching, Cancellation proof, 18.9 x 22.8cm (plate) (2) Provenance: Both with Alan Cristea Gallery, London

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Woolley & Wallis
Los 297

‡ Joe Tilson RA (b.1928) Sea Mantra Signed, dated 1979 and numbered 34/75 in pencil to margin, and with Waddington Graphics blindstamp Etching and aquatint 73.6 x 84cm (plate)

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Woolley & Wallis
Los 345

‡ Chris Orr MBE, RA (b.1943) The Secret Life of Britannia Signed, titled, dated 2006, and numbered 7/10 to margin Etching and aquatint, with hand colouring 9.5 x 9.5cm (plate)

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Woolley & Wallis
Los 74

‡ Julian Trevelyan RA (1910-1988) Self portrait with cat; Two cats Two, the former signed and inscribed Lis & Alex from Julian & Mary with love in pencil to the margin, the latter signed and inscribed Alex & Lis from Julian & Mary with love in pencil to margin The former aquatint and coloured etching, the latter coloured etching 12.2 x 9.8cm; 9.8 x 14.2cm (plates) (2) Provenance: Each Dame Elisabeth Frink and Alexander Csaky (Frink estate stamps to both backing boards); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

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Woolley & Wallis
Los 75

‡ Julian Trevelyan RA (1910-1988) Me and Tom Signed, titled, and numbered 8/25 in pencil to margin Etching and aquatint in colours, 1976 34.9 x 47.3cm (plate) Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

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Woolley & Wallis
Los 76

‡ Julian Trevelyan RA (1910-1988) Game Park Signed, titled and numbered 2/125 in pencil to margin Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

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Woolley & Wallis
Los 77

‡ Julian Trevelyan RA (1910-1988) Sahara Signed, titled, and inscribed artists proof in pencil to margin Etching and aquatint in colours, 1973 35.2 x 47.6cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

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Woolley & Wallis
Los 88

‡ Nicola Hicks MBE (b.1960) Chickens Signed and dated 92 Coloured chalks on brown paper 94.4 x 63cm Unframed Together with Nicola Hicks, Rooster, Signed, dated '93, and inscribed AP in pencil to margin, Drypoint etching, 10.8 x 9.2cm (plate), Unframed (2) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Elisabeth Frink was a mentor to the young Nicola Hicks, and in 1985 selected her for a solo exhibition The Artist of the Day, at the Flowers Gallery, London. Frink described Hicks as 'one of our most talented young sculptors, and also a most wonderful draughtsman'.

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Woolley & Wallis
Los 93

Wassily Kandinsky (Russian 1866-1944) Radierung für den Kreis der Freunde des Bauhauses (Etching for Circle of Friends of the Bauhaus) Signed in pencil to margin Drypoint, 1932 From the unnumbered edition of 100, published Kreis der Freunde des Bauhauses 19.7 x 23.5cm (plate) Provenance: Dame Elisabeth Frink (Frink estate stamp to backing board); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet

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Eldreds Auctioneers & Valuers
Los 54

After Paul Mansard, 'Bataille De Verdant 1916', Le Moulin Act L'Étang de Vaux, coloured etching, 21 x 25cm, a signed Matt cartoon and other pictures.

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East Bristol Auctions
Los 643

James Gillray (1757-1815) - 'Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Hero cleansing ye Mouth of ye Nile'. A framed and glazed hand coloured etching picture by James Gillray, published 1798 by H. Humphrey. Set within an oak frame. Measures 61cm x 68cm.  

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Wotton Auction Rooms
Los 2255

After Kurt Meyer Eberhardt (German 1895-1977) - Monochrome etching of a deer in a woodland setting, signed in pencil, 32 x 32.5cm approx visible sheet size, in burrwood style frame

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Wotton Auction Rooms
Los 2272

James Gillray (British 1756-1815) - The Introduction, monochrome caricature etching published by H Humphrey 1791, 25 x 35.5cm approx visible sheet size, together with a further late 18th century monochrome caricature etching - Give Me The Sweet Delight Of Love - A Catch, inscribed Agnes I-N, published by H Humphrey 1781, 22 x 28.5cm approx visible sheet size, both framed (2)

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Wotton Auction Rooms
Los 2300

George Ernest Howman (Early 19th century British School) - Study of Loch Awe, pencil on paper, unsigned but with label verso, 22 x 30cm, together with a quantity of decorative early 19th century and later prints and engravings, including a signed humorous monochrome etching after Alexander Brantingham Simpson - The Duchess and The Wasp, 22 x 14cm approx, a small needlework sampler by Eliza Catharine Stone dated 1842, 18cm square approx, etc, various sizes all framed (19)

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Wotton Auction Rooms
Los 411

Frederick Landseer Maur Griggs RARE - Campden, 24 illustrations, 1949; The Engraved Works of, 1928, limited edition, two copies, 74 and 64 of 125; The Etched Works of, 1941, Baynard Press, limited 104/400, modern masters of etching 1926

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Paul Beighton Auctioneers Ltd.
Los 386

Edgar Holloway (1914-2008), framed etching. Westminster Bridge, signed, 19cm x 31cm. Band of foxing to the right hand side.

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Gorringes
Los 1565

Charles Naillord (1876-1941), drypoint etching, 'The Trellis', signed and numbered 1/350, 42 x 28cm and three other Boudoir etchings

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Gorringes
Los 1593

After Sir Anthony Van Dyke, etching, Petrus Breugal, plate mark 12.5 x 9cm

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Gorringes
Los 1596

Louis Icart (1888-1950), drypoint etching, Broken blue jug, signed, 45 x 33cm and a later signed photolithograph, 23 x 17cmCONDITION: Both have very light brown spotting, most noticeable on the smaller piece. Larger piece has some smudging to the left

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Gorringes
Los 1603

Geoffrey Garrick, coloured etching, 'Dawn, Newlyn Harbour', signed in pencil, 20.5 x 30cm

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Gorringes
Los 1689

A Victorian silver mounted etched glass classical revival claret jug, by Henry Bourne, Birmingham 1875, etched with 'Night' and 'Day' after Thorvaldsen, 28cmCONDITION: Tarnish to the silver otherwise good condition. Handle is springy but there is no evidence a girdle mount is missing as it would have covered up the etching.

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Richard Winterton Auctioneers
Los 393

A COLLECTION OF PRINTS to include five Michael Blaker open edition prints, Daniel Giraud Elliot prints of cats, some fading, prints of Anne Curtis drawings for the Royal Shakespeare Theatre, Charles Crmmbie golf prints, metal etching prints of sailing ships by Ralph S.Coventry, Renoir print 'Dance at le Moulin De La Galette' etc, all framed, largest approximate size 70cm x 88cm including frame (27)

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1818 Auctioneers
Los 356

A Ltd Ed etching, after Cheffeins, padlock, numbered 2/78, indistinctly signed, framed and glazed, 18 x 24cm, and an etching, after Alfred Hartley, lake scene, signed, framed and glazed, 23 x 26cm

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1818 Auctioneers
Los 362

An etching, artists proof, attributed to Otto Gerhardt, Woman at her toilet, framed and glazed, 40 x 30cm

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1818 Auctioneers
Los 381

An etching after J A McNeil Whistler, Chelsea, framed and glazed, 18 x 24cm Not signed NICE CONDITION  

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