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Preisdatenbank abonnierenPaul Cezanne (French, 1839-1906), Paysage a Auvers - Entree de Ferme Rue St. Remy (1873), etching, probably printed on Dr. Gachet's press of ten impressions, 13 by 10.5cm, framed. Note: Cherpin 5; Leymarie-Melot 5 before the plate was steel-faced. The first published issue was in 1914 by Bernheim Jeune for the album Cezanne. Edition of 600. Provenance: with William Weston Gallery, London
Edgar Degas (French, 1834-1917), Sur la Scene No.3. On Stage No.3, (1876-1877), etching, issued by Amboise Voillard in an edition of 150 issued for an exhibition catalogue of the Societe des Amis des Arts de Pau, c.1876/77 with some 40 impressions traced, signed in the plate, 9.5 by 12cm, framed. Note: from the first edition printed from cancelled plate 1910/15. Delteil 32; Reed-Shapiro 24 vi/vi. Provenance: with William Weston Gallery, London
Robin Tanner (British, 1904-1988), Christmas Card for 1929, titled verso, etching, 15 by 10cm, framed. Ref: Garton 10 only state. Note: one of 200 impressions sent to friends. Provenance: the Collection of Raymond Lister, author, collector and friend of the artist. Note: Artist Resale Rights apply
A Victorian Scottish Rifle Volunteer Officer's silver mounted dirk, blade 11½" with scalloped back edge, very faint etching and maker's name "James Ferguson, Inverness", staghorn hilt with plain unmarked mounts, in its tooled leather sheath, the top mount with superimposed crown, the centre mount with "RVR" monogram, the lower mount with strung bugle, the sheath mounts bearing queen's head, thistle and "FBs" maker's mark only (no date letter), with knife and fork having staghorn handles with plain unmarked mounts. GC (blade polished, some wear, end of sheath repaired with cellotape). £350-400
Luigi Kasimir (Austrian 1881-1962) a group of three etchings, 'Karlskirche, Vien', etching in colours, signed by the artist in pencil, plate size 45 x 38cm, 'St. Stephens Cathedral', colour etching, estate signed in pencil, plate size 45 x 38cm, and 'St, Michael's Gate', etching, signed by the artist in pencil, 50 x 30cm, (3).
Edgar Holloway, 'The Etchings and Engravings of Edgar Holloway', by Robert Meyrick, published by Scolar Press, the book signed and numbered '8' by Edgar Holloway, with a further etching inside the front cover of a self portrait of Edgar Holloway, plate size 13 x 12cm, signed and numbered 8/100 in pencil, in a card case.Along with 'Victorian Illustration', by Paul Goldman, signed by the author and numbered 80/100, with three sets of wood engravings after, John Clayton, Edward Duncan, and Sir John Gilbert.(2).Condition Report: Very good condition, spine faded.
TALL ART NOUVEAU VASE | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian) | laminated glass, etched flower decor, design by O. Tausek | 46.5 cm | Lot description | This beautiful Art Nouveau vase comes from the famous Moser glassworks and is the work of the glass artist Tausek. The vase is decorated with etched-out decor with the motif of stylized leaves that elegantly wind across the surface. The Art Nouveau aesthetic, typical of this era, is reflected in flowing, organic shapes and an emphasis on natural motifs. The tinting of the glass goes from soft yellowish and orange hues to deep green tones at the top of the vase, giving the whole piece a subtle color dynamic. The etching technique and masterful processing of details underline the high quality of work that made the Moser glassworks famous throughout Europe. This is a very rare vase that only rarely appears on the market. This collector's item is a fine example of the craftsmanship and artistic sensibility that defined glass production at the turn of the 19th and 20th centuries. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
Thomas Rowlandson (English, 1756-1827). A Print Sale, etching on laid/chain-lined paper depicting auctioneer Hassel Hutchins presiding over a saleroom filled with print connoisseurs, uncoloured (as per the example in British Museum), well-preserved, clean & bright, miniscule area of wear at title, hinge-mounted (not pasted), 18.5cm x 17.5cm, signed & dated in the plate, 1788. Together with Hunting Scene, similar condition, 14cm x 24cm, signed & dated in the plate, 1787, each mount bearing labels for The Folio Society - Collectors' Corner (2)
LUBBOCK, J. G. Perceptions of the Earth, SIGNED limited edition, unnumbered/out of series [one of 70], a presentation copy inscribed & signed by the artist, illustrated with 11 plates produced by engraving, etching, aquatint, and soft-ground etching, the colours applied from intaglio and relief, some with hand-colouring, the typography and printing of the text by Sebastian Carter at the Rampant Lions Press, Cambridge, large quarto, full crushed morocco lettered in gilt, 20pp. text, in fine condition, very well-preserved, clean & bright, vibrant colours, housed in a marbled slipcase, London: Bertram Rota, 1977. Together with Aspects of Art & Science, 4pp. prospectus, [1969], housing two SIGNED etchings, [one of which matches the final plate in Perceptions of the Earth], 33cm x 51cm, one very good & bright, one marked
Henry Cave (British 1779-1836): 'Pavement with the Churches of St Crux and All Saints' York, early 19th century etching with hand-colouring 21cm x 25cmNotes: the church on the right is St Crux's, which was demolished in the 1887, now all that remains is the little church hall at the bottom of the Shambles.
Romeyn de Hooghe (Dutch 1645-1708): ' Rou Poort van Withal', 17th century etching showing the funeral Gate erected outside the Palace at Whitehall with the funeral procession of Mary Queen of Scots pub c.1695; Wenceslaus (Wenzel) Hollar (Czech 1607-1677): 'Lambeth House' and 'Saint Paul's from the South Showing the Spire' and four other views of Whitehall, set seven 17th century etchings (8)
BINDING. – Henry Noel HUMPHREYS. Sentiments and Similes of William Shakespeare. London: Longman, Brown, Green et al., 1857. Second edition, 8vo (193 x 146mm.) Chromolithographed first page, initials in black and gold, ruling in gold. (Text-block cracking at ‘Contents’ leaf, spotting to preliminaries and rear blank.) Original cloth-backed black papier-mâché binding with oval relief portrait of Shakespeare to centre and author’s initials to lower cover, g.e. (corner losses to upper cover of binding, two cracks to lower cover, extremities rubbed). – And a further ten illustrated volumes (including ‘The Prism of Imagination’ by The Baroness de Calabrella and with illustrations heightened by Owen Jones, [lacking several leaves], 1844, 8vo, and G. Baxter’s ‘The Pictorial Album; or, Cabinet of Paintings’, [1837], [with 8 of 11 plates], 4to, and ‘Passages From Modern English Poets. Illustrated by the Junior Etching Club’ [disbound, lacking 4 leaves], [1865], 4to) (11).
Terry Frost (1915-2003)La Luna Asoma (The Moon Rising), 1989printer's proof, signed and inscribed in pencil (in the margin)etching and aquatint56 x 38cm. Clean and bright impression with no signs of damage. There is a minor white mark to the bottom of the middle red shape - this looks like it could be by design. Gallery framed and glazed.
Frank Martin (British 1921-2005) "Carole Lombard" Signed, titled and numbered AP (Artist's Proof) 6 in pencil in the margin, etching.plate size 40 x 27cm (framed 77.5 x 62cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed.
Robyn Denny (British 1930-2014) "Generations" Signed, dated '78 and inscribed Colour Proof 3 in pencil in the margin, with printer's blind stamp, etching, aquatint and watercolour.52 x 70cm (framed 58 x 76cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.
Frank Martin (British 1921-2005) "Loretta Young and Sally Blane" Signed, titled and numbered 12/50 in pencil in the margin, etching.plate size 44.5 x 60.5cm (framed 78 x 91.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are numerous minor spots of foxing found along the edges of the paper by the mount board. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
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