δ Salvador Dali (1904-1989)Sorcière au Balai (Field 69-1C; M&L 300g)Etching with hand colouring in gold, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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Jim Dine (b.1935)Lost Shells (D'Oench & Feinberg 186)Diptych etching with drypoint and hand-colouring in colours, 1985, signed and numbered from the edition of 32 in pencil, on two sheets of BFK Rives wove paper, printed by Atelier Crommelynck, Paris, published by Pace, New York, each the full sheet, each sheet 762 x 540mm (30 x 21 1/4in) (framed)
Man Ray (1890-1976)Mon Premier Amour (Anselmino 63)Etching with aquatint printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder, Brussels, the full sheet, 663 x 502mm (26 x 19 3/4in) (unframed)
δ Salvador Dali (1904-1989)Espejo Vivo (Field 73-6; M&L 579a)Etching printed in sanguine, 1973, signed and inscribed 'P.A.' in pencil, an artist's proof aside from the edition of 50, on Japan paper, printed by Spectra AG, published by Pinon, with full margins, sheet 780 x 574mm (30 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Judgement of Paris (Three Graces) (Field 63-3I; M&L 123b)Etching with aquatint, 1963, signed and numbered from the edition XX in pencil, on japan paper, as included in 'Mythologie', printed by Robbe, published by P. Argillet, Paris, with full margins, plate 500 x 400mm (19 5/8 x 15 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)DomainEtching, 2013, signed, titled, dated and numbered from the edition of 100 verso in pencil, on wove paper, with full margins, sheet 380 x 303mm (15 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, a slightly later impression of New Hollstein's fourth state (of six), printing with plate tone, on wove paper without watermark, platemark 181 x 217 mm. (7 1/4 x 8 1/2 in), sheet 188 x 224 mm. (7 3/8 x 8 3/4 in), small margins, with 19th century 'Seine Colportage' blue ink import stamp verso, (unframed)Literature:Hind 301; New Hollstein 312 iv/vi
Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, a well inked impression of New Hollstein's fourth state (of five), before further reworking, on laid paper with a proprietary watermark, sheet 200 x 151 mm (7 7/8 x 5 7/8 in), some toning to sheet, small repair to lower right corner, marginal nicks (unframed)Provenance:Naudet, Paris, (active 1763-1830), dated 1815 verso, [Lugt 1937]Literature:Hind 290; New Hollstein 293 iv/v
δ Stanley William Hayter (1901-1988)Death of Hector (Black & Moorehead 401-409)The portfolio comprising nine engravings with soft-ground etching, three printed in colours, 1979, all signed, dated, inscribed and numbered from the edition of 300 in pencil, printed and published by Circle Press, Guildford, within the original slipcase overall 415 x 320mm (16 ¼ x 12 1/2in) (unframed) (9)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Erik Desmazières (b. 1948) Précis d'horticultureEtching, aquatint and roulette, 1991, signed and dated in pencil, from an edition of 90, on cream wove paper, platemark 345 x 535 mm (13 1/2 x 21 in) (framed)Literature:Fitch-Febvrel 135δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ driving the money changers from the templeEtching with drypoint, 1635, a good impression of New Hollstein's fourth state (of four), on laid paper, platemark 137 x 170 mm. (5 1/2 x 6 3/4 in), sheet 150 x 185 mm. (5 7/8 x 7 1/4 in), 19th century import 'Seine Colportage' blue ink stamp verso, even toning (unframed)Literature:Hind 126; New Hollstein 139 iii/iv
δ Salvador Dali (1904-1989)Tête de veau (Field 69-1G; M&L 306g)Etching with hand colouring in gold, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Blake (b.1932)Ms SuperEtching with extensive watercolour, 2010, signed, titled and numbered from the edition of 30 in pencil, on wove paper, published by Paul Stolper, London with full margins, plate 250 x 200mm (9 3/4 x 7 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's eighth state (of nine), on cream laid paper without watermark, platemark 158 x 131 mm. (1/4 x 5 1/4 in), sheet 191 x 157 mm. (6 1/4 x 6 1/4 in), marginal repair to lower extremity (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
δ Salvador Dali (1904-1989)Le Soleil (from Hippies) (ML 386a)Etching with hand colouring in gold, 1969, signed and numbered in pencil from the edition of 145 in pencil, on Arches wove paper, with the Dali blindstamp, sheet 660 x 500mm (26 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miró (1883-1983)Fissures (Dupin 469)Etching with aquatint printed in colours, 1969, signed and numbered from the edition of 75 in pencil, on BFK Rives paper, printed and published by Maeght, Paris, the full sheet printed to the edges, sheet 485 x 580mm (19 x 22 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but slightly later impression of New Hollstein's eighth state (of eight) on chine collé, a good evenly printed impression with some light signs of wear, with Lamoureux's address in the lower right corner, platemark 526 x 408mm (20 3/4 x 16in), sheet 560 x 425mm (22 x 16 3/4 in), some marginal spotting (unframed)Literature:Hind 103; New Hollstein 119 viii/viii
δ Salvador Dali (1904-1989)Venus et L'Amour (from Mythologie Nouvelle) (Field 1-8-D; M&L 483b)Etching with pochoir in colours, 1971, signed and numbered from the edition of 120 in pencil, on Japan paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)Horizon FieldEtching, 2010, signed, titled, dated and numbered from the edition of 80 in pencil, on BFK Rives paper, published by White Cube, London, sheet 570 x 760mm (22 1/2 x 29 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good impression of New Hollstein's second state (of two), printing with plate tone on thin laid paper without watermark, platemark 95 x 145 mm. (3 3/4 x 5 3/4 in), sheet 107 x 156 mm. (4 1/4 x 6 1/8 in) (unframed)Literature:Hind 277; New Hollstein 281 ii/ii
δ Salvador Dali (1904-1989)Le Labyrinthe (Field 75-12G; M&L 844a)Etching with lithograph printed in colours, 1976, signed and numbered from the edition of 225 in black ink, on parchments, as included in 'Alchimie des philosophes', printed by Viglino, Arts Litho and Caza, published by Art et Valeur, the full sheet printed to the edges, 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Jews in the synagogueEtching and drypoint, 1648, a very good impression of New Hollstein's sixth state (of nine), printing with plate tone, on laid paper without watermark, sheet 76 x 132 mm. (3 x 5 1/4 in), thread margins (unframed)Literature:Hind 234; New Hollstein 242 vi/ix
δ Salvador Dali (1904-1989)Plaza Fountain, New York City (Field 64-3-C; M&L 114b)Etching printed in bistre, 1964, signed, dated, and numbered from the edition of 30 in roman numerals in pencil, on Japan paper, printed by Ateliers Rigal, published by Jean Schneider, Basel, with full margins, sheet 565 x 765mm (22 1/4 x 30 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Cercle Viscéral du Cosmos (Field 74-12-D; M&L 647)Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of CLXXXXV in pencil, on watermarked BFK Rives wove paper, as included in 'La Conquete du Cosmos', with full margins, plate 750 x 555 mm (29 1/2 x 21 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Apothéose (Field 73-1-R; M&L 522a)Etching with aquatint printed in colours, 1973, signed, and inscribed 'Epreuve d'Artistes' in pencil, on Richard de Bas paper, printed by Ateliers Rigal, with full margins, sheet 667 x 512mm (26 3/8 x 20 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
*Salvador Dali (Spanish, 1904-1989) TRISTAN THE MAD Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
Salvador Dali (Spanish, 1904-1989), THE GIANT BELIAGOG Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
*Salvador Dali (Spanish, 1904-1989), BROTHER OGRIN, THE HERMIT Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
John Speed (1552-1629), by and after, a two-page map, Darbieshire defcribed (sic, Derbyshire), London: [...] [A]re to be fold by Thomas Bafsett [...], [...] Richard Chifwell [...], Now Sold by Henry Overton [...], dated 1666 within the plate but 1713-1743, hand-coloured etching and engraving, 44cm x 55cm, Hogarth-type frame
William Heath (1794-1840), by and after, royal caricature, Packing Up!!, [the Conyngham family plundering the goods of the Late George IV], Pub July 1st 1830 by T[homas] McLean, 26 Haymarket, [London], monochrome etching, trimmed to platemark, 23.5cm x 34cm; another satire by and after Heath, The Cad to the Man Wot Drives the Sovereign, [Sir Robert Peel is tout or handyman-conductor to the coach driven by Wellington. For Peel as rat-catcher, i.e. inducer of M.P.s to abandon their convictions], Pub April 1829 by T[homas] McLean, 26 Haymarket [...], [London], hand-coloured etching, 33cm x 23cm; John Doyle (1797-1868), by and after, political caricature, Leap Frog, Down Constitution Hill, [Grey's Reform Act of 1832], London: Published by Thoms. McLean: 26, Haymarket April 13th 1831, hand-coloured etching, cropped to platemark, 28.2cm x 39.2cm, [3]
Browne (James, LL.D., Advocate), A History of the Highlands and of the Highland Clans; with an Extensive Selection from the Hitherto Inedited Stuart Papers [...], Numerous Illustrative Engravings, four-volume set, London, Edinburgh, and Dublin: A. Fullarton and Co., 1852, contemporary three-quarter calf over cloth, 8vo, (4); Douglas (Sir Robert), The Baronage of Scotland, or an Account of the Gentry, &c., Edinburgh: Bell & Bradfute, 1789, lacking title-page and prelims, early 19th century ink MS index, no plates, early 19th century half-calf over marbled boards, folio; Bone (James), Edinburgh Revisited, [Illustrated] with LXXV Drawings by Hanslip Fletcher, London: Sidgwick & Jackson, Ltd., 1911, frontispiece etching of the city, tipped-in colour plates and some b/w illustrations, contemporary cloth gilt, 4to; Speedy (Thomas), Sport in the Highlands and Lowlands of Scotland, With Rod and Gun, With Illustrations, Edinburgh and London: William Blackwood and Sons, 1884, contemporary green cloth, pictorial gilt upper-cover, 8vo, [7]
Robert Morden (c. 1650-1703), by and after: a set of three maps, The North, East and West Ridings of Yorskhire, [London]: Sold by Sold by Abel Swale, Awnfham (sic) and John Churchill, [n.d., 1695], monochrome etchings and engravings, 49.5cm x 40.5cm, (3); another, two-fold map, Darby Shire (sic, Derbyshire), [London]: Sold by Sold by Abel Swale, Awnfham (sic) and John Churchill, [n.d., 1695], monochrome etching and engraving, 39cm x 44.5cm, (1); Richard Blome (1635-1705), by and after, A Mapp (sic) of Nottingham Shire, upper-lefthand margin with armorial dedication cartouche to the Earl of Chesterfield, two-fold etching, 33.5cm x 28cm, (1), each map mounted and framed en suite, [5]

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