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Preisdatenbank abonnierenDIETER ROTH ÜTVEGSBANKI ISLANDS (DOBKE 302) - 1973 Etching, 11/100, signed, dated and numbered in pencil to margin, printed by Birgit Skiöld, London, published by Bernard Jacobson Gallery, London Bernard Jacobson Gallery, London, where acquired by the present owner the sheet 15cm x 21cm (6in x 8.25in)
Richard Hamilton MAN WALKING (AFTER MUYBRIDGE), (LULLIN 44) - 1953 Etching and aquatint, 5/10, signed and numbered in pencil to margin, printed and published by the Artist The current owner's mother was tutored by Hamilton while attending art school in Newcastle in the 1950s, and the family believe these were gifted to her by the artist at that time. plate size 25cm x 17.2cm (9.75in x 6.75in), the sheet 30.4cm x 20.8cm (12in x 8.25in)
Alfred Bentley (1879-1923) 'Landscape with buildings', etching, signed in pencil lower right, 15.5cm x 26cm and a 20th Century English School 'Old Stoke Bridge, Ipswich', etching, indistinctly signed in pencil lower right, 17cm x 20cm (2) Both with overall wear to the frame. Ipswich study with foreign items under the glass. Minimal foxing to the mount in places.
Anthonie Waterloo (circa 1610-1690) Three etchings of Dutch landscapes, scenes from Utrecht, the first inscribed 'AW f 4', 12cm x 14.5cm, the second inscribed 'AW f 5', 12cm x 14.5cm and the third inscribed 'AW ex 6', 11cm x 14.5cm With signs of wear consistent with age and use. The third etching with small holes. With discolouration. Some foxing. With potential smudging. The frame with chips. Old labels and tape are attached to the back of the frame. The back of the frame has been written on.
Two etchings of castlesWindsor Castle and Dunster Castle, both signed lower right, each 13.5cm x 24.5cm (2) With signs of wear consistent with age and use. Both with discolouration/time/UV fade. With foxing and marks. With folds/creasing.Slightly cockled paper. Unidentifiable foreign objects behind glass. Dunster Castle etching with very minor loss. Some water damage/staining to the back of the frame. Both frames with looseness. Would benefit from re-framing.
J Alphedge Brewer (British 1882 - 1938), study of a Cathedral; interior, coloured etching. 68x43cm approx. together with a facsimilie map after John Speed of the British Isles and a coloured print Travelling 1840 Old Station and Derby, North Midland Railway after C Hamilton Ellis. (3) (B.P. 21% + VAT)
After Van Rijn Rembrant, (1606-1669), Jesus Christ performing a miracle in the mouth of a cave, signed in the plate and dated 1645. Uncoloured etching. 19x14cm approx. Together with another uncoloured etching depicting deer in woodland, signed Maurice Jacques. 18x13cm approx. Framed. (2) (B.P. 21% + VAT)
Sir Frank Short (British, 1857-1945),'Strand Gate, Winchelsea',Etching on paper,Signed in pencil to lower margin, monogrammed in the plate,Brogyntyn Estate label and R. Gutekunst gallery label verso,The plate 18.5cm x 31.5cm,The sheet 20.5cm x 33cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Frederick Landseer Griggs (British, 1876-1938),Ragdale Hall,Etching on paper,Initialled and dated 1931 in the plate, named and titled to applied label verso, partial Brogyntyn Estate label verso,The plate 17.5cm x 25cm,The sheet 18.5cm x 26cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue interieure du temple de Neptune' [View of the interior of the Temple of Neptune],Etching on paper,Plate XII from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,The plate 48cm x 68cm,The sheet 50cm x 75cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue des restes de la celle du Temple de Neptune' [View of the Remains of the Cella of the Temple of Neptune],Etching on paper, from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,The plate 50cm x 68cm,The sheet 52cm x 75cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue des restes de la celle du Temple de Neptune' [View of the Remains of the Cella of the Temple of Neptune],Etching on paper,Plate XVII from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,Brogyntyn Estate label verso,The plate 47.5cm x 67.5cm,The sheet 52cm x 75cm, Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Giovanni Battista Piranesi, (Italian, 1720-1778),'Veduta del Ponte Lugano su l'Anione', Etching on paper, published Rome 1763,Brogyntyn Estate label verso,The plate 46cm x 66.5cm,The sheet 54.5cm x 75.5cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
'Tableau Des Papiers Et Monnoyes Avec L'echelle de Proportion de leur valeur pendant leurs cours adopte par le conseil des Anciens [Table of Papers and Coins with the scale of proportion of their value during their courses adopted by the council of Elders], Hand-coloured etching on laid paper, published c1797, 55cm x 67cm, Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
A folio of Old Master and other prints, 18th c and later, including George Vertue FSA (1684-1756) after Lucas de Heere (1534-1584), Frances, Duchess of Suffolk and her Husband Adrian Stokes Esq:r, double-portrait, London, 1748, etching and engraving, 48 x 55cm, Thomas Watson (1750-1781) after Sir Peter Lely (1618-1680), [Barbara Palmer, Duchess of Cleveland, as Minerva], proof before title, London, 1779, mezzotint, 47 x 34cm, six further portrait mezzotints, 18th and 19th c, after Piranesi, Outside View of the Colosseum, s.l. [London], n.d. [c. 1775], engraving, 28 x 41cm, [satire/caricature] Anon, The Monkey's Downfall or Cat's-Paw Rescu'd, s.l. [?London], n.d. [c. 1767], etching, later laid on card, 28 x 40cm, Plate No. 117 from Sir William Hamilton's Collection of Antiquities and Vases, s.l. [Naples], n.d. [c. 1767], copperplate engraving, contemporary hand-colouring, 29.5 x 26cm, Giovanni Girolamo Frezza (1659–1730) after Carlo Maratta (1625-1713), Pan Foiled by Diana, s.l. [Rome?], n.d. [c. 1680-1720], engraving, trimmed with loss of some lettering, 36 x 25.5cm, pasted watercolour frieze mount, various other prints with conforming mounts, Francesco Bartolozzi RA (1727-1815) after Richard Cosway RA (1742-1821), Princess of Charlotte of Wales as Baby, [London], [1797], stipple engraving and etching, trimmed with loss of all lettering, 35 x 27cm, etc., others, mixed media and sizes, (approx. 40) Mixed condition.
Americana. Charles Mottram (1807-1876) after John William Hill (1812-1879), Boston, [Massachusetts], panorama, London: Colnaghi & Co., New York: Smith Brothers & Co., Paris: François Delarue, et al., dated 1857 within the plate, etching and engraving, contemporary hand-colouring, 65.5 x 100cm Good condition, fresh colouring. One or two foxed spots, though displaying well. Unexamined out of frame.
William Douglas Macleod (1892-1963) - Working Oxen, the margin signed in pencil, n.d., etching, 17 x 36cm, Margaret Taylor Fox (American, 1857-1941) - Ploughing the Fields, signed M.M. Taylor within the plate, the margin further signed in pencil, n.d., etching, 14.5 x 18.5cm, and an off-set print after Ernest Stephen Lumsden, (3) Good condition. Unexamined out of frames.
â–´ 'La Mort de la Vierge'etching and colour photograph, signed, inscribed with title and dated 'ERNEST/PIGNON ERNEST/97' in pencil l.c., numbered '31/60'62 x 89.5cm (visible)Condition ReportFramed: 65.5cm x 93cmThe work comprises of three etchings two measuring 19.5 x 10.5cm, the largest 34 x 50cm. The photograph is 12.5 x 18cm.Not viewed out of glazed frame. Light cockling with small handling creases to the bottom edge.
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