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78475 Los(e)/Seite
Los 134
Italy.- Rome.- Piranesi (Giovanni Battista) Tempio antico volgarmente detto della Salute, etching and engraving, on laid paper with large text-based watermark and countermark [Hind watermark 7], platemark 415 x 560 mm (16 1/4 x 22 in), sheet 550 x 825 mm (21 3/4 x 32 1/2 in), minor drying creases, nicks and tears to extremities, some spotting and surface dirt, unframed, [1763]Literature: Hind 71 ii/iv
Los 135
Italy.- Rome.- Piranesi (Giovanni Battista) Interno del Tempio di Canopo nella Villa Adriana (from Vedute di Roma), etching and engraving, Hind's first state (of three) on laid paper without visible watermark, platemark 450 x 575 mm (17 3/4 x 22 5/8 in), sheet 550 x 825 mm (21 3/4 x 32 1/4 in), minor spotting and surface dirt, unframed, [1776]Literature:Hind 131 i/iii
Los 136
Italy.- Rome.- Piranesi (Giovanni Battista) Veduta del Sepolcro di Pisone Liciniano su l'antica via Appia, etching and engraving, an excellent impression of Hind's first state (of three), on laid paper mounted with paper support verso, platemark 415 x 610 mm (16 1/4 x 24 in), sheet 540 x 790 mm (21 1/4 x 31 1/4 in), full margins with stitch marks to left edge, marginal surface dirt and signs of old adhesive, some small areas of abrasion, unframed, [1764]Literature:Hind 72 i/iii
Los 153
NO RESERVE Russia.- Cadolle (Auguste) Three plates from: 'Vues de Moscou dessinées d'après nature et lithographiées...', including two panoramic views of the city, and one of Resurrection Gate, lithographs by Engelmann and Thierry, all with hand-colouring, each sheet approx. 300 x 395 mm (11 3/4 x 15 1/2 in), or the reverse, some marginal restoration to old tears and small losses, unframed, [1833]; together with a panoramic 'General Front View of the Kremle', after Lavrof by E. Finden, etching and aquatint with hand-colouring, sheet 260 x 430 mm (10 1/4 x 16 7/8 in), mounted on support, old folds as issued, some browning and surface dirt, unframed, Cadell, 1823 (4)
![London.- Anonymous (circa 1830) [Grand panorama of the Lord Mayor's procession along Ludgate Hill, London], five individual s](https://cdn.globalauctionplatform.com/b2e0cc76-940f-48a0-b6c7-ae3600f31b48/77ad4970-21cd-4f10-97e7-ae3600f601ee/468x382.jpg)
Los 36
London.- Anonymous (circa 1830) [Grand panorama of the Lord Mayor's procession along Ludgate Hill, London], five individual sections forming one lond panorama, etching and aquatint, on Whatman wove paper with partial watermark date '18[?28]', each section approx. 62 x 455 mm (2 1/2 x 17 7/8 in), some old folds with splitting, handling creases, a few small nicks, collector's ink inscription to verso 'Joseph Foulmin Parker/ April 1832', unframed, [circa 1830]⁂ Apparently scarce. We have been unable to identify another example at auction or within an institutional collection.
Los 361
Late 18th century AD. An officer's sword for a member of the Order of the Garter, the gilt blade still with clear etching; the blade decorated with geometric patterns under the ricasso, followed by a foliage ornament with inscribed name 'Woolley' and the symbol of the Order of the Garter, a circle supported by two lions with the motto ‘Honi soit qui mal y pense' (Shame on him who thinks evil of it); the circle crowned by the Royal Lion, under the emblem inscription ‘Dieu et mon droit’. See Dufty, A.R., European swords and daggers in the Tower of London, London, 1974, pls.76, 92; Waterhouse, R., Child of another century, recollections of a High Court Judge, London, 2013. 790 grams, 99.5cm (39 1/4"). From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. This British officer's sword bears the crest of the Order of the Garter. The Most Noble Order of the Garter is still today the highest order of chivalry in England. Fine condition.
Los 367
Small Continental circular porcelain plaque depicting classical figures with Cupid, transfer decorated, after an original by Kaufmann, 9cm diam., in circular pierced foliate giltwood frame, 21cm diam., the matching frame containing a small hand coloured etching of the Madonna and Child after an original by Isabel Saul, signed in pencil. (2).
Los 798
Three late 19th-early 20th century pictures, including an etching depicting a chicken in a bow tie, the picture cut out and mounted onto another piece of paper, within a terracotta frame decorated with vines and scrolling motifs, height of frame 19cm, the two others depicting young women, both framed
Los 288
signed and numbered 11/30 in pencil in the margin etching and aquatint in colours on Arches paper122 by 80cm; 153,5 by 113 by 6cm including framingLITERATURER. Krauss et al, A Universal Archive: William Kentridge as Printmaker, (Hayward Publishing, 2012), p.13Kentridge is as confident in his use of an etching needle as he is with a stick of charcoal, and the same characteristic kinetic lines which are unapologetic and confident, are simultaneously delicate in both his drawings and prints. Dutch Iris II (lot 288) demonstrates Kentridge?s mastery of printmaking techniques. The subtle development of dark and light areas within the curling petals of the flower, enhanced by the vibrant application of greens and violets, sits against a deep purple background. The artist?s use of colour and line allows him to create a moody atmosphere and ?at some stage the copper and acid or the acrylic sheet and the engraving tools impose their own scenario, much as characters in a play or film?, David Krut explains. In this way, the flower transcends being a simple object, and instead becomes a character in a dramatic composition. R. Krauss et al, A Universal Archive: William Kentridge as Printmaker, (Hayward Publishing, 2012), p.13
![A large framed etching and a limited edition print after David Dipnall, largest approximately 55 cm x 41 cm image size. [2]](https://cdn.globalauctionplatform.com/38a77eb5-f76d-4436-b0ee-ae3c00ffb0e8/dc72fe5b-7e2d-4c23-9985-ae3c01015d80/468x382.jpg)
Los 672
PAINTINGS AND PRINTS ETC, TO INCLUDE JOAN JONES FLOWER STILL LIFE STUDY, oil on board, approximate size 55cm x 70cm, Ethel Howell landscape watercolour, Lawrence G Linnel coastal landscape, Alan Bickley watercolour winter landscape, Basil Emmerson 'Bell Wharf' watercolour, Peter Wells Spanish bridge study watercolour, Robin Ansell landscape oil on board, Chinese painting on silk of the Great Wall, Claude Rowbotham signed etching 'Langdale Pike', together with assorted prints etc (box & loose)
Los 780
A BOXED TWENTY PIECE ROYAL WORCESTER CLASSIC PLATINUM DINNER SERVICE AND FIVE PICTURES, boxed dinner service was a Daily Mail promotion comprising four dinner plates, tea plates, bowls, cups and saucers, with printed backstamp, an unmounted limited edition etching of a still life by Luigi Volpi 22/40 with certificate, a framed Maurice Ison print of Stuart Crystal works, signed to verso, three framed prints showing views of Tamworth (Condition report: pieces appear in good condition) (6)
Los 43
British School, 19th Century - Three printed works, comprising; Alfred Dawson - "Goring", unsigned, etching, 13.5 x 19cms, in a Hogarth frame; John Leech - "The Robbery of Tim Maley", unsigned, etching, 19 x 26cms, in a black lacquered frame; and William Hogarth - "The Cockpit", unsigned, etching and engraving, 32 x 38cms, in a parcel-gilt frame. (3)
Los 026427
Käthe Kollwitz, 1867-1945, Schlachtfeld, Blatt 6 aus dem Zyklus Bauernkrieg 1907-21, Radierung, unten rechts mit Bleistift handsigniert, aber stark verblasst, ca. 40x52.5cm, Ränder hinterlegt, leichter LichtrandKäthe Kollwitz, 1867-1945, battlefield, sheet 6 from the cycle Peasants' War 1907-21, etching, hand-signed in pencil lower right, but heavily faded, approx. 40x52.5cm, backed edges, slight light edge
Los 026527
Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Erhu Ivie', Darstellung verschiedener Yoruba-Könige und deren Herrscher-Insignien v.a. deren reicher Kopfschmuck, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metal FoilDeep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 11/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Erhu Ivie #', representation of various Yoruba kings and their rulers' insignia, especially their rich headdresses, from a phase of processing especially historical personalities, Metal Foil Deep Etching: a plastographic process of engraved and bronzed metal foil developed by the artist, Ed. 11/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist
Los 026394
Bernd Kastenholz, geb. 1943 Speyer, Ausbildung zum Maler a.d. Meisterschule für Handwerker Kaiserslautern und a.d. StaatlichenWerkkunstschule Mainz sowie a.d. Akademie der Bildenden Künste Stuttgart, Werkschwerpunkt auf die grafischen Künste, expressiv -figurative Sujets; hier: Pfalzspringer, Farbradierung, Ed. 56/70, sign. u. bez., unterPP u. Glas gerahmt, ca. 37x43 / 66x77 cmBernd Kastenholz, born 1943 Speyer, studied atthe academy of fine arts Stuttgart, work focuson the graphic arts, expressive-figurative subjects; here: Pfalzspringer, color etching, Ed. 56/70, signed and inscribed, framed under passe-partout and glass, approx 37x43 / 66x77 cm
Los 026332
Heinrich Zille, 1858 Radeburg - 1929 Berlin, 'Frau mit Pleureuse', Radierung auf Bütten, Stempelsignatur, ca. 42 x 18 cm, Blatt ca. 53 x 29 cm, PP.Heinrich Zille, 1858 Radeburg - 1929 Berlin, #'woman with Pleureuse#', etching on hand-madepaper, signature stamp, approx 42 x 18 cm, sheet approx 53 x 29 cm, passe-partout.
Los 026526
Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts; zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Oba Akai' Darstellung des Yoruba-Königs Aka, Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 9/30, betitelt, signiert u. datiert 1980, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence; numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Oba Akai #' Representation of the Yoruba king Aka, Metal Foil Deep Etching: the artist developed a plastographic process of engraved and bronzed metal foil, Ed . 9/30,titled, signed and dated 1980, approx. 69x50 cm, from private ownership after purchase fromthe artist
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78475 Los(e)/Seite