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Los 61

CONTEMPORARY SCHOOL,FROM THE NORTH IIIsugarlift etching, signed indistinctly and titled in pencil37cm x 31cmMounted, framed and under glass

Los 488

HENRY MOORE, 'Mother and child', etching and aquatint, hand signed and numbered in pencil, 3/50, 13cm x 16cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

Los 50

HENRI MATISSE, 'Flowers - With Two Remorques', original etching on Arches paper, 1932, edition 145, 33cm x 25cm, framed and glazed.

Los 236

SALVADOR DALI, 'Freud with a snail head', original drypoint etching in colours on BFK Rives watermarked paper, hand signed in pencil, 1974, 51cm x 65cm.

Los 2095

Sydney Ure Smith (1887-1949) "Cottage Clarendon" etching, 32/50, signed lower right, 13 x 13cm

Los 2127

J. Hookbz "Tea With Bird" limited edition etching 2/10, signed in pencil lower right, 9 x 12 cm

Los 2149

Sydney Ure Smith (1887-1949) "Old Fisherman's House Windsor", etching, 33/50, signed lower right and initialed upper left, 12 x 16.5cm, Provenance: The Sedon Galleries, Melbourne,

Los 2334

Elioth Gruner (1882-1939) "The Cascade" dry point etching, signed lower left, 16.5 x 12.5cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014, Provenance: Artarmon Galleries, Artarmon 2013

Los 2345

Sandi Rigby "Croajingolong VI" limited edition etching 1/15, signed verso, 19 x19 cm together with a Vida Pearson linocut and another small European screen print

Los 2385

Sheila Sharp, "Three", aluminium plate etching edition 6/10, signed lower right, 7 x 7cm

Los 2017

John Brunsdon (1933-2014) ''End of Harvest'' Signed, inscribed and numbered 65/150, etching and aquatint, 52.5cm by 67cm

Los 2004

Henry Moore OM, CH, RBA, RBS (1898-1986) ''Head of Prometheus'' Signed in pencil and dated (19)50, artist's proof aside from the edition of 50, coloured etching, 33.5cm by 25cm

Los 2014

After Michael Ayrton (1921-1975) ''V Spears'' Bears the stamp of the Michael Ayrton Estate and numbered 64/75, a black and white etching, 30cm by 25cm (pl) Sold together with the exhibition catalogue for ''The Graphics of Michael Ayrton'', Bruton Gallery, 1977

Los 2018

Martin Leman RBA, RWS (b.1934) ''Playing'' Signed, inscribed, numbered 18/95 and dated (19)98, etching in colour, 17.5cm by 18cm

Los 2026

Piers Browne (b.1949) ''While Not a Leaf Seems Faded... Wordsworth, The Langdale Pikes'' Signed in pencil and inscribed, A/P, etching, together with a further etching by the artist ''Ye Visions of the Hills! And Souls of Lonely Places'', 18cm by 15.5cm and 12cm by 9cm respectively (2)

Los 2024

Piers Browne (b.1949) ''Lovliest of Trees...'' Signed in pencil and dated (19)82, inscribed and numbered 20/100, etching, 34.5cm by 24.5cm

Los 2016

John Houston (1930-2008) Poppies and other flowers in a vase Signed in pencil and numbered 1960, etching, together with a watercolour entitled ''Orchids and Lightening'' by Donald Manson and a watercolour of figures at the coast by Anthony Eyton 27.5cm by 36cm and various other sizes (3) Provenance: John Houston - The Scottish Gallery Donald Manson - The Open Eye Gallery, Edinburgh

Los 151

'Greasbrough Dusk', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 152

'Tag Row', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 153

'Monumental Landscape', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 154

'High House', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 201

'By the Beck', limited edition etching no. 20/150 after J Handford signed, titled and numbered in pencil unframed 30cm x 37cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 88

Vessel out at Sea, etching after Harold Wyllie (1880-1973) signed in pencil 23cm x 27cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 170

Martin Tobias (b. 1932) 'Seaward', etching and aquatint with embossing, 77x57cm

Los 204

Phil Greenwood (b. 1943), Sky Anvil, etching and aquatint, signed by the artist 60x71cm

Los 327

Herbert Dicksee (1862 - 1942) "Ready" etching, HD 1928, 54cm x 33cm

Los 444

Slightly curved single fuller blade, nickel plated and etched on right side “PRESENTED/TO SERGT. CHARLES/T. CAHILL/5TH SECTION/INFANTRY” in a panel on a gold background surrounded by military motifs and at top, the other side etched “ANCIENT/AND HONORABLE/ARTILLERY/CO.” with scrolls, military motifs and marked at top “E.O./BERTEL/BOSTON/MASS.” Nickel-plated guard with relief cast Acanthus leaves on each branch and relief sun bursts and stars on both sides of guard with Bakelite grip; pommel with relief wreaths. Nickel plated scabbard large relief eagle between ring mounts and relief engraved drag. Excellent condition, blade with a few light marks from scabbard and some light rust specks, gold wash on etching partially worn off, hilt shows light oxidation and grip has tuned brown. Scabbard with scattered rust spots and missing much of the nickel plating. Blade Length-31-3/4"; Overall Length-37";

Los 634

Manufactured by Colt to celebrate 100 years of service. Manufactured in 2011, standard features include 5" barrel, blued finish, semi automatic, fixed sights, gold medallion grips, chambered for the .45 ACP cartridge, this special edition features engraved etching on left side of slide with gold inlay pony 1911 - 2011. Gold Colt on left rear, right side of slide has gold pony at rear, gold banner reads 100 Years of the Model 1911. Has all early features including checkered short wide spur hammer, slide lock and safety, long smooth trigger, U-notch rear sight, flat main spring housing with lanyard loop. Gun remains in new unfired condition with the special high polish Colt blue finish. Comes in the original box, with all paperwork, one extra magazine, also comes with a glass front red velvet line display case. Serial Number-19110591; Manufacturer-Colt; Model-1911; Caliber-.45 A.C.P.; Barrel Length-5"; FFL Status-Modern;

Los 903

The capstan is small on a pommel that is surmounted with a heavy teardrop that bears nice molding. The raised edges are prevalent throughout the stately hilt. Stirrup knuckle bow has two half-moon buildups at its origin and a heavy line, which blends with the backstrap, and is carried into the slotted counter guard. The slots are bridged by circles of heavy silver and marked on the upper portion of the guard “I B” in Roman, capitals surmounted by crown in a conforming punch and on the underside of the knuckle bow is a different hallmark, “I B” in a rectangular punch separated with a crown bearing more lobes above. The grips are completely covered with four strands of chevron-shaped twisted wire in between each flat band. There is a red felt buffer between the hilt and the blade. The straight tapered spadroon blade has a broad center fuller and a smaller rudimentary fuller. The etching on the blade is vine work with a crude patriotic eagle and stars around the head and a stand of arms on both sides. Hilt: 5-1/4”. Total: 32”. Copy of "American Silver-Hilted Revolutionary and Early Federal Swords by Daniel Hartzler", featuring this sword will be included. Sword is featured on page 437, figure 392. Excellent condition; blade retains about 40% blue finish with traces of guilt, especially near top, some scattered dark areas in unblued portion. Hilt and grip are excellent, knuckle bow with a few light marks and slight bend near pommel intersection. Blade Length-29"; Overall Length-35";

Los 1156

Features round high polish factory blue barrel with no provision for sights, blued J.P. Sauer action, French satin nickel hand engraved trigger guard and floorplate with etching of a wolf and engraver's initials, typical Weatherby stock with diamond skip checkering, contrasting forend and grip cap with solid white diamond, and solid red rubber pad. The floorplate and triggerguard were engraved by Belgian master engraver Paul Dubois. The stock is inletted with exotic three different wood panel on right side and all three sides of the forearm. Rifle sports a Weatherby Imperial 6x62 scope with engraved rings. Notwithstanding some minor storage wear on scope, rifle is in near new condition inside and out. Serial Number-S4855; Manufacturer-Weatherby; Model-MKV Varmintmaster; Caliber-.224 Magnum; Barrel Length-24"; FFL Status-Modern;

Los 233

AFTER JAMES ABBOTT MCNEIL WHISTLER A late 19th century scene of Old Fulham Toll Bridge as seen from the Chelsea embankment, an Etching, 13cm x 20cm plate mark, signed with butterfly device within the plate, plain mounted in slender black frame

Los 139

WILLIAM LIONEL WYLLIE: published 1903, a print of an etching of an industrial harbour scene, pencil signed, 23 x 43cm

Los 101

A signed Percy Robertson etching and a coloured engraving of Lichfield Cathedral after Mackenzie

Los 1798

Henry Rushbury, 'Stirling Castle' signed, etching, pl.20 x 30cm; together with another pencil signed etching; an old map of Sussex; and another.

Los 331

A good antique 19th century etching titled 'HMS Victory At Rest, Portsmouth Harbour.' By CE Holloway. Framed and glazed, 68cm x 78cm 

Los 245

Hedley Fitton (1859-1929), etching of Rialto Bridge Venice, signed in pencil in the margin, approx 33 x 37 cms

Los 250

Miscellaneous Pictures and Prints, including etching of 'The Chapel' at Haddon Hall, 'Sophie' by Owen Smith, 'Boats at Low Tide' J S Coleman, two black and white etchings of Ancient Cities, 'Autumn' B. Judge, two watercolours by Hindes dated 1981 and two original watercolours of Anenome's amongst others, all framed and glazed.

Los 204

ANDERS ZORN (1860-1920) Julli II Etching, signed in pencil and framed, 19cm x 15cm and another etching of a gentleman by Zorn, unframed 16cm x 12cm (2)

Los 219

EILEEN ALICE SOPER (1905-1990) Patience Signed in pencil, etching, 12cm x 10cm CONDITION REPORT: Paper slightly yellow. Blind stamp to mount. Frame scuffed, Etching good condition.

Los 285

MEYER EBERHARDT (1895-1977) Little Kittens Colour etching, signed in pencil, 26cm x 36cm CONDITION REPORT: Glass damaged

Los 284

MEYER EBERHARDT (1895-1977) Mother and Kitten Colour etching, signed in pencil, 23cm x 20cm

Los 281

WINIFRED AUSTIN BudgerigarsAquatint etching, signed in pencil, 20cm x 27cm CONDITION REPORT: Frame is quite tatty. Some foxing to edge of picture. Slip is damp. Mould growing beneath glass. 'Lice' beneath glass.

Los 593

SIR FRANK BRANGWYN (1867 - 1956); a signed black and white etching, "Making Sailors: Duff", from the 1917 series "The Great War: Britain's Efforts and Ideals", signed in pencil to lower right, 49 x 38cm, framed and glazed. (D) CONDITION REPORT: Some foxing to bottom of print, especially around the signature - top right hand corner slight ripple to paper.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Los 689

CLAUDE HARRISON (1922-2009) ARCA, RP; oil on canvas portrait of Lily Shawcross, scratched signature to lower left, inscribed to the verso, 44.5 x 34cm, framed also a watercolour by H. Lawes "The Minor's Bridge", stream scene with mountainous landscape, 24.5 x 37cm, a decorative floral oil, a signed print by K. Melling, and an etching, framed and glazed (5). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Los 370

Paul Cézanne (French, 1839-1906), etching, Guillaumin au Pendu, 1873, 158 x 119 mm.

Los 319

William Lionel Wyllie (English, 1851-1931) "Aberdeen", Etching depicting steamboats in a harbour, signed lower left in pencil to the margin, W.R. Howell & Co., London Gallery label verso, gilt framed and glazed, 16cm x 37cm

Los 322

Frank Harding (British, 1935-1990) "Cleopatra's Needle", drypoint Etching, depicting various boats and figures on the Thames before Cleopatra's Needle, annotated and signed to the margin in pencil, black framed and glazed, 25cm x 29.5cm

Los 328

Douglas Ion Smart (British, 1879-1970) "Berwick" and "Woolwich", a pair of monochrome Etchings, signed within the margins, together with Frank Henry Mason (British, 1876-1965), "HMS Ganges II, Harwich", monochrome Etching annotated and signed in the margin in pencil, 11cm x 24cm (3)

Los 360

Andrea Mantegna (Italy, 1431-1506) "Head and Shoulders of an Unidentified Man" in profile to right, a shadow on the right; after Mantegna 1735, Etching printed in brown ink, AP Monogram dated 1735 lower right and annotated "E Musaeo Dni. Roberti Dingey", then the owner of the original drawing now in the British Museum, gilt framed and glazed, 21.5cm x 16.5cm

Los 398

Early 19th Century English School hand coloured Etching "The Chateau Du Chillon", Miles Wynne Cato Gallery label verso, ornate gilt framed and glazed, 25cm x 35.5cm

Los 472

Architectural Water Colours & Etchings of W. Walcot , (H C Dickins, London and New York 1919) brown cloth cover with gilt, limited edition number 222 of 250 with an original etching signed in pencil by the artist together with its 1991 bill of sale for £275 from Henry Sotheran Ltd.

Los 139

William Lionel Wyllie (1851-1931). Battleships at sea, artist signed etching, 13cm x 24cm Provenance: Butterfields, Thoresby Park, Nottinghamshire Removed from Thoresby Hall in 1988, but not sold by Sothebys 29th May/1st June 1989

Los 181

Stuart Asher (20thC). Abstract, artist signed etching, 32cm x 26cm, and four other works by the same artist.

Los 69

John Sell Cotman (1782-1842). A Study, etching, 16cm x 21cm. Label verso - William Weston Gallery, London

Los 15

Henry Rushbury (1889-1968) Paris, etching, signed in pencil below, 23 x 32cm (image; slightly foxed); Peter Foster, 'Abandoned Project for the Bird-Keeper's House in St James's Park', watercolour design with vignette to lower right of mount, 'exhibited R.A. 1955', 27 x 39cm;and one other watercolour design for a primary school by Foster, exhibited R.A. 1963 (3)

Los 17

James Gillray A Welch Tandem Etching with hand colouring, originally published 1807, by H Humphrey, pl. no. 501 to upper right corner 26 x 36cm (10 x 14in)

Los 3

A mixed collection of loose and mounted prints, to include three small animal subject wood engravings by Joan Hassall, signed in pencil and titled; another on india paper by Clare Leighton 'Sunflowers' signed and numbered XIV/XXX, (11 x 6cm); E. J. Story 'Low Tide Polperro', etching, 25 x 20cm; and others including earlier etchings by different hands; also a late 19th century sketch book for 'Thomas Seccombe', and a roll of signed posters by Birtley Aris (quantity)

Los 31

"Plan of an Estate belonging to the Master and Fellows of Caius College Cambridge, situate in the Parishes of South Runcton and Holme", 1820, pen and ink plan on linen with little outline colour, by Charles Barcham, Lynn, 33 x 44cm, (rather creased, 2 soil marks to lower margin); and an early etching 'Ground Plat of Kings Lyn', after I. Bell, (fold creases), 33 x 42cm (2)

Los 4

After James Gillray (1757-1815) Dido in Despair, 19th century hand coloured etching [originally published 1801 by H. Humphrey in a larger size], 18 x 25cm (7 x 10in)

Los 6

Andrew Ingamells (contemporary), Magdalene College, Cambridge, etching, signed limited edition no. 42 of 175, 71 x 65cm (28 x 25in) few surface creases, and small stain to side of upper left margin

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