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78472 Los(e)/Seite
Los 187
Rembrandt van Rijn (1606-1669) - Beggar Woman Leaning on a Stick Etching, on laid paper Inscribed no.164 in pen and brown ink lower right Circa 1646 8.5 x 6.5 cm. (3 3/8 x 2 1/2 in) Literature: Bartsch 170; Hollstein (White and Boon) 170 Please note: that this work is dated circa 1646 not as catalogued
Los 188
Rembrandt van Rijn (1606-1669) - Nude seated on a mound Etching on laid paper with indistinct armorial watermark Possibly re-worked by another hand Circa 1631 but later impression [cf. White & Boon 198; New Hollstein 88] 17.5 x 16 cm. (6 7/8 x 6 1/4 in) Together with Baron Dominique Vivant Denon's (1747-1825) etching of three heads, after Rembrandt[?], 5 x 12 cm. (2 x 4 3/4 in), (2).
Los 189
Charles Meryon (1821-1868) - La Morgue Etching and drypoint, printed in brownish black ink, on laid paper Fourth state (of seven), [Schneiderman 42] 1854 28 x 24 cm. (11 x 9 1/2 in), full margins Unframed A well inked impression of one of Meryon's most iconic and atmospheric etchings. La Morgue not only documents the architectural heritage of Paris, but with Meryon's characteristic skill of creating mood through line and shadow, the macabre subject matter becomes both intriguing and mysterious.
Los 193
Theodore Casimir Roussel (1847-1926) - The Gate, Chelsea Etching and drypoint, with light plate-tone, on laid paper Signed in pencil on tab lower left Circa 1889-1890, [Hausberg 33] Final state (of four), from an edition of around 40 20.7 x 16.5 cm. (8 x 6 1/2 in) Together with Margaret Dunwoody Hausberg's The Prints of Theodore Roussel, A Catalogue Raisonné , numbered 164 of 750, in green cloth slipcase, and a Christie's sale catalogue, 28th October 1988; the original auction for the present etching, lot 341. 'The gate and house behind it still stand today at No.4 Cheyne Walk. It is located in a row of the oldest and most elegant buildings on Cheyne Walk - the segment that has changed the least since Roussel's time.' [Hausberg, The Prints of Theodore Roussel , 1991, p.65]
Los 113
NORMAN JAQUES (1926 - 2014) ARTIST SIGNED ORIGINAL BLACK AND WHITE ETCHING WITH AQUATINT Fir trees reflected in a lake Signed in pencil 17 3/4" x 14 1/4" (45cm x 36.5cm) AND AN ORIGINAL COLOURED LITHOGRAPH "Rock Formations" artists proof Signed and titled in pencil 31" x 19 1/4" (79cm x 49cm) (Unframed) (2)
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78472 Los(e)/Seite