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78472 Los(e)/Seite
Los 121
K Varler (Eastern European 20th-21st Century) Descending Angel, woodcut, signed, dated '01 and numbered 11/45 in pencil bottom right, measurements 32 x 18 cm (i), frame 57 x 37 cm.Together with a further woodcut titled Knows Where to Fly, signed in pencil and dated '90 bottom right, numbered 4/10, measurements 18 x 30 cm (PL), frame 45.3 x 51 cm, and a coloured etching of a woman holding a lightbulb, initialled BW and numbered 10/10 bottom right, blind stamp below, measurements 12 x 14 cm (PL), frame 47 x 37 cm (3)Provenance: Purchased in Tallin, Estonia, consigned from the private collection of an art therapist
Los 276
AFTER WALTER DENDY SADLER (1854-1923); two mono etchings comprising 'The Last of the Vintage' depicting gentlemen toasting around a dining table in a country house, size of visible etching 34 x 49cm, framed and glazed, in an ornate gilt frame, frame size 70 x 85cm and 'His Favourite Bin' depicting a man holding up a glass of wine in admiration, 38 x 29cm, frame size 54 x 42cm, both with pencil signatures of the artist and engraver (2). CONDITION REPORT The Last of the Vintage: The frame is missing some of the trim/rim.
Los 293
Collection of prints to include an abstract study of a head, etching, signed & dated 'M. Evans 1956' (no provenance); Francis Wells, Evening on Snowdon, aquatint etching blind-stamped 'Artists Proof'; View of Caernarvon Castle from Anglesea, aquatint etching by Wiliam Daniell, published by Longman, 1814, and others, including various late-20th century signed limited edition prints by Freda Ward; Brian Halton; W. M. Ireland; Raymond K. Boyes; J. Beddows; H. Carlisle; J. Baxter. Together with a watercolour of clowns, signed John Hill, 1983 (14)
Los 255
Eugene Carriere (French 1849-1906) study of a mother with a an unwell child, black and white etching on paper with blind embossed monogram and remarque of a medicine bottle and spoon, 31.5 x 25 cm approx sheet size, together with Virginie DeMont-Breton, study of a fisher woman carrying her children from the sea, black and white etching, with signature to plate and dated 1881, 20 x 12.5 cm approx visible sheet size, both framed (2)
Los 258
Sir William Dyce, RA, HRSA (British 1806-1864) study of a recumbent child by a river bank, black and white etching on paper, signed with initials to plate WD ft and dated 34, and with various labels verso including biographical details of the artist, in wooden frame, 10 cm x 14 cm approx visible sheet size, framed
Los 370
Frank Henry Mason (British 1875-1965) - Coastal scene with fishing boats, signed black and white etching on paper, 18 x 22.5cm approx, together with Edgar Wilson (British 1861-1918) - Attic Window - view towards a harbour, black and white etching on paper, signed and dated 15, 13 x 9cm, together with a further collection of watercolours, oils and prints all relating to shipping subjects including a watercolour of a boatyard signed F R Gillespie, 21.5 x 15.5cm, etc, various sizes all framed, together with a ceramic plate with printed marine scene detail (11)
Los 166
*William Lee Hankey RWS (1869-1952) 'The Goose Girl' (Hardy 126) etching and aquatint, 1916, from an edition of 50, signed in pencil 'William Lee Hankey' plate mark 27 x 20cm; and two others, 'Portrait of a Lady' signed in pencil plate mark 27.5 x 22.3cm, 'The Monk and the Crucifix', 1913 (Hardy 119) signed in pencil plate mark 10 x 15cm (3) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frames. Goose Girl - appears to be in good condition. Portrait of a Lady - slight yellow discolouration to extreme edges by mount Monk - paper dicoloured, lines of discolouration from old mounts
Los 183
*Robin Tanner (1904-1998) 'Wren and Primroses', 1935 (Garton 19) etching, signed and inscribed 'Robin Tanner fec. et imp.' in pencil l.c. plate 9 x 11cm Exhibited: The Fine Art Society, 'Visions of Landscape', 2004, no.15. Note: 'fec. et imp.' means etched and printed by Robin Tanner. *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, some undulations to the paper, otherwise in apparently good condition, well presented and ready to hang.
Los 186
*Frank Brangwyn RA (1867-1956) A male figure carrying books; Gerber etching, both signed 'Frank Brangwyn' in pencil plate 19.3 x 13cm and 15 x 11.2cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Both sheets time stained, and both have foxing emerging, the man with books on thinner paper that shows some light handling creases. Gerber, has been torn in the past and has been stuck together onto a thicker piece of card. Please see illustrations for detail.
Los 267
William Lionel Wyllie (1851-1931) 'London Docks' etching, signed 'W L Wyllie' in pencil l.l., and inscribed as titled l.r. plate 14.6 x 35cm Provenance: With Deighton's Strand Gallery, London.Condition report: Unexamined out of glazed frame, housed in an acidic mount that has discoloured, some slight time staining to the sheet, tiny specks of foxing emerging, a small brownish stain just above the furthest left-hand boat. Condition does not detract from the good overall impression created by the work. Please refer to images for more detail.
Los 306
*Samira Abbassy (Iranian-British, b.1965) 'Icarus' etching and aquatint in colours, signed 'Samira Abbassy' in pencil l.r., inscribed as titled and numbered 20/25 sheet 57.3 x 37.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Foxing emerging throughout the sheet, see images. Some minor handling creases. Image size: 27.5 x 22.5cm.
Los 329
*Gustave Singier (Belgian, 1909-1984) Composition etching in colours, signed 'G Singier' and numbered 75/100 in pencil sheet 9 x 21cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame. Looks like two sheets together, like a folded card. Print is stuck down to mount. Discolouration to margins and spots of foxing to lower edge. Print itself does not appear to have any foxing.
Los 365
Karl Brandstätter (Austrian, b.1946) Cubist figure etching and aquatint in colours, signed 'Brandstatter' in pencil l.r., and numbered 12/60 l.l. sheet 50.2 x 65.5cm, unframed; Jean René Bazaine (French, 1904-2001) Untitled, 1953 lithograph in colours, signed and dated 'Bazaine 53' in pencil l.r., and numbered 162/300 sheet 75.5 x 54.2cm, unframed; Adrian Heath (1920-1992) Untitled, 1973 lithograph in colours, signed and dated 'Heath 73' in pencil sheet 79 x 58cm, unframed (3)Condition report: Brandstatter: time staining/discolouration to the sheet, soft creases along the centre - however, this is mostly visible from the reverse rather than from the front, some handling marks at the margins. Bazaine: discolouration of the entire sheet but particularly browning to the edges, specks of foxing emerging, light creasing at the corners, accidental pencil line top left, with pencil marks from previous owner reverse. Heath: one small smugde centre-left, minor handling creases, overall, condition is good. Please refer to illustrations for more detail on condition.
Los 389
*Keith Coventry (b.1958) 'Simmons Estate'; 'Roman Point'; 'Tiber Estate'; 'Berwick Tower' etching, 2008, each signed 'K Coventry', inscribed with title and numbered 30/50 in pencil, from the portfolio 'Copper and Silk' published by Paul Stolper, on Somerset wove paper each sheet 61 x 48.5cm (4) Artist's Resale Right may apply to this lot.Condition report: Simmons Estate: small smudge of dirt top right corner, faint Tiber Estate: small smudge of dirt next to number Roman Point: small smudge fingerprint in lower left printed margin, very minor Berwick Tower: a very light wave to the paper, although only visible from certain angles and probably due to how it has been framed. Overall these are all in very good condition. Not seen outside of glazed frames.
Los 435
*Frans Wesselmann (Dutch, b.1953) 'Study of a Cockerel I' etching in colours, signed 'Frans Wesselmann' in pencil l.r., inscribed as titled and numbered 33/100 14 x 18cm *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, mount has slightly discoloured, otherwise appears to be in very good condition, well-presented and ready to hang.
Los 45
*David Hockney (b.1937) An Erotic Etching etching, 1975, from the Erotic Arts, signed and numbered 18/100 in pencil on handmade paper, printed by Michael Rand, published by Secker and Warburg, London plate 15 x 11.2cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in excellent condition.
Los 66
*Bryan Ingham (1936-1997) 'The Spotted Jug II (Kynance)', 1980 soft and hard ground etching finished with hand colouring, signed with initials, inscribed as titled and dated 1980 in pencil, inscribed 'TP' (Test proof) image 7.2 x 10.5cm *Artist's Resale Right may apply to this lot.Condition report: Significant areas of foxing to the sheet, please see images. Not examined out of glazed frame.
Los 547
* FIONA WATSON, WINTER GARDEN colour etching with chine colle on paper, signed, titled and numbered 19/20 image size 30cm x 30cm, sheet size 46cm x 44cm, overall size 63cm x 60cm Mounted, framed and under glass. Note: Fiona Watson is one of Scotland's best known and most respected contemporary printmakers and her work is widely exhibited and held in numerous public and corporate collections. "Winter Garden" is surprisingly only the second example of Fiona Watson's work we've offered, the first being lot 653 on 28th Feb 2021 "Natural Progression" a black & white etching from an edition of 60 which sold for £200 (hammer).
Los 551
* ELEANOR SYMMS, SUNDOWN limited edition colour etching on paper, signed, titled and numbered 4/6 image size 20cm x 27cm, overall size 59cm x 51cm Mounted, framed and under glass. Note: Eleanor Symms trained at Edinburgh College of Art and graduated with distinction in 2012. She is a Professional member of Visual Arts Scotland, a member of the Association for Contemporary Jewellery and the Craft Scotland Directory of Makers. She exhibits in the UK and internationally. She was an invited artist at the 5th International Print Biennale, Douro, Portugal in 2010. The only previous colour etching by Symms we have offered was "Swish" a slightly smaller 10/30 print which sold for £150 (hammer) on 9th May 2021.
Los 553
* ELEANOR SYMMS, GATHERING CLOUDS limited edition colour etching on paper, signed, titled and numbered 3/6 image size 30cm x 25cm, overall size 58cm x 51cm Mounted, framed and under glass. Note: Eleanor Symms trained at Edinburgh College of Art and graduated with distinction in 2012. She is a Professional member of Visual Arts Scotland, a member of the Association for Contemporary Jewellery and the Craft Scotland Directory of Makers. She exhibits in the UK and internationally. She was an invited artist at the 5th International Print Biennale, Douro, Portugal in 2010.
Los 653
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), UNTITLED oil on canvas overall size 91cm x 121cm Unframed. Note: Richard Turner was noted post-modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full-scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet-style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
Los 120
CLAES OLDENBURG (SWEDISH-AMERICAN B. 1929)Butter Pat in Berkeley Hills, 1976etching on Auvergne a la Main Paper21 x 27 cm (8 1/4 x 10 5/8 in.) [image size]; 66 x 50 cm (26 x 19 3/4 in.) [full sheet] signed and inscribed in pencil with edition 29/35 lower leftprinted by John Slivon at Crown Point Press, Oakland, published by Multiples, Inc. New YorkCONDITION Observed in frame, the etching appears in good condition. Minor wear and toning to the perimeter of the sheet. Very minor spotting visible to the sheet upon close inspection. With no significant issues to report otherwise. framed dimensions: 86 x 67 cm (33 7/8 x 26 3/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![REMBRANDT VAN RIJN (DUTCH 1606-1669)Nude Man Seated on the Groundetching10 x 26.67 cm (4 x 10 1/2 in.) [plate], 14 x 21 cm (5](https://cdn.globalauctionplatform.com/21685c8f-fe63-42ed-b3eb-ad6401159c32/96f48a6b-37e5-4744-a110-ad64011ba82e/468x382.jpg)
Los 247
REMBRANDT VAN RIJN (DUTCH 1606-1669)Nude Man Seated on the Groundetching10 x 26.67 cm (4 x 10 1/2 in.) [plate], 14 x 21 cm (5 1/2 x 8 1/4 in.) [full sheet]signed, dated 1646, lower left in plate, indistinguishable numbering lower left in pencil outside of plateCONDITION Unframed, the etching appears in age-appropriate condition. Minor surface soiling to the lower right edge. The sheet is laid down to the matte. With no significant issues to report otherwise. framed dimensions: 29 x 35 cm (11 3/8 x 11 3/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 489
PAIR OF ETCHINGS AFTER JOHN OGILBY (SCOTTISH 1600-1676)comprising:a) I. TAMARACA hand colored etching, plate: 28 x 35 cm (11 x 13 3/4 in.)b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, hand colored etching, plate: 28 x 35 cm (11 x 13 3/4 in.)CONDITIONObserved in frame, both etchings are in overall stable age-appropriate condition.a) I. TAMARACA, Slight waviness to the sheet. age-appropriate discoloration in paper. Some foxing is apparent in the upper and lower corners of the sheet.b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, Slight waviness to the sheet. Foxing is apparent on the upper left and lower middle of the sheet.framed dimensions: 51 x 57 cm (20 1/8 x 22 1/2 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 52
NINE ETCHINGS BY REUBEN NAKIAN (AMERICAN 1897-1986)comprisinga) Nude, lithograph, 57 x 76 cm (22 1/2 x 29 7/8 in.) [full sheet], inscribed BAT lower left, signed lower rightb) Group of 8 Etchings, etching on villet press HMK paper, 34 x 54 cm (13 3/8 x 21 1/4 in.) [full sheet], 12 x 34 cm (4 3/4 x 13 3/8 in.) [plate], each with edition 62/75 lower left, signed lower rightCONDITIONObserved in frame, overall the group appears in age-appropriate condition. Each with a slight waviness to the sheet. Minor toning visible to perimeter of some but not all. No significant issues to report otherwise.framed dimensions: 76 x 96 cm (29 7/8 x 37 3/4 in.) [largest], framed dimensions: 39 x 59 cm (15 3/8 x 23 1/4 in.) [smallest]N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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78472 Los(e)/Seite